Learn How To Easily Find Wines Of $50 Quality For $10 Or Less. Impress Friends With Your Expanded Wine Knowledge. Eliminate Your Dependence On Wine Salespeople. And Take The Hassle Out Of Buying Wine.
Earn $6.17 / Sale! %75 Commission! The Ultimate Resource For Anyone Who Wants To Learn How To Make Outstanding Wines & Spirits From Their Very Own Home!
Instead of traversing the familiar terrain of regions or grape varieties, I forge a new path by plotting a seasonal arc for wine consumption. This ties in to the way that I enjoy wine, by emphasizing the context of how, where, when (and with what and with whom) we drink wines, as well as linking to the trend of seasonal cooking that is so prevalent today among professional chefs and home cooks. I’m glad that this theme resonated with so many of you in our previous discussion.
The book has short essays and hundreds of wine recommendations across the twelve months of the year. There should be something for wine lovers of all levels, newbie to full-on wine geek. There’s also some information for all seasons about wine style, wine service and how to actually find good wines near you. And twelve wine travel sections help you even change your context for maximum wine enjoyment.
Alex Eben Meyer contributed the great illustrations. Check out his excellent portfolio at his site!
And a total of thirteen sommeliers lent their thoughts to the volume. They include: Richard Betts (The Little Nell, Aspen, CO); Shayn Bjornholm MS (Washington Wine Commission); Thomas Carter (Blue Hill Stone Barns, Pocantico Hills, NY); Belinda Chang (The Modern, NYC); Christie Dufault (Quince, SF); Erik Liedholm (Seastar, Seattle); Rajat Parr (Michael Mina Group, SF); Shelley Lindgren (A16 restaurant, SF); Roger Morlock (Park Avenue Seasons, NY); Virginia Philip, MS (The Breakers, Palm Beach); Tysan Pierce (The Herbfarm, Woodinville, WA); Juliette Pope (Gramercy Tavern, NYC).
So check out the book’s page over at Amazon (or Barnes and Noble or Powell’s if you prefer) and see what Kermit Lynch, Eric Arnold, David Lynch, and Bobby Abreu had to say on the back cover. Or ask for the hardcover at your local bookstore and check it out in print. And if you do get it, let us know what you think of it here!
SPIT: red states With more states turning blue, a reader writes in to say that it will be even harder to do a red state-blue state article again now that Virginia and Colorado are blue. Indeed! Texas, over to you?
SPIT: global wine mergers The purchase of Napa’s Chateau Montelena by the Reybier group (Cos d’Estournel), hailed in July by Robert Parker as “one of the biggest stories in my 30 years in the wine field,” has now been canceled. [PR newswire]
SPIT: global wine John Mariani has a sip of the Andeluna Grand Reserve Pasionado, a $50 red from Mendoza, and calls it “an explosion of high-alcohol, grapey, oaky flavors that seemed to epitomize all that is wrong with what has been called the globalization of wine.” [Bloomberg]
SIPPED: Making drinks instead of ordering them At least one person from the world of finance has stopped thinking about structured equity products and is now thinking about Purple Hooters at the New York Bartending School in Manhattan. [Bloomberg]
A two tier qualification proposal for Brunello? I can't believe it's come down to this... talk about making a mountain out of a molehill. Richard Woodard (decanter.com) writes:
Italian winemaker? Angelo Gaja has said that Brunello should operate a two-tier system and allow other varieties other than Sangiovese.
As the Brunello grape blending furore continues, the veteran Piedmont producer - who also makes Brunello di Montalcino ? has suggested DOC? Brunello should move on and no longer demand the wine is made from 100% Sangiovese.
In an article published this month in Italian newspaper Libero and local Tuscan paper La Nazione, Gaja says that if indeed Brunello producers have been adding other grapes illegally to the wine, then those producers should have been lobbying to get the appellation? rules changed.
