There are a lot of things that I would like to change about wine in America. I'd love to lower the prices, reduce the influence of scores on buying patterns, increase consumption, broaden the varietal mix, and on and on. I've got a long list the next time any omnipotent being comes along and asks my opinion on the situation.

But if I had to choose one thing, above all else, that really needs changing when it comes to America and wine, I would choose to destroy the association between wine and the upper class. The fact that wine continues to be thought of as the beverage of the elite does more damage to the future of the industry in this country than any other phenomenon, in my opinion.

America, it must be said, did not get off on the right foot when it comes to wine. The religious zealots that founded this country were notorious teetotalers, of course. But those who followed the Puritans were Europeans of all stripes and colors, and most had a common familiarity with and appreciation for wine. Indeed, on the face of things, America could very easily have inherited their cultural predisposition for wine on the dinner table.

But it didn't for one primary reason. No one could get the damn grapes to grow right. Attempts were made for years with both imported vines as well as the many various native vines that got the early colonists so excited when they arrived. For a while, America was thought to have the potential to build a wine industry that would flourish by exporting wine back to continental Europe.

But even with the help of the many Huguenots and other wine savvy folks who arrived on American shores with no shortage of expertise in viticulture, very little progress was made. The climate was just all wrong.

Which meant that any real quantity of wine had to be imported, and that meant money, and therefore ensured that for the most part, the upper classes had the means to drink wine, and the masses made do with the products of the bountiful grains and apples that flourished here. In short, most everyone drank a lot of beer, cider, bourbon, and whisky, while the Thomas Jeffersons, Ben Franklins, and other early statesmen of America nursed their imported collections and did their best to encourage local efforts to make wine, but to no avail.

And so, if you'll forgive me squeezing and reducing a lot of complex history into a few sound bites, after about 200 years of this sort of social division, it's no wonder that, for the most part things just stayed that way. The industrial revolution widened the gap between rich and poor, engineering an even greater difference between the consumption habits of the upper classes and the lower classes. There were upswings of interest in wine, especially when people actually started to figure out how and where to grow grapes properly, but by then it was too late. Prohibition (and the rapid recovery of beer and whisky production upon repeal) put the nail in the coffin, and set the stage for people like Robert Mondavi to come along and make the valiant effort to remind everyday Americans that wine belongs on the dinner table every day. And they're still trying.

Meanwhile, wine to many people represents the intimidating, elitist, and snobbish rich. Sarah Palin's quips during the recent campaign about the wine and cocktail drinking elite perfectly illustrate the way that many people think about wine. So too do the many comments on a recent New York Times blog about the words that are used to describe wine. I can't tell you how sad it makes me to see how many people think that attempting to describe the flavors and aromas of wine is an exercise in pretension and snobbery.

But it gets even worse. It's bad enough that the average beer loving American (whoever that is) at best thinks that wine is really just for special occasions, and at worst believes that the people who drink it are rich, stuck-up, pedants. But unfortunately, a lot of wine lovers actually act that way.

In many ways the culture of wine appreciation in America encourages this sense that wine is a luxury for the knowledgeable few. We have the specialized stores. The pomp, ceremony, and mystery that surround wine in conjunction with fine dining. The astronomical prices of top wines in the market. And of course, we have the Big Boys. You know the ones I'm talking about, right? The wine assholes.

Men who feel like they own the province of wine are just the start of our problems. Worse are the ones who also like to reel off the great wines of the world they have drunk with the same gusto as they might bedroom conquests. These are the ones that recoil in horror at the thought of sharing a bottle of 1989 Lafite with their "know-nothing cousins from Des Moines" and instead prefer to save their best bottles for wine dinners that attempt to be the oenological equivalents of an evening with Annabel Chong.

But as much as I sometimes want to punch some of these people in the mouth, I don't see the wine snob as a clear perpetrator of the problem. They're just as much another symptom of the basic travesty -- that somehow we've gotten to the point where wine is far too special. And just as with anything that has cachet, wine in America has become something that many Americans think is only for certain kinds of people. Those wine people.

Of course, this rant of mine paints a rather stark, divided world, which belies the true reality of the marketplace. America is not just a collection of beer drinkers vs. wine drinkers any more than it is a collection of red states vs. blue states. And the country is slowly coming around to wine, thanks to many different factors, not the least of which are the backlash against carbohydrates and the media hype about resveratrol.

