Learn How To Easily Find Wines Of $50 Quality For $10 Or Less. Impress Friends With Your Expanded Wine Knowledge. Eliminate Your Dependence On Wine Salespeople. And Take The Hassle Out Of Buying Wine.
Earn $6.17 / Sale! %75 Commission! The Ultimate Resource For Anyone Who Wants To Learn How To Make Outstanding Wines & Spirits From Their Very Own Home!
A few weeks ago, when organizing the London Food and Wine Blogger’s Gathering, I was asked whether Henrietta Lovell, owner of the Rare Tea Company, would be able to conduct a tea tasting during the wine tasting. My first reaction was that of astonishment, wondering who in their right mind would want to sip on a hot bitter tea after a glass of cava and before a sip of sherry? Wouldn’t that be rather, off setting? But the request continued to suggest that the tea tasting would teach us the subtle qualities of good tea, and its capacity to cleanse the palate, leaving your mouth feeling refreshed and invigorated, as if nothing had ever touched your palate previously. Clearly, I couldn’t say no.
Not surprisingly, the tea did exactly as promoted. Having enjoyed a big, bold Tempranillo from Rioja and a thick slice of Camembert cheese, I was a little astonished to find that the luke warm paper sippy cup filled with a light, herbal smelling green tea literally washed my palate clean. So clean, that when I purposefully filled my glass with a German Reisling, it was if the gripping tannins of the Tempranillo that previously wrestled with my tongue into submission not 2 minutes earlier, had never existed.
I admit that I am rather addicted to Henrietta’s teas. Having quit coffee not 1 month ago, I now wake up and savor a pot of her green tea every morning. But it was Henrietta’s passion when talking about tea and its relationship to wine that truly piqued my curiosity. And if it piqued my curiosity, I had faith it would incite yours as well. So today, I bring you a short interview with Henrietta Lovell, and thank her for taking the time, after her whirlwind trip to Malawi, to answer my questions.
1. How did your incredible passion for tea grow?
I used to work in financial print- not the zenith of excitement- but it did take me round the world. Working in Asia I was privileged to be ‘wined and dined’ by clients and in China that often meant tea. They are extremely proud of their teas which have been cultivated for around 5000 years. Instead of buying an expensive wine to impress a guest they would think nothing of ordering a $100 pot of tea. That might seem extraordinary but so was the tea.
Coming from a proud tea drinking nation I was so often stunned by the incredible complexity and variety of teas from around the world that just weren’t available at home. I began to realise that we only knew one kind of tea- mass produced, industrial black tea. What was worse was the low quality green tea the unsuspecting consumer was being fobbed off with. Interest peaked in green teas because of the health benefits of less processed teas but the UK consumer has been lead to believe that it must be a bitter brew for the virtuous because they had no access to the delights of the good stuff. Over and over again I meet people who say they don’t like green tea only for them to dry a decent one and be immediately won over.
You can buy tea for pennies a kilo and thousands of pounds. I realised that BIG TEA was all about margins and volume and both the farmer and the consumer were getting a bad deal.
2. What makes the Rare Tea Company so “rare” or “unique”?
I started Rare Tea to cause a revolution- to give people access to the very best teas they had been missing out on. Not just tea connoisseurs but every day tea drinker’s. I didn’t want to put people off with complicated names and a vast array from the mediocre to the good. I offer a small selection of the best. I’ve traveled the world seeking out the finest so that my customers don’t have to be experts to enjoy good tea. Hopefully people will trust me and branch out into new worlds of flavour. I source all the teas myself and work directly with small farmers.
What is rare is that I am not looking for vast volumes so I can work directly with small farmers and craftsman. I don’t buy from a faceless tea-broker. I’m not looking for massive margins and I can pay my farmers what they need to craft their tea.
3. Where do your teas come from, and what is the deciding factor in choosing which teas to carry?
Flavour. It has to taste good. There are terroirs for tea just as there are for wine. The finest White Silver Tip Tea, for example, is found near the small town on Fuding in the Fujian mountains of China. Just like champagne the tea differs from farm to farm depending on varietal uses, soil, rainfall, growing methods, harvesting and production. Teas may have the same name and come from the same place but they are not all equal. I look for the best flavour.
However, its not always that simple. The environmental impact and conditions on the farm are also important. I just got back from Malawi where I’m working with a farm that is doing amazing things to help the local communities as well as protect the delicate ecosystem.
4. At the tasting, your eyes literally sparkled with excitement when sharing each of the tea’s unique aroma, color and flavor. As a wine lover, can I transfer any of skills I use to appreciate a wine to the way I might appreciate a tea?
All of them. A tea tasting is very much like a wine tasting. The aroma comes first. You suck in as much oxygen with each sip as possible and roll the tea around your mouth, Unless you want to be awake for a week you must spit which is just as hard when you’re tasting gorgeous teas as it is when tasting fabulous wines.
There are as many different teas in the world as there are wines- maybe more. The tastes are just as fabulously complex and diverse. One of my first advocates was the Sommelier Katie Exton from Chez Bruce, in London. From her I realised that people who were interested in wine were fascinated by flavour and easy to win over with their first taste of the good stuff.
5. Wine has very specific way in which it should be cared for, depending on the specific style of wine. Are there specific ways we should care for a tea in both its storage and preparation?
Yes- most teas are very sensitive to light and air. They really should be kept cool and dark and most importantly airtight.
When making good tea the leaf to water ratio is crucial. It is best to measure a teaspoon of tea per cup and infuse for about 3 minutes. Pour all the infused tea leaving the leaves dry (not steeping) in the bottom of the pot. It’s a bit like taking a steak out of the frying pan when it is cooked to perfection. The leaves can then be re-infused several times revealing different subtleties of flavour. This can’t be done with cheap tea-bag teas because the tiny particles have a massive surface area and give up their flavour straight away like floosies.
6. Like wine, there are high quality teas and low quality teas. Are there specific signs we can look for when searching for a high quality tea?
If it comes in a paper box, and inside are bags, the people who made it don’t care about it. The tea will be stale before you open it. It’s like leaving a fino sherry in a decanter or wine without a cork.
The best teas come from whole or large pieces of leaf- these need room to unfurl as they infuse so they are always better loose. Cramped in a tea-bag whatever shape or material- even the best tea wont be at its best.
Like wine you get what you pay for. If it costs 99p there is a reason and you can be sure they have compromised on taste.
If the tea is full of herbs, flowers and flavourings its generally because the tea itself is no good.
7. In a wine tasting, you showed us that tea can be used to cleanse the palate? Are there specific teas we should use for white wines, heavier red wines, sparkling wines, fortified wines, sweet wines, etc.? Or is there a tea that is essentially, the jack of all traits in cleansing the palate?
Oolong is the most flexible. Good oolong has such depth of flavour it can stand up beside the richest reds but is subtle enough to work with delicate white.
Generally I would suggest using whole leaf green teas with white wines. With softer red you need a good oolong and as you move into really full bodied reds the best pairing is a rich black tea like the malty caramel of Emperor’s Breakfast.
The important thing to remember is the first sip of tea is overwhelmed by the residual wine in you pallet. It is the second sip that the flavours are revealed.
