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CHICAGO (MarketWatch) -- On a hot, sunny Friday here in September only days after the first Monday market meltdown, two well-heeled wine buyers battled each other at a private auction for the privilege of shattering a world-record price for a single case? of 1982 Chateau? Lafite Rothschild.
A Chinese buyer who flew in from Beijing for the Hart Davis Hart Co. auction won with a final bid of $54,970 -- a whopping $4,580.83 a bottle. At its release in 1984, a single bottle would have sold for roughly $100. A case of 1990 Romanee-Conti Domaine? de la Romanee-Conti that was released at about $500 a bottle sold for $179,250, or $14,937.50 each. A case of 2000 Chateau Petrus was bought for $57,360, or $4,780 a bottle. At its release, the price was $750 a bottle.
Such dramatic price appreciation is not the norm for wine investments, but it does underscore how lucrative and resilient investing in fine wine can be -- particularly so at a time when market volatility is deflating 401(k) accounts and retirement nest eggs, and low interest rates are choking returns on cash and other investments.
My brother-in-law Nick was born a hunter. Growing up in Greece during WWII, where famine was the norm at the time, he learned how to survive at a very early age. When his family immigrated to the New World, settling in Southern California, I could only imagine what he must have felt like, as a child. He took to California and the American Dream like a duck to water.
All this as an introduction in the way of a comparison. Nick, being a hunter, is one of a handful of hunters who have made it into the Grand Slam Club. You can read about it here. The guy loves to hunt, fish, golf, win. I mean, we were sitting outside having lunch and I caught him stalking prairie dogs, it?s just in his blood.
Oh, and he likes wine. Italian wine, California wine, French wine. Good wine.
On a visit earlier this month at his and my sisters rambling Tuscan ranch house, on the 16th green of a PGQ gold course in Indian Wells, we got to opening a few bottles of wine. And talking about what makes a wine great. It got me to thinking about the way we collect our wines. Are they trophies to put on a rack and lay claim to bragging rights? Or is there a deeper meaning to the wines we have opened, enjoyed and appreciated over the years?
Is there an Italian Grand Slam for wines? And if so, what would they be?
In my mind I?d be putting Barolo and Barbaresco up on the wall. Brunello? Most likely, but these days, Brunello is bothering me. If you put it into the context of 50 or so years, then OK. But right now, I?d say Brunello is on probation with a lot of us.
The fourth wine? Amarone? A Maremma red, maybe from Bolgheri? Something from the Valtellina? A Taurasi? What do you think?
About ten years ago my brother-in-law and sister and I were having breakfast at a hotel. A few tables away Angelo Gaja and his field rep were seated. I mentioned to my brother-in-law that the gentleman about his age was a famous Italian winemaker. I went over to the table and said hello. After all I had first sold Gaja?s wines in 1981.
When I came back to the table, Nick seemed surprised that I knew and had done business with such a famous wine personality. I explained to him that once you enter into the field, most doors will open one day or another, no big deal.
But Gaja has not only entered the Grand Slam Club. In his winemaking ventures he also has produced the grand Slam wines if you see those four wines as Barolo, Barbaresco, Brunello and Bolgheri. So to him, hats off. I only wish I could taste through some of these wines once in a while. They seem to have moved to an arena where other wines that I used to enjoy, wines like Pomerols and Pauillacs, have also migrated to. The investor classes.
No doubt Barolo, Barbaresco and Brunello are in my club. But the fourth wine? I?d like to think Amarone might rate high and Taurasi as well. Not yet with Sicily, nor Sardegna, sorry islanders. Not yet.
I do have fond memories of Chambave Rouge. But that is a wine for the ages now and the storytellers. I guess Neal Rosenthal and I are some of the few lucky chaps to still have a bottle or two around of the legendary 1961 from Ezio Voyat.
I?m sure my brother-in-law, if he was playing this game, would put Sassicaia on that wall of fame. And prior to the 1990?s I would agree. But that just gives the wine two decades to have proven itself. Is that enough? Is the wine still capable of evoking legendary emotions?
After last years trip to the Valtellina, I was hopeful. And while I won't rule it out, there?s still not enough time for those wines, in modern times, to have redeemed their once lofty status.
My mind seeks to focus my gaze through the crosshairs; focus. Is it even another red wine we seek?