But we've got a long way to go to get to an American wine scene that I'll be satisfied with. There are a lot of myths to shatter, a lot of attitudes to adjust, and a lot of evil distribution monopolies to crush before Americans get used to having good wine on their tables every day. But perhaps most importantly, there's a lot of wine that needs to be shared among friends -- a lot of wine that needs to be enjoyed without the trappings of ceremony or status, but instead with the simple appreciation for the fact that we are all so very lucky for what we have.

Go forth and drink without fear, and spread the wine love.

When people often ask me how I "got into wine" I have a sense that they are expecting me to relate some story of a revelatory mouthful -- that one wine which struck me like a lightning bolt and sent me down the path to become the wine fanatic that I am today. Strangely, I possess no story like that about wine. I remember merely a pastiche of many special and prosaic moments with wine that have gradually led to me to the depths of my current passion.

I do, however, have a story like that about how I fell in love with sake.

It was the year 2000, and I was a Director of User Experience at Sapient Corporation, and I was asked whether I would be interested in going to Japan to help the company open an office there. Single at the time, with no pets or other obligations, I excitedly said that I would at least go on the initial exploratory trip, and would make my decision based on that experience.

The company planned to make its introduction to the market with the help of a partner firm, a relatively upstart organization that happened to be headed by several of the former top executives of BCG Japan. Our second night in the country, they took us out to what, at the time, was the best sushi I had ever eaten in my life in a private sushi club in Tokyo's Roppongi district. I knew that my job description that evening was going to involve the consumption of a lot of alcohol, but I didn't much care for beer. So when it was offered, I asked politely if I might drink sake instead. The CEO of our partner firm barked at the chef behind the sushi counter, and that's when it happened.

In my memory, the lights dim a little bit around the restaurant so that the sushi chef is bathed in the sole splash of bright light. He places a beautiful small wineglass on the counter, its bowl foggy with the chill of the freezer he has just taken it from. Then he turns slowly and reaches down below the counter to emerge with a huge brown bottle in his arms, its striking handmade paper label brushed with a stroke that resembles a huge number "2." My glass is poured and placed in front of me, shimmering and cool. And my first sip is like drinking a pristine glacial lake under a full moon.

I had the presence of mind to keep my initial outburst to something along the lines of "Wow, this is really good." But what I really meant was "Holy fucking shit, THIS IS SAKE?!?"

In that moment, I knew that I wanted to drink fine chilled sake for the rest of my life. I wanted to try as much as possible, as many different kinds as possible, and as often as I possibly could.

And that was my introduction to the sake known as Kubota Manju.

To put this in terms that might make more sense to wine lovers, here's an analogy: until that point I had been drinking sparkling wine from a box (heated up in the microwave, I might add) and then someone poured me my first glass of properly chilled Krug Champagne.

Kubota Manju is produced by a brewery known as Asahi Shuzo in the Niigata prefecture of western Japan, and it may well be the most well known fine sake in the world. Asahi Shuzo was founded in 1830 and is the largest producer in Niigata prefecture, and therefore one of the largest producers in all of Japan. Just as the massive Champagne houses who manage to strike a fine balance between making huge quantities of product at a very high quality, elevated further by a globally recognized brand, so too has Asahi Shuzo managed to turn Kubota into the Cristal of sake. The brand of the drink has eclipsed the people who have made it.

Kubota is a trade name -- one of the very first successful "brands" of fine sake on the market. The sake was originally named Asahiyama, and was finally branded Kubota in 1985, taking the nickname that the brewery had enjoyed. The Kubota line of sakes, and Kubota Manju in particular, gained massive popularity in the 1980s as Japan rekindled (some would say created) its appreciation for fine sake, partially due to simply good timing and savvy marketing, but also no doubt because of its extremely high quality and taste.

Asahi Shuzo was one of the pioneers of the fine sake movement (which has only really been around for about 50 years, and successful for 30), and in particular was one of the first to use stainless steel tanks for making sake. The use of steel in sake making has a similar effect to the use of steel in winemaking. It is more hygienic, leading to lower numbers of outside or unwanted bacteria during the fermentation process, and tends to accentuate the fruit. Or in the case of sake, the floral qualities of the rice.