8. What is the number 1 misconception you come across with people’s perceptions of tea?
That tea needs milk and sugar to make it palatable. The good stuff is delicious on its own. I’m not saying you must drink it black or that its sacrilege to add sugar but that it is GOOD on its own. This is not true of industrial teas, of course.
Second misconception: Tea is cheap. It can be made cheaply by vast agribusinesses so that our supermarkets can use it as a loss leader. But the good stuff needs to be crafted and what you pay for is a concentration on flavour rather than volume. If we were prepared to pay a bit more for our teas it would benefit not just us in terms of flavour but the small farmer.
9. If someone is conducting a wine tasting and would be interested in calling on your services to guide them through a wine and tea pairing, is this something you can offer?
Claro que si! [Which I assume she means, "Absolutely Gabriella, I would love nothing more than to infuse the masses with my undying passion for tea"...or something to that affect]
10. If we are interested in purchasing your teas, where can we find them?
Henrietta will also be conducting tea and wine tasting at The Taste of London. For more information, please contact Henrietta at henrietta.lovell@rareteacompany.com
A 300 year history permeates Vergelegen; one of South Africa's most prestigious, reknown and visited wineries in the Cape. The original homestead was built in 1700; originally a barren wilderness it was transformed into a vibrant farm with fruit orchards, orange groves, oak trees, vines, cattle and sheep. Passing through a succession of owners the estate was eventually purchased by Anglo American Farms in 1987. The last 21 years have seen a renaissance.
It is a wonderful spot for visitors; even if you have only a passing interest in wine - there's the oldest oak tree in Africa (a hollow Old English Oak believed to be 300 years old) and gardens aplenty (rose, herb, camellia, fynbos, hydrangea). The homestead is open to visitors and is full of classical Cape Dutch furniture and there are picnic areas too (although you don't bring your own food but buy pre-packed boxes at the estate) and, for posher-nosh, the Lady Philips Restaurant.
We were there for the wines though. A pouring of the Sauvignon Blanc was served alongside fresh oysters - to general acclaim of my compatriots, but not moi as I 'don't do' oysters. But my 'line fish' in the Lady Philips restaurant, later, was beautifully moist and accompanied the lightly oaked Vergelegen Chardonnay 2008 superbly [picture].
Review0.3 Wine Tasting Note: Vergelegen Sauvignon Blanc, 2008, Western Cape, South Africa. [More: Adegga / Snooth] 97% Sauvignon with the remainder being Semillon. Lovely crisp, frim fruit, fresh. Touches of fig, gooseberry and a pleasant leafy-ness (straw, green peppers, peas) Alcohol 13.5%. Andrew BarrowScribblings Rating - 88/100 [3.5 out of 5]
Review0.3 Wine Tasting Note: Vergelegen Chardonnay, 2008, Western Cape, South Africa. [More: Adegga / Snooth] Medium bodied by design, 60% in oak giving a subtle oak-complexity, not too heavy either (medium bodied). Pear, cream, apple flavours; a typicla Chardonnay. Andrew BarrowScribblings Rating - 88/100 [3.5 out of 5]
Review0.3 Wine Tasting Note: Vergelegen Reserve Sauvignon Blanc, 2008, Stellenbosch, South Africa [More on Adegga / Snooth] A single vineyard wine - the 2 hectare vinyard on the lower Schaapenberg. More complexity here with a little lees contact giving a creaminess to the flavour and a more rounded texture. Floral touches enliven the herbaceous palate. Minerals, peach stones and citrus play around too. Beautiful. Alcohol 14.5%. Andrew BarrowScribblings Rating - 92/100 [4 out of 5]
Review0.3 Wine Tasting Note: Vergelegen Cabernet Reserve, 2005, Stellenbosch, South Africa. Price: £9.99 [More on Adegga / Snooth] Cabernet dominates here (91%) with Cabernet Franc and Merlot splitting the remainder. Superb berry aroma - very, very Bordeaux-like. Savoury depths, touches of herbs. Firm palate, but smooth until the great burst of tannin led blackfruits hits the tastebuds. The grapes were selected from Vergelegen's Stonepine, Rondekop, Rooiland and Kopland Vineyards. Alcohol 14.5%. Age worthy; a 2004 was also sampled. Andrew BarrowScribblings Rating - 92/100 [4 out of 5]
It sounds so idyllic. You love rosé wine. You love France. So you leave your life in London behind, start flogging rosé to skeptical French drinkers in busy market squares, and hope to learn enough to buy a bar that will specialize in the pink stuff.
As Jamie Ivey, his wife Tanya, and friend Peter discovered, however, things are never quite as idyllic as we imagine they might be.
Welcome to the June edition of the Wine Book Club, hosted this month by Kori from the Wine Peeps blog. Our book selection for this month was Jamie Ivey's La Vie en Rosé, a book that tells the tale of Ivey's continuing obsession with rosé wines.
I enjoyed this book--it was perfect escape reading, and it convinced me that I do not ever want to open a wine bar in France. Getting to experience the highs and lows of the process--from Ivey's halting attempts to communicate with the locals (all of whom know a great deal about wine) to the moment they plunk down money on a piece of property--was like watching friends dive off a very high cliff into formidably deep waters. I appreciated the bravery of what they did, but I have no intention of doing it myself.
La Vie en Roséis full of the sights and sounds of the southern French countryside. From local festivals celebrating garlic to visits with local vignerons, Ivey is adept at bringing a scene to life in all its variety and with a fair bit of humor. My favorite parts were about the reaction that the French had to they Iveys' plans to sell nothing but rosé wine. Some were stunned, many thought the wine would be too expensive to appeal to people used to buying bulk wine from the local co-op, and others were incredulous. In spite of the odds, and in the face of lukewarm success, the Iveys remained committed to their mission to celebrate rosé.
The book was less about the wine than it was about French attitudes towards wine and food, and about the difficulties that anyone faces when they try to fit into a new culture. So if you're looking for a book that tells you a lot about rosé wine you may be disappointed. If, on the other hand, you want an up-close account of immersion in French food and wine culture, you will probably enjoy this book immensely.
One thing to note: Ivey is British, and this means that his sense of humor is decidedly British as well. His tone may strike some readers as offbeat and ironic. But if you like Peter Mayle's stories of life in Provence, then Ivey's writing style will be right up your alley.
This is the kind of book to pack into your bag when you're taking a weekend trip, or just want some pleasant, escapist reading with a wine-related theme. Thanks again to Kori for hosting us and I'll see you back here at the end of July with my reactions to another wine-related book.
I found a really great site for custom wine racks. I found wineracks.com and I absolutely cannot decide which design I like best. They have a selection of smaller capacity wine racks that can store three to forty eight bottles of wine.
Wineracks.com has wine racks in both wood and metal. I?ve found several that suit my current needs and several that I wish my needs would suit! Some of the different styles are just simple stackable racks that assemble without tools. There are other wine racks that are elegant, solid oak racks with tabletop and stemware storage.
The twelve bottle modular wine racks are made of pine and can be configured in many different ways. There are kits available to add and expand these wine racks. Wineracks.com has this item listed for $22.50.
