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After a year hiatus in Aspen, Daniel Johnnes brought the glory of La Paulee back to where it belongs in New York City, and over 500 hundred of the country?s most eager and avid collectors descended upon Manhattan like phylloxera to old vines for a celebration of what many feel are the world?s most desirable [...]
Sitting in front of the computer preparing to sum up my experience at the European Wine Blogger Conference, I literally feel speechless. Are there words for my emotions, my feeling of warmth and excitement for what’s occurred, along with a touch of sadness and depression I’ve been feeling now that the conference is over? It’s like using an instant camera with the intention of capturing the breadth and beauty of the Grand Canyon. Unless you were there, feeling the hot canyon winds come across the 1,218,375 acres that dip down an average of 4,000 feet deep; smell the rich evergreen and sandalwood aromas in the air; or touch the blazing hot iron soils which kick up fine, red dust under your feet, pictures nor words can never fully describe your experience.
On one hand, I feel a warmth in my heart that has lasted for four days, and I expect it will last well into the future. To see 40+ people from all over the world come together and bond in literally, moments flat, was something we wish would happen among nations everyday. From Friday to Sunday, voices were always raised, bubbling with curiosity and excitement; because how often do you get to speak with someone who blogs in another language as to their perceptions, desires, hopes and fears about wine blogging? For me, not often enough. Instead, I am typically caught in a whirlpool of voices from my own culture, an incestuous conversation that circles around the same view point over and over again. But to have so many different ideas as to what wine blogging is, what we need to do to better our profession, how we can solve our problems, and where we can find solutions was beyond a breath of fresh air, was astonishing! And although we never came to any solid conclusions, we did solidify trust among us, breaking down both cultural and language barriers that hinder our communication to form a cohesive and passionate group willing to continue the conversation well into the future.
Just to give you an idea of the depth of conversation we were able to share, I had a great discussion during dinner on Saturday night with David Cray from Carleton University in Canada on how he can blog about his research on the structure and organization of wine bloggers, allowing us to see step-by-step what has worked and what hasn’t worked in his research. All six wine producers from Portugal, France, Germany and Italy chatted about how they are interested in both tasting and blogging about each others wines to emphasis the fact that even wineries drink other peoples wines. With Justine Keeling, a winery owner out of Tuscany, spoke of her genuine desire to have wineries speak honestly and openly about the daily experiences in the vineyards, rather than promoting only the positive events. Giampiero Nadali offered us some wonderful and innovative ideas on using hedonistic, rather than traditional, tasting notes. And Thomas Lippert offered up his insight on how wine bloggers can increase their credibility by separating themselves from spam and wine aggregators. Granted, this is only a tiny percent of the conversations that were dissected and debated, but it at least gives you a general notion of how receptive many people were in sharing their thoughts. We’ll be going into more detail in the coming days regarding many of these topics.
Oddly, despite these incredible feelings regarding the conference, I am also going through post conference depression (PCD). When I went to drop off our gigantic van filled to the hilt in leftover wine (no complaints, mind you), I literally broke down in tears in front of the Hertz attendant. Among a cloud of exhaustion and excitement, I felt an enormous sense of loss. I wanted my 40+ new friends back. I wanted to have the ability to call someone up and go out for a drink. I missed their kindness, their positive attitudes and the hours upon hours of belly aches I had from laughing nonstop. Look, I’m tearing up again!
I’ll stop before I get my cast wet, but please know that we couldn’t have done this without your belief in us and your willingness to come hundreds, if not thousands, of miles to La Rioja.
Saludos,
Gabriella Opaz
Here are a few pics from Ryan’s camera of what happened, enjoy!
This is a monster. Powerful nose, powerful palate and powerful dark ruby colour. Which I like at times but something is not quite in balance here. There is a pungent, smoky quality that is burning my senses and I'm picking up too much sulpher which I believe I'm sensitive to. Some black fruit coming through, nice firm tannins and a bitter finish.
Perhaps this is evidence that noting the vintage of a wine is incredibly important when choosing your wine - because the 2006 does not shine for me and I would probably only give it 2 or 3 stars at a push. It's a bomb and after half a glass I was ready to move on.
This is another amazing wine from Rosenblum. This single vineyard Syrah from Lodi is just plain wonderful!
