Time for Beaujolais - 21 November 2006

An "Older" Beaujolais Nouveau for 2007 - 01 September 2007

Le Beaujolais Nouveau est arrivé! - 16 November 2007

Le Beaujolais nouveau est arrivé - 19 November 2008

Mongrain Glass makes beautiful and fancy wine glasses. James Mongrain is the artist behind this beauty. The thing that impresses me most about James Mongrain is that he has worked with Dale Chihuly since the late 1990?s. Dale Chihuly is a world class glass artist.

I looked through the Mongrain Glass website at the pictures of fancy wine glasses. The white glass goblets were magnificent, as were the chartreuse and yellow. I looked further at the Solid Series and there were more fancy wine glasses in blue, pink and the prettiest black glass I?ve ever seen.

James Mongrain and Mongrain Glass have so many fancy wine glasses for sale. It is important to keep in mind that each of the pieces is handmade and one-of-a-kind. If you want to order any of the Mongrain Glass fancy wine glasses, you need to e-mail or call with your order.

Mongrain Glass has a series of fancy wine glasses called the Creature Series. These are so beautiful. The stems of the fancy wine glasses are creatures like swans and sea horses. There is one design in particular, that has a frosted look to it. There are even dainty flowers around the base of these fancy wine glasses.

The Modern Venetians line of Mongrain Glass fancy wine glasses are very sophisticated in appearance. The glass detail work brings lace to mind because of its intricacy. I would have a very hard time trying to choose which line of Morain Glass fancy wine glasses I wanted. I actually like them all.

In addition to fancy wine glasses, Morain Glass makes commissioned pieces of art. Some of the pieces pictured in the gallery on their website were very large. There are no prices listed on this website, but these look like they cost many thousands of dollars.

Fancy wine glasses really do seem to be a small part of what Morain Glass does in their studio. I found a picture of a piece of art entitle Vortex. Vortex is described as a 7-foot stainless-steel slice of sensuality. The foundation of this piece of art is set in steel and a collection of glass forms illuminate neon light from within. The union of glass and steel in this piece of art is somewhat of a contrast, both in form and idea. Glass and steel are two distinct elements that have been joined so intimately it?s as if they are one.

It’s 7pm and most of the wine bloggers are in cars, buses, planes or trains headed home. A few remain to have one last meal together tonight and share one last toast. I’m exhausted, and very happy. For those that don’t know, in many ways, this past weekend was the most important events in our almost 4 years of living in Spain. On a bit of a whim, Gabriella, our friend Robert, and I started this adventure with a post and a lot of ignorance. We wanted to meet with bloggers to talk in person, not online. Why? Because needed to know what it meant to be a wine blogger and thought that doing so one one one was the way to do it.

Despite my fears of possible disaster, and a few close calls, this weekend turned out to be incredible. Unbelievable! And most importantly, meaningful. I’m very tired, Gabriella is almost passed out. We still have more people to say goodbye to, and lots of extra bottles to drink! This weekend we have discussed topics diverse and far reaching; we have tasted some of the best wines Spain and Portugal have to offer; and we’ve eaten better than I could have hoped for. So much great food eaten and with excellent company.

This next week, we’ll tell you some of the stories, and we’ll share some of our ideas. We hope that all those who were there will join in as we begin to explain what happened. Sorry I can’t say more right now, but I’m a bit speechless. It feels good and from the bottom of my heart, I want to say thank you all for helping to make this an amazing weekend.

Something very special just happened in Rioja.

Cheers,

Ryan

• What do Blog Readers want to Learn?
• Catavino has a Flickr Group
• Catavino’s Portuguese Wine Story Map
• Wine Bloggers Dinner during Alimentaria in BCN, Hosted by Bodegas Tintoralba
• European Wine Blogger Conference 2008

This is a dry, slightly sparkling wine, with a pleasent, rich, complex aroma. A pleasure to sniff and taste, there’s a fruity note and there’s quite an undefined spicy note, definitely requires another bottle of researching . The producer specifies it as a wine “with characteristic Muscat taste and smell carrying combination of spicy tones of incense, cinnamon, basil and fruit tones of pine apple and strawberry”.

Although it does have the muscaty taste it’s a dry wine, but still does go well with desserts such as nutty cakes. Also goes well with lighter meat dishes and on it’s own.

The Ivanovi? winery is a winery with a long tradition, one of those where the younger generation has embraced it’s ancestry recipes and combined it with modern trends. Some of the details are available online. It is located in the ?upa region in southern Serbia.