Kubota Manju is an unusual sake in several respects, independent of its popularity or quality. It carries no formal designation of its level of quality, which is why I've had to note the fact that it is actually a junmai daiginjo sake parenthetically above. For those of you who aren't familiar with sake designations, this means that it is made from rice that has been polished down to at least 50% of its former mass, and includes no added alcohol in the brewing process. Not content to stop just past the 50% mark, Kubota Manju is usually made from rice polished down to about 33% of its former mass.

Instead of such quality designations, the Kubota line of sakes are simply given numbers, if you will to correspond to their quality. The "ju" in the name roughly translates to "celebrations" or "congratulations" (though some snidely suggest it might mean "ostentatious") and the other character is a number. Kubota Manju means roughly "10,000 celebrations." The two lower grades of Kubota are known as Senju (1000) and Hyakuju (100), respectively. There are also two or three other, even higher, grades of sake made with the Kubota name every year, as well.

There is a reason that this is the most popular and most well known fine sake in all of Japan. It is the same reason that I couldn't have asked for a better introduction into the world of fine, chilled sake. It is delicate, refined, and incredibly high class, in addition to being a textbook example of top class sake from an organoleptic standpoint, and definitely one of the world's top sakes.

While in the past nine years I have discovered sakes that I like better than Kubota Manju, it will always remain one of my favorites, both for nostalgic reasons, and because it really is damn good. I buy a bottle or two to bring back with me from Japan every time I visit, which isn't nearly often enough.

Tasting Notes:
Colorless in the glass, this sake has a nose of cedar trees and fresh rainwater, with hints of dried orange peel aromas. In the mouth it is smooth and silky, with a beautiful weight on the tongue and a perfect dry balance that allows flavors of tuberose and orange blossom to mingle with hints of cedar and wet stone that leave the palate feeling alive and refreshed. Outstanding.

Food Pairing:
I love drinking this sake with sushi and sashimi of all kinds, but in particular with the creamy goodness of raw scallops.

Overall Score: around 9.5

How Much?: $75

This sake is available for purchase on the Internet.

This particular bottle was a replacement for its older and sadly corked brother from the 2002 vintage. Unfortunately the good customer service cannot make up for the contents of the Rosemount Show Reserve Shiraz 2004.

Smelling of coconut oak, plum and spices, this Shiraz has an approachable tannin structure, however somewhere along the line it’s soul was ripped out and replaced with a brittle oaken heart. In short, it tastes like an acceptable but generic red wine.

I wish I could find some more positive things to say about this wine since the 2002 vintage was the first red I really got excited about. Slash the price to $10 and you would have a bargain bbq red I suppose.

Score: 86/100
Price: $20
Closure: Screwcap
Alcohol: 14.5%
Would I buy this wine?
No

The more good Champagne I have, the more it seems to me that you really get what you pay for. Unfortunately, what you have to pay for the really good stuff is out of the reach of most wine lovers, which was why I didn't like Champagne until several years after I started getting into wine.

Now I love it, but only because I've been able to taste Champagnes like these.

Alfred Gratien represents an interesting class of Champagne producer. When we speak of those who make Champagne, we most often talk about the Champagne "Houses" -- the massive brands who contract with sometimes hundreds of growers to produce very large quantities of bubbly -- and the "grower producers" who make what some call affectionately "farmer fizz."

There is a third category, however, that in more ways than one represents an earlier age in Champagne production. Before the big Champagne houses got so big, they were small. While they did not grow their own grapes (or at least not a majority of them) they made small lots of handcrafted Champagne with grapes from growers with whom they had long term relationships.

Champagne Alfred Gratien, founded in 1864, operates not only at the scale of these traditionally small houses, producing no more than about 22,000 cases of wine per year, but also maintains all of the handcrafted traditions that some of the larger houses have had to abandon over the years (Gratien was sold to a holding company in 2000, but has changed none of its practices or production levels as a result).

The estate gets its grapes from 65 different small farmers spread throughout the Côte des Blancs, Montagne de Reims, and Vallée de la Marne growing regions. In some cases, these farmers have had family relationships with the estate going back many decades. After meticulous hand harvesting in small lots, the grapes are crushed and fermented entirely in 228 liter barrels made of old French oak. This small-lot, barrel fermentation represents the traditional method of champagne production that is rarely practiced today, as most larger producers favor fermentation in steel for volume and ease.