The Cha Cha Wine Racks sold by wineracks.com are made of colored plastic. They snap together with clips and come in four colors. The colors that the components for these wine racks come in are orange, light blue, green and white. Each color is sold separately for $22.50.
I was particularly taken with the Lisbon wall wine racks. They are black wooden wine racks that hold both bottles and stemware. Wineracks.com has the Lisbon wall wine racks listed for $69.00.
I am pretty sure that I do not want the Accordia wine racks that wineracks.com have for sale. My mother had one that looked like this when I was growing up and I always thought that it was ugly. I much prefer any other style.
The Bali fifteen bottle wine racks were inspired by contemporary Indonesian style. I like the wavy look of these wine racks. The price for the Bali wine racks is $96.00. These come in a natural color. There are also twelve bottle Bali wine racks that are $72.00 in either crimson color or black.
I do believe that my favorite wine racks have to be the cellar cubes. Wineracks.com has the cellar cubes in both unfinished Pine and Mahogany. The Mahogany cellar cubes sell for $59.95 and the Pine cellar cubes sell for $34.95. These wine racks require simple assembly and the holes are pre-drilled and the hardware is provided.
E & J Gallo, the enormous, privately held wine company, is well-known (notorious?) for protecting their brand. Ernest and Julio sued their own brother Joseph in 1986 to prevent him from marketing his cheese as “Joseph Gallo.” They also sued unrelated East Bay company, Gallo Salume Inc., to limit the number of their meat products that could carry the name.
In 1990 the company successfully sued the Gallo Nero wine consortium of Chianti who had used the word ?gallo? (cockerel) on their bottles. Ten years later the brothers took the Chianti wine-makers to court again over their domaine name.
In the meantime they put pressure on a small domaine called Santa Marcellina in Chianti because they had a ?Marcellina? trade-mark among the many they had patented. In 1994 they attacked a Mexican company called Pasatiempos Gallo. In 2002 it was the turn of a lady potter in Texas, who used the word ?gallo? because she made ceramic representations of roosters. Gallo himself made no excuses for his behaviour, saying: ?We don?t want most of the business. We want it all.?
While it’s no doubt important for mark holders to protect their marks, there’s no point in being a cockerel about it. The situation smacks of Monster Cable’s overreaching and suing a mini-golf company and engendering consumer ill will. Perhaps we should take a page from Gizmodo’s book and come up with a list of items that Gallo legal eagles might want to put in their sight:
2006 Muga Roija Blanco $12.99 Wine label said: Nothing much… it’s barrel fermented and imported by Jorge Ordonez. Whoopdeedoo. Vineyard66 says: As I am still researching Spanish wines, I’ve noticed that my good friend Bill from California has been spouting off about Muga Roija. Of course, he was speaking about the red wines the area is famous for. I [...]
Is it just my ungratefulness or does everybody find it excruciatingly frustrating to receive expensive and useless things when there's a long list of basic necessities that they, well, need?
With the season of giving quickly approaching, it's the perfect time to lure your friends and family out of their familiar patterns and into the giving of spirits. But, to lead these gift horses to water, one must first identify the reasons why well-intentioned people give lame presents:
1 They don't know what you like. 2 They were in a hurry, and couldn't find what you like. 3 They think plaid cartegan sweaters are always in fashion. 4 They're under the mistaken impression that you're difficult to buy for. 5 They saw something similar in your place and assumed you liked whatever it is. (A classic case of compounding misfortune perpetuated by a sense of obligation to display other useless gifts you've been given). 6 They have trailer park taste.
In order to get what you want, one must first condition the givers. This is easier than it may seem because givers are usually eager to please -- they just don't always have the good sense to recognize the glaring solution to their gift-giving dilemma. Here's how to help them help you:
1 Keep a running list of things you want or need. Think of the things you would buy yourself if you found a twenty, fifty or a hundred dollar bill on the ground. Every once in a while you luck out and get asked what you'd like. Be prepared, and be specific. There's no such thing as too specific -- size, store and even stock numbers help reduce guesswork.
2 Become unabashedly obsessed with a particular store (i.e., Williams Sonoma, Ikea, etc.), then endear yourself to someone on the sales staff so you can discretely exchange gifts without a receipt.
3 Develop a reputation (or perpetuate the myth) of being an aficionado or collector of something that's relatively easy to find. Wine and food lovers are already one step ahead of the game. You can never have too much fine wine or extra virgin olive oil, or too many cookbooks. Prominently display your cache, or create a shrine from the empty bottles to act as a constant reminder to potential gift givers. And once again, be specific about your tastes (e.g., Bordeaux from the St. Emillion region). If the giver is a militant teetotaler, embrace another collectible. Just be careful not to be perceived as fanatical about something that is too general (i.e., golf or cows) or you may open up a Pandora's box of useless novelty gifts. As part of the conditioning process, be expressive when receiving gifts you like (think: The Price Is Right), and restate your appreciation like a mantra each time you speak to the giver -- "I made a salad dressing last night with your olive oil, and it rocked my world."
After you graduate from this simple three-step program, you'll discover you can always get what you want. In fact, you just might find that you get a lot of it. Be sure, however, to let me know when you have too much Burgundy wine.
A big, full-bodied, expansively-flavored, traditionally made Gigondas is a blend of 60% Grenache, 20% Syrah, 10% Cinsault, and 10% Mourvedre. Abundant herbes of Provence, heady, peppery notes are accompanied by sweet kirsch liqueur, plum, and fig characteristics. Dense, medium-bodied, and ripe. Nice, pure, plum-cherry finish.
Based at the foot of the Dentelles de Montmirail , its vines rising up the south west facing slopes, the Domaine des Bosquets encompasses 26 hectares at the heart of the appellation of Gigondas. This is one of the wines produced by the Brechet family
Score: 9/10 Price: ?18 Retailer: Somewhere in Marseille
If you were to sit down to your last dinner and were offered one last bottle of wine from anywhere in the world - what would that wine be and why?
Additionally - if two sommeliers, namely Robert Parker and Hugh Johnson, approached your table to offer you advice - who's suggestions would you take most to heart?
I'd go with Johnson and signal Parker away from my table :)
"Consumer Learnings for Make Benefit Glorious Zinfandel Future" Christian Miller, owner of Full Glass Research--a wine industry research firm--chose this title for an opinion study on Zinfandel as a joking reference to the movie Borat. (See the movie's wine episode here.) And it?s pretty appropriate, because depending on who you talk to, zinfandel means different things to different people. There?s an almost Babel-like confusion involved in the language of zinfandel.
Anyone who hasn't yet discovered Paso Robles wines is missing some of the most interesting and dynamic wines that California has to offer. And anyone who hasn't discovered Paso Robles, would do well to mosey on down there for their 27th Annual Wine Festival in a couple of weeks. Once a sleepy undiscovered little wine town, Paso has become the epicenter of a wine explosion in the last decade with wineries popping up like Spring crocuses every year. The limestone terroir of western Paso Robles in particular is producing some absolutely stunning Syrahs and other Rhone Varietals that every wine lover in California should know about.