After a year hiatus in Aspen, Daniel Johnnes brought the glory of La Paulee back to where it belongs in New York City, and over 500 hundred of the country?s most eager and avid collectors descended upon Manhattan like phylloxera to old vines for a celebration of what many feel are the world?s most desirable [...]
The Wine Bloggers Conference (WBC) in Sonoma has come and gone. I’ve been toiling around with so many things to write about that I hardly know where to start. So I’m going to have to write a series of posts about different things.
First, there will be no “wrap-up” post. The concept of the WBC was to take our online conversations and meet face to face, as a community, to get a better understanding of the issues and each other. Then we need to talk more about the issues back online again. So I have always viewed the WBC as another element like our comments, tweets, forum posts, etc. We need to keep this conversation going and evolve the medium as a community. Its exciting when you think about it. Like I mentioned, technology has once again taken an industry status quo and turned it upside-down. The game has changed and we can influence how things pan out in the future. Already, as noted by Alice Feiring in her keynote speech at dinner on Saturday, there has never been a community of wine writers and now, if you felt the energy in the room at the conference, clearly there is. Guess what - thats new.
As a co-producer with so many new friends let me say a thanks and an apology.
First the apology:
While its necessary to get sponsors to pull something like this together on this scale and make sure we’re not just gathering in a park drinking from the water fountains, we tried very hard to make this a re-imagining of a wine conference. All bloggers welcome and the community is there to interact with each other first and foremost. We attempted to dedicate an entire morning to the Unconference - a free-flowing session with ad-hoc topics, no sponsors, no pitches, only bloggers. I personally communicated to everyone that we would have at least that much time to do something completely unscripted because thats what we as bloggers are about really - going off-script, something completely different. I took my time getting to the Unconference and when I arrived there was already a session about Wine2.0 and getting bloggers involved. So after all my talk of unscripted, unsponsored, hippy-blogger-love day, a brand ran a session anyway which changed the tenor of the Unconference. I didn’t take that lightly and I do apologize to the community for it. We hadn’t intended for there to be any corporate presence in that session and I should’ve paid a little closer attention to what was going on. I wanted to get that out because its been toiling in my head for days.
Now the thanks.
I’ve been getting alot of kudos, which I do appreciate and I do my best to say so even though I’m not the best at taking compliments, but really Allan Wright of Zephyr Adventures turned out to be the perfect partner to pull this off. I know a few of us had been kicking around the idea of a conference for a while but knowing what it takes to pull off a conference, my hesitation was basically I knew what I didn’t know and that was very daunting. Allan approached me in April and after talking over what he thought he could do for a conference like this it was pretty clear he had alot of experience and skills in areas I didn’t and THAT is what makes teams, companies, ideas, etc. work! The success we had was not only fast (April to October - 6 months) but we were able to take care of what we needed efficiently as if we worked together for a long time when in reality we were going basically “site unseen”. So MANY thanks to Allan, the perfect partner to making this come to fruition.
Next post…the anatomy of a conference - the snafus you DIDN’T see even if you thought it went smoothly!
by Martin Field Long-time readers will be shocked to hear that your humble correspondent has been off the grog for a few weeks. Doctor?s orders, following a nasty but necessary ?routine? operation visited often enough upon ageing geezers. Seems that up to a month?s healing is required, and alcohol, which can dilate blood vessels, may hinder this. Not that I felt much like booze, or food for that matter for a couple of weeks. No doubt due to trauma and the ongoing aftermath of a generous intrathecal dose of dope that left me temporarily legless. Where was I?
Amazon.com, the online purveyor of books, apparel, and just about everything else, has announced its plans to enter the wine sales business. Beginning as early as mid-October, the online retailer will offer a selection of more than 300 wines from all over the United States to customers in 26 states. The company indicates that the selection will represent a wide cross-section of US producers, not just wineries in California, Oregon, and Washington State.
Shipping and taxes, as ever with online wine sales, will likely be an issue. Amazon says that customers of the Amazon Prime service (which carries a $79 annual fee) will get free shipping. Still, it's an intriguing development.