Deep black cherry hue with a bouquet of pure black cherry, cola, mint, and baker's chocolate with sweet banana chip notes--I kid you not. Wow.
Palate--Elegant tannins with a rich velvety texture bursting with berries, berries and more berries all integrated splendidly. This was GREAT with my venison roast and even at $25, it was a real treat and a value! Raise a glass!
Whether you always agree with him or not, there's little denying that Robert Parker, Jr. has had a tremendous influence on wine buying. The author and publisher of "The Wine Advocate" for over 25 years has won countless awards, including being appointed a "Chevalier dans l'Ordre de la Legion d'Honneur" in France. He created the now widely-used 100-point wine ranking system and has written extensively about wine industries around the world.
Parker's latest work is the exhaustive "Parker's Wine Buyer's Guide," a 1536-page catalog of the world's great, good, and average wines and comes out on October 7. Far from being dry and laborious, this tome is easy-to-read with lots of maps and regional wine information interspersed with winery and individual wine ratings and prices.
"Parker's Wine Buyer's Guide" is being publishing in trade softcover, in hardcover, and as an e-book simultaneously. Shipping is an issue with a book this large, so the $24.99 ebook is a smart option. The softcover is currently $23 with Amazon.com and you can get free shipping with them for orders over $25. This book would make a good gift for anyone who enjoys wines and/or traveling throughout the world's wine regions.
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Posted by 1 October 31: We 1 yesterday, just a few hours ahead of a rainstorm in the Paso Robles area. We'd originally scheduled the pick for today, but once we saw the forecast change, we moved the pick up one day. I'm really glad we did! When we got back to the winery on Thursday, we decided to wait to process the fruit on Friday.
CHICAGO (MarketWatch) -- On a hot, sunny Friday here in September only days after the first Monday market meltdown, two well-heeled wine buyers battled each other at a private auction for the privilege of shattering a world-record price for a single case? of 1982 Chateau? Lafite Rothschild.
A Chinese buyer who flew in from Beijing for the Hart Davis Hart Co. auction won with a final bid of $54,970 -- a whopping $4,580.83 a bottle. At its release in 1984, a single bottle would have sold for roughly $100. A case of 1990 Romanee-Conti Domaine? de la Romanee-Conti that was released at about $500 a bottle sold for $179,250, or $14,937.50 each. A case of 2000 Chateau Petrus was bought for $57,360, or $4,780 a bottle. At its release, the price was $750 a bottle.
Such dramatic price appreciation is not the norm for wine investments, but it does underscore how lucrative and resilient investing in fine wine can be -- particularly so at a time when market volatility is deflating 401(k) accounts and retirement nest eggs, and low interest rates are choking returns on cash and other investments.
I?ve just spent a few hours researching some wines Susan and I are tasting next week. Well, attempting to research would more appropriately describe this exercise in frustration. I?m still astonished how many winery websites are hard to find, poorly laid out, and then give little or no information. Sometimes I dig through page after page after page and finally discover a two-line tasting note ? how exciting.
To all you wineries, if you think this amount of information will have wines flying off the shelves, think again. First of all, by the time most consumers are looking up a wine on the Internet they?ve already tasted it, so they?re after more detail than ?black cherries and leather.? And could you include just a few words on your different vintages? Your 2001 tasting notes are getting a little dated. Besides, I?m sure your 2006 will taste different ? different weather, different harvest conditions, different wine.
How about a little technical information? French Oak or American Oak for example. A few lines covering pH, harvest dates, Brix at harvest, and residual sugar would be nice. Wine geeks will love you and talk up your wines ? free promotion.
I?d also think you would have your labels available for download ? after all, your design person?s already done the graphics in digital format, so just get a copy. Buyers could then print the label and take it to their favorite store as a reminder of what they?re looking for. Wine reviewers would be able add a label to their review or blog ? more free promotion. People could share copies with their friends and family: look at this great wine I just found. Even more free promotion.
People viewing your site aren?t usually there to read all about the owners and how wonderful they are ? at least not at first. Surprise ? top of most people?s hit list are the wines themselves. What grape varieties? What quantities in your Bordeaux style blend? Can we have a little story on the style of wines you are trying to produce? Who is the winemaker and what?s their philosophy, experience, and technique. What does your winery look like ? a picture or two might be nice especially for the folks buying your wine who live across the country.