In a similarly old-fashioned manner, the wine is never allowed to go through a secondary malolactic fermentation, but is instead carefully blended with older vintages (in the case of non-vintage wine) and put into bottles with the liqueur de tirage (the mix of sugar and yeast that produces the sparkling fermentation in the bottle) and closed with a wired cork. The use of a cork at this step is extremely unusual, time consuming and costly. The rationale for using a cork at this stage is much like using a cork at any stage -- the tiny amount of oxygen that the cork permits into the bottle helps to mature the wine.

The trouble is, however, that this cork closure comes with all the downsides of normal cork -- you have to remove it carefully by hand and you have to make sure that the wine is not corked. So after careful hand riddling (the process of turning each individual bottle to settle the yeasts and other sediment into the neck of the bottle) and three years of aging, each bottle must not only be opened and re-corked after adding the dosage (the mix of sugar and older vintage wine), but each needs to be tasted to make sure that it is not corked - a daunting task even at the estate's maximum production level of 250,000 bottles per year.

The estate's production is overseen by cellar master Nicolas Jaeger, who is the fourth generation of the Jaeger family to hold this title at Alfred Gratien. Under his guidance, the estate produces five non-vintage and one vintage wine of outstanding quality and distinction from the traditional blend of Chardonnay, Pinot Noir, and Pinot Meunier grapes, many of which are organically, or at least "sustainably" farmed.

While they are made in small quantities and cost a pretty penny, these wines are most certainly worth the effort and the money required to experience them.

TASTING NOTES:

NV Alfred Gratien "Brut Classique" Champagne, Epernay, France
Pale blonde in the glass with fine bubbles , this wine has a remarkable nose of mineral, and striking hibiscus aromas -- a unique combination of floral and fruity qualities. In the mouth it is bright with a mineral acidity, very soft mousse, and beautifully yeasty warm bread quality that merges nicely with citrus elements as the wine lingers through a long finish. Score: around 9.5. Cost: $55. Where to buy?

NV Alfred Gratien "Brut Classique" Rose Champagne, Epernay, France
Pale salmon in color with very fine bubbles, this wine has a nose of old socks (in a good way) and redcurrant aromas. In the mouth it offers hints of berries amidst deeper more earthly flavors of wet chalkboard, and wet dirt. Excellent acidity floats the wine through a beautiful finish. Score: around 9.5. Cost: $55. Where to buy?

NV Alfred Gratien Blanc des Blancs Champagne, Epernay, France
Pale green-gold in the glass, this wine has a bright zingy nose of lemon juice and lemon zest aromas. In the mouth it is equally bright, with flavors of pink grapefruit and lemon zest with lovely accents of warm brioche in the very fine mousse that seems to linger quite long in the mouth. Score: between 9 and 9.5. Cost: $75. Where to buy?

1998 Alfred Gratien Millesime Blanc de Noirs Champagne, Epernay, France
Light gold in the glass with the tiniest of bubbles, this wine has a beautiful, ageless nose of warm brioche and rainwater aromas. In the mouth it is nothing short of phenomenal. Beautifully layered with core flavors of warm freshly baked bread and brewers yeast wrapped in an explosively tangy layer of citrus and brown sugar qualities that moderate to toasted white bread flavors on the very long finish. Outstanding. Score: between 9.5 and 10. Cost: $100. Where to buy?

NV Alfred Gratien "Cuvee Paradis" Brut Champagne, Epernay, France
Palest gold in color, this wine has a nose of toasted brioche and bright lemon and mineral aromas. In the mouth it is soft and airy with clear, bright flavors of lemon zest, and a beautiful yeasty quality that lingers beautifully on the palate for a long time. Score: around 9.5. Cost: $130.Where to buy?

NV Alfred Gratien "Cuvee Paradis" Brut Rose Champagne, Epernay, France
Pale salmon in color with extremely fine bubbles, this wine has a nose of wet wool and hibiscus aromas. In the mouth it is strikingly mineral and lean with hibiscus and rose hip flavors peeking around the edge of a remarkable stony core of the wine that maintains a presence in the beautiful finish. Score: around 9.5. Cost: $130.Where to buy?

OK folks, here's the deal. Today is the last day of A Menu For Hope charity raffle. You've got until Midnight tonight, Pacific Time, to buy raffle tickets for some seriously awesome prizes. Every raffle ticket increases your chance of winning said prize, and every ticket buys healthy, nutritious lunches for school children in Lesotho. What could be better than that?