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October is National Breast Cancer Awareness Month (NBCAM). Started by First Lady Betty Ford, a breast cancer survivor herself, and her daughter Susan in 1985, NBCAM has made great strides both by increasing early detection of this disease and erasing the stigma that was once attached to it.
A number of pink ribbon products are promoted during October with a portion of the proceeds going to help eradicate breast cancer. One that's particularly attractive for wine lovers is this wine opener and wine glass set from The Wine Enthusiast. The set includes two Riedel Vinum Pink Rose Wine Glasses and the all-in-one lever style Pink Rabbit Corkscrew Kit. Fifteen percent of Riedel's proceeds are being donated to the Living Beyond Breast Cancer Foundation. Five percent of Metrokane's proceeds are being donated to the Memorial Sloan-Kettering Cancer Center.
To learn more about NBCAM and to download a variety of free material, visit the National Breast Cancer Awareness Month Web site.
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A few quick things about cru Beaujolais, the smaller, distinctive growing areas of Beaujolais.
1. The Burgundy producers are coming! Prices are relatively low for grapes and real estate. That fact has attracted investment to the region from producers looking to expand: Earlier this year the Champagne (and Burgundy) house Henriot purchased the Chateau de Poncie, a key property in Fleurie. When I asked Joseph Henriot earlier this year about the motivation for the purchase, he pointed to the distinctive terroir (he loves Moulin-a-Vent and Morgon as well as Fleurie) but also the tremendous discount the property had compared to land in Burgundy.
2. Cru Beaujolais can age, maybe even longer than you think Louis Jadot was one of the earliest notable Burgundy producers to acquire property in the Beaujolais region, notably in Moulin-A-Vent. I tried their Chateau des Jacques 1996 a few months ago and was wildly impressed. Jacques Lardiere, the winemaker (pictured right), told me that the best wines can last decades! 3. I’ve got a cru Beaujolais vertical going–in magnum Magnums, twice the size of regular bottles, are generally baubles for captains of industry. But you can get a top cru Beaujolais in magnum for less than a lot of second label Bordeaux. Combine this price appeal with the age-worthiness and you can understand why I have several magnums of Deccombes, Desvignes, and a mini-vertical (three vintages!) of Clos de la Roilette cuvee tardive. Cru Beaujolais magnums also make great gifts; to wit, I just got a magnum of Lapierre Morgon 07 at Appellation Wine and Spirits yesterday.
4. Gamay is wildly food friendly! And at 12.5 percent alcohol, you can have a couple of glasses too and still be able to function after dinner.
5. It’s mostly less expensive than red Burgundy!
6. How would you change the region? In 1395, Duke Philip the Bold outlawed the humble gamay grape from Burgundy, protecting the premium pinot noir by fiat. What would you do differently if you were the Duke of Beaujolais? I asked Jacques Lardiere what he would do differently if he made his wine in Moulin-a-Vent outside of the appellation system, which mandates certain controls, such as planting the grape gamay. He said, “I would plant pinot noir.”
Don’t forget to join us tonight at 8 PM on Twitter Taste Live raising a glass of local wine or a cru Beaujolais! use #ttl in your comments or follow me.
Usually when people give a bottle of wine as a gift, it’s in one of those pricier velvet-style gift bags that get lost before it can get reused, or those metallic ones. The folks at Random House are offering a new, unique alternative and, best of all, if won’t break the bank.
These Wine Lovers Gift Tags run $13 for a pack of 50, and come in various shapes and sizes and even include the ribbon for tying it to the wine bottle. They might just add a little bit of humorous conversation to the next party to boot.
A few wines earlier this week at Atelier in Newtown.