Oh, and some way of getting a hold of you would be nice ? an email address or phone number would be cool. How can you except to answer questions ? like ?where do I buy your wines?? Or maybe you just like seeing your wines sitting in the warehouse.
None of this actually takes that much effort. Really, it doesn?t. All you need to do is spend a little time and money on your website to make it stand out among the rest. If you want to see what I mean, here are links to a couple of websites that get it right.
Arrow Leaf Cellars in BC?s Okanagan has a site that?s easy to negotiate and includes a contact list, newsletter, pictures of the vineyard, and a great tech sheet. There?s even info on screw caps with a link to the New Zealand Screwcap Wine Seal Initiative ? just in case you haven?t been converted yet.
Down under, Peter Lehmann Wines has another fantastic site ? history, descriptions of the area, info about the winemakers and the wines. After spending time on the site, you want to buy rush out to the store and buy a bottle or two.
And to the winery in Australia who will not put info on their web site because it is too ?techie,? it?s time to get with the Digital Age. You say you?d rather have people come to the cellar door to get info than surf the Net. Yeah, right. I?ll just hop on a plane from Canada right away. Lots of luck selling wines in our local market and no reviews from this quarter. SUSAN'S NOTE:
I confess, I have a severe love/hate relationship with the web. I admire Frank?s ability to search through layers and layers until he comes up with some nugget of information, but I certainly don?t share it. No results after a couple of Google searches and I?m on to something else. And sites that give me no contact information put me into orbit ? Frank usually doesn?t even bother telling me about them any more because then he has to listen to my usually loud, always colourful verbal tirades.
However, one interesting thing did come out of his visit to the ?We don?t believe in an Internet presence? Aussie site. Our debate on whether the owner was simply stupid or was being blatantly arrogant was lively, thoroughly entertaining, and will certainly keep them at the top of our ?Do Not Visit or Buy From? list for a long, long time. FYI: arrogant won hands down.
Note: Photos show the Arrow Leaf Cellars' vineyards and porch area. Wine bottles show Arrow Leaf's Zweigelt and Peter Lehmann's Semillon. Enjoy.
Its a struggle drinking Chianti without food; insufferable punishment on the taste buds in fact. That sharp, acidic, slightly earthy finish is how the wine is supposed to taste but it's a struggle to consume more than a glass. Rasping if you are subjected to a poor quality bottle.
Add food and it's like drinking a different wine.
But, I hear the masses yell, that is what Chianti is designed for - drinking with food. It is like a television without an aerial; you can use it but it just doesn't work very well. You know you are missing out on the bigger picture.
Two bottles of this rather decent Chianti have been consumed over the last few days. A Sunday roast of beef and Yorkshires was fine. Further complexity was revealed in the flavour but there remained something lacking.
What the roast lacked was the sweet acidity of tomatoes to balance. Step forward a superbly thrown together lasagne. Combining mince beef, plenty of fresh parsley, a splash of red and a tin of chopped Italian tomatoes the wine shone like a beacon . The wines refreshing acidity makes it all the more drinkable. (I'm also thinking lamb would have been a better match, over beef, with the wines acidity cutting through the inherent fat beautifully).
Review0.3 Wine Tasting Note: San Felice Il Grigio Chianti Classico Riserva, 2004, Tuscany, Italy Stockist: Everywine £257 for 12, Italian Wine Society £15.19 £182.28 for 12 [More on Adegga / Snooth]
A richness of dark cherry fruit leads into a twist of acidic bitterness on the finish. Smooth and robust with hints of leather and mixed herbs. but shines with food. Shown to both Slavonian and French oak barrels which adds complexity. 100% Sangiovese. Alcohol 13%.
Andrew BarrowScribblings Rating - 90/100 [3.75 out of 5]
A couple of weekends ago, I attended the grand re-opening of Wine Connection in Pound Ridge, NY. Max Marinucci moved his store to a handsome, custom-built facility and it was an amazing tasting by any measure. There were about six Barolos available from producers that ran the modern-traditional axis, E. Pira, G. Mascarello, G. Conterno, and Sandrone among others. They also poured the 2004 Hudelot Noellat Richebourg (about $259; find this wine), and several current release Bordeaux. Then there was the amazing 1985 Leoville Las Cases (about $379; find this wine), whose aroma was so enticing with tannins were smooth as silk.
