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Is it just me, or are we smack-dab in the middle of topsy-turvy times? I gotta tell you, it?s exciting, exhilarating and a jolt of terrificante in my espresso. Really a great time to be engaged in whatever it is that takes you to the top, fires you up, makes you feel the breeze in your face, the cold, biting wind and the last of the setting sun as we head away from summer. And with all this excitement there?s this slightly disorienting facet that has one looking to recalibrate and check for balance. Not.
Like our social and political circuses that surround us, so the world of wine, and Italy, really seem to be in sync with this slightly out of register skew to things. Is this merely lucid dreaming or are the bathing beauties of Tuscany and Alto-Adige and Campania really vying for our attention? Or are they merely engaged in some kind of commercial cat-fight for our hearts and dollars? Happiness is a warm warehouse.
Sitting around some of the smaller corporate campfires lately, discussions have been had about the state of the wine business, and there seems to be a confluenza of notions and trends. I heard from a gent tonight who was the domestic head of an online service that finds buyers for rare and valuable wine. They were cutting his department and he was handed a pink slip. Eighteen months ago, that would have been unthinkable. Less than a month ago the delivery company DHL announced they would no longer be shipping wine domestically. So this little ray of hope, to the folks who think the three tier system is obsolete, is dimming. Money is tight, things get downsized.
In the world in which I live, there isn?t a day that doesn?t go by that I don?t get a note or three from some Italian wine company wanting to get onto the Ark. The smaller companies don?t have the capital, the ability to pay their bills. Everybody is trying to fit their animals on our ship. We are desirable, like this is some kind of beauty pageant. Hey folks, winter is coming, time to put the swimsuits in the drawer. Pass the grappa and cuddle up on a couch somewhere and find something to do. Not the time to plant tomatoes.
There?s something to be said about traveling the road with a camera and a bag of wine. It?s quite the spectacle. Today San Antonio, tomorrow Austin, the next day Dallas, then on to El Paso, McAllen and back to Longview. The Big Amarone Circus is coming to town with the killer B?s, Barolo, Barbaresco and Brunello. An exhibition of rarities so rare the Italian restaurateur doesn't even know about it. And the whole time the ringmaster?s friend, the ace photographer, is snapping away at the parade of models in their finest swimwear.
Will no one tell these bathing beauties, vying for the attention of the Maggiordomo, that Persephone is on the horizon, heralding the approach of the cold winds and winter? After all, they shoot the messenger in an upside-down world, don?t they?
The French wine appellation of Gigondas tends to get overshadowed by its flashy and better-known cousin, Chateauneuf du Pape. However, the smooth red wines of this Rhone Valley region have a charm and complexity all of their own. Like Chateauneuf, they are made with primarily Grenache grapes, but the similarity ends there as James Molesworth of "Wine Spectator" magazine illustrates in the video below:
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Treana Red 2004 $36.99 Wine Label says: Treana Winery is located in Paso Robles, at the center of California’s Central Coast. Having spent more than two decades developing vineyards in and around Paso Robles, the Treana Red blend reprewsnet grape varieties best suited to the region’s unique calcareous soils and distinctive climate. The Treana vineyards are [...]
October is Breast Cancer Awareness Month and Fat Bastard wines are doing their part to cure this disease by donating 25 cents for every bottle sold in restaurants and retail stores, up to $75,000. This is the sixth year the company has run this program and to date, they have donated more than $250,000 to breast cancer research.
During October, Fat Bastard wines will be easy to spot on the shelf. They'll have a pink ribbon necker with an attached pin for consumers to wear. Fat Bastard's wine collection includes Chardonnay, Sauvignon Blanc, Rose, Pinot Noir, Shiraz, Merlot, and Cabernet Sauvignon.