The Wine Festival takes place over a (usually sunny) weekend in May. Starting off with events and dinners held at wineries around the area on Friday, the event culminates in a Grand Tasting in the town park on Saturday, which is certainly the highlight of the weekend and should be the goal for anyone looking to learn more about the area's wine.
At only a three hour drive from San Francisco, it makes for a very nice weekend trip should you feel inclined.
Paso Robles Wine Festival Grand Tasting Saturday May 16th, 1:00 PM to 5:00 PM Paso Robles Downtown City Park Paso Robles, CA 93447
Remember to wear something you don't mind spilling red wine on; drink lots of water; make sure you have a full stomach; and spit out the wine if you want to actually learn something and avoid a nasty headache the next day. And for this event, I also recommend sunscreen and a sun hat.
Christina Rowan of Washington DC thought quickly and calmly when a gunman crashed a backyard barbecue and held a gun to a 14-year-old girl's head. Moments later, the gunman left with a glass of wine and a smile. Read the whole story.
Last month was a bit of a whirlwind in terms of work, and I never got myself organized for the next stop in my tour of Italian wine regions. This month I'm back on track, and pointed in the direction of Trentino-Alto Adige. (photo by bobferdon)
Tucked up against Austria, this wine region is known for its snowy ski resorts, craggy peaks, and its belief that bread and wine is the stuff of life. One of the region's proverbs is Pane e vino fanno un bel bambino or "bread and wine make a beautiful baby." The area's dedication to wine is all the more remarkable given the fact that only 15 % of the land is arable, and vineyards often are planted in terraced vineyards on mountain slopes.
Viticulturally, Trentino-Alto Adige has been influenced by Austrian, French, and German traditions as well as Italian. The region's winemakers make racy whites from varieties like Pinot Bianco, Riesling, Traminer, Sylvaner, and Gruner Veltliner, for example. And if you're looking for a red from Trentino-Alto Adige, expect to see bottlings of Cabernet Franc, Cabernet Sauvignon, and Merlot as well as Sangiovese and Schiava. (photo by John Shave)
As the wine goes, so goes the food. In the northern part of the region (Alto Adige) the food has a Germanic flavor and the people are predominantly German speaking--so lots of sausage, cabbage, and dumplings are eaten with hearty reds and acidic whites. In the south, around the city of Trent where Italian is the most common language, polenta and pasta are popular foods, often served with mushrooms.
Have you had many wines from Trentino-Alto Adige? If so, what are your recommendations? Check back here for mine over the next few weeks.
A Côtes du Rhône Villages, the Domaine Grand Veneur Les Champauvins 2006 comes from a single vineyard located right next to the appellation d?origine contrôlée of Châteauneuf-du-Pape. When poured straight from the bottle, its nose can only be described as meaty, but don?t let that put you off ? given a little time in a decanter, it opens into aromas of dark, brambly fruits, spice and cigar box.
In the mouth it is full-bodied and dry, its spicy plum and dark berry flavors supported by subtle tannins. The finish is long, dry and clean, with just a hint of unsweetened chocolate.
Robust yet refined with well-integrated flavors, this wine is a pleasure to enjoy by itself, and would make an excellent companion to a variety of meals including game, pork roast, stews and fowl. (If you?re thinking of making coq au vin, keep this wine in mind!) At $14.99, it?s a terrific wine that compares favorably to many Rhône-style blends that cost much more ? including some of its neighbors.
There are those who cling to the 'romance' and 'tradition' of popping the cork prior to imbibing. Then there are those who think such 'romance' and 'tradition' are ridiculous if these totems potentially mean stinking, spoiled wine. Both camps have valid points. I'm a sentimental, shmoopy sucker for the romance involved in popping the cork. But then, If I've dropped 40 or 50 clams, and my just-popped bottle of wine smells like a box-full of soggy, old Boys Life magazines, I set up camp amongst the pro screw-cap crowd.
Must the wine lover chose between faulty corks and sterile Stelvins when it comes to bottle closure? Would that there were a closure, which could preserve in an aesthetically appealing manner. Thank the cosmos for Vino-Lock. This glass stopper is much prettier than a Stelvin and, of course, more reliable than cork oak bark cylinders.
Just a few weeks ago I took home the first glass-stopped wine to appear in the wine shop. I loved it. And the wine wasn't too bad either.
Cusumano IGT Sicily Merlot 2006 ($12) - A simple, exuberant Merlot made more appealing by its aesthetically cool glass stopper. This inky-purple wine offers scents of cherry jelly and baked strawberry. Its flavors a simply tangy fruit. Cusumano Merlot is nothing if not pleasant and eager to accompany pizza.
Recently, Ryan and I were inspired by both Lenndevours and Spittoon, two wine blogs on either side of the vast Pacific Atlantic, for creating simple and straight-forward articles on wines they’ve tasted, and at times, just haven’t had the opportunity to share with others. Due to a large quantity wine notes slowly slipping through the cracks and not seeing the light of day, we’ve decided to follow suit, by also sharing wines we’ve tasted, despite the fact that we may not have visited either the winery or the region. Consider these little breathers away from our normal mammoth-sized educational posts. When possible, we’ll try to include some information on the wines availability and any relevant facts that came through in the press releases that accompany them.
A few weeks ago, we were sent two wines from a winery located in Begues, Spain, not 15 miles south of Barcelona called, Montau de Sadurní. Descendents of the Sadurní family - possible namesakes of the Cava capital, Sant Sadurní d’Anoia - the winery has been makign wine wine since the 15th century, evolving from a bulk wine producer into a private label winery. Currently, they are producing 3 labels: Arrels de Montau de Sadurní, their mid-range line composed of blends; Senor de Montnegre is made up of younger fruit-forward wines; and their high-end line called, Mantau de Sadurní, featuring two Gran Reserva cavas.
We had tried both the 2004 Arrels de Montau de Sadurni Crianca and their Gran Reserva Brut Nature. Made from 100% Chardonnay, the Crianca (or Crianza), oddly enough, did not list a vintage anywhere on the bottle or cork. According to the tech sheet, however, it was a 2004 vintage fermented in stainless steel and aged for 6 months in oak. For me, the wine gave off a brilliant pale golden color with a funky savory nose laced with bright aromas of green grass and herbs right after a rainstorm. In the mouth, the wine shows tame but integrated acidity with a medium body and medium short mature pear and light wood finish. Summed up by Ryan, “Not an explosive wine, but nice and simple.” Neither of us would rush out to buy this.
The Gran Reserva Brut Nature, on the other hand, was incredible, showing tiny vivacious bubbles which dance in a dark golden brew. While Ryan found more expressive lemon and citrus notes on the nose, I found it to be yeasty with hints of caramelized honey, musty cellar, raw almonds and butterscotch. In the mouth, this is a toasty and rich with loads of lemon and citrus notes. Full and complete, we really enjoyed this wine for its overall balance, medium acidity and medium short finish of mature ripe apple and bread notes. Worth checking out and would make a great start to any “rooftop bbq”!
I would highly suggest checking out their blog as well, as they not only publish regularly, but also write in German, English and Spanish - a rarity in Spain.