And the price for this tasting? Free.
In this tough economy, even seeking solace in a wine glass can still cost a lot. But there is one place where you can still taste fine wine for free: New York wine stores. Granted, you’re standing up and the pours are sometimes barely enough to cover the bottom of the glass, but they are a great opportunity for broadening your tasting experience–as well as talking with some interesting people who are usually doing the pouring.
While there are many silly (separate entrances for separate licenses) and annoying (not being able to to sell cheese in a wine shop nor wine in a food shop) aspects of New York wine retail laws, the free tasting is a definite boon for consumers. Stores can’t charge for tasting since that would be profiting from the sale of liquor on-premises, which requires a different license. Other states have different rules about in-store pourings and they are not always free, but are often a good value. (Sadly, one place where free tastings may someday be illegal is the little-known wine country called France.)
And the downturn in the economy means that some shops are eagerly pouring wines (or, technically, having the distributor reps pour the wines) to attract foot traffic. So check out your local retailers and see what’s on the calendar. Here’s my map of my favorite NYC wine shops.
A few weeks ago, a friend of ours gave us the skinny on a new wine shop in Barcelona called, Neyras Vins. Located on Calle Laietana, a short jaunt from the famous Barcelona Cathedral, it is a cozy and comfortable space that welcomes both tourists and residents alike.
It’s owner, Antonio Gomez Neyra, is also the owner of Restaurante Neyras, founded back in 1989. Albeit not an ancient restaurant by European standards, it has gained a solid reputation as a high-end seafood and wine establishment. Consequently, the creation of a wine shop two doors down from his restaurant seemed like an easy investment when your customers continually inquire about your fine Spanish wines. Unfortunately, as of yet, one cannot meander over to the Neyras Vins and pick out a bottle of wine to pair with your meal, but we’re hopeful this policy will change in the future.
What makes Neyras Vins unique is that its manager, Juan Manuel Gonzalvo, prides himself on actively seeking out a personal relationship with their producers, over 90% of which are Spanish. Many of these producers can also be read about on his blog Y Vinos, a point of pride and joy for Juan Manuel, as its creation came well before that of the store. However, there is not relationship between the blog and the store. Neyras Vins, sadly, does not have a website as of yet, but we’re hoping this will also change in the near future, and if we’re all lucky it will be blog based.
Neyras Vins is well organized, designed, and most importantly, affordable. Constructed primarily of wood, with bottles organized by regions, and plenty of wide open space to peruse while sipping on wines open and available to the customer, its a great little shop worthy of checking out. And if for whatever strange reason, you’re in the mood for a Japanese scotch (fun Japanese whiskey site!) or an exotic Tequila, while in Spain, you don’t have to look any further, as their glass case is stocked with a variety of liquors from around the world.
During our visit, we also had the opportunity to learn about a new producer, Heretat Montrubi located in the Alt Penedes. We tried two of their wines, one of which was an incredible sweet wine made with 73% Xarel.lo and 23% Parellada. The 2006 Advent is claimed to be the first ever sweet wine made with Xarel.lo. What’s more is that this wine is made in a very similar way Pedro Ximenez, where the bunches are individually hung from metal wires to naturally dehydrate over the course of 75 days. The grapes are then pressed, fermented at a low temperature with a specific yeast, and finally, placed in two 225 oak barrels where they finish off their fermentation for 11 months on lees. This process results in a delicate and radiant golden color with a lovely and bizarre range of aromas including: cereal, honeycomb, orange zest and a touch of white, mature fruit. In the mouth, the wine shows incredible acidity, medium body and a nice, lingering finish full of honey, lemon custard and raw nuts. And as if this sweet wine wasn’t interesting enough, we also experienced the 2004 Gaintus, an incredibly unique wine made exclusively from Sumoll! This is a rarity, and one clearly highlighted by the winery as, “the first single variety wine from the Sumoll grape”.
If you are in Barcelona, stop by and say hello from Catavino, and please share your impressions of the Neyras Vins here on our site.