Vilmart C?ur de Cuvée 1997. Light straw colour with a fine bead. Lemon, pear, brine and earth on the nose. There is subtle fruit sweetness balanced with excellent acidity on the palate. Long and intense, this is an excellent wine and one of the better 97s I’ve tasted. 92/100
Domaine Servin Les Blanchots 2000 Corked. NR/100
Louis Michel et Fils Grenouilles 2000. Behind the huge amount of sulfur was pear, marmalade and peaches. The palate is medium weight but very simple. 84/100
Bonneau du Martray Corton-Charlemagne 1999. Nutty, pineapple, tropical fruit, lemon rind and subtle oak aromas. A ripe, expansive palate without being too overbearing. Acid is good enough to focus the palate. Long length. 91/100
Marquis d’Angerville Clos des Ducs 1999. Earth, cherry, blood and chocolate aromas on the nose. Firm palate, with some sweet fruit in the background, the acid structure is a highlight. Powerful and very impressive. Starting to come around to drinking well. 92/100
Sylvie Esmonin Clos St. Jacques 2001 Rich, lifted nose of raspberry, cherry and a touch of earth and chocolate. The palate is more restrained than the nose but is still tightly wound and full of power. Good potential to improve from here. 91/100
Château de Beaucastel rouge 1990 A lot of complexity on the nose with smoke and smoked meats, cherry, spice, cedar and a fair bit of funky brett. Good intensity to the palate, but the brett affects the length of the finish. I would have rated this 2-3 points higher if the brett hadn’t affected the palate so much. 92/100
Dalla Valle Maya (Napa) 2000 Bold nose, with blueberry, chocolate, vanilla, autumn leaves and grassy characters from the Cabernet Franc. Very intense and youthful on the palate with good length and the ripeness is never out of balance. Primary, but surprisingly approachable and I think it will be at its best over the next 5 years. 93/100
Dr. Loosen Ürziger Wurzgarten Auslese 1995 Lemon, spice, floral notes and light honey aromas comprise the nose. The palate is excellent with light sweetness and refreshing acidity. Great balance and lingering length. 89/100
Claude Cazals Clos Cazals 1997. Green apple, honey and pear on the nose. The palate is awkward, it is almost both bitterly acidic and broad at the same time. Good, but I had this two and a half years ago and much preferred it then. 87/100
labor day is next weekend and many of us will be grilling up hot dogs, bratwurst, and other traditional picnic fare that is difficult to pair with wine. In a recent article, Washington Post columnists, Karen Page and Andrew Dornenburg offer suggestions on what to serve with "dinner in a long bun." Among their suggestions are an Alsatian Riesling with bratwurst, a Rioja with a chili dog, and Chianti with Italian Sausage.
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Whether you always agree with him or not, there's little denying that Robert Parker, Jr. has had a tremendous influence on wine buying. The author and publisher of "The Wine Advocate" for over 25 years has won countless awards, including being appointed a "Chevalier dans l'Ordre de la Legion d'Honneur" in France. He created the now widely-used 100-point wine ranking system and has written extensively about wine industries around the world.
Parker's latest work is the exhaustive "Parker's Wine Buyer's Guide," a 1536-page catalog of the world's great, good, and average wines and comes out on October 7. Far from being dry and laborious, this tome is easy-to-read with lots of maps and regional wine information interspersed with winery and individual wine ratings and prices.
"Parker's Wine Buyer's Guide" is being publishing in trade softcover, in hardcover, and as an e-book simultaneously. Shipping is an issue with a book this large, so the $24.99 ebook is a smart option. The softcover is currently $23 with Amazon.com and you can get free shipping with them for orders over $25. This book would make a good gift for anyone who enjoys wines and/or traveling throughout the world's wine regions.
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*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.
*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?
- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:
1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.
2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.
3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.
*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?
- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.
- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.
*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?
- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so.
There's a show on Nova now that rehashes well-known findings about the evolution of monotheism in Israel. It took centuries and the accommodation of many ethnic groups, usually the marginal and dispossessed, in a secular act of will to set "our" sole god against "your" thicket of piddling deities. It was a way to define us and them. Got it. Now forgive me if I go off-topic and if I insult your most cherished beliefs...
It didn?t take long for a tribute album to surface following the death of Pink Floyd mastermind Syd Barrett. The groovy part is Like Black Holes in the Sky: The Tribute to Syd Barrett avoids gimmickry with an all-underground roster of metal, prog and sludge bands.