Score: 8/10
Price: 500 RSD (?6)
Retailer: Chardak, ?ika Ljubina 7, Belgrade

Technorati Tags: Serbian Wines, Tamjanika

The latest edition of Decanter (March) came out this week, and several articles caught my eye.  The first was entitled Start Your Own Wine Cellar. As I’m often torn between buying bottles to drink and those I think I may like to keep for a special occasion, I was drawn to the profiles of the 3 different types of people for whom Decanter made recommendations. There was the couple who did not know much about wine, but wanted to learn and had £500 to get them going. At the other extreme was the couple who already drank a lot of good Bordeaux and had £5000 to spend. I found myself drawn to the example in the middle, someone who knows her grape varieties, but would not describe herself as a connoisseur. Decanter put together an interesting cellar at a cost of £1000 for her.

The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.

I always peruse the Wines of the Month to see what recommendations I can pick up. These wines are available from stockists in the UK so I feel sorry for foreign readers who may be unable to source them. However I’m always a bit frustrated to read other reviews elsewhere in the magazine and see the dreaded ?N/A? next to them. Although I figure what’s the point in reviewing them if they aren’t available in the UK I have to keep reminding myself how international Decanter is. In this month’s issue 4 of the 9 letters are from non UK readers. I am sure this helps the editorial team keep an international focus which is good for all us readers.

The panel tastings this month are both French, 2005 St Emilions and 2005 cru bourgeois. I was stunned to see a great value 2005 cru bourgeois at £7.35. I must seek it out.

Next month’s edition features Italy and is out, according to the ad in the magazine, on February 6. Oops ? I think they forgot to change the date from last month’s edition as I’m sure they mean March 6th!

It looks like the trend mentioned a few weeks back is still popular. Jennifer Waters (marketwatch.com) writes:

CHICAGO (MarketWatch) -- On a hot, sunny Friday here in September only days after the first Monday market meltdown, two well-heeled wine buyers battled each other at a private auction for the privilege of shattering a world-record price for a single case^? of 1982 Chateau^? Lafite Rothschild.
 
A Chinese buyer who flew in from Beijing for the Hart Davis Hart Co. auction won with a final bid of $54,970 -- a whopping $4,580.83 a bottle. At its release in 1984, a single bottle would have sold for roughly $100. A case of 1990 Romanee-Conti Domaine^? de la Romanee-Conti that was released at about $500 a bottle sold for $179,250, or $14,937.50 each. A case of 2000 Chateau Petrus was bought for $57,360, or $4,780 a bottle. At its release, the price was $750 a bottle.
 
Such dramatic price appreciation is not the norm for wine investments, but it does underscore how lucrative and resilient investing in fine wine can be -- particularly so at a time when market volatility is deflating 401(k) accounts and retirement nest eggs, and low interest rates are choking returns on cash and other investments.

Full Story

Tags: melgab, wine, investment, ROI, auction, south-africa, South Africa

Itching to try the latest flavor rage in wine coolers? It came to my attention recently that many people don?t know that wine coolers are simply flavored malt liquor. It surprises me even more that that info itself doesn?t seem to mean much to many people. What?s wrong with pina colada flavored malt liquor wine coolers? Well, nothing, unless you want to drink more than one or two. If you?re anything like me, more than one or two wine coolers will leave you with hangover symptoms later on that day or the next.

If you really want a strawberry daiquiri or pina colada, why not just buy the fixings to make those mixed drinks? Of course if you?re on a budget it?s probably better to just buy the wine coolers. But if you?re planning a big party or otherwise have a bigger drink budget, I strongly suggest making your own mixed drinks rather than buy a huge lot of wine coolers. Malt liquor is notorious for producing headaches and all the other hangover symptoms.

Mixed drinks don?t have to be all that expensive to make either. If you plan ahead a little you can decide on a few different mixed drinks to have on hand at your next party and save some money by using the same base liquor. For example, rum is a great liquor for fruity drinks. Pina coladas, daiquiris and many other drinks call for rum, so that?s a great standby as far as liquors for mixing go. And of course vodka is a good all round liquor that can make many types of less fruity drinks. So, a trip to the liquor store to purchase a bottle of vodka and a bottle of rum will yield all kinds of mixed drink options.

There are some excellent bartender and drink mixing websites out there that can help you make the most of your next mixed drinks occasion. There are even websites where you can input all the ingredients you have on hand and it will spit out a list of drinks that you can make. Webtender.com is just such a site. Go to http://www.webtender.com/cgi-bin/imbselect to input your available ingredients. Chances are you?ll be surprised to discover all the possible drink combinations using only the ingredients you have on hand.