Additionally, I’d be interested to know your thoughts as to whether retail stores need an online presence, and if so, how? How do you find a wine shop when you’re traveling to a new country, and what is the criteria that helps you decide if you want to swing by and check out a wine shop?
Saludos,
Gabriella Opaz
Neyrus Vins Via Laietana 41 (Esq. Joaquim Pou. 2) 08003 Barcelona Phone: +34 93 301 30 35 Map
As a spokesperson for the Wine Market Council I'm occasionally interviewed on all sorts of subjects, and this fall the queries turned - no doubt unsurprisingly - to the upcoming election. That's right, upcoming as in TOMORROW!!! (Sheesh, I've got to admit I'm pretty stressed about tomorrow, and am in fact contemplating something pretty dramatic if Obama doesn't get elected. Like maybe drowning my sorrows in oceans of White Zin.) No matter what tomorrow's outcome, you can get the goods on my election night food and wine suggestions in the article "Election Party Food and Wine" at SheKnows.com. It includes some interesting tidbits on wines Republicans prefer versus those Dems gravitate towards, along with pairings to spice up your election night viewing party. So even if the *%&! hits the fan come winner- (or loser-) time, at least you'll be well plied. Cheers to that.
At the Decanter event last weekend, it was great to see so many people enjoying fine wine. Such a joy to have so many truly outstanding wines under the same roof laid out for the consumer.
At this particular Encounter Bordeaux epecially had a strong presence and the exhibitors read like a roll-call of the great and the good - though by no means exhaustive it certainly gave a very good schooling in what the fuss is all about. It proves that the UK is not all about Blossom Hill sugar water despite all the depressing statistics.
Not only were there members of the public that you would expect - I had some lovely older gentlemen coming up to me at the Jancis Robinson stand, just to tell me with a conspiratorial wink that they were already "purple pagers" - but lots and lots of young people. The majority in fact. I hope this means that the next generation of wine drinkers/collectors/enthusiasts are trading up as they experience these wines first hand and making relationships with producers that may last a lifetime.
As well as the wines on offer there were also Masterclasses, the two most popular being the Margaux vertical and Jancis. Both of these will be available as podcasts - once the technology has been tamed- on the Decanter website and Jancis will put hers up on www.JancisRobinson.com
As well as all that, authors - Andrew Jefford and John Radford to name just two - were there for book signings and a very nice team from Riedel explaining all the subtle nuances of the various glasses and exactly why you need at least 10 different sets (I wish).
This is another amazing wine from Rosenblum. This single vineyard Syrah from Lodi is just plain wonderful!
Deep black cherry hue with a bouquet of pure black cherry, cola, mint, and baker's chocolate with sweet banana chip notes--I kid you not. Wow.
Palate--Elegant tannins with a rich velvety texture bursting with berries, berries and more berries all integrated splendidly. This was GREAT with my venison roast and even at $25, it was a real treat and a value! Raise a glass!
Rocket Science 2004 Proprietary Red $45 Wine Label says: “Son, your 21 years old. It’s time you learned the art of wine tasting.” “I already know how you taste wine,” replied the sure young man. “This wine has an inky, purple hue with a sensational purity, flavors of a blackberry liqueur with a creme de cassis intensity and [...]
Is wine food or alcohol? Most Americans would immediately choose "alcohol," perhaps laughing at the question.
In Europe, though, that wasn't the case for centuries. Before water purification became widespread, wine was safer to drink than water. The idea that wine is primarily an intoxicant is relatively recent, and like so many influential memes in the world today, it comes from the United States.
Paul Lukacs' book American Vintage: The Rise of American Wine was inspired by the author's realization at an Italian wine event that U.S. wine has become not only the best in the world (as measured by critics' ratings), but that U.S. wine -- fruit-forward, big-bodied and high in alcohol -- is changing the style of wine throughout the world. Even those who vehemently oppose the former idea must concede the latter.
If all Lukacs, chair of the English department at Loyola College in Maryland, was interested in was those two points, he could have started his timeline as late as the 1960s, perhaps with the opening of the idea lab that was Robert Mondavi Winery. In fact, he expends a lot of verbiage assuring us that American wine, until the end of the 1960s, almost invariably reached its highest peak at "serviceable."