Fred Franzia, creator of Two Buck Chuck and founder of Bronco Wine Co, has a somewhat laudable if self-serving goal: no wine should sell for over ten dollars a bottle. While tasty wine under $10 is something wine consumers could rally behind even in the best of times, the recession certainly makes value have greater appeal now. The only trouble with Franzia’s wine is the that they just aren’t that tasty.
The current issue of the New Yorker has a lengthy profile of Franzia that is well worth reading, especially if you’re not familiar with his story. Here’s how the author describes his winery in Ceres, California:
It also irritates Franzia when people describe Bronco’s facility, with its four hundred and fifty-two stainless-steel storage tanks–including six liquid oxygen tanks that once held fuel for intercontinental ballistic missiles and are now being used to make champagne [sic]–as being reminiscent of an oil refinery.
(In addition to the satellite image above, click here for a street view of the flags. Franzia had this to say about the flags in the story: “No California flag–they’ve screwed us too many times. We shouldn’t fly the US flag, the bastards. They have a felony on us.”)
One of the biggest puzzles about the American wine market is why there are so few tasty values made in the USA. Imports, somewhat paradoxically, offer better value despite traveling a farther distance and often having to pass through another tier, the American importer.
What do you think are the key reasons that American wines under $10 are so often uninspiring? (Granted, there certainly are uninspiring imports under $10 but there are also some rustic wonders that sell for three to six euros in Europe.) Here are some variables to toy with: short-ish history of American wine with relatively few small growers, recent industry consolidation, the soil and/or climate, high land prices, producer greed/pride, the three tier distribution system, or the consumer as chump.
Swirl. Spit. Discuss. And while you’re at it, let us know your favorite American wines under $10–or even cast the net wider to include wines under $15 if under $10 is too hard. Maybe in a future post we’ll do a low-cost throwdown, domestic versus imports.
Recently, at a dinner with friends, one man's date turned to me and complained, "He's so boring. All he ever talks about is wine. All day long he talks about wine." I probably looked hurt, because I was just as engrossed in our discussion of Syrah as he was. Lorraine leaned toward me and whispered, "She's right, you know. We're all hopeless wine geeks. Look at us from an outsider's point of view."
I’ve watched this a couple of times because I love it so much. If you want to see a classic piece of film-making - and be warned, this is about 10 minutes of viewing (as a guess) - which includes a wine prop … then you should take a squiz at this. Scorcese tribute to Hitchcock. Bear [...]
Face it: when the term "baby" is attached to a well-known product -- unless that product is Ron Jeremy -- you expect miniaturization and, well, the short-bus version of the original. So when we scored the new Gaggia Baby Twin Espresso machine for abuse, er, review, we expected (yaaaawn) a smaller, plasticized version of their reg machine.
Our humble apologies and a deep Japanese-style bow.
Ain't nothing baby about this fab machine except its compact, low-riding size. It grips the counter like -- well, you might not have seen that Jeremy movie. The solid filter holder arm, which lets you make two cups at a time, twists and locks into place with the confidence of their professional machine (I know because I was a barista in a past life). The "turbo frother steam nozzle" (a name possibly larger than the machine) froths with the best of them, and the brewing selection panel allows you to brew at will (one strong, two weak, manual pour, etc.). Genius!
Only drawback (unless I misread the instructions -- which, knowing me, isn't out of the question) is that you can't brew two strong espressos at once. But you can adjust the amount of flow for each setting, so if you're not jonesing for a Big Gulp-sized espresso, you can manufacture two fairly macho average-size drinks. (Then you can do the walk of shame. Uh, same movie.)
Lots of other pro touches I won't bore you with, but this machine is a killer downsized version of Gaggia's commercial series.
Orogeny Russian River Valley Chardonnay 2004 $22 Rabbi Tuchman says: We were invited to a friends house for lobster on Father’s day. Yeah, it’s a tough gig. Since we tend to drink more red wine, it was my mission to pick up some Chardonnay while I was out shopping for the meal. I tend to struggle [...]
Quite an unusual combination for the Balkans, since Syrah is fairly rare in the region. Skovin is probably trying to follow the world commercial trends with this Syrah Cabernet Sauvignon combination, and it’s not doing a bad job. Syrah brings in the spiciness and the earthy taste, which brings memories of those strong South African tastes of Syrah wines. Cabernet softeness it a bit, so overall it’s a nice wine, but distinctively dryer than the famous Australian Syraz-Cabernet’s.
Rating: 6/10 Price: 400 RSD (5 euro) Retailer: Super Vero
What are your views on biodynamics? For me I can appreciate the beliefs and thoughts behind the practise, especially after chatting to such converts as Rudiger Gretcher, winemaker at Boekenhoustskloof, South Africa. For the general consumer however the 'ideas' appear as little more than 'hippy talk' or, at worse, just add to the mysticism and impenetrability of wine as a whole.
A survey by Berry Bros. & Rudd backs this up as only 15% of drinkers would buy a wine purely because of its biodynamic (or organic) certification. The environmental impact of wine production is rarely a concern for wine lovers.
As the Berry Bros. survey finds the root of this is a lack of understanding - with six in ten (57%) wine buffs saying they'd buy more biodynamic wine if they understood how it was grown.
"In light of the fact that many wine lovers remain in the dark about biodynamic and organic wine production, with many respondents citing biodynamic methods as 'mysticism', Berry Bros. & Rudd is launching 'Wine Matters', an initiative to dispel biodynamic myths and encourage wine enthusiasts to have their say on how the wine they buy is produced.
The initiative, at bbrblog.com/category/wine-matters, is an interactive platform for debate with a series of topics and discussions from Berrys' Masters of Wine and industry experts, including a post from Jasper Morris MW, asking: 'Biodynamics: Do we believe?'
Morris comments: "Our number one concern as a business is selling the very best quality wine and we are increasingly seeing that biodynamic production methods, given the stringent attention to detail required by producers, result in better quality wine. We want to share this knowledge with our customers and let them know where their wine has come from and how it has been made."
Berry's will be inviting guest bloggers each week to join the debate including biodynamic wine producer from Rhône, Montirius, and Gavin Partington from The Wine and Spirit Trade Association."
Visit Wine Matters to have your say on biodynamic wine production and learn more about biodynamic viticulture methods.
Berry Bros. & Rudd will also be inviting wine lovers to come to the Berrys' Factory Outlet, in BasingBerry'sstoke, for a complementary biodynamic wine tasting on 5th and 6th June and are including an organic or biodynamic wine in Wine Club cases going out to over a thousand members.
John Brecher and Dorothy Gaiter, the wildly popular wine columnists at the Wall Street Journal, published an updated glossary of handy wine terms in Saturday’s column. Here’s their headline:
Singing the ABCs of Wine The columnists’ updated glossary swaps Parker for Dr. Vino and Vayniacs; why there are 27 entries
Going against the better advice of my high school English and sex education teachers, this story starts with the climax. For anyone involved in wine, the three months from the end of August until the end of November are both the most exciting and the most frightening of the year. These three months dictate the final say in whether you happily learn that your wines will be served at the White House or whether you become the largest vinegar producer in your neighborhood. These are months of 60- to 80-hour work weeks (and many times more) that on one hand require complete control of the environment around you and on the other hand require you to give in completely to the whims of nature. These are months where all thoughts of family and friends dim in an ever growing purple haze as your sleep deprived mind attempts to reconcile the hundreds or thousands of details that'll make or break the next year of your life. This is Crush.