Usually when people give a bottle of wine as a gift, it’s in one of those pricier velvet-style gift bags that get lost before it can get reused, or those metallic ones. The folks at Random House are offering a new, unique alternative and, best of all, if won’t break the bank.
These Wine Lovers Gift Tags run $13 for a pack of 50, and come in various shapes and sizes and even include the ribbon for tying it to the wine bottle. They might just add a little bit of humorous conversation to the next party to boot.
Our reviews mark the 5th edition of the Wine Book Club, and the last meeting for 2008--because no one is going to post a review between Christmas and New Year's Eve, are they? So it's all the more fitting that we mark the end of 2008 and the end of the Bush administration with a book dedicated to helping us understand the complicated political journey that wine takes from grape to glass.
We had some Wine Book Club veterans and some first-timers, too. So here is a roundup of some of their thoughts.
First time Wine Book Club participant Jim Eastman from the blog Music and Wine praised Colman's accessible style, noting that "it managed to keep me engaged without fail through the whole book. Eastman's main criticism of the book was he felt it was a little too short to cover such a broad-ranging topic in so few pages. Jim wanted more--"A little extra depth and perspective" was the way he put it--which I can tell you from personal experience is the kind of criticism an author can live with. When a reader wants more, that's a good thing.
Another first time WBC participant, Frank Morgan from the blog Drink What YOU Like, described the book as "academic and thorough." Frank found the Colman's coverage of the topic "fascinating," and while he did sometimes get "lost in the details a couple of times," the book changed the way he "looked at a glass of wine." My favorite line in Frank's review was saved for the end: "My major takeaway from Wine Politics is an increased sense of appreciation for the small wine guy and the crap they go through just to produce and sell wine to me!"
Christianne from the blog Christianne Uncorked (also a first time WBC participant) found the book was "PACKED with information about wine, history, and politics," but she sometimes found that the organization left her feeling a bit "distracted." She particularly would have liked more of Colman's informal writing and less of the formal academic style.
Taste B from Smells Like Grape added her two cents on the book, saying that it was a "breath of fresh air" given the other books she's reading for an academic course at the moment. What she most enjoyed about the book was that is wasn't just a rehash of things she already knew about wine. Instead, Colman "weaves together many observable and oft discussed conditions in the wine industry with little-known catalysts to form some pretty stark revelations."
Wine Book Club veteran Kori from the Wine Peeps made it clear that this was not the book for you if you were looking for "basic wine information or for a recommendation on what bottle of wine to drink tonight." However, "a lot of information is packed into this relatively short 148-page read," and Kori found the message thought provoking. "If you really want to know why you can?t buy a bottle of wine you fell in love with on a recent trip to California and have it shipped to your home," Kori recommends you pick up this book and learn why.
Richard the Passionate Foodie, another WBC veteran, recommends this well-written book to "those who are more passionate about wine, who enjoy learning about more than grape varieties and wine regions." While it may not appeal to the novice, Richard feels that wine lovers will appreciateColman's "measured and neutral stance" on his more controversial topics, where he presents arguments for both sides of troubling questions.
Thanks to Tyler Colman, our own Dr. Vino, for writing this excellent book which really did convince me that any drinkable wine produced in this country is a miracle, given the laws that stand in the way of winemakers and consumers. And thanks to all the participants this month.
The next edition of the book club will be announced in early December, and reviews will be due in late January--so stay tuned for another year of the Wine Book Club.
Imagine 45 bottles of Syrah, each one bagged and numbered just waiting for sensory evaluation. Now, imagine that these evaluations will come from the very winemakers who made these wines.
That’s right, 45 winemakers evaluating their own wine, while competing against the wines made by their colleagues. That’s the premise of the 2008 Hospice du Rhône’s Syrah Shootout, where the winner gets bragging rights - plus a terrific-looking (not so much) “Coat du Rhône” to wear home.
Join winemaker Rusell Bevan and he takes us through a guided tour of this great event.
Hmm, that’s a very similar label! What I find more interesting is, that given the development of prices in the last two vintages, this 06 villages costs the same as the 04 ‘Lachaux’ Clos St.Denis of yesterday. There can be only one winner at the same price-point and despite the high quality of this wine, [...]