By Campbell Mattinson
Publisher, The Wine Front

Torbreck’s top shiraz – the Run Rig Shiraz, priced at well over $200 per bottle – is probably Australia ’s most hedonistic wine. It leaps out of the bottle like a rattlesnake, all fanfare and bite. It is, always, dangerously drinkable. It is thick with flavour and accented by sweetness, its spicy, gravelly, smoky complexity ramping its class through the roof. There’s always been a question mark though: this tastes so bloody good the day it is released – what happens if you stick it in the cellar? Is it Australia ’s best early-drinking wine, or will it develop and evolve if given time? A tasting in the Barossa Valley recently of every vintage yet made of Torbreck Run Rig Shiraz (including the just-released 2005) threw a crust of clear answers.

The full article is available to subscribers only. Click here for the full article. 

Virtues and Necessities
by Martin Field

Wine is all about the senses. About sensory evaluation, sensuality and consensual enjoyment. And wouldn't it be awful to lose your sense of taste, of smell, of touch, of sight?

It happens. Years ago, a wine-loving colleague went through a devastating course of chemotherapy to treat cancer and was cured. Afterwards he told me he had permanently lost his taste for wine. He sold his not inconsiderable cellar soon afterwards. Another friend had an operation on his nose that left him without a sense of smell. He'll drink a glass of wine with dinner but admits to being indifferent to its finer points.

I was reminded of this aspect of wine and the senses recently while listening to a wine expert banging on about the unimportance of colour in wine. If I heard him correctly, his thesis was that if the wine smelt and tasted good you shouldn't worry too much about its colour.

I couldn't disagree more. I love the colour of wine in the morning, or the evening. The crystal clear, green-hued glisten of a young riesling; the black cherry colour of a young shiraz; the vibrant inky purple of a Coonawarra cabern? [enough already! - Ed.] The visual appeal of wine in the glass is to me an unmissable part of wine drinking.

The banging on wine person finally admitted to being colour blind! They used to call this attitude making a virtue of a necessity.

And talking of sensory evaluation
Long due for reassessment is the ancient scoring system used at most Australian wine shows. The one where wines are scored out of 20 - with a possible three points (15%) awarded for appearance, seven (35%) for bouquet and ten (50%) for palate. Anyone who's ever had a cold will tell you that smell is probably the most important sensory sensation where wine is concerned. When people have colds they typically complain, ?I can't taste a thing.' What they really mean is, ?I can't smell a thing.' It's their noses that are blocked up - not their mouths.

I realise that many judges just award an intuitive score out of 20 rather than individually scoring each component and then adding up the total. Nevertheless, I'd re-jig the weighting thus: three points (15%) for appearance, nine (45%) for bouquet, five (25%) for palate and three (15%) for overall finesse and balance. Whether the scoring system is out of 20 or 100, or whatever, the percentage weighting would remain the same.

I helped out at a trade event in London devoted to Sauternes and Barsac the other week. Entitled ?Sweeties with Savouries? it set out to show how both Sauternes and Barsac can be drunk not only with the usual foie gras and desserts but also with all the courses of a complete meal. With courses ranging from roquefort crème brulee with figs (see picture) through roast Moroccan quail with sweet potato mash to blue cheese cheesecake, the food was absolutely wonderful. Attendees were then asked to vote for which wine made the best match with which course. There was quite a lot of agreement about which of the 16 wines went with which of the 5 courses but there were also many individual opinions. As with wine tasting there is no definitive answer in the area of food and wine matching.

Tasting through the 16 wines was an education in itself. Considering they were all the recently bottled 2005 vintage, there was a range of aromas from honey, peach, minerals and smoke to flavours on the palate of marmalade, peach, citrus and honey. There were also subtle but significant differences in the weight and texture on the palate. The differences can be understood when looking at the percentages of grapes with everything from 90% semillon and 10% sauvignon of the premier cru classe Chateau Clos Haut-Peyraguey through to the 70% semillon, 25% sauvignon and 5% muscadelle of Chateau d’Armajan des Ormes. The aging process whilst broadly similar in length of between 18 and 24 months, varies according to the percentage of new barrels used.

The key to good Sauternes and Barsac, apart from the terrroir, is the botrytis that is required to shrivel up the grapes and concentrate the sugar in the grapes. From talking to several of the producers the 2007 vintage was going to be a worry as the summer was cool. However the autumn was as hoped with cool misty mornings followed by sunny afternoons, the perfect environment for the ?mushroom? spores of botrytis cinerea to develop.