More specifically this is my accounting of Crush for David Coffaro Vineyards and Winery. This vineyard/winery is owned and operated by (take a big guess here) David Coffaro and I'm his assistant winemaker (i.e. only employee). This is the inside scoop of what we have to do in order to put a prime bottle of vino on your table. David Coffaro Vineyard and Winery consists of 20 acres of grapes that Dave planted in 1979 and a winery building that he's been operating since 1994. We make wines that are big and red; zinfandel, petite sirah, carignane, an "Estate Cuvee" (a blend of the previous grapes plus cabernet sauvignon) and a "Neighbors Cuvee" (our only non-estate wine whose blend changes from year to year). Like a sandblaster to Tammy Faye Baker's face, I hope to strip away the layers of overglamorized marketing rhetoric and highlight the best advice I ever got about becoming a winemaker -- "Don't do it!"
The excitement of crush takes place on two separate but intertwined stages that seem to spin and twist in independent motion. The first of these stages is the vineyard. The 20 acres of vines we grow is minuscule by industry standards (There are certainly vineyards that are smaller but we are definitely of the side of pretty-darn-tiny). The first job we have in the vineyard is to wait for the grapes to turn from a rather pretty translucent pink color into an intense dark purple/black color. This process is called veraison. Once the color changes we're in the picking ballpark and ready to play the game. The second step is doing a large amount of grape sampling from each block of vines. It's amazing how grapes will vary from one small block to another, even if they're only 10-100 feet away. For about a month before the actual harvest, my job is to pick a representative sampling of all the grapes we grow and monitor them for sugar content. In general we're looking for a level of 24 to 25 percent sugar, which we measure as 24 to 25 degrees Brix.
The Brix reading is only the second stage however. Knowing the sugar level lets you know the technical ripeness of the grapes but not their actual flavors. Somewhere in the early to mid-twenties (sugar level), grapes go through an incredible change of flavors that ultimately add to the complexity of flavors in the finished wine. This change can only be determined by tasting the grapes themselves. So during the final week before harvest Dave and I walk through every block and randomly snack on grapes to make sure they have the flavors we want. If the sugars are perfect but the flavors aren't there then we simply wait until they develop before picking. Once they do, Whamo!, it's time to wake up really damn early and pick some grapes!
Harvesting grapes is a demanding and sticky job. The grapes are about 25 percent sugar and as the workers dump their picking tubs into the half-tons bins, grape juice splashes everywhere. It's well worth the effort, however, because I get to drive a really cool tractor. Once the half-ton bins are full they are driven to the winery and weighed. From there they're taken, by forklift, into the winery and the grapes are put through a machine called a crusher/destemmer. Now, agricultural machine manufacturers are not very creative when it comes to naming their equipment. When I say we dump the grapes into a crusher/destemmer you can be well assured that the machine will probably crush (lightly) the grapes and destem then, doing very little if anything else. We then pump the destemmed/crushed grapes (a.k.a. "must") into a one-ton bin (again, no big guess on how much it holds). The must is then inoculated with yeast and the transformation into wine begins. [As a side note I should mention that this is specifically the process for making red wine. White wine is processed in a similar but distinctly different manner. I'll get into the whites later.]
The addition of yeast is technically a winemaking choice and not a requirement. Native yeasts, which accumulated on the grape skins in the vineyard, will naturally transform the grapes into wine. But most winemakers don't trust these native yeast strains for the same reason you don't let your crazy cousin Leroy baby-sit your kids -- you just don't know what might happen and, even though the results might be fine, it's just not worth taking the chance. Yeast contribute four things to the winemaking process: heat, alcohol carbon dioxide (CO2) and sulfites. The heat and alcohol produced make it possible to adequately extract the flavors and characteristics from the grape skins (almost all of the character and all of the color of red wine comes from the skins being broken down). Alcohol acts as a solvent that extracts organic compounds in the grape skins and the heat aids in and speeds up the chemical reaction involved in fermentation.
The CO2 has a separate and interesting effect on the fermenting grape skins. As the CO2 is released by the yeast cells it catches in the grape skins and causes them to float to the surface of the fermentation bins. This forms a solid layer of covering the top of the bins like ice on a lake. This layer is called the "cap" and can get so thick in larger tanks that a full-grown person can walk across it without falling through. The cap, however, presents a small problem. Since most of red wine's character comes from the skins, having them separate from the juice during fermentation can be bad. This small problem is solved by either "punching down" or "pumping over" your bins or tanks. Punching down involves taking a stick-like device (a 2x4, garden hoe, etc.) and breaking up the cap while at the same time mixing it with the juice. Pumping over involves hooking up a pump to the bottom of the tank and pumping the juice over the top of the cap. These actions insure that the grape skins have enough opportunity to breakdown into the wine.
We monitor the fermenting bins at Coffaro constantly and record the residual sugar levels and temperatures at least once a day. When our measurements show that there's one percent sugar or less left in the wine we prepare the press. We use what's called a bladder Press (For $200, what item is inside this press?). The bladder press is a long cylinder made up of a perforated screen. We pump the fermented juice and skins into the press and rotate it while inflating the internal bladder. This is such an efficient form of pressing that when we remove the grape skins -- the squeeze-dried skins is now called pomace -- they are dry, warm and flaky. They serve no real further purpose and are dumped back into the vineyard as fertilizer.
The pressed wine is pumped from the press into a selection of barrels that we've pre-chosen dependent on the wine varietal and individual character it exhibits. At Coffaro we use six to 10 different cooperages, with barrels ranging from American, French and Hungarian oak. However, this doesn't mean we make "oaky" wine. Barrels serve two general purposes; the first is storage and aging; the second is imparting flavor. Barrels only contribute oak flavors to wine for the first two-to-three years of their life, then, after that, are considered "neutral." As storage containers they can be used for decades with the proper care. So, although all of our wines are barrel aged, we only use 20-25 percent new oak to contribute delicate oak flavors. (This percentage varies from winery to winery. Some use as much as 100 percent new oak, some don't use any depending on the varietals grown and the style of wine preferred by the winemaker.
Once the wine is in the barrel we inoculate it with a malo-lactic starter. All red wines and most whites go through a process called malo-lactic fermentation (ML). ML is a bacterial process that changes the malic acid that's naturally found in wine (it's the same acid that makes green apples taste tart) and changes it into lactic acid (the same acid found in milk). This process makes reds more chemically stable, and for white wines it adds flavor (i.e. that "buttery" flavor in most chardonnays). Now that this is done both the wine and the winemakers get a chance to take a short break and recuperate before it's time to start the whole process over again.
Next time we'll learn why they call cellar workers "rats."
Check out Brendan's "Harvest Diary -- A week in the life of Crush at David Coffaro Winery" at http://www.coffaro.com.