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Like all the wines of Alamos, this is a great value at $10 or so. It's well made and delivers a very fruity package. While I often see their Malbec bottlings, I don't often see the Bonarda which is just a bit more off-the-beaten-path. I encourage you to grab one if you see it- and grab a bottle of the basic $10 Malbec, too. Great value wines are coming from Argentina! In this case, thank you Alamos. And raise a glass!
Keeping a wine bottle sealed is probably the most important factor when it comes to maintaining a good wine.
A cork is essential, as it keeps oxygen out of the wine bottle. If a bottle of wine is not airtight then it may become oxidized and undrinkable
Traditionally, the only corks worth considering were those actually made of cork. Recently, however, many wine experts have recognized that cork may actually cause more problems than it solves.
Cork, due to its malleable nature may have imperfections; these can result in the seal of the bottle not being as airtight as it could be and the wine being spoilt. In an attempt to avoid this problem, modern cork manufacturers may treat the cork with a chemical called TVA. Unfortunately, this chemical can cause the wine to taste and smell a little damp and musty.
Having said this, cork is able to expand to fully fill the neck of the bottle, which therefore, still makes it the preferred option for special wines that need to be stored, over a long period of time.
Plastic corks are becoming increasing popular, of late. One of the main problems associated with traditional corks is that the wine becomes 'corked'. Plastic corks prevent this occurring. Great! I hear you say. However, there can be minor irritations with plastic corks. A plastic cork can sometimes be difficult to extract from the bottle and virtually impossible to fit back into a half drunk bottle.
Another recent development is the widespread use of screw-top bottles. Until recently, this type of seal was used for only the cheapest of wines. Wine producers across the globe are now recognizing the benefits that screw tops provide. This type of seal ensures that wine is kept fresh; there is no chance of the wine becoming 'corked' and the bottle can be easily resealed. In reality, the only reason that screw tops are not more popular is because of the ingrained snobbery associated with this method of sealing a bottle.
No matter which type of cork you choose, it is important that you are able to recognize whether the wine has been properly sealed or not. A useful test is to see whether the top of the cork is level with the top of the bottle; if it isn't, then that particular bottle of wine is probably best avoided.
If a traditional cork breaks when you are removing it - don't panic! Use a corkscrew to attempt to 'dig out' the remaining cork. If this fails, simply push the remains of the cork down into the bottle. Contrary to popular belief, this will not destroy the wine's flavor. You may have to fish out a few bits of cork, but the taste of the wine should remain unaffected. However, you'd be wise to finish the whole bottle, under these circumstances!
When choosing your wine, base your decision on the wine itself and not the type of cork. Resist the temptation to be a cork snob; a screw top bottle may just give you a pleasant surprise
About the author: Ever since Neil Best first pondered the question, Who made the first wine anyway? he's been recording his findings at Good Glug. Find about your favorite wine regions, wine recipes, and speciality wines along with how it's made and how best to store it for maximum enjoyment
Sour cherry aromas and pipe tobacco with a hint of chocolate but the wine is cold. Breath and warm it up; Palate--cherry with slight evergreen mid palate, nice! Fresh Sangiovese flavors; a mature wine with a touch of anise emerging. This is a nice wine; mature and tasty! It's a bit pricey at $22 but a nice treat. Raise a glass!
It was another surprising detour in a career composed almost exclusively of detours: Isobel Campbell, former Belle & Sebastian member and sometime solo act, teamed with Mark Lanegan, taciturn former Screaming Trees singer and serial collaborator. With the release of their Ballad of the Broken Seas, the "Beauty and the Beast" lines came fast and furious. So did the Nancy and Lee comparisons, which were probably welcome. The pairing of Lanegan and Campbell may have come as a shock to fans of the latter (and maybe even the former) but the music itself was less than revelatory. Indeed, the Lee Hazelwood/Nancy Sinatra template is iconic for a reason, and to borrow it means to risk imitating them. It also means treading closely to Leonard Cohen, Scott Walker, or any other somber, late-1960s orchestral pop act.