Posted by 1 Much to my horror, my recent trip to the United States and Canada revealed to me that some people have actually been reading this blog. While it was not a shock that people visit WineSpectator.com, the fact that anyone would labor through my heavy prose and factual notes was a total revelation.
Leave it to a baby boomer to latch onto this millennial wine label concept. Forgive me; the label goes with the new table we just bought from Pier 1 Imports, that place where the millennial generation now shops. The proverbial "we" refers to the writer, namely me, and my civil union partner of nearly 20 years, or whatever is allowed to be said given we do not fall into the category of "one man and one woman".
Geode is a wine concept. It is a design. It is targeted marketing. This is its first vintage. It over-delivers. That's a good thing. Quick, before they sell it off to a larger company keen on watering it down and milking the label as a cash cow, buy it and drink up.
If they are going to wing these concepts out at us, then we need to know when to buy and when to pass. We need to be as fickle about our preferences as they are about their focus group results. My experience is this type of concept is best when it starts out. They can evolve into something even better, but rarely. Again I say, buy now and drink up. Just don't get married to it. Play the field. Be gay with California wine - don't get married.
White Rocket Wine Company has done a great job with Geode Santa Barbara Chardonnay 2006. Chardonnay is the proverbial "dead horse" in many ways these days, so it takes a strong concept, product and price to make hay. True to form as a Santa Barbara County Chardonnay, this newbie takes on hints of Puligny-Montrachet, a remarkable feat for a sub-$15 wine, Geode is packed with oodles of honeyed botrytis overtones and delicious tropical fruit flavors. The honey is in the head space and the pineapple, mango and lemon-lime grace the palate in a sophisticated way. The performance is very well rounded, creamy on the palate, yet the finish is crisp dry.
Veteran wine maker Melissa Bates is credited with this stellar value laden effort. She reportedly gave this wine an average of 8 months in oak, 3/4 French, 1/4 new.
Price: $14 (Nashville). Closure: real cork. Alcohol content: 13.5%.
They maybe should start calling Napa Chardonnay simply, "a glass of white Napa". Chardonnay seems so generic, especially in the days of now, when "mom-and-pop" wineries are a romantic thing of the almost-past. Last year William Hill Estate changed hands, leaving the portfolio of Jim Beam's peeps and joining the ranks of E&J Gallo's decendents' peeps. But this is Napa juice, so I say, call it "a glass of white Napa". It sounds more distinguished than, say, a glass of Gallo's William Hill Napa Chardonnay.
By the way, do you know how to tell right away if that winery you're researching is owned by one of the large "wine umbrella portfolio management groups", without googling it? Here's a hint: If they ask you when you're born, before you check out their homepage, tell them you're born on January 1st 1901. And rest assured, you're under a big umbrella.
Okay, now that we've established that Gallo bought a Napa property with lots of history and genuine character, let's give them credit for injecting the house with efficiency without sacrificing quality. Under Gallo's umbrella, William Hill can compete better in the reality known as wine 2.0, the modern wine marketing landscape. As part of an entire "aisle" of offerings, this label can wield more muscle than it could stand-alone. We get better deals as a result. When they don't water it down, we stand to benefit by such an arrangement.
Reportedly, the fruit for William Hill Napa Chardonnay 2005 is from Carneros and Atlas Peak. Malolactic fermentation and oak aging inject the wine with richness, layered atop the lean acidic structure begotten from the cool climate vineyards. The oak influence is noticeable, reinforcing the tropical mango and perfumed lemon aromas and flavors. Here is a successful baby Chassagne-Montrachet, if you dare call it that. I call it a darn good glass of "white Napa".
Price: $13 (Nashville, on sale). Closure: Real cork. Alcohol content: 13.9%.
Beautifully conceptual these wines, both of them. This is what Chardonnay is all about, and it's amazing how affordable they are.
'An onsite accident occurred at Wirra Wirra yesterday following the collapse of a fermenting tower at our winery in McLaren Vale. A number of fermenters, tanks and a presses have been damaged, resulting in some loss to our 2008 vintage.
'We are currently working closely with the authorities and SafeWork SA to assess the full extent of the damage.