It's important to realize that even a single $10 ticket can win you some seriously good loot. One of the most popular prizes last year (and this year), the Meadowood vacation package, was won by someone who bought a single ticket.

It's also important that you know that some of this year's prizes have had slightly less bidding than others, which means the chances of you winning them are QUITE HIGH with just a single ticket, and INCREDIBLY HIGH were you to buy say, 10 tickets.

You may be asking, "Now why would I go and spend $100 on raffle tickets, even though the cause is so good." Here's the answer: because if you did, you'd have a very good chance of winning prizes that are in some cases worth THOUSANDS OF DOLLARS.

Getting the picture? It's like this: if I told you that by spending $100 you'd have a 3 in 5 chance of winning $400 worth of wine and be doing a great thing for charity, I hope that you'd see this as a winning proposition, no?

So here are some prizes that need a little love in the bidding department, and might just be yours for the taking, depending on just how generous you're feeling (or how much Champagne you've already had today). Go bid a little bit (or a little more), and have yourself a very Happy New Year!

Wine and Film Premieres from Wilson Daniels
One of the country's most respected wine importers, Wilson Daniels Ltd., is celebrating its 30th anniversary in 2008. The Napa Valley-based company has created a Menu For Hope six-bottle collection of wines from its portfolio of European wine estates, offering bidders an opportunity to taste wines from six different regions spanning three countries -- with a high-definition twist. Winners will receive the following wines:

NV Delamotte Brut Cotes des Blancs Grand Cru
2006 Domaine Marc Kreydenweiss Kritt Gewurztraminer Alsace
2005 Domaine Faiveley Nuits-Saint-Georges
2006 Domaine Philippe & Vincent Jaboulet Crozes-Hermitage Rouge
2004 Castello di Volpaia Chianti Classico Riserva DOCG
1996 Royal Tokaji Nyulászó First Growth Tokaji Aszú 6 Puttonyos

This fall, Wilson Daniels premiered documentary-style films for its French and Hungarian wine estates, which the winning bidder can watch online or download to an iPod at www.wilsondanielsfilms.com to "virtually" tour the vineyards and meet the winemakers before, after, or while they taste the wines. Value: $275. Prize Code: WB04. Courtesy of Wilson Daniels Ltd.

Two World Class Gruner Veltliners and a set of World Class White Wine Glasses
This prize includes a set of six Denkart Zalto white wine glasses and the two most highly rated Gruner Veltliners in the Winemonger inventory, the 2006 and 2007 Donabaum Spitzer Point GV Smaragd Gruner Veltliner from Austria. The wines speak for themselves, but you should know about the glasses. 100% lead free and dishwasher safe, these glasses were created for the complexity and refinement of the most expressive white wines. Technical perfection is the basic principle of the Zalto Glass Manufactury. Zalto Glasses have always been produced following a tradition of using only the most highly skilled glass-blowers working with a selection of the best raw materials. The curve of the bowls are tilted at the angles of 24°, 48° and 72°, which are in accordance to the tilt angles of the Earth. This stunning glass has become the standard for many world-class tasting rooms and well-set tables. Shipping within the USA only. Value: more than $415. Prize Code: WB07. More details at
Winemonger.

Half Case of Verge Syrah, and a Tour of the Vineyard
Join VERGE Winemaker Mike Brunson for a special tour of Bradford Mountain where you will see firsthand what it means to farm on the edge of the wild. At just over 1200 feet elevation, Bradford Mountain is on the far western edge of Dry Creek Valley in Sonoma County. VERGE Wine Cellars produces small lots of block specific Syrah and these organcially grown vineyards are perfect examples of what we call Fringe Vineyards. Mike Brunson has over 15 years winemaking experience and will describe the ins and outs of organic viticulture, mountain farming, and Syrah winemaking. After the hike, you'll enjoy a tasting of Syrahs from Bradford Mountain as well as a selection of other Syrahs from around the world. As a parting gift, you will also recieve 6 bottles of VERGE Wine Cellars' inaugural release, the 2006 VERGE Syrah. Value: $240. Prize code: WB08. Courtesy of Verge Cellars.

Wine Book Bonanza
There's only one thing better than drinking wine, and that's drinking wine with a nice wine book on your lap. Here's your chance to add to your library and maybe learn a thing or two in the process. Courtesy of University of California Press, pick any 5 wine books from their current list of titles. Value: approx $150. Prize Code:WB09. Courtesy of University of California Press.