There is a much history associated with the ownership of the chateau in Sauternes with many of them having been in the same family for generations. Check out the web site of Chateau Dudon if you want some history of a typical family owned Sauternes producing chateau.

I'd originally written this for Lenn, but we didn't use it and I'm dry on material... read it and weep

Cabernet Sauvignon is for wimps.

Yep, you read right. Wimps, I tell ya. You want a dash of crème de cassis? Mathilde makes a pretty one for kir royales. Bursts of blackberry? Pass the Polaner All-Fruit. Chocolate and coffee notes? Starbuck?s can whip you up a mean frappucino. But please, don?t put it in my wine.

I admit, I?m being cranky. And I know it?s partially because I have a pile of dishes in my sink crying out for help as I try to type. But it?s also because I?m trying to make a point: while Cabernet Sauvignon can indeed produce beautiful wines, it?s often made into over-ripe fruit bombs smothered in vanilla-toasted oak.

I know what you?re thinking. Clearly, this woman has never tasted Silver Oak. Or Chateau Mouton-Rothschild. Or etc. etc. etc. I admit, Cab Sauvs can be made into some pretty smoking wines, but can you afford those? Nah, neither can I. The gloriously rated Howell Mountain Cabs are about as far from my price range as possible. As are top growth Bordeaux. Where does that leave me?

Cabernet Franc.

Granted, the two grapes are very different. Cab Sauvignon is all about tannins, dark fruit and leathery aromas. Cab Francs, while also firmly tannic, are lighter, earthier, and display much more herbal aromas. But for me, it?s one of the most wonderfully versatile grapes under vine, producing a plethora of styles, most of which are both food-friendly and age-worthy.

Cabernet Franc, as you know, is one of the grapes used in the classic Bordeaux blend. Along with the more famous Cabernet Sauvignon and Merlot, Bordeaux can also include Cabernet Franc, Malbec, and Petit Verdot. Percentages of Cabernet Franc vary from chateau to chateau, but its typically used more on the right bank in St-Emilion and Pomerol to add tannic structure to Merlot?s juicy roundness.

But Bordeaux is certainly not where Cabernet Franc gained notoriety. That exhalted region is none other than the Loire Valley in France. The Loire is an interesting area that?s largely held on to traditional winemaking methods and indigenous grape varieties, including Muscadet, Pineau d?Aunis, and Cot (the local name for Malbec), among others. The AOCs (Appellation d?Origine Controlle) of Chinon, Bourgeuil, and St-Nicolas-de-Bourgeuil produce reds from Cabernet Franc. The wines tend to be leaner and more acidic than Bordeaux , ranging from the chalk-textured Bourgeuil to the richer Chinon to the juicy St-Nicolas-de-Bourgeuil. While lackluster winemaking can certainly produce bland wines, the true artists of the Loire have been known to craft earthy wines, loaded with mulberry, sage, and minerality that can age for 15 years or more.

Cabernet Franc, however, was largely overlooked in the United States until recently. Some experimental winemakers out in California have been producing Cab Francs that are big, bold, and brawny ? which is just fine, but not particularly true to the nature of the grape. Happily for us, Cab Franc seems to prefer the climate of New York State, and in particular, that of Long Island.

It turns out the maritime climate of Long Island is perfect for many of the Bordeaux grapes ? they dig the summer heat moderated by the surrounding water. Long Island is also cool enough in the winter to allow an appropriate dormant phase without great risk of extended freezes. The Finger Lakes have long struggled with red grapes for lack of sufficient sunlight to ripen, but Long Island has the best of all climactic combinations. And judging from a recent tasting, Long Island winemakers are producing Cab Francs in the all of its glory ? from light and juicy to tannic and mineral-laden.

Raphael and Jamesport both produce what are perhaps the most approachable Cab Francs. Lighter and juicier in style, these wines can both be served slightly chilled as delicious, thirst-quenching sippers. This is not to say that they?re not dinner-wines; indeed, serve them at room temperature paired with rosemary-roasted chicken and asparagus and they?ll certainly blossom.

Castello di Borghese has created a more new world Cabernet Franc that?s full on the palate with sweet cherry fruit and smooth tannins ? it?s a softer, rounder version of the grape that will appeal to dyed-in-the-wool Merlot fans. In a somewhat similar style, Vineyard 48 has certainly gone new world by oak-ageing the wines to impart toasty cinnamon nuances. It?s smooth, round, and creamy, loaded with blackberry and black cherry fruit. Pair either with a hearty beef stew for a midwinter treat.