'We’d like to extend our thanks to all the emergency services whose quick action and professionalism were outstanding. Our thoughts are with our young cellar hand who is currently in a serious, yet stable condition at Flinders Medical Centre. We are pleased to hear that he is making positive progress.
'While it is difficult to determine at this time the full extent of wine lost, it is significantly less than has been reported. Some of the wine in tank may still be salvageable, while offers of fruit from growers to offset the loss have been coming in thick and fast. Whilst the loss of wine is important to our business, clearly the safety and welfare of our staff is of greatest priority at this time.
'Workplace safety for all our staff is of paramount importance at Wirra Wirra, and we are thankful no more serious injuries were sustained.
'We’d also like to extend our thanks to the winemaking community of McLaren Vale and our neighbouring districts who have rallied round with offers of help and well wishes; we have been extremely touched by their support and generosity.
Trott produced the first vintage of Church Block back in 1972 “with a little help from his friends”. It looks like history will repeat itself in 2008.'
BREAKING NEWS: 3.13PM AEST March 6 2008
McLaren Vale winery, Wirra Wirra, earlier today suffered considerable damage to its winery when a number of 45,000 litre fermenters collapsed, causing damage to some tanks and presses, and a significant loss of vintage 2008 must and wine.
One cellar hand sustained minor injuries, however no serious injuries have been reported.
The winery has temporarily been shut down, and staff are working with officials to ascertain the full extent of the damage.
Wirra Wirra is unable to determine when the winery will be up and running again.
I had an excellent California Pinot Noir last week at 1 restaurant in West Hollywood on the recommendation of the sommelier, Rory Harrington. The 2005 Ambullneo Vineyards Pinot Noir Santa Maria Valley was rich and luscious, with loads of ripe strawberry, light earth character and hints of smoky oak.
Red Barn Winery opened May of 2004. It is located four miles North of the city of Syracuse in Liverpool, NY. Open Thursday thru Sunday 12 noon to 6 P.M.
Paul Martin is the sole owner and winemaker with decades of experience. Old world (European) winemaking experience and new winemaking techniques are incorporated to produce great wines. N.Y. State grapes and fruits are used exclusively. The 3000 sq. ft. winery is built around a ?Turn of the Century? design. Tasting room # 1 is cozy, consisting of a fireplace, rocking chairs, couches and plank floors. Tasting room # 2is of the Western saloon style, high ceilings ( 25?), hand hewn beams, plank floors and antiques.
The Hearty Red is a very nie, solid, table red. Dry, with notes of cherry and vanilla. Nice!
by Martin Field I was reflecting one night, over an aged cognac, on chaos theory. Popularised by the notion that the gentle motion of a butterfly?s wings in, say, Noosa, may very well cause a typhoon in, say, the Philippines. Extraordinary, I thought, and hard to believe, but then again all things are possible. How does one separate theory from fact? I wondered. By scientific experimentation, I answered myself readily. So, just a moment ago, I popped the cork of a bottle of champagne. I do not take responsibility for the consequences of this action but, wherever you are in the world, I say to you: ?Do you notice a slight freshening of the breeze? Did the dogs just start to bark? ?Be very afraid!?
Copia opened in the midst of an economic downturn during the dot-com meltdown and just after the terrorist attacks of Sept. 11, 2001. New director seeks creative route to solvency at Napa center
Now, seven years later, the institution seems to remain jinxed, and after many stabs at success, it is considering steps as drastic as filing for bankruptcy to escape its crushing debt.
Iggy’s at the Regent Hotel in Singapore is the recipient of quite a bit of hype, with various awards and reviews proclaiming it to be among the best restaurants in Singapore and the world. It seems very few people have anything but good words to say about it. Wednesday the 25th of June saw me visiting this restaurant for the first time.
My expectations were high, but I will be one joining in with the praise for this establishment after my experience. The food we tried was sensational with both classic and surprising combinations of flavours that worked brilliantly together. The service was overall very good and with one or two minor tweaks could have been excellent.
Four courses at lunch (an amuse bouche, two entrees, a main and dessert) was an entirely reasonable $70AUD (including GST and a mandatory 10% service charge) per person plus wine.
The wine;
The list is heavily tilted toward white and red Burgundy, the prices are quite decent for a high quality restaurant. I was impressed when I asked to keep the bottles, they offered to remove the labels if I wished instead, and I was presented with them laminated and in perfect condition at the end of the meal.