Wine Travel Guide Voucher
The main raffle prize on offer from Wine Travel Guides is a gold gift subscription to Wine Travel Guides (worth £49 or approximately $75 or €60) which lasts a whole year from activation. This will give you access to all the travel guides on the site. Today there are 46 comprehensive guides to the wine regions of France. By mid-January there will be a further seven guides covering Tuscany in Italy, Rioja in Spain and Mosel in Germany. Here is your chance to plan that trip to the wine regions of Europe with expert insider advice from 15 top-class wine and travel writers.

The bonus offer: If you can meet author Wink Lorch in either the Jura or Savoie wine regions of France, she will personally drive you around the wine region for a day, meeting and tasting with some of her favourite wine growers and taking you out to lunch. Value: $80 or more. Prize Code:WB10. Courtesy of Wink Lorch.

Inaugural Vintage of Capture's Tin Cross Vineyards Sauvignon Blanc
This prize consists of a bottle from the first launch of Capture Winery's 2008 Tin Cross Vineyard Sauvignon Blanc. This wine is the unprecedented, first product of the winemaking team's efforts with Tin Cross being to be released in Spring 2009. Additionally, this wine will arrive paired with an elegantly framed vision of its origin; an image of Tin Cross' upper vineyard, professionally photographed and signed by the renowned Olaf Beckman. The total package is valued at $542. Prize Code:WB14. More details at Our Wine Story.

Port Wine Starter Set from Quevedo
If you're a lover of port wine, or think you might be, you'll enjoy this gift: A Port Wine Starter Kit made up of:
- port wine tongs
- port wine filter
- port wine decanter
- port wine cups
- dark chocolate
- a coupon for a bottle of Quevedo 2005 Vintage redeemable at the closest wine shop that carries the wine. Value: $90. Prize Code: WB17. More details at Quevedo Wine.

Exclusive Wine Accessory Set
This prize includes four exclusive wine accessories developed by Wine Line:

-Wine Vine 12 bottle stainless steel wine rack
-Wine Flyte Carrier--for easily serving 6 glasses of wine, carrying & drying glasses as well-patent pending
-Wine Aerator w/single glass adapter-patent pending
-Chateau Epernay Handmade Rosewood Corkscrew in gift box

These accessories make fantastic gifts for wine lovers. Value: $200.00. Prize Code: WB18. Courtesy of WineLine

Custom 90 Minute Wine Seminar
Bill Wilson, the host and producer of the Wine for Newbies Podcast will offer a 90-minute live wine seminar. The winner of this prize can choose the topic(s) for this wine seminar which he'll broadcast via streaming video at a time and date of the winner's choosing. The winner can have as many people participate as he or she wants! Since the seminar will be live via the Internet, the winner can be anywhere, as long as they understand English. Prize code: WB20. Courtesy of Wine for Newbies.

Wine, Wine and More Wine from Domaine 547
This prize includes a Magnum of 2003 Pax Cellars Kobler Family Vineyard Syrah and a $50 gift certificate to domaine547.com. The prize can be shipped to anywhere that FedEx legally delivers alcohol to, with the exception of New Hampshire. Domaine 547 is also willing to arrange for shipping to other states, on behalf of any bidder who wants to ship the wine via use of their own UPS account. Value: $150. Prize Code: WB27. Courtesy of Domaine 547.

Magnum of wine, tour, and tasting at Tolosa Winery for Six People
Join Tolosa winemaker Larry Brooks for a past, present and future tour of the Winery in San Luis Obispo and finish with a artisan wine and cheese pairing. A Magnum of our 10th Anniversary wine will also be given to the winner upon arrival.

PAST: Guests will learn about the origin of our name and the story behind our brand. They will also have the opportunity to taste past vintages from the Tolosa library collection.

PRESENT: After a brief talk about our vineyard and outside production area, guests will be toured through our tank and barrel rooms.

FUTURE: The tour finishes with a futures tasting from select French oak barrels. This intimate tasting will take place in our private barrel designed area with our finest wine selections.

Following the tour you and your guests will be guided through an artisan wine and cheese pairing with Tolosa's wine and cheese educator & sommelier, John Shakley. As you relax in our beautiful private Heritage Room, John will pair five limited production wines with five artisan cheeses from around the world. Value: $400. Prize Code: WB29. Courtesy of Tolosa Winery.

See the full list of prizes and instructions on how to bid here. I hope you win!!