Still, the results were beautiful and brooding, with Campbell's songwriting significantly enhanced by this very specific setting. Sequels, however, are inherently built on familiarity and a sequel to the solid yet by-the-books Ballad of the Broken Seas could be as problematic as the Hollywood models are. Yet while Sunday at Devil Dirt may be more of the same (with glimpses of Tom Waits' junkyard blues tossed in to good effect), Campbell and Lanegan were never out to do anything different. Once again, melancholy, minor-key folk melodies, and bits of spy-theme and spaghetti-western cool color the album, typically enhanced by only the classiest of accompaniment-- upright bass, strings, brushed drums, twangy electric guitars, and other chamber-pop mainstays. And once again, Campbell works better as a supporting player on her own record than as a leader, cooing and chiming away in the background. Sure, she provides most of the songwriting, but it's Lanegan who provides the gravitas.
Fortunately, Campbell seems to realize her place here as writer and arranger first and foremost, generally ceding the spotlight to Lanegan on the likes of the bleak (of course) "The Raven" and "Back Burner", the somewhat lighter country-blues of "Salvation" and "Sally Don't You Cry", and the spare folk of "Something to Believe". Compared to Lanegan, Campbell sounds thin singing lead on "Shot Gun Blues" or as duet partner on "Who Built the Road" and "The Flame That Burns". Her vocals are almost like post-production special effects.
In a lot of ways that's what makes the disc such a good, breezy listen. Campbell's turn on "Come On Over (Turn Me On)" aims for sultry yet can't get beyond sweet and innocent; in Lanegan, however, she's found a substitute singer that's a perfect match for the strength of her compositions, a rumbling, grumbling vessel through which to channel her songs, themselves channeling the vibe of a lost but not forgotten time of smoky bars, scratchy jukeboxes, convertibles, open roads, broken hearts, cheap motels, and cheaper thrills. It's a bit like a dust-specked and flickering faux Super-8 road trip reel, with Campbell manning the camera and sitting in the director's chair and Lanegan glowering away in the uncomfortable glare of the sun. .Info stolen from; Pitchforkmedia
IN A DRAMATIC change of focus the Hardy Wine Company today announced that it was taking a great leap backwards - and changing its name. From the end of this month the Hardy Wine Company will be known as Constellation Wines Australia. This is an attempt to change the perception of the Hardys wine name from that of a corporate giant to, more simply, a regional winery 'known for quality and craftsmanship'
While this change is largely window-dressing, it is important. It marks a significant shift in thinking at Hardys. In recent years its super-premium portfolio has been sadly neglected, to the point where many premium wine drinkers (and wine media) today query whether the Jack Mann, Houghton Gladstones, Hardy's Tintara and Thomas Hardy super-premium labels still exist. The Hardy Wine Company has become known for good quality, cheap, non-region-specific fighting varietals. It has been at the forefront of the much maligned 'race to the bottom'.
And for a long time this strategy has been widely perceived as puzzling and myopic - like defecating in your own nest.
Hardy Wine Company President John Grant said today that ‘This is a pivotal time for our company as we embark on a range of activities to move our company to higher ground. From 31 March ... we aim to showcase to the world regional winemaking at its finest.
‘By drawing on Constellation’s global resources and tapping into our generational traditions, we aim to become Australia’s regional wine champion, recognised for our quality brands and winemaking excellence.’
‘Changing our company name provides greater freedom to shine the spotlight on the real heroes of our business - the outstanding regional wines. In particular, it allows the Hardys brand to return to being a winery, known for quality and craftsmanship, rather than being known as a corporation.’
‘We will be adding to our diverse regional offering and continuing our exploration of Australia’s premium wine regions’, he said, ‘as well as strengthening our front line staff, with additional personnel, tools, resources and training’.
Constellation Wines Australia brands include: Amberley, Banrock Station, Barossa Valley Estate, Bay of Fires, Berri Estates, Brookland Valley Estate, Chateau Reynella, Goundrey, Hardys, Houghton, Leasingham, Moondah Brook, Omni, Redman, Renmano, Stanley Wines, Starvedog Lane, Stonehaven, Tintara, Yarra Burn.
