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[11/16/2007, 10:48]

Getting a bit frosty, so how about some winter wines

As recommended by The Times, here is a list of 100 winter wines to enjoy all for under £5.  So if your feeling a bit chilly and need something warming inside check out the list for a bargain thriller, and be sure to let us know what you think on Bottletalk.



[01/06/2009, 01:01]

Rosemount Show Reserve Shiraz 2004

carlo periniThis particular bottle was a replacement for its older and sadly corked brother from the 2002 vintage. Unfortunately the good customer service cannot make up for the contents of the Rosemount Show Reserve Shiraz 2004.

Smelling of coconut oak, plum and spices, this Shiraz has an approachable tannin structure, however somewhere along the line it’s soul was ripped out and replaced with a brittle oaken heart. In short, it tastes like an acceptable but generic red wine.

I wish I could find some more positive things to say about this wine since the 2002 vintage was the first red I really got excited about. Slash the price to $10 and you would have a bargain bbq red I suppose.

Score: 86/100
Price: $20
Closure: Screwcap
Alcohol: 14.5%
Would I buy this wine?
No

carlo perini carlo perini
carlo perini
[11/06/2008, 00:06]

Red states, failed merger, global wine - sipped and spit

carlo periniSPIT: red states
With more states turning blue, a reader writes in to say that it will be even harder to do a red state-blue state article again now that Virginia and Colorado are blue. Indeed! Texas, over to you?

SPIT: global wine mergers
The purchase of Napa’s Chateau Montelena by the Reybier group (Cos d’Estournel), hailed in July by Robert Parker as “one of the biggest stories in my 30 years in the wine field,” has now been canceled. [PR newswire]

SPIT: global wine
John Mariani has a sip of the Andeluna Grand Reserve Pasionado, a $50 red from Mendoza, and calls it “an explosion of high-alcohol, grapey, oaky flavors that seemed to epitomize all that is wrong with what has been called the globalization of wine.” [Bloomberg]

SIPPED: Making drinks instead of ordering them
At least one person from the world of finance has stopped thinking about structured equity products and is now thinking about Purple Hooters at the New York Bartending School in Manhattan. [Bloomberg]

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[10/26/2008, 16:15]

Good With Seafood - Bodegas Fariña Malvasia, 2007, Toro, Spain

carlo perini
A recurring event - a wine that ranks as 'just fine' by itself is raised in ones estimation when coupled with food. This nicely weighty white from Spain is another such example where a succesful match brings added pleasure to a meal.

carlo periniWine Tasting Note: Bodegas Fariña Malvasia, 2007, Toro, Spain.
Stockist: dunno [More: Adegga / Snooth]

A light simple nose - a touch of herbs, a smidge of yeast and a layer of lemon. More activity on the palate though with a gentle lemony start giving way to a sherbet, grapefruity palate and a tang of acidity. Pleasant enough and very drinkable but seldom is Malvasia ever going to knock yer socks into a cocked-hat (or something). Unoaked. Alcohol 12.5%.

Its clean, fresh crispness was a joy though with some crispy Calamari rings dunked in mayonnaise. While the squid wasn't the best - it was frozen rather than fresh and certainly not as good as the mammoth sized rings myself and Douglas devoured with passion at a local Italian last week - but the wine worked wonders. When they say 'good with seafood' this partnership is what they have in mind.


Scribblings Rating - 90/100 [3.75 out of 5]


By way of proving that I don't just make these food and wine matches up, a picture of the very same calamari. And yes, they were cold by the time I had finished taking pictures!

carlo perini
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carlo perini
[01/09/2009, 07:48]

The Travesty of Wine and Social Class in America

There are a lot of things that I would like to change about wine in America. I'd love to lower the prices, reduce the influence of scores on buying patterns, increase consumption, broaden the varietal mix, and on and on. I've got a long list the next time any omnipotent being comes along and asks my opinion on the situation.

But if I had to choose one thing, above all else, that really needs changing when it comes to America and wine, I would choose to destroy the association between wine and the upper class. The fact that wine continues to be thought of as the beverage of the elite does more damage to the future of the industry in this country than any other phenomenon, in my opinion.

America, it must be said, did not get off on the right foot when it comes to wine. The religious zealots that founded this country were notorious teetotalers, of course. But those who followed the Puritans were Europeans of all stripes and colors, and most had a common familiarity with and appreciation for wine. Indeed, on the face of things, America could very easily have inherited their cultural predisposition for wine on the dinner table.

But it didn't for one primary reason. No one could get the damn grapes to grow right. Attempts were made for years with both imported vines as well as the many various native vines that got the early colonists so excited when they arrived. For a while, America was thought to have the potential to build a wine industry that would flourish by exporting wine back to continental Europe.

But even with the help of the many Huguenots and other wine savvy folks who arrived on American shores with no shortage of expertise in viticulture, very little progress was made. The climate was just all wrong.

Which meant that any real quantity of wine had to be imported, and that meant money, and therefore ensured that for the most part, the upper classes had the means to drink wine, and the masses made do with the products of the bountiful grains and apples that flourished here. In short, most everyone drank a lot of beer, cider, bourbon, and whisky, while the Thomas Jeffersons, Ben Franklins, and other early statesmen of America nursed their imported collections and did their best to encourage local efforts to make wine, but to no avail.

And so, if you'll forgive me squeezing and reducing a lot of complex history into a few sound bites, after about 200 years of this sort of social division, it's no wonder that, for the most part things just stayed that way. The industrial revolution widened the gap between rich and poor, engineering an even greater difference between the consumption habits of the upper classes and the lower classes. There were upswings of interest in wine, especially when people actually started to figure out how and where to grow grapes properly, but by then it was too late. Prohibition (and the rapid recovery of beer and whisky production upon repeal) put the nail in the coffin, and set the stage for people like Robert Mondavi to come along and make the valiant effort to remind everyday Americans that wine belongs on the dinner table every day. And they're still trying.

Meanwhile, wine to many people represents the intimidating, elitist, and snobbish rich. Sarah Palin's quips during the recent campaign about the wine and cocktail drinking elite perfectly illustrate the way that many people think about wine. So too do the many comments on a recent New York Times blog about the words that are used to describe wine. I can't tell you how sad it makes me to see how many people think that attempting to describe the flavors and aromas of wine is an exercise in pretension and snobbery.

But it gets even worse. It's bad enough that the average beer loving American (whoever that is) at best thinks that wine is really just for special occasions, and at worst believes that the people who drink it are rich, stuck-up, pedants. But unfortunately, a lot of wine lovers actually act that way.

In many ways the culture of wine appreciation in America encourages this sense that wine is a luxury for the knowledgeable few. We have the specialized stores. The pomp, ceremony, and mystery that surround wine in conjunction with fine dining. The astronomical prices of top wines in the market. And of course, we have the Big Boys. You know the ones I'm talking about, right? The wine assholes.

Men who feel like they own the province of wine are just the start of our problems. Worse are the ones who also like to reel off the great wines of the world they have drunk with the same gusto as they might bedroom conquests. These are the ones that recoil in horror at the thought of sharing a bottle of 1989 Lafite with their "know-nothing cousins from Des Moines" and instead prefer to save their best bottles for wine dinners that attempt to be the oenological equivalents of an evening with Annabel Chong.

But as much as I sometimes want to punch some of these people in the mouth, I don't see the wine snob as a clear perpetrator of the problem. They're just as much another symptom of the basic travesty -- that somehow we've gotten to the point where wine is far too special. And just as with anything that has cachet, wine in America has become something that many Americans think is only for certain kinds of people. Those wine people.

Of course, this rant of mine paints a rather stark, divided world, which belies the true reality of the marketplace. America is not just a collection of beer drinkers vs. wine drinkers any more than it is a collection of red states vs. blue states. And the country is slowly coming around to wine, thanks to many different factors, not the least of which are the backlash against carbohydrates and the media hype about resveratrol.

But we've got a long way to go to get to an American wine scene that I'll be satisfied with. There are a lot of myths to shatter, a lot of attitudes to adjust, and a lot of evil distribution monopolies to crush before Americans get used to having good wine on their tables every day. But perhaps most importantly, there's a lot of wine that needs to be shared among friends -- a lot of wine that needs to be enjoyed without the trappings of ceremony or status, but instead with the simple appreciation for the fact that we are all so very lucky for what we have.

Go forth and drink without fear, and spread the wine love.

[07/27/2007, 17:04]

BC?s Feast of Festivals

The secret is out: there?s always something to celebrate in British Columbia, particularly in the regions famed for their wine and food: Vancouver, Whistler, the Okanagan Valley and Vancouver Island. Eat, drink and be merry at ten of the most...
[07/16/2008, 17:59]

Three Mendocino County Restaurant Reviews

carlo perini
During a two-day visit to the Mendocino coast we visited Café Beaujolais (Mendocino), Le Rendezvous (Ft. Bragg) and the Mosswood Cafe (Boonville). We particularly enjoyed Café Beaujolais.
carlo perini
[11/21/2008, 23:08]

Nov 21, Darby's famous tapenade recipe

Tapenade olive paste is a wonderful appetiser, don't forget the capers, anchovies and garlic
[11/22/2008, 02:38]

City Room: Rolling Out the Beaujolais Nouveau

The latest batches arrived by sea, and sometimes in plastic bottles, as French distributors sought to cut costs for the annual marketing tradition.

[11/05/2008, 15:00]

A FEW WINE SPECTATOR HIGHLIGHTS FROM THE FINGER LAKES

carlo perini

Shaw Vineyard and Tierce came up big with Mr. Molesworth in the October 31, 2008 issue of Wine Spectator, as did Lucas and Hunt Country. Congratulations to all...including Mr. Molesworth!

carlo perini

Shaw Vineyard Riesling Finger Lakes 2006 Score: 88 | $17
Tangy and fresh, with slate, green apple and fig notes that stay nervy through the nicely concentrated finish. Drink now. 250 cases made. ?J.M.

Shaw Vineyard Riesling Finger Lakes Dry 2006 Score: 88 | $19
Good focus and drive, with a bracing edge to the lime, watermelon and green apple notes. Nice slatelike tang on the finish. Drink now. 200 cases made. ?J.M.

carlo perini

Tierce Riesling Finger Lakes Dry 2006 88 $30
Shows some mature hints--fennel and anise--along with good underlying snap and additional apple and floral notes. Good length. Opens nicely in the glass. A joint effort from the winemakers at Anthony Road, Fox Run and Red Newt. Drink now through 2009. 200 cases made. ?JM Country:
New York Region: Finger Lakes
Issue Date: Oct 31, 2008

Lucas Riesling Finger Lakes Semi-Dry 2007 85 $13
Medium-weight and off-dry in feel, but with good cut to the McIntosh and anise notes. Round, plump finish. Drink now. 730 cases made. ?JM Country:
New York Region: Finger Lakes
Issue Date: Oct 31, 2008

Hunt Country Pinot Gris Finger Lakes 2007 84 $16
Fresh, with lemon zest and white peach notes on a bright, easy frame. Drink now. 862 cases made. ?JM Country:
New York Region: Finger Lakes
Issue Date: Oct 31, 2008

Lucas
Riesling Finger Lakes Dry 2007 84 $13
Crisp, with good lime and green apple notes. Lean, but fresh and focused. Drink now. 410 cases made. ?JM
New York Region: Finger Lakes
Issue Date: Oct 31, 2008
[05/07/2008, 16:18]

Interview with Ed Lehrman of Vine Connections: First Installment

carlo perini
Following the theme of my last post about Americans? increasing awareness of the quality wines that many artisan producers of Argentina are exporting, I?m pleased to post the first installment of my interview with Ed Lehrman of Vine Connections. Along with his business partner, Nick Ramkowsky, they formed a company that not only imports the wines of artisan Mendoza producers, but selectively forges meaningful, long term relationships with them. As Ed Lehrman explains in the interview, this type of involvement encompasses much more than shipping and distribution, extending into representation, consulting, label design and many other crucial aspects which in the end, bring American consumers the types of genuine artisan wines that multinationals couldn?t even conceive of delivering.

Based out of Sausalito, CA, Vine Connections has been at the forefront of the changing of the guard, in terms of tastes, that I described in my last post. Their portfolio includes excellent California, New Zealand and Japanese Saké producers, alongside the wines of star Mendoza winemakers Susana Balbo and Pedro Marchevsky, along with others to look out for, such as Mapema, Tikal and La Posta del Viñatero. If you really want to know what Argentines really like to have at the table and moreover, the breadth that Argentine wines are capable of achieving, I encourage you to explore the types of artisan producers that Vine Connections represents and whose work, over the coming years, will ultimately triumph over the characterless, corporate-backed South American wines saturating our shelves.

I would like to thank Ed Lehrman for taking the time to provide his in-depth responses concerning Vine Connections, its vision and inspiration. Our conversation unfolded over e-mail:

*What is the vision behind your company and what were some of the key experiences that led you and your business partner to get started?

- My partner, Nick Ramkowsky, and I have both been in the wine business since 1986 (we started very young), and we could have done any number of things together. Nick was a small California distributor at the time, and I had just sold my direct-to-consumer wine business where he had been one of my suppliers. A fateful trip together in May of 1999 launched us into the importing/national sale & marketing business. We spent about a week in Mendoza on that trip tasting wines from bottle, barrel, tanks?you name it?and we met some incredible winery owners and winemakers. By the end of the week, we were looking at each other and asking, ?How does the 5th largest wine producer in the world hide incredible wines like these from the US?? It seemed like this must be the opportunity of a lifetime for wine guys like us to lead the charge in introducing Argentine wine to the US, and in a way that they would be fully appreciated for their quality and authenticity, and not just their price. As an aside, of the first 12 wines we imported from Argentina, the LEAST EXPENSIVE wine was $22 retail! So in fact, Vine Connections was originally formed in order to be an Argentine wine importer.

*Compared to other importers, what is the depth of Vine Connection's involvement with the producers its represents? (in terms of consulting, marketing, other assistance, etc.)


- It is hard to speak about other importers, since some do quite a lot and some just taste and buy. As for us, we take the approach that we are the winery?s own sales & marketing department and they can use us for as little or as much as they need. That may mean writing back label copy, helping with label design, or determining whether a new blended wine is even a good idea to add to their portfolio.

For all of our wineries, we do the copywriting for all printed materials since we can communicate their stories in English more effectively, and along the same lines, we handle most press relations since we are here and readily available. And I guess the most valuable thing we do would be called ?consulting? since we offer our advice on many topics based on our 40 years of working in the U.S. wine biz.

*How does your company forge relationships with producers? In this vein, what is the process like for you when considering an addition to your portfolio? Do the producers come towards you in the way of trade events, do you travel to areas to scout, so to speak, or some combination thereof?


- We are very careful in this regard since our objective as an importer is to build brands and not just sell wine. That requires long-term relationships, so besides tasting backwards and forwards through a winery?s production, we spend as much as time as we can with the owners and the winemakers to see whether there is a good fit for working closely together. When we meet people who already think they know it all about winemaking, marketing, etc., we politely walk away no matter the wine quality. Our initial screen is the wines?they have to be particularly good since that is what we are known for importing. Then we start talking about their philosophies, their dreams, their business objectives, and where we should all eat dinner together (a meal with a potential supplier is always a good way to gain more insight).

This process means that while we have run into some wines that we like, we have sometimes been unwilling to take the winery on. The most common stumbling block for us seems to be that the winery lacks a strong winemaking philosophy, and often because they have abdicated this cornerstone to a consulting winemaker (and most often to foreign winemakers). As time has passed, we have pretty much settled into the idea of only representing wineries owned by Argentines and with Argentine winemakers since the winemaking vision is usually clearer and more grounded in expressing what makes Mendoza so special compared to other regions.

From the first moment that we meet a winery team, it usually takes about 18 months before we come to an agreement, do the ground work, and then start selling the wines in the U.S. It seems to work--we have never lost an Argentine winery and every brand that we represent has achieved a significant level of success.

I wish I could say that finding these producers followed a particular recipe, but in truth, all of our brands have come to us via different sources. The key is to have your radar on all the time so that the best ones don?t slip by accidentally.

*You represent Susana Balbo and Pedro Marchevsky's Dominio del Plata Winery?how did that relationship come about and how far back do you go?

- Well, if it weren?t for the ?dynamic duo? of Mendoza, we may never have been Argentine wine importers. We met them on our first trip to Mendoza in 1999, and they were so obviously talented and knowledgeable that they got us thinking a lot about the possibilities. We also formed a trusting relationship so quickly that it became obvious that we would work together, and together push forward a common vision of making Argentine wine part of the daily American fine wine conversation. That seems like an ominous task looking back now?we had no company yet and they were renting a very small winery at the time?but at the time it just seemed like destiny.
[03/21/2008, 03:59]

Small New Zealand Wineries Part 1

Te Whare Ra ( "Tee Faree Ra" is supposed to mean house in the Sun in Maori) is based in Marlborough New Zealand. This is on the south Island in the town of Renwick which is host to quite a few wineries including Cloudy Bay, Montana etc...

Established in 1979, this small boutique winery probably has some of the oldest vines in the area. In 2003, the husband and wife team of Jason & Anna Flowerday took the helm and have significantly upgraded various aspects of the winery. Although offering a Pinot Noir, IMHO they are a white wine producer with offerings mainly from Sauvignon Blanc, Reisling, Gerwurztraminer and Chardonnay. It's their aromatic wines which to me show their stuff here. Current size of the vineyards ~9 hectares with many coming from the older vines planted in 1979 ( almost 30 years ago) - I was told the Gerwurztraminer. Fruit is basically hand sorted and picked - now we are talking.

Cutting to the chase, my favorite wines from their lineup would be the "Toru" bottling and their Gerwurztraminer.

The "Toru" is a blend of several aromatic grape varietals consiting of Riesling, Gerwurztraminer and Pinot Gris. While tasting this wine, images of a picnic & grilled seafood keep popping up - probably my mind telling me that's where I should be with this. 89 points

The 2007 Gerwurztraminer to me is a standout here. The concentration and flavor in here just screams of old vines and low yields. The typical Lychee notes were present although not overpowering, minerals, hints of sweetness from the fruit with 22g/l of residual sugar - nice finish ( the wine was still going strong after being opened more than 24 hours). The best thing to compare this to would be an Alsatian Gewurtz VT. 92+ points

These guys deserve some room in your cellar.
[11/19/2008, 00:02]

Lots of ?Analysis? on how to ?use? social media, is it missing the point?

carlo perini

Social Media Friends

Social media is creating quite a long tail of industries - lots of software companies, consultants, new modes of public relations, etc, etc.  Some of them focused on getting you into using social media, which is great, and many of them aspiring to help you “use” social media for your business.  The latter point is what I find interesting.

I’ve spoken on the topic of social media before (with assistance from the self-proclaimed “Bonafide Marketing Genius” Marta Kagan - FYI, I’m glad she has the confidence in herself to tag herself that way b/c she’s one of the few I would actually agree with) and I think the biggest point from my talk and others that I’ve seen (like Marta’s deck) is that this all is an excercise in sociology.  There are so many technologies that one could use, so many things that you could do, but in the end what is happening to the web is just another means of connecting, interacting, and getting to know people; not unlike joining a social club (like a sports team, a cultural center, or whatever).  In fact, just as you have “different circles of friends” offline (work friends, drinking buddies, sports friends), you’ll develop the same thing online and your community will drive you to the tools.

That’s where the idea “use social media” sticks in my craw a little bit.

I’ve had this blog since 2004 and I’ve interacted with many many people thanks to it.  It’s mainly an outlet for my thoughts, creativity, and passion (wine, technology, and marketing) and I’ve made a serious number of friends in the wine industry because of it.  My goal was to do exactly that, get to know people in the wine industry.  One of the major things its taught me though is that the only way to truly understand what this “social media” thing is all about is to get out and do it.  BUT - do it with a genuine desire and understand that its a means to reach out to a community (blog in particular).  Its not a sales tool and its not a PR tool for social media any more then going to a conference is a PR tool for you.  What I mean is you can go to a conference, chat with people, network, find people that you can stay connected with.  If you contribute to the conference (effectively contributing to the ‘community’ that the conference is bringing together) then you can get noticed and in that sense you get some good word-of-mouth publicity.

But here is how to think of “use social media” (Ugh!).  Its a sociological, human based filter.  Its not a broadcast engine like the “information super highway” or the “series of tubes”.  Doesn’t matter what tool/site you use, first and foremost your community has to be on that site and/or using that tool.  There is always a “critical mass” that needs to be achieved before the tool gets useful.  Kind of like a party, its not really fun until there are a bunch of people you know there.

Once your community is there, interacting, chatting, whatever then the dynamics of what happens is facinating.  Things start to get “useful” and the human filter is formed.  It becomes a situation where the community is as close as a bunch of office mates even though they are all over the world.  I literally consider the community I interact with on Twitter my “virtual office mates” and I genuinely like interacting with them.  The reason is that you can contribute (chat, answer questions, and otherwise participate) just like you would any other office.  In the case of Twitter, it becomes just like a hallway conversation in an office.  You can ignore it for a while, pop your head in with a little bit of nothing to say, put out some information or useful tool to the community, or you can put out a serious question to the group and get some solid answers.  Pretty much how you would for any office with cubilcles and hallways.

The best part of all this is that when the community reaches critical mass of people in a certain technology/tool who genuinely like to talk about a particular topic, forming an open community, thats when the best things come out.  If you contribute something to that community that is truly useful, it will get passed on to everyone very quickly.  People will decide if what you said is interesting, show their friends and, if its applicable, their friends may pass on the information to their other “open communities”.  The network effect takes over and your information has just become “viral” (i.e. it will spread not only in the current ‘circle of friends’ but to other ‘circles of friends’).  More importantly, the human filter took over and since that useful piece of information you generated is actually VERY useful, it will get passed on for a while (or very funny, or very interesting in some other way - the latest on Twitter was a streaming video of puppies, not useful, just very Zen).

So if you find an open community or want to know where there is critical mass already for a community you want to learn about (for instance - the wine community is embracing Twitter and Social Networks) on one of these tools the best way to “use social media” (I hate the term because it makes me feel like “use your friends”, but I guess there isn’t a better way to say it) is to contribute in significant ways.  Add to the community but more importantly be YOURSELF.  If people like you, they like you.  If they don’t, guess what…they don’t.  There isn’t alot of advice that can be given there that your parents should’ve taught you before Kindergarten.  Thats the funny truth of this “social media” craze.  The fundamental sociological point is that this is making friends.  Because even if you contribute something that spreads from network to network like wildfire, when those people check you out and “follow you” on Twitter, or Facebook, or whatever, then they start to get to know you in a more personal way then anyone over 25 ever thought possible.  If you’re obviously contributing to promote your business it will come across.  If you genuinely approach this medium (regardless of technology) as “getting to know people” in the way you’ve always done then you’ll not only have that “viral hit” you won’t be an online “one hit wonder”, you’ll have friends who can help you when you’re down, connect you to others, help you build business, get emotionally invested in your brand…. i.e. you’ll be a part of a community and how you do that is something your Mom and Dad shoulda taught you.