Serriger Schloss Saarsteiner Spatlese Riesling 1986 (Mosel-Saar-Ruwer, Germany) - 8% alcohol - Golden coloured. Initially a bit closed, but as it warmed and shook off the confines of being in bottle for almost 22 years it blossomed beautifully with notes of honey, orange peel, lily petals and minerals. The palate showed fine, detailed acidity to balance the ripe fruit characters. Very good length and balance initially, with the mouth-feel and components coming together even further with time in the glass. Drinking very well now, but will hold for another 5 years. 91/100
Rossignol-Trapet Chambertin Grand Cru 2002 (Burgundy, France) - 13.5% alcohol - This was decanted for around an hour and a half. Deep ruby red in colour, the nose is expressive and sensual with aromas of red cherry, rose petals, strawberry, light earth and black truffles. The palate shows great finesse and depth. The structure is excellent, with tannins playing their role in the background and acidity giving great freshness to the mouth-feel. There are layers of subtle flavour and complexity to this wine that kept me enthralled with every taste. Delicious and approachable now, but it will get even better over the next 12-15 years. 93/100
The food;
Sweet Corn “Cappuccino” with Chocolate
Sourdough roll with garlic and herb infused olive oil
Charcoal-grilled bonito with white anchovies, mizuna salad, olives and peppers, citrus dressing
Roulade of kurobuta pork belly with red cabbage salad, whole grain mustard dressing
Fresh Burrata mozzarella with vine-ripe tomatoes, basil and extra virgin olive oil
Home-made potato gnocchi with truffle salsa and soft-boiled egg
Classic onion soup served with crusty bread loaf
Braised kurobuta pork cheek with onion confit
Home-made Wagyu beef burger with white truffle sabayon
Confit of duck leg with rosemary potatoes, mesclun
Grand Marnier soufflé with home-made Java vanilla ice cream
Baked chocolate molten cake with Java vanilla ice-cream
Chateau Petrogasm, I LOVE you. I want to pop several corks with you, and find myself in a compromising position in the morning. Yes, I’d even do the walk of shame for you, Chateau Petrogasm. My butt is firmly planted on the bandwagon. I’ll be your largest sycophantic follower. What in the heck is Chateau [...]
by Martin Field Crown Ambassador Reserve Lager 2008 ? around $55 * * * * * A limited 5000 bottle release beer, in individually numbered 750ml bottles, each with a wax seal and a presentation box. The lager is bottle-conditioned, so look for the yeast sediment when pouring. At 9.2 percent alcohol, it is twice as strong as some regular beers. I tasted bottle number 2465: Dark amber in colour, with a nose of malt and toffee along with hoppy high notes. In the mouth, the high alcohol contributes to a thick, velvety, creamy mouthfeel. The long-lasting, complex flavours of malt, hops and a hint of mocha made me wonder where I could get another bottle. They reckon this lager will cellar for ten years or so and I wouldn?t be surprised. A scrumptious drop, which, despite the price tag, will be snapped up by collectors. Chandon Vintage Brut 2005 ? under $39 - * * * A blend of chardonnay, pinot noir, pinot meunier, two years on yeast lees. Very pale, tinged with green, persistent bead. Bouquet shows brioche and lime blossoms and praline. The palate is lip-smackingly crisp and dry showing flavours of baked bread, hazel nuts and a zesty Granny Smith apple finish. A first class aperitif style.
When you're gazing at endless rows of wine and you have no clue what to buy, here some generalized tips that can help weed out the crap and allow you to make an educated guess:
1) Don't buy any wine that has dust on it. Chances are there is a reason it hasn't moved. It is either a horrible wine or its a terrible value.
2) If you only see a couple bottles of a particular wine left on the shelf, it may be worth trying. This could be an indication that people are buying it up like crazy and you just happened to walk in at the right time.
3) Read the back label for helpful flavor guides. Smart wineries include descriptions and food pairings. Those that don't have any indicators are anyone's guess as to how it will taste.
Hopefully these easy-to-remember tips will help those in need. Be smart. Use common sense. Don't blindly buy another bottle of vino without making at LEAST an educated guess. Cheers!