Today on Serious Grape, my regular column on Serious Eats, I cast a spotlight on Gewürztraminer, the spicy white wine that's hard to spell but easy to love. (photo by viZZZual.com)
Often overshadowed by Riesling, Gewürztraminers offer wine drinkers food-friendly, aromatic wines that are perfect for seafood, grilled food, and spicy dishes. In short, they're great summer wines.
Head on over to Serious Grape to learn more about the grape and to get three recommendations for Gewürztraminers made in the US, in Chile, and in France's Alsace region. And of course,all the wines featured are under $20.
There isn?t a day that goes by when I don?t think of Abruzzo from my first visit there in the early 1980?s, when they adopted me as one of their native sons, to the years of friendship and collegiality among the many winemakers there.
The Gran Sasso, the Great Spirit Mountain that looks over the area, is as much a product of the trembling earth of the millions of the year, as the people now trying to rebuild their lives.
The land oozes soul; the grapes burst their energy forth for lively wines. When one hears about all the tankers of Montepulciano that move north at night to vivify weaker wines in the north, this is an unsung hero of a region.
My friends at Illuminati, not trampled by the crashing bricks or rumbling dirt, but none the less affected by their neighbor?s cries of pain. Over the years their wines have changed, like their labels, but always for the better. Today they are a success story for Abruzzo. Some of their neighboring wineries near Aquila are searching for their way through back to the future.
Some day they will open bottles of sparkling wine to celebrate a gathering, a success, a landmark.
For now, we remember those whom we have given up to the Greater Power.
How bittersweet it is to be so blessed to live in Italy and then have to die and say goodbye to all of that beauty.
A 64-page softcover pocket guide that you can keep handy. Offers everything you've ever wanted to know about wine from A-to-Z. Learn about wine-production regions along with their maps major grape varietals storing pairing serving and selecting the perfect wine glass. Softcover 64-pages. Size: 8-'H x 3-'W
The Wine Bottle Glass Funnel is perfect for those instances when have a little wine left over in your decanter or even in your glass. The thinness of this glass funnel allows you to insert the funnel right into any bottle. Then easily and cleanly you can pour the wine back into the bottle for a later date.
The elegance of the Wine Enthusiast lead-free crystal 'U' Decanter enhances your wine experience with an inner dome to increase the oxygenation of fine wines. The finger-hold punt ensures controlled pouring every time. Gift Boxed. Recommend to hand wash. Size: 10-3/4'H 46 oz.
As Seen on Ellens 12 Days of Giveaways & Good Morning America The pocket-size electronic talking Wine Master offers a sleek and slim design easy control panel and over 10 000 wine and spirits reviews ratings and suggested retail prices at your fingertips. The newest version of the Wine Master is the most essential wine tool you can own. Bring along with you to wine shops and restaurants and never make another wine buying mistake again. Requires 2-AAA batteries (not included). Over 10 000 wine and spirits reviews ratings (100 pt. scale) and suggested retail prices from Wine Enthusiast Magazine Food and wine pairing guide Digital display screen with back-light and compressed text functions Talking navigation with on/off Type Varietal Winery or Vintage search option Handsome non-zipper black case Wine Master is a mighty wizard that gives you mastery over the most serious wine shop clerks and sommeliers. Brushed aluminum with chrome accents. The Wine Enthusiast 2008 Wine Buying Guide is also available. Size: 4-3/4'H x 3'W NOTE: The information included in the Wine Master is based on the reviews and ratings conducted by The Wine Enthusiast Magazine. For the 2008 edition we added 10 425 reviews. Therefore if you look at a review of a 2002 Caymus in 2007 and in 2008 the review will be the same. Since we cannot review all the wines produced in a year some wines may not appear with a newer year review which does not mean that the wine is discontinued but just that particular vintage (year) was not reviewed.
Always know 'whose glass is whose' with these wine cellar-themed charms! Set of 6 cast metal charms are finished in antique silver and dangle from 3 strands of glass-faceted beads. Magnetic closures make sure the these mini-medallions stay secure around the base of each guests' wine glass. Set of 6 charms includes a wine bottle corkscrew grapes wine glass chiller bucket and cheese wedge.
You needn't interrupt your enjoyment of the wine now to fuss with pumps and dispensers. Deliberately low tech our Wine For Later Set eschews pumps spray cans nitrogen gas canisters and complicated dispenser systems for the graceful time-honored process of decanting. When you uncork a bottle simply pour off the wine you wish to save for later using an elegant glass funnel. Top off either the 1/2 bottle or the 1/4-bottle decanter and seal it with our airtight glass stopper. Since no air comes in contact with your wine it remains unoxidized and unspoiled. Adorn the decanter with our ornate silverplated grape-cluster cork pin for easy identification. Only from The Wine Enthusiast. Gift-boxed 6-piece set includes: 2 Wine For Later glass decanters 1/2 bottle size and 1/4 bottle size. 2 airtight glass stoppers. A beautiful glass funnel. A silverplated cork pin.
Choose the right wine every time! From the editors of Wine Enthusiast Magazine comes the most current comprehensive and informative wine buying guide on the market. Based on tastings by a distinguished in-house panel this wine buying guide features qualitative ratings reviews and prices for more than 50 000 wines. Plus tips on when each wine is best enjoyed. Also includes expert advice on tasting and storing vintage wine charts and Top 10 lists. 990 pages. Softcover.
Pair your wine with top chef recipes! A memorable meal starts with the wine! Find over 80 delectable recipes organized by wine style. This first cookbook by the editors of Wine Enthusiast Magazine guides you in selecting the right recipe for your wine. Includes recipes from top chefs such as Bobby Flay and Rick Bayless along with expert wine pairing tips. Whether you're serving a light aromatic white or a big powerful red you'll choose the right dish here! 256 pages with full color photography. Hardcover. Take A Look Inside At Sample Recipes.
The Riedel Syrah Decanter is a great wine decanter to use everyday. It's perfect for Syrah or any other red wine. Crafted in Germany of lead-free crystal the Syrah decanter holds 49-ounces and stands 9-5/8' tall. Add to your wine decanter collection or give as a gift any season. Size: 9-5/8'H 49-3/8 oz.
Make wine your next party theme! Consider this your personal party planner! Step-by-step instructions and essentials make hosting a wine tasting easy. Includes 100 wine tasting sheets 6 cloth blind wine tasting bottle bags with embroidered letters A through F 6 wine tasting masts Wine Enthusiast Magazine vintage chart corkscrew and a 15% Off Coupon for Wine Enthusiast glassware. Sip save enjoy!
The Wine Clip uses principles of magnetics to improve the taste of wine as it is being poured out of the bottle. The effect is instantaneous and has been found by many wine professionals to result in a genuine improvement in flavor and mouth-feel especially when used on red wines. Using magnets to treat fluids water fuel wine etc. - is not a new idea and the technology has been applied successfully in many industries. What causes the effect has been the subject of some debate but it is generally thought that passing a conductive fluid through a properly designed magnetic field has an effect on the polar molecules in the fluid. In wine it is believed that the large polymerized tannins in wine that normally result in a high degree of astringency are broken up or otherwise affected resulting in a less astringent softer flavor. The Wine Clip may also accelerate aeration by drawing higher concentrations of oxygen to the wine as it is being poured. In contrast with most gases oxygen is highly magnetically susceptible and is attracted to a magnetic field. This would explain testimony from wine experts that The Wine Clip instantly produces the benefits of time consuming aeration. Lifetime warranty.