Schneider produces the most classically-styled Cabernet Francs. If I were to taste their ?Le Breton? blind, I think I?d pick it out as a ripe Bourgeuil. The chalky nose offers plum, sweet red peppers, thyme, and rosemary, with a linear palate of blackberry that expands beyond the stoniness to a smooth, round finish of plumy licorice. Schneider?s ?Roanoke Point? is a bit more elegant, with toasty sandlewood aromas interlaced with rosewater and pluots. The blackberry fruit on the palate is enhanced by notes of roses, herbs, prunes, and roasted peppers. These are both Cabernet Francs for Cab Franc lovers. And a pairing? Why, Long Island duckling, of course!

Ok, now, I?m not saying that after trying Cabernet Franc, you?ll completely abandon Cabernet Sauvignon. But let it swish around your mouth for a while. Taste the lovely herbal notes and the layers of stone and fruit and try to convince me that it?s not an underappreciated grape.

And, if you really feel the need, send me a thank you note. It?s only polite.

Now that you're wrapping up your Winter holidays, it's the perfect time to plan your Summer ones. In my opinion Summer holidays should be filled with beautiful scenery, great wine, and delicious food. If you agree, then perhaps you'll consider joining me at the Aspen Food and Wine Classic 2009.

I grew up in Aspen, and as a kid, I worked as a catering scamp at the Classic, hauling crates of dishes around, not really knowing what the whole thing was about, other than there was lots of free food. Last year I had the double pleasure of not only returning to my home town for the first time in 14 years, but doing so as a speaker at the Classic.

I believe I was the first blogger to ever present at the Classic, and apparently I didn't screw it up, because they asked me back again this year. Truthfully, I had a blast last year, and so did the folks who attended my seminars. We tasted some great wine together, and I'm super excited to do it again this June.

Tickets have just gone on sale for the 2009 Aspen Food and Wine Classic, and as the event always sells out, now would be the time to start thinking about just how tasty you want your June to be.

I'll be returning to my home town again to presenting two more guided tastings. The first, entitled "Sonoma Superstars" will highlight some of my favorite wines from some of Sonoma County's top producers. The second, entitled "Cabernet: Next From Napa" will highlight fantastic Cabs from several new producers that are just releasing some of their first wines.

When I'm not introducing attendees to some of my favorite wines, I'll be standing in the back watching while the real pros do their thing: Robert Bohr on Champagne; David Lynch on Italy; Michael Bonadies on Washington State; Anthony Giglio on Riesling, etc.

I'll also be poking my head in to see if I can even just get a whiff of some of the amazing VIP reserve tastings, which include a Conterno Barolo tasting, a vertical tasting of Remoissenet Clos Vougeot starting from 1952, and a retrospective on 1989 Bordeaux, among others.

And, of course, in between all that wine, I'll be nibbling on some fantastic food from some of the top chefs in the country, including Bobby Flay, Mario Batali, Jacques & Claudine Pépin, Danny Meyer, and the folks from Bravo's Top Chef, including Tom Colicchio and Top Chef winner Stephanie Izard.

If that sounds like your idea of a good time, you should come join me! Check out the Food & Wine Classic web site where you can download the schedule of events and buy your tickets.

As usual, the event benefits charity -- this year supports the Wholesome Wave Foundation, a national initiative dedicated to supporting local farms and encouraging sustainable agriculture.

I hope to see you there!

Laura Catena is hardly your average emergency room doc. The Argentine native - who came to the US with her professor dad to attend high school and wound up staying to attend Harvard for undergrad and then Stanford for medical school - "moonlights" from her job as an ER physician at UCSF by making wine, and on another continent at that. That's right, the married mother of three (yes, she has a nanny) successfully holds down TWO glamorous jobs and apparently has energy to burn, as I witnessed when I interviewed her in San Fran's homey Cole Valley several weeks ago. But besides her fascinating resume and seemingly boundless energy, I was most intrigued by Catena's commitment to making small batches of totally world-class wine from Mendoza's top low-yield, high-elevation vineyards. And though you may have heard more about her family's OTHER winery, Bodega Catena Zapata (considered by many the preeminent winery in all of Argentina), I predict her own label, Luca, has a bright future all its own.

Read on for an exclusive interview with Laura, including her ruminations on pursuing multiple careers, living on two continents, and generally being fabulous (okay, that last part is totally my conjecture, but I have to say she's impressive). Enjoy!