January 6th, 2005 was my first post to this new blog. Below is how it all started if interested. The popularity of our blog has surprised us. We try to stick to reviewing wine without a bunch of yada yada although I am the worst offender for what may be too much yada yada. It's just that the supreme enjoyment of wine is not merely what is in the bottle but whole experience of fellowship surrounding the event. And what is amazing is that you can have an "event" as mundane as a 3:00 snack, but add a bottle of wine, and it becomes an ocassion! I will resolve to temper my yada yada's without losing the experience. Raise a glass with us to a new year and we hope you visit us and leave comments--often.
How it all started: It was 1979 and I was putting my time in at a hospital laboratory as a medical technologist. Someone brought in a magazine subtitled ?The magazine for physicians at leisure.? On my breaks I would page through it because it had some really nice photos of far away places in gorgeous spots of the world. In one issue there was a feature titled, ?The Ten Best Wines in America for under $10.?
Wine had intrigued me yet my exposure to the fruit of the vine had pretty much been relegated to the annual Thanksgiving sip my parents would serve of?sit down?Mogen- David wine. Even as a kid, I thought it had more in common with cough syrup than a drinkable beverage. That exposure is probably why I was much more a Guinness Stout kind of guy if anything at all.
Still, the mythical stories of the guy who could sit down with a glass of fermented grape juice in front of him and tell you the place it was made, the year it was made and the particular type of grape or grapes fascinated me. So, ?What made a good wine, a good wine??
Even I could afford a $10 bottle of wine every now and then so if the ones in the magazine represented the best in the country, I wanted to know what they tasted like and began to hunt down everyone I could. That was it; I was hooked. I joined a wine club called ?Les Amis Du Vin? which means ?Friends of the Vine? which entitled me to the wine of the month at a local dealer which meant I could get one bottle of the month?s selection for half price. That was the beginning of a lifetime pursuit of what has been an absolutely inexhaustible quest to understand wine. Do not misunderstand though, I am NOT a connoisseur but I do know a good wine from a mediocre wine from a bad wine. And I know a great value when I find one which these days abound! Australia, New Zealand, Argentina and Chile are producing wines not by the hundreds or thousands of cases but by the hundreds of thousands of cases. With that kind of volume, phenomenal bargains are all over the place!
So if you are serious about pursuing wine beyond a bottle here and there, you have to subscribe to the Wine Spectator magazine. It will cost you $45 a year but is worth every penny. And will save you ten times that in a year by helping you to avoid over-priced and over-hyped wines. Their rating system is irrespective of a wine?s cost so when you see a wine that rates an 88 out of 100 scale and it costs $8 and then another wine that rates an 86 which cost $55; the savings are obvious. Til next time--
The average diner tends to be less than well-educated when it comes to pairing wine with their meals, or knowing how to serve it. To avoid turning ordering a glass of wine into a major ordeal, it's important to educate yourself about the wines available and the things you should or should not be doing to enjoy them.
The is another of the Wynns ’special’ releases, a policy that I’m all in favour of. This one though is for the restaurant trade only. You need a subscription to The Wine Front to see this part of the post
Here's my second look at the new Coppola Encyclopedia wines in the odd-shaped bottles. The 2006 Encyclopedia Tempranillo is from Yecla in Southeast Spain. $14, 13.5% abv. The nose has a little stewed fruit with a touch of herbs, medium tannins, and a black cherry finish. It's a solid but uncomplicated wine that's food friendly in the grand tradition of Spanish wines. The tannins are probably a little strong for Thanksgiving but keep this in mind for stews and braises over the winter months. I thought it was a great burger wine.
The screwcap is large, 1⅝" (42mm) across, ample room for printing a quote. (The silver swirl destroys the contrast necessary for legibility! Elementary design concepts!) The bottles are designed to be reused as decanters or containers for olive oil, vinegar, etc.
I suppose I should take this opportunity to mention that I've got a new camera. For the past three years almost every photo on this blog has been taken with a Fujifilm FinePix s5000. The Fuji was a great camera and I was able to coax some amazing shots out of it, but for a bridge camera (between standard point-and-shoot and DSLR), I started running into limitations with it regarding low light conditions and chromatic aberration when using macro lenses. I recently upgraded to a Nikon D40, a true digital SLR with the ability to swap out lenses.