The other day I casually threw a reference into a post, that we're looking for the name of a new blog to report on our wines, do tasting notes, etc. In other words, no screeds or rants from me. More informational and less, er, quirky. Something Jeff can live with too. The name should be short (1-2 words) and relate somehow to wine. If there's an Italian aspect to it, so much the better. Certainly that's not a requirement.So, I beg you for suggestions. Comment below or send me an...
Japan has given many things to the world that I cherish, but few of them have an unofficial holiday that gives me the excuse to celebrate them. But every October first, along with sake lovers all over Japan and around the world, I get to observe Nihonshu no Hi, also known as Sake Day.
Like wine, no one knows exactly when sake first made an appearance. In a similar fashion to grape wine, the knowledge that fermented rice eventually yields an alcoholic beverage was probably discovered in accidental and then later deliberate stages, as innovative and curious folks explored ways of getting drunk.
Sake production and demand is likely to have peaked in Japan the mid 19th century when a law was passed allowing anyone to become a brewer. As many as 30,000 breweries were opened in the year of the law's passing, though that number dwindled as taxes on sake and its raw materials increased through the end of the century.
Despite ups and downs, and not being anywhere near its 19th century production levels, sake is seeing a bit of a renaissance around the world, and that is worth celebrating for any sake lover, at least as much as the stuff itself. More and more excellent sake is leaving Japan and making its way abroad.
All of which means that on October first, you'll not only have something to celebrate but, some really good stuff to celebrate with, should you care to partake in the 3rd Annual Sake day celebration put on by San Francisco's own True Sake store, and Sozai restaurant.
This is not the largest of tastings, but public sake events are so rare, that I am obligated to make not of it for those of my readers who are sake lovers or who are interested in learning more about it.
Held at Fort Mason, Sake Day is an opportunity to taste an assortment of sake, eat some good Japanese food, and listen to a little music in a casual atmosphere. Various tasting stations will be set up that will allow attendees to compare different styles of sake, blind taste some varieties, as well as explore flaws like heat damage.
If you're looking for a way to learn about sake, you'd be hard pressed to find a better occasion to experience a number of them than this little event.
Sake Day Celebration Wednesday, October 1 6:00 PM to 9:00 PM The Golden Gate Room Fort Mason Center San Francisco, CA (map)
Tickets are $85, which gets you a complimentary tasting glass, five different sake friendly dishes, free run of the tasting, and entry into various raffles and prize drawings. Tickets should be purchased in advance online, as the event may sell out.
Of course, it would be no surprise to assert that Argentina has come a considerably long way over the last decade in terms of the depth that its wine producers are capable of achieving.The manner in which this process has and continues to take place, however, has less to do with the factors that used to be paramount (foreign buyouts) and more with the industry exporting a different image of itself altogether.This phenomenon alongside other compelling developments in recent times have precipitated what I believe to be a pivotal changing of the guard when it comes to the style of Argentine wines that American consumers are welcoming more and more.
Artisan-made Argentine wine producers are no longer lost in the wilderness, playing second fiddle in terms of international exports, to say, the larger, industrial-style producers or Mendoza wine operations funded with foreign money.Argentina?s bout with hyperinflation in the early 1980?s, the kind that made my family sell their business and book it towards the United States, as well as the government?s mismanagement of the World Bank and IMF-instigated crises of the 1990?s were devastating for the export aspirations of Argentine families with a winemaking tradition.Like many American fruit farmers getting undercut and essentially obliterated by Dole, Sunkist and the like, the nature of wine production during times of turbulence in Argentina has made it difficult for these producers to stay afloat; and so, like vultures, the 1980?s and 1990?s saw foreign capital descend upon Mendoza in the form of large multinational drinks corporations and others who scooped up the winemaking patrimony of many financially pressed families.
For quite some time now, these types of wine operations have made drinking the wine of my native country while abroad in the US a sadly confusing affair to say the least.Here I was, drinking these wines which had labels reading ?Mendoza? or ?Cuyo,? so they were certifiably real, but made in styles which weren?t even in the ballpark as far as what I knew I liked to drink.Did Argentine wines change, and thus, Argentine tastes, or was something being kept from those of us who live in North America?Some very successful investors and qualified winemakers from highly prestigious European wineries became involved with their pet projects in Mendoza, but to me, something just did not sit right.I felt a bit heartbroken that as a wine lover, the wines of my native country available for export reflected something I didn?t like?far from it in fact, something I couldn?t even relate to in any meaningful way.
Those darker days, however, seem to be coming to an end as the tide of taste gradually begins to favor Argentine winemakers that provide innovation, quality, exceptional value, and at last, the types of wines that bring a little piece of home back to my dinner table.I feel that a newly found sense of openness and curiosity in the American wine consumer is taking hold.From the wider availability of all sorts of Argentine wines I?ve noticed to the stimulating conversations I?ve had with people here about Argentina?s winemaking heritage and how it is increasingly reflected?things are moving in a direction I am liking more and more.Someone, however, from the point of view of imports to the US, has to be at the forefront of this revolution.For my next post, I?ll be presenting my interview with a major player in building long-term relationships with artisan Mendoza producers and in turn, striving to make authentically Argentine wines more of a staple than an oddity in the US market.
by Martin Field Long-time readers will be shocked to hear that your humble correspondent has been off the grog for a few weeks. Doctor?s orders, following a nasty but necessary ?routine? operation visited often enough upon ageing geezers. Seems that up to a month?s healing is required, and alcohol, which can dilate blood vessels, may hinder this. Not that I felt much like booze, or food for that matter for a couple of weeks. No doubt due to trauma and the ongoing aftermath of a generous intrathecal dose of dope that left me temporarily legless. Where was I?
Although I missed the boat on this one completely, the results are in for the latest Wine Blogging Wednesday over at CorkDork. This month’s objective was to try new red wines from New Zealand. 31 bloggers participated this time! Check it out!
The Sta. Rita Hills Winegrowers Alliance held its 2nd annual Wine & Fire event in June of 2007. The festivities began on Friday evening with a reception at the restored La Purisima Mission, where over two dozen winemakers poured library wines and current releases from their Sta. Rita Hills appellation. People mingled from late afternoon through dusk and into dark, sampling the various wines.
Join us at the opening night tasting as we talk with attendees, growers like Peter Cargasacchi, and producers like Norm Yost (Flying Goat), Peter Work (Ampelos), and Victor Gallegos (Sea Smoke) to hear how and why the Sta. Rita Hills is unique as a Pinot growing area.
This Sauternes is light golden wine with a wonderful bouquet of spicy citrus and grapefruit with a honey nose.
In the mouth this desert wine is velvety with stewed apricots and honey with a rich sweetness that lingers. Finishes long and sexy. I paid $13 for the 1/2 bottle and if they have more when I return, it shall be purchased! Raise a glass!
Small Plates, Perfect Wines, a new cookbook from Andrews McMeel Publishing, featuring mouthwatering recipes and wine pairing tips, is now on bookstore shelves and available to order online.
Meze, tapas, antipasti, antojitos–no matter what you call them, small plates offer big flavor, and this is a style of dining and entertaining that has taken the country by storm.
Searching out those small dishes with big flavors, Wine Country cookbook author Lori Lyn Narlock presents more than 50 recipes by Kendall-Jackson Executive Chef Justin Wangler and the Culinary Team, with assistance from Lou Rex, Jackson Family Wines Director of Special Events. Wine tips are provided by Kendall-Jackson Winemaster Randy Ullom.