It's pretty rare for the two halves of my life to intersect. As some of you know, by day I run a design agency, while by night I write this blog. There's very little overlap between the worlds of design and wine, except perhaps in the realm of wine packaging design, which is fodder for an entirely different niche blog somewhere no doubt.

Other than occasionally bragging about the design work that my firm does that is wine related, I don't find many occasions to explore these two hemispheres of my brain in a joint fashion.

But every year around Christmas the furniture company Design Within Reach holds the Champagne Chair Contest™, and I get to indulge both parts of my personality, so to speak, if only as a spectator.

The contest is remarkably simple. Entrants are merely asked to construct a miniature chair using only the materials from two champagne bottles, minus the glass, and glue. No other adhesives, paint or tape are allowed. The final chair cannot measure more than four inches in any dimension.

What people manage to produce using these simple materials are nothing short of extraordinary. Here are a coupe of links to a few images of 2007's winners and 2008's winners. Every year I'm blown away by what people come up with. The results are the most creative things I've ever seen done with wine corks.

So if you're design inclined, or simply find yourself with a little extra time, an Xacto knife, and some SuperGlue over the holidays, you should take a crack at it. Hell, at the very least it's an excuse to empty a couple more bottles of Champagne, and you can brag about how green you are, what with the fact that you're making furniture out of recycled materials.

More details including how to enter are available at the official Champagne Chair Contest™ web site. The deadline for entries is January 9th, 2009.

Tasting notes:

Big bouquet of sweet cherry, rich spices, and earth

Rich and full-bodied on the palate

Finish of cherry, tobacco, and more rich, sweet spice

In many ways, this is a classic Brunello with cherry, sweet spice, and an earthy layer. I love that it's from the 1995 vintage, two years before Brunello exploded in popularity and price with the 1997 vintage.

If you have this, drink it soon. It's fully mature and ready to go. I only had a half bottle to enjoy with Billy of this blog. We paid $25 in a shop that always seems to turn up "lost treasures" covered in dust. Unfortunately, this was the only one.

Also read Billy's review of this wine below. Raise a glass!

Tasting notes:

Big bouquet of sweet cherry, rich spices, and earth

Rich and full-bodied on the palate

Finish of cherry, tobacco, and more rich, sweet spice

In many ways, this is a classic Brunello with cherry, sweet spice, and an earthy layer. I love that it's from the 1995 vintage, two years before Brunello exploded in popularity and price with the 1997 vintage.

If you have this, drink it soon. It's fully mature and ready to go. I only had a half bottle to enjoy with Billy of this blog. We paid $25 in a shop that always seems to turn up "lost treasures" covered in dust. Unfortunately, this was the only one.

Also read Billy's review of this wine below. Raise a glass!

Review by W. Blake Gray.

Is wine food or alcohol? Most Americans would immediately choose "alcohol," perhaps laughing at the question.

In Europe, though, that wasn't the case for centuries. Before water purification became widespread, wine was safer to drink than water. The idea that wine is primarily an intoxicant is relatively recent, and like so many influential memes in the world today, it comes from the United States.

Paul Lukacs' book American Vintage: The Rise of American Wine was inspired by the author's realization at an Italian wine event that U.S. wine has become not only the best in the world (as measured by critics' ratings), but that U.S. wine -- fruit-forward, big-bodied and high in alcohol -- is changing the style of wine throughout the world. Even those who vehemently oppose the former idea must concede the latter.

If all Lukacs, chair of the English department at Loyola College in Maryland, was interested in was those two points, he could have started his timeline as late as the 1960s, perhaps with the opening of the idea lab that was Robert Mondavi Winery. In fact, he expends a lot of verbiage assuring us that American wine, until the end of the 1960s, almost invariably reached its highest peak at "serviceable."

Instead, digging into the history of American wine, Lukacs found himself fascinated by its relationship to alcohol. This continuing theme of the book ends up far more interesting than another retelling of how Mike Grgich and Warren Winiarski proved, in Jim Barrett's words, that "kids from the sticks" could make wines better than the best of France, and a helluva lot more useful than one more polemic about high-alcohol wines.

Prohibition was a defining time in America's relationship with wine and liquor, as well as crime and honesty. Lukacs points out that if the wine industry had been smarter, Prohibition could have been an era when Americans became wine drinkers.