Syd Barrett?s spacegrassy Piper at the Gates of Dawn is a building block for future stoner, doom and tech metal practitioners. As testimony to the Pink Floyd album?s pioneering spirit, Like Black Holes in the Sky: The Tribute to Syd Barrett hoists six Piper cuts in addition to seven of Barrett?s solo tunes, largely represented by The Madcap Laughs.
Instead of obvious candidates like Queens of the Stone Age on this thing, you get Jesu, Yakuza, Intronaut, Zodiak, Stinking Lizaveta, Unearthly Trance and Kylesa as well as the mighty Pentagram, all likely nominees to do Syd Barrett?s frequently off-kilter music justice.
Jarboe and Giant Squid capture the sheer lunacy of Barrett?s quizzical music on ?Late Night? and ?Octopus? respectively. Meanwhile, Voivod drummer Away leads his offshoot project Kosmos in a laser-dashed version of ?Vegetable Man,? one of the compilation?s coolest tracks.
Other highlights include Intronaut?s ?Arnold Layne? as well as the Piper songs like Yakuza?s ?Lucifer Sam,? Pentagram?s ?Flaming,? Kylesa?s ?Interstellar Overdrive? and Dredg?s faithfully trippy interpretation of ?Astronomy Domine,? a translucent gem that briefly made Voivod stars.
Appropriate Syd Barrett should be represented by fringe rock and metal bands whose mutual appreciation for where their sounds originate makes Like Black Holes in the Sky: The Tribute to Syd Barrett a rare tribute album with its heart in the right place.
A16 tops the list of the best wine bars in San Francisco. The owner-sommelier Shelley Lindgren?s wine list is focused on Southern Italian varietals. This wine list is an integral part of the A16 experience and what makes it the best of the wine bars in San Francisco.
Andalu on 16th Street is another one of San Francisco?s finest wine bars. They are awesome because they offer small plates with big flavors. This is one of the San Francisco wine bars that has an approachable wine list and offers 35 wines by the glass. The crowd there is mixed and energetic.
Wine bars don?t usually come as good, or as small, as Bacchus on Hyde Street. Bacchus has knowledgeable bartenders that make innovative saké cocktails and they pour over 50 wines that range in price from under $10 a glass to more than $200 a bottle. The signature drink at Bacchus is their sake-version of the mojito.
Cav is one of the wine bars in San Francisco that takes itself extremely seriously. Cav has a well-chosen wine list of over 300 international wines. Some of the wines on the list are offered by a taste, or the glass. The chef has crafted unique takes on lots of dishes and Cav actually offers a cheese course that is served at the proper temperature and is on par with some of the finer restaurants in San Francisco.
Wine bars like Piccolo on Fillmore street handpick the wines on their wine lists. Piccolo is one of the wine bars that choose limited availability and small production wines. They prefer to concentrate on Italian wines. The owner of Piccolo has wonderful antipasti on his menu. There is fierce competition between wine bars to have the most excellent food to accompany their spirits.
Varnish Fine Art is both an art gallery and one of the top wine bars in San Francisco. The atmosphere at Varnish Fine Art is comfortable and it draws a post-work crowd for beer or wine during happy hour. The wine list at Varnish Fine Art is well chosen and features a number of delicious fine wines, as well as soju and saké cocktails.
Last year I ran a 'subscription and book deal' that a lot of people have been asking me to run again. The book last year was the Wine Hunter - this year it's the Why the French Hate Us: The Real Story of Australian Wine book. Once again I've slashed the price - it wasn't all that long ago that a new subscription to The Wine Front was $55, and the book retails for $28.95. And yet I am offering both a full year's subscription and the book for just $49.95, and that includes delivery of the book.
Fall is just around the corner and few wines are more enjoyable when the weather turns cool than Italy's Sangiovese wines. In the video below, Iron Chef Mario Batali and Joe Bastianich discuss how best to pair Sangiovese with food. Take a look: