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A big thanks to Jessica Yadegaran over at the Contra Costa Times for interviewing me for her very cool piece on cheap New Year's bubblies. Check it out at InsideBayArea.com, and in the event this catches you before you're off to buy your NYE bubbles, hopefully you'll find a few suggestions to your liking for fewer than 20 bucks. Highlights include domestic bubbly from New Mexico, Cremant from France (looks and tastes a lot like Champagne but costs less than half as much) and my all-time favorite bubbly, sweet red Brachetto d'Acqui from Piemonte. Most of all, HAPPY NEW YEAR! Here's to making '09 a banner year, no matter the economic clime. As my mother likes to say, "this, too, will pass..." In the mean time, we've got wine. ;)
I've consumed a handful of cheaper wines this weekend, and whilst the 2005 Wyndam Bin 555 Shiraz was quite good, this puts them all to shame.
Charles Sturt University (home to Australia's leading wine school) sounds like a progressive and interesting place to study. This incredibly cheap but delightful chardonnay is compellingly direct and brisk. Pale with a flash of green, this is pert and laden with stonefruit and crisp acidity.
I'm on the road for work, which means that I'm reading The Wall Street Journal. This paper is everywhere business travelers are: in lounges, planes, and hotels. I don't subscribe at home, but as it's Friday and the paper was outside my door, I turned to the "Tastings" column written by Dorothy J. Gaiter and John Brecher to read what two of my favorite wine critics had to say. (photo by filtran)
Essentially, they said that expensive wine was so five minutes ago. And then they made a surprising recommendation for this year's "holiday gift pick."
It's not expensive. It's not hard to get. But it will leave you wondering if America's expensive wine habits are on the brink of changing--for the better. What do I think? For my thoughts on their story, click over to Serious Grape, my weekly column on the excellent food site Serious Eats, and get all the details.
Dining in Thailand has been hit or miss for us. We are currently staying in a beach resort about 2 hours south of Bangkok, and it is not exactly cosmopolitan, despite this being the beach residence of the royal family (who probably don't get out to the local eateries much).
Before we left Bangkok we did have a fun meal at the impressive (and very expensive) Siam Paragon Mall. We ate at the Another Hound by Greyhound Cafe. The original Greyhound Cafe being at the Emporium Mall. It was a fun selection of updated versions of street food, with a passable wine list. Not cheap, but innovative and surprisingly good for a shopping mall.
Here in Hua Hin, the beach community that is our home for two more months, we have mostly visited local restaurants, which are a dime a dozen. Every few feet there is another establishment, ranging from a push cart to a 100 seat sit down restaurant. The quality of the food has nothing to do with how impressive the place looks, and we have found that even highly rated restaurants have constancy issues.
Thai food seems to be a fusion of neighboring India, China and Indonesian influences. At least as it is has been served to us, it seems to fail to live up to any of those origins. Some of the finest food I have ever had were in China, India and Indonesia, but don't judge those cuisines by their watered down American counterparts. To visit these lands is to be thrust into a culinary adventure.
France has long been my favorite destination for food, a bias no doubt propelled by the fact I have classic French chef training. On this year long trip I have made a point of cooking, no matter how meager our kitchen logistics may be, and my dinners almost always rival any restaurant's.
So it was with great expectation that we visited the Brasserie de Paris here in Hua Hin, Thailand. The modest restaurant is beach side with great views of the lighted fishing boats in the dark harbor. The food was good, and we enjoyed ourselves, but it was not our night for wine. The slim pickings on the wine list were pared down further by "finished" labels covering almost all of the red wine choices. Our first selection was greeted by a verbal "finished" and we had to settle for what would never have been my choice if only the list were fully available.
They had no Thai wines on their list, and after having tasted my first Thai offering, I am not altogether surprised.
Such is just one of the many problems with trying to run an upscale French restaurant at the beach, hours from the nearest city with its suppliers. For all of that we still managed to have a very nice savory style of Foie Gras (as opposed to the common practice of preparing it with a fruit sauce). Everything was perfectly nice, but the au gratin potatoes were especially memorable. Considering the challenges they faced, the Brasserie pulled of a feast that would be impossible for lesser restauranteurs.
We still have several months to explore, and even if we only eat out once a week or less, there is ample opportunity to find another gem, and when we do, you will read about it here.
With the worldwide financial crisis in full swing, it’s a time a lot of wine lovers will be looking to dial back their wine budgets a bit. From my informal polling on Twitter, most are drinking the same amount of wine but less expensive selections are gaining in popularity.
With that in mind, I’m launching a new feature I’m calling “Wines For Recessionary Times.”
That doesn’t always mean cheap wines but we will start there and explore the most extreme values in all price tiers. I’m talking about the $10 wines that give $25 wines a run for their money. Also those $30 wines that make you shake your head and wonder what they were thinking charging $75 a bottle for a similar wine. Or those auction finds that you want to keep to yourself so you can buy more before they are sold out. And wines you can buy for less than $50 A CASE.
So stay tuned as I look for wines that you would guess are 2 or 3 times more expensive than they actually are. This should be a fun project but let’s hope it’s short lived and not necessary this time next year.
I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
4. Do I have to mention the cheaper subscription rate for Decanter?
Again, lists really don't do any justice to the dozens and dozens of ideas that propel themselves electrically from my dendrites when it comes to how much fun a wine geek can have in London. For now though, I leave you with a warm, albeit brief goodbye, and a reassurance that I'll soon return for more on artisan wines and the people behind them.
I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
4. Do I have to mention the cheaper subscription rate for Decanter?
Again, lists really don't do any justice to the dozens and dozens of ideas that propel themselves electrically from my dendrites when it comes to how much fun a wine geek can have in London. For now though, I leave you with a warm, albeit brief goodbye, and a reassurance that I'll soon return for more on artisan wines and the people behind them.