Here's why: When Thomas Jefferson opined about the benefits of wine, one of his strongest points was that it led to temperance. What Jefferson meant by temperance was not teetotalling, but drinking wine in moderation with dinner, the way it had been consumed in Europe for centuries. Like many citizens of this always-culturally-conservative country, Jefferson didn't want to see his neighbors getting blasted at the saloon on bourbon and rye.

Prohibition could easily have gone in a different direction. Home winemakers were allowed to make a fairly large amount of wine for their own consumption, and some California grapegrowers actually did better shipping their grapes to the East Coast than they had selling to the California Wine Association monopoly that had dominated the industry for more than 20 years before Prohibition. A few politicians argued that wine should be entirely exempt from Prohibition. Imagine how that would have changed the roaring '20s: no speakeasies, no culture of lawlessness, less corruption, less capital transferred to criminal enterprises.

Instead, the country got a dozen years of bathtub gin that promoted the sanctimonious-in-public, sin-in-private behavior we still exhibit regarding sex and media. For the most part, unlike French, Spaniards and Italians, Americans don't drink to appreciate the beverage; they drink to drink.

Lukacs blames the wine industry for not promoting its product as one of temperance and culture, instead selling it in saloons as just another flavor of booze. He points out a number of occasions in the late 19th century when the wine industry had a chance to differentiate itself from liquor purveyors, but chose not to.

The disturbing thing about this observation is that little has really changed regarding wine's place in American culture. Those of us who write about wine or work in the industry are a step removed from the way middle America sees it.

I'm writing this from San Francisco, where wine does belong on the dinner table for the most part. But I read this book while on vacation in Honduras. The island of Roatan is dominated by American tourists, many from middle America. People who drank wine there didn't stop at one bottle; they stopped at near-unconsciousness. When I told people I work in the wine industry, the inevitable reaction was not "Do you get to taste a lot of good stuff?" but "How great it must be to get wasted every day!"

I'll get off my high horse now (horse riding makes my butt hurt). Lukacs' other main point of interest, which is far less convincing, is his respect for and concentration on non-West Coast wines, and even worse, wines not made from vinifera grapes. It's interesting to read a book on American wine history that's not focused on California, but if you're writing a book about American wine's "rise" by world standards, you're wasting your time talking about wine from Ohio and Indiana and Missouri. And please, hold the Catawba and pass the Cab and Pinot.

Lukacs is a very polite writer; he reads like a courtly and well-read man who would be pleasant company at the dinner table. The downside of this is the constant feeling that he's keeping a soft focus on the foibles of wine celebrities.

For example, he cites Ellen Hawkes' excellent "Blood and Wine" as a source on the Gallo brothers, but doesn't use her many hard-hitting and fascinating anecdotes. Thus I found the book most interesting in sections when it discussed people about whom I know little, like Nicholas Longworth, whose Ohio-grown pink Catawba made him the first commercially successful winemaker in America. I also was interested to learn that former preacher Thomas Welch invented non-alcoholic grape juice because he was, in words I would use but Lukacs never would, a teetotalling zealot and insufferable prig. Seriously: Jesus could work miracles, yet He didn't see the need to turn water into non-alcoholic grape juice. (Oops, high horse again. Sorry.)

But for sections about Mondavi or the Gallos or Grgich, among others, what's not written here is more interesting than what is.

I can't finish this review without pointing out something that threw me off at the beginning: Page 3, to be exact. About the famous Judgment of Paris tasting, Lukacs writes, "Since Spurrier and Gallagher had promoted the event extensively, a crowd of spectators, including a number of journalists, came as well."

That's not true, and it's not a minor mistake. To be fair, Lukacs wrote this five years before the one (1) journalist at the event, George Taber, published his own book. But the fact that Taber was the only journalist present, and that he could speak French fluently, was crucial to the event's historic importance, because Taber got complete access to the judges' comments, while a flock of journalists would probably have been held back.

Sadly, I spent the next 359 pages doubting the veracity of everything. Did Thomas Welch really invent a system for simplifying spelling? Was Warren Winiarski really inspired to make wine by a winemaker in Maryland? If there's ever another edition of this book, that early error needs to be corrected.

Paul Lukacs, American Vintage: The Rise of American Wine, W.W. Norton 2005, $13.56, (Paperback).

W. Blake Gray is a San Francisco writer and Chairman of the Vintners Hall of Fame Electoral College. His high horse is named Trigger Happy.