Learn how to host a tasting party! Host a great wine tasting party with this complete new essential wine tasting kit. Created by the editors of the prestigious Wine Enthusiast Magazine you'll find all the how-to's and essentials of hosting over 30 wine tastings. Kit includes: Wine Enthusiast Magazine Pocket Guide to Wine plus 2006 Vintage Chart 2 tasting checklist notepads 6 bottle bags 6 bottle stoppers 24 bottle tags a blank wine journal 2 wine label removers and a coupon for two free issues of Wine Enthusiast Magazine . Size: 6'H x 9'W x 3-'D
Luigi Bormioli Esperienze Wine Decanter is a complete innovation in the field of wine appreciation. Designed by Federico DeMajo the lead-free crystal wine decanter is a combination of technical skills and creative artistry. Made in Italy the interior base of the decanter is designed with ripples; tiered concentric circles that facilitate rapid wine oxygenation as the wine is poured into the decanter and flows down over them for an excellent wine tasting experiences. Dishwasher safe. Size: 9-1/4'H 88 oz.
Love your wine? Show your metal! Serve it with the help of this animated bottle holder handcrafted from recycled steel copper and wood. German artist Guenter Scholtz skillfully bends welds brushes and carves these materials to bring this whimsical wine taster to life a discriminating gent leaning on a wine rack fitted with a wine barrel. Holds most standard size wine bottles. Comes with a Certificate of Authenticity. No two Scholtz pieces are exactly alike. 12'H x 6'W x 5'D
A One-of-a-Kind GiftFor the wine lover that has everything a fun gift theyre sure to cherish. Weve matted and framed our Wine Enthusiast Magazine cover with your choice of tiles (Man Woman Wine Enthusiast or Chateau of the Year). Theres a careful 7 1/4' x 7' cut-out in the cover so you can slide in a photograph of your favorite wine enthusiast. Every wine lover on your list should have one. You can purchase it as a special package with a one year subscription to Wine Enthusiast Magazine and SAVE $16.95 off the regular subscription price. Size: 14'H x 11'W Framed Print
An elegant arc turns serving into ceremony. Geometrically designed Parabola wine decanter offers a unique shape to a classic wine accessory. This stunning mouth-blown wine decanter is visually exhilarating and optimally functional. Made of 24% lead crystal the Parabola decanter offers a unique handle and spout holding a full standard-sized bottle of wine and provides flawless aeration. Size: 10-1/2'H 56 oz. NOTE: Please use the recommended Decanter cleaning balls when cleaning the Parabola decanter.
Make the hippest wine bar in town yours! Three wines any time no waiting! This professional wine preserve and wine serve system keeps 3 opened wine bottles fresh for weeks and primed for pouringright at home! Spigots serve as both stoppers and dispensers of argon gas. Argon prevents wine from oxidizing and spoiling over time. Non-electric and compact. Black with stainless steel trim. Accommodates most standard-size wine bottles. Non-electric and compact. Black with stainless steel trim. The argon gas cartridges are hidden in a compartment underneath your wine bottles. The system includes two argon cartridges which will power 12 to 15 wine bottles each. Size: 11-1/2'H x 10-1/2'W x 5'D
Attract more wine loversglass by glass! Increase your bar or restaurant sales by offering a wider selection of premium wines 'on tap'. This professional preserve-and-serve system keeps 5 opened wine bottles fresh for weeks and primed for pouring. Spigots serve as bottle stoppers. With each pour argon gas is dispensed into each bottle to blanket the wine's surface from oxygen and prevent it oxidizing and spoiling over time. Wine Saver PRO's commercial grade quality is ideal for restaurants hotels bars and wineries or for any wine lover that enjoys serving wine. Wine Saver HOME also makes the ultimate addition to any home wine cellar. Accommodates most standard-size wine bottles. Non-electric and compact. Black with stainless steel trim. The argon gas cartridges are hidden in a compartment underneath your wine bottles. Available here and sold seperately argon cartridges will power 12 to 15 wine bottles each.
Inspired by furniture pieces originally found in Bordeaux and used by the regions expert wine makers for tasting sessions of their Grand Cru wines. Special guests wine merchants or the wine makers themselves would taste some of the finest vintages at the very foot of elegant furniture pieces such as this. EuroCaves contemporary version has been designed to accommodate the needs of todays wine connoisseur. The Elite Wine Buffet is ideal for entertaining and can be placed in any room. The ample display shelves are ideal for storing glasses displaying decanters keeping reference books and storing spirits. The storage drawers can hold other accessories such as corkscrews label savers tasting albums and much more. The Elite Wine Buffet can hold a maximum of up to 20 bottles. Sold seperately the wine cellar space can accommodate a EuroCave Performance 83. Size: 56-5/16'H x 54-5/16'W x 29-9/16'D. Light assembly required.
Tecnorati
A few weeks ago, when organizing the 
A big, full-bodied, expansively-flavored, traditionally made Gigondas is a blend of 60% Grenache, 20% Syrah, 10% Cinsault, and 10% Mourvedre. Abundant herbes of Provence, heady, peppery notes are accompanied by sweet kirsch liqueur, plum, and fig characteristics. Dense, medium-bodied, and ripe. Nice, pure, plum-cherry finish.
A Côtes du Rhône Villages, the Domaine Grand Veneur Les Champauvins 2006 comes from a single vineyard located right next to the appellation d?origine contrôlée of Châteauneuf-du-Pape. When poured straight from the bottle, its nose can only be described as meaty, but don?t let that put you off ? given a little time in a decanter, it opens into aromas of dark, brambly fruits, spice and cigar box.
Must the wine lover chose between faulty corks and sterile 
Recently, Ryan and I were inspired by both 
Quite an unusual combination for the Balkans, since Syrah is fairly rare in the region. Skovin is probably trying to follow the world commercial trends with this Syrah Cabernet Sauvignon combination, and it’s not doing a bad job. Syrah brings in the spiciness and the earthy taste, which brings memories of those strong South African tastes of Syrah wines. Cabernet softeness it a bit, so overall it’s a nice wine, but distinctively dryer than the famous Australian Syraz-Cabernet’s.
Singing the ABCs of Wine
There isn?t a day that goes by when I don?t think of Abruzzo from my first visit there in the early 1980?s, when they adopted me as one of their native sons, to the years of friendship and collegiality among the many winemakers there.
The land oozes soul; the grapes burst their energy forth for lively wines. When one hears about all the tankers of Montepulciano that move north at night to vivify weaker wines in the north, this is an unsung hero of a region.
My friends at Illuminati, not trampled by the crashing bricks or rumbling dirt, but none the less affected by their neighbor?s cries of pain. Over the years their wines have changed, like their labels, but always for the better. Today they are a success story for Abruzzo. Some of their neighboring wineries near Aquila are searching for their way through back to the future.
Some day they will open bottles of sparkling wine to celebrate a gathering, a success, a landmark.