Instead, digging into the history of American wine, Lukacs found himself fascinated by its relationship to alcohol. This continuing theme of the book ends up far more interesting than another retelling of how Mike Grgich and Warren Winiarski proved, in Jim Barrett's words, that "kids from the sticks" could make wines better than the best of France, and a helluva lot more useful than one more polemic about high-alcohol wines.
Prohibition was a defining time in America's relationship with wine and liquor, as well as crime and honesty. Lukacs points out that if the wine industry had been smarter, Prohibition could have been an era when Americans became wine drinkers.
Here's why: When Thomas Jefferson opined about the benefits of wine, one of his strongest points was that it led to temperance. What Jefferson meant by temperance was not teetotalling, but drinking wine in moderation with dinner, the way it had been consumed in Europe for centuries. Like many citizens of this always-culturally-conservative country, Jefferson didn't want to see his neighbors getting blasted at the saloon on bourbon and rye.
Prohibition could easily have gone in a different direction. Home winemakers were allowed to make a fairly large amount of wine for their own consumption, and some California grapegrowers actually did better shipping their grapes to the East Coast than they had selling to the California Wine Association monopoly that had dominated the industry for more than 20 years before Prohibition. A few politicians argued that wine should be entirely exempt from Prohibition. Imagine how that would have changed the roaring '20s: no speakeasies, no culture of lawlessness, less corruption, less capital transferred to criminal enterprises.
Instead, the country got a dozen years of bathtub gin that promoted the sanctimonious-in-public, sin-in-private behavior we still exhibit regarding sex and media. For the most part, unlike French, Spaniards and Italians, Americans don't drink to appreciate the beverage; they drink to drink.
Lukacs blames the wine industry for not promoting its product as one of temperance and culture, instead selling it in saloons as just another flavor of booze. He points out a number of occasions in the late 19th century when the wine industry had a chance to differentiate itself from liquor purveyors, but chose not to.
The disturbing thing about this observation is that little has really changed regarding wine's place in American culture. Those of us who write about wine or work in the industry are a step removed from the way middle America sees it.
I'm writing this from San Francisco, where wine does belong on the dinner table for the most part. But I read this book while on vacation in Honduras. The island of Roatan is dominated by American tourists, many from middle America. People who drank wine there didn't stop at one bottle; they stopped at near-unconsciousness. When I told people I work in the wine industry, the inevitable reaction was not "Do you get to taste a lot of good stuff?" but "How great it must be to get wasted every day!"
I'll get off my high horse now (horse riding makes my butt hurt). Lukacs' other main point of interest, which is far less convincing, is his respect for and concentration on non-West Coast wines, and even worse, wines not made from vinifera grapes. It's interesting to read a book on American wine history that's not focused on California, but if you're writing a book about American wine's "rise" by world standards, you're wasting your time talking about wine from Ohio and Indiana and Missouri. And please, hold the Catawba and pass the Cab and Pinot.
Lukacs is a very polite writer; he reads like a courtly and well-read man who would be pleasant company at the dinner table. The downside of this is the constant feeling that he's keeping a soft focus on the foibles of wine celebrities.
For example, he cites Ellen Hawkes' excellent "Blood and Wine" as a source on the Gallo brothers, but doesn't use her many hard-hitting and fascinating anecdotes. Thus I found the book most interesting in sections when it discussed people about whom I know little, like Nicholas Longworth, whose Ohio-grown pink Catawba made him the first commercially successful winemaker in America. I also was interested to learn that former preacher Thomas Welch invented non-alcoholic grape juice because he was, in words I would use but Lukacs never would, a teetotalling zealot and insufferable prig. Seriously: Jesus could work miracles, yet He didn't see the need to turn water into non-alcoholic grape juice. (Oops, high horse again. Sorry.)
But for sections about Mondavi or the Gallos or Grgich, among others, what's not written here is more interesting than what is.
I can't finish this review without pointing out something that threw me off at the beginning: Page 3, to be exact. About the famous Judgment of Paris tasting, Lukacs writes, "Since Spurrier and Gallagher had promoted the event extensively, a crowd of spectators, including a number of journalists, came as well."
That's not true, and it's not a minor mistake. To be fair, Lukacs wrote this five years before the one (1) journalist at the event, Ge
Tecnorati
As a spokesperson for the 