I normally don't repeat photos, but take this recent shot. Very low light conditions, yet I shot it without a tripod and without any special setup. I just put the camera in full auto and snapped a picture. Due to the lenses, with a DSLR it's very easy to get that low depth of field look. Without going into all the math, it just means that what you want people to pay attention to is in focus and everything else in front of or behind the object is blurry. In the top photo of the wine bottle, the screwcap is in sharp focus but you can barely discern any details about the background other than colors. (This method can be increased or decreased through various methods, but I'm not teaching a photography class here.)
Will the Nikon D40 give you outstanding photos? Only if you take a lot of terrible ones first. Like anything else, practice makes perfect. But out of the different cameras I've used throughout the years, this is simultaneously the easiest and, if I want to explore all the different settings and adjustments, the most powerful camera I've owned. If you're interested, check out the review linked above, and if you decide to get one for Christmas, you can purchase it from my Amazon store, where you'll find customer reviews, accessories, and other detailed information.
In this final part of this series, I would like to introduce readers to an extremely small winery which pays serious attention to their vines. Himmelsfeld vineyard began in 1991 when owner Elizabeth(Beth) Eggars decided to try something else besides nursing. Nestled on a gentle hill in Upper Moutere, the 10.5ha property has about 1.5ha dedicated to growing Cabernet Sauvignon, Chardonnay and SauvignonBlanc (roughly equal split). The rest of the land is still home to an apple orchard and many sheep!
Total production for all wines is roughly about 600+ cases so odds are you will not see this too often overseas. In fact, don't think we saw it in shops while in New Zealand either.
Of the many wineries visited - Beth struck me as one who puts emphasis on the Vineyard first and wine making second. She is adamant that "great wines are made in the vineyard", something which I hear echoed in the most zealous ( and coincidentally top notch) Burgundy producers. Her vineyard is the first one I have seen in New Zealand which does not "irrigate" - yes you heard it right - no irrigation. It was deemed that a deeper vine root system was preferable over "immediate results" and irrigation did not encourage this.
2002 HimmelsfeldMoutere Chardonnay Hints of citrus fruits and what is the beginning of some secondary aromas coming from the oak. Defintely French oak and probably not new oak either. Not as tight in terms of acidity which I suspect means it should be consumed within 3-5 years. 90 points.
2002 HimmelsfeldMoutere Cabernet Already achieving some secondary aromas, black and red fruits, not an inky black monster by any measures & soft smooth tannins. The core of the mid palate however shows some lightness in density indicating perhaps rain - grape bloat? Other than that a very nice wine but do not expect this to get much better and should be consumed within 3 perhaps 5 years. 90 points.
2003 HimmelsfeldMouter Noble Chardonnay Of the wines offered for tasting this is probably the got me excited the most. I am thinking this is comparable to top level Alsace SGN's but it also has that acidity which lifts the whole thing up. Defintely something I would be very curious to try again in 10-15 years - think this will be a knockout. 96+ points
Tecnorati
My brother-in-law Nick was born a hunter. Growing up in Greece during WWII, where famine was the norm at the time, he learned how to survive at a very early age. When his family immigrated to the New World, settling in Southern California, I could only imagine what he must have felt like, as a child. He took to California and the American Dream like a duck to water.
On a visit earlier this month at his and my sisters rambling Tuscan ranch house, on the 16th green of a PGQ gold course in Indian Wells, we got to opening a few bottles of wine. And talking about what makes a wine great. It got me to thinking about the way we collect our wines. Are they trophies to put on a rack and lay claim to bragging rights? Or is there a deeper meaning to the wines we have opened, enjoyed and appreciated over the years?
In my mind I?d be putting Barolo and Barbaresco up on the wall. Brunello? Most likely, but these days, Brunello is bothering me. If you put it into the context of 50 or so years, then OK. But right now, I?d say Brunello is on probation with a lot of us.
About ten years ago my brother-in-law and sister and I were having breakfast at a hotel. A few tables away Angelo Gaja and his field rep were seated. I mentioned to my brother-in-law that the gentleman about his age was a famous Italian winemaker. I went over to the table and said hello. After all I had first sold Gaja?s wines in 1981.
No doubt Barolo, Barbaresco and Brunello are in my club. But the fourth wine? I?d like to think 
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