The book is divided into chapters on salads, vegetables, meat, seafood, and desserts, with each delicious recipe paired with one or two wines. The wine information is presented in a conversational fashion, and includes the basics of pairing wine with food.
Each recipe has been beautifully captured by photographer Dan Mills, with pages exquisitely produced by graphic designer Jennifer Barry. Small Plates, Perfect Wines is colorful, festive and informational, making it the perfect gift for wine and food lovers, and anyone who loves to entertain.
Shortly after 1 died Sept. 19 at 78, I got a message from Gavin Speight, his U.S. importer. He said that he would like to celebrate Carrodus' life by dipping into his own personal cellar to open a few of the iconoclastic winemaker's older 1 bottles. Earlier this week I met Speight, who imports some of Australia's finest and most venerable artisanal wines, at Cavallo Point, the new resort near Sausalito.
Some guys you never forget, and when I’m getting a case of the mean reds, I always turn to a bottle of Old Overholt. It just seems right. So does drinking it warm out of a dirty glass, but my OCD won’t let me go that far. Here’s Rye In Your Eye In this issue of the [...]
You should never buy a wine on appearance alone, but the postage stamp label and odd shape of the 2006 Coppola "Encyclopedia Wine" Cabernet Sauvignon caught me hook, line, and sinker. This is from Bordeaux, $14, 12.5% abv. The embossed molecule on the side of the Erlenmeyer flask-style bottle is a diagram of resveratrol, the compound in wine linked in some studies to health and longevity.
Aromas of blueberry and plum, with flavors of dark berries and a touch of tart cherry. Nice pie crust aftertaste. The body was a little thin at times but was overall an easy drinking cab sav. My only complaint is that it doesn't taste much like a Bordeaux; I was looking for earthy or vegetal notes, maybe even a touch of tobacco or something, but it was a fruit-forward wine more in the California style.
The wine is pretty food friendly, going well with beef and salumi and a dozen other odds and ends, and I'd heartily endorse this as a good all-purpose wine selection for Thanksgiving. I also love the fact that it's relatively low in alcohol: 12.5%. Definitely a nice change of pace from the big 15% cabs.
I do like the concept of this line--single grape wines from around the world, presented in a fun and affordable manner. It's obviously a marketing strategy towards the younger, curious wine drinker, and I hope this is successful both for the winemakers and the newcomers to the wine market.
This was originally going to be one of those quick and dirty reviews. Two Argentinean wines, a snack provided by Chef Tim (that would be Tim Ellison, one of our favourite local sommeliers and co-founder of the BC Wine Appreciation Society), followed by a fast dash through the Cambie Liquor store to stock up on a few winter staples like Cognac and Champagne. Oh well, things change.
Uncharacteristically for a Saturday, there was plenty of parking ? must be something to do with the snow. Vancouver + Snow = Mass Panic.
Tim and I do our usual three-kiss-on-the-cheek greeting ? that?s right cheek to right cheek, left to left, and right to right in case you?ve ever wondered. The beef he?s carving with Melissa Popp from Hills Foods smells wonderful and the Chimichurri Sauce looks even better. Both wines on offer are from Bodega del Fin del Mundo from Patagonia, Argentinean ? Southern most White and Southern most Red. Hmmm. White and Red. That tells me a lot, but what the heck.
Turns out our white is a 60/40 Sauvignon Blanc, Chardonnay blend. Surprisingly crisp with a pleasing length to the finish ? not huge but pleasing. Today, however, this wine seemed just a bit too citrus without food ? or maybe I?m just cantankerous from the snow. Still, at the price point of $12.95, this is one worth stocking for when you need a sipper with light nibblies. I?m already thinking summer sailing and it?s only December.
The red is 70/15/15 Merlot, Malbec, and Cabernet Sauvignon. Once again priced at $12.95, this is one good value. A hint of tobacco and a nice, round mouth feel. I was surprised I liked it as much as I did. And it went fabulously well with the beef ? although I had to check that particular pairing twice just to be sure. Tim and