FYI - if you’re doing it for a business/brand it doesn’t matter - if people don’t like your personality, they won’t like your brand.  These things have a way of piercing the corporate PR veil.  Want an example?  Supposedly Cisco “gets” blogging.  Read their blogs and you tell me what you think….

carlo perini
carlo perini
carlo perini
[09/19/2006, 02:15]

Big Daddy Merlot 2002

Part of becoming a connoisseur of cheap wines is knowing where to look for them. I’ll share with you one of my little secret places I attempt to seek out cheap wine: the “Reduced for Quick Sale” shelf at your local supermarket. At Meijer, my local super-mega-ultra-store, this shelf is usually located in the bottle return area. Not a very pleasant place to be searching for wines, but just think of it as a treasure hunt! You may find a bounty of cheap wines that you never knew existed.

While picking over the wines yesterday, a cartoon label caught my eye: Big Daddy Vineyards Merlot. I picked up the March 2002 vintage for about 6 dollars.

Why was this reduced for quick sale? Was it worth enduring the stench of the bottle return area to bring home this wine? Yes, yes it was. It’s almost sad that this wine traveled all the way from Argentina to end up in my bottle return area.

carlo perini

Big Daddy knows how to make a good cheap wine. Believe it or not, the first attribute of this wine I picked up on was the light hint of bacon. Mmm bacon. Who doesn’t love bacon? Big Daddy loves it, that’s for sure. Look at that belly! On top of the bacon was a strong berry with a leathery taste.

If you’re looking for a full bodied cheap red wine with a lot of character, give the Big Daddy Merlot a try.

Rating: 8/10 - High score for originality
Price: 6.00
Place of purchase: Meijer
Vineyard Info:
Big Daddy Vineyards
Mendoza, Argentina
www.bigdaddyvineyards.com

[05/12/2008, 17:55]

Interview with Ed Lehrman of Vine Connections: Second Installment

carlo perini
*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?

- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:

Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)

Pedro Marchevsky ? BenMarco

Pepe Galante & Mariano di Paola ? mapema

Luis Reginato ? Luca, Tikal, La Posta

Roberto de la Mota - Mendel

Jose & Pepe Reginato ? Reginato sparkling wines

Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)

13 Master Brewers from all over Japan?each as talented as anyone we have met.

*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?

- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.

*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?

- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:

1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.

2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.

3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.

*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?

- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.

- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.

*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?

- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so.
[01/10/2008, 00:52]

The "New " Cru

The Cru has a new home - you can visit it by clicking on the link below:

www.thecru.co.za

I hope you enjoy the new look and feel - cause that's all it is really - the ethos and style of The Cru commentary will remain the same!

So from now on I'll see you over at the new site - oh and one more thing - could I ask you to do the following once you get there:

  • Subscribe to the new Feed
  • Change all existing links to The Cru on your sites to www.thecru.co.za
  • Bookmark the new site!

Great stuff! Thanks and enjoy everyone - now let me go and find some champagne!!

Cru Master
[04/12/2007, 18:44]

Wine rip off Britain

How many times have you bought a wine based on a promotional price?  Or bought multiple wines you didn’t really want because of a three for two type offer?  We may be all falling for “artificial promotions” that are anything but a good deal. 

According to a fascinating article in The Guardian, brought to our attention by regular Bottletalker Wine-Scribbler, up to 80% of sales of some wine brands are generated through “half price” offers that are anything but genuine.

There are some good quotes in the article from wine industry insiders confirming that what have long been speculated to be dubious “offers” are exactly that and give no real value to the wine drinker at all.

 Read more for the full story.

[11/22/2008, 05:00]

M. Chapoutier Châteauneuf-du-Pape La Bernardine 2006 $60 (Wine Spectator)

A nice polished style. Rounded tannins surround a juicy core of raspberry ganache, plum and cassis flavors that lead to a long, spice-filled finish. Drink now through 2023. 1,200 cases imported.
[11/17/2008, 04:38]

Voyager Estate Cabernet Merlot 1998

carlo periniMargaret River, Western Australia. 14%. Cabernet sauvignon, Merlot.