This weekend, we built a wine rack. When we first moved to Terrassa almost 3 years ago, we were regularly lacking in wine as a result of less income, less samples and less travel. Consequently, we never had a formal wine rack. But when you change any one of these factors, you end up with a lot more wine. Now imagine if you changed all three like we have?! We not only needed to figure out where to store it all, but also how to inventory it. I still have most of my cellar in Cellartracker, though I quit putting in my tasting notes. I like Snooth and Adegga as well, but they both need better cellar management for me to move to them exclusively. Since this past weekend we created the wine rack, maybe next weekend we’ll inventory the wine. Let’s see what happens.
As for building the wine rack, it actually turned out to be much easier than we expected. Odd note though: untreated, uncut, plain wood costs more than planed, beveled whole sheets of wood here in Terrassa. So instead of needing to sand and polish it, we simply bought nice sheets of solid, shelving wood and then cut it to fit. Yet, we still need another. So later today, I’m off to buy some more wood for wine rack number two!
Enough about housing. Next Monday, we’re off to judge wine blogs! It feels a bit odd to mention, after we realized at the EWBC that judging a wine blog is quite subjective once you get past the aggregators and plagiarizers. Once into the meat of the blogging world, where the hard work and effort is being spent, judging wine blogs is a bit of a silly endeavor. What’s good for you is not always what’s good for me. But none the less, we’ve been asked to judge Spanish and Catalan wine blogs this coming week in Reus, Spain, a short train ride from where we live. The grand prize is 3,000 euros, which seems a bit excessive and makes me wonder if we’ll see a lot of blogs that were “recently” launched. Oh well, anything to promote more social media in the Spanish wine world can’t be all that bad. We’ll keep you informed. DO Catalunya is hosting it, and while their website is a nightmare to look at, let’s hope this initiative leads to some good ideas.
In other news, we still want to talk to you about the wines we tasted at the EWBC2008; however, it may take some time. At the end of this month, we’ll be retasting several of the wines with an American Importer who will be staying with us for a few days. But remember, for our Keynote tasting, our intention was to select wines that we had either tasted before or that we respected. And on the night of the event, I tasted through the wines a few times; and while they all showed well, I didn’t take the time to write notes or analyze the wines. So this past Friday, I did analyze one of these wines, and I’m sad to say, it just pissed me off more than anything else. Dominio DosTares Leione 2005 - Prieto Picudo, is a wine that I have loved in the past. Now, maybe it’s as a result of the vintage, or maybe I’m drinking this too young since it does still have some stuffing to it, but I’m sorry, Oak is not a Fruit! This wine has so much going for it with the funky fruit notes and exotic touches of spice, but over it all sits a river of vanilla, syrup and sweet oak. I have a few bottles left to celler and taste again in the future, but even after 3 days being open, the wine is still bugging me. Note to Spain(rather wine makers everywhere): OAK is NOT a FRUIT. Just to be clear here are the aging and oak stats from the Dostares website (a well done website, that deserves mention!):
Pre-fermentation maceration: 3 days at 12ºC Alcoholic Fermentation: Duration: 12 days Temperature: 27ºC Malolactic Fermentation: in French, American and Hungarian oak
Ageing process in barrel: Capacity: 225 litres Age of barrel: New & second-fill. Type of oak: French, Hungarian and American Toasting level: Medium and medium+ Ageing time: 9 months
What stuns me is that I assumed this wine saw 100% new oak, and as you can see it is not. Now for contrast, we were just in Miguel Merino’s winery, who is using 100% new oak, (mixed barrels, American Staves, and French tops and bottoms). That is a lot of new wood, and a lot of American wood influence and yet his wines are perfumey, full of terroir and complex fruit, without the sickening vanilla oak sheen.
Too many factors go into winemaking to pinpoint anything specific as the problem, but in the end, 100% new oak is not always a bad thing, despite the bad reputation people give it. If you hear anyone ever say 100% new oak is evil, well tell ‘em to shove off, or at least explain what wine they are talking about. Sometimes they are right, sometimes their not, Almond Joy’s gots nutz, Mounds don’t…sorry…
Other than that, the weather here is starting to chill down a bit, which is nice and sad at the same time. I unfortunately, have not had enough sherry this year. Too busy? Not sure why that is an excuse, but it is somewhat true. Therefore, I’m making up for it with a steady intake of Osborne’s Fino Quinta and a new cheap Manzanilla I picked up a couple of days ago that is quite nice, Bodegas Barbadillo’s Muyfina. Full of honey notes, and light nuttiness, I really have to say this is a treat, and pairs great with a late afternoon siesta!
Since moving to Pensacola Beach from Michigan, I have been longing for a great, cheap, rich Michigan wine. Well, Harvest White from the Fox Barn Winery fits the bill!
This semi-dry white has all the characteristics of the wine I loved so much from Michigan. Spicy, fruity and “snappy”, this wine was a perfect companion on this hot, humid Florida night while we enjoyed some Bands on the Beach.
Since moving to Florida, I’ve really become aware to how good I had it in Michigan. You couldn’t drive an hour in any direction before hitting a winery, and I do miss being able to do just that. Many of the gas stations down here in Pensacola sell all the generic cheap wines: Yellow Tail, Beringer, etc, but you’re not likely to find anything from a local vineyard.
My friend (the one that graciously brought me this wine down all the way from Shelby, MI) mentioned that the tasting room at The Fox Barn Winery was just recently opened, and was a lot of fun to visit. According to their website, it looks as though they have nice little produce market as well.
I am definitely going to check this place out the next time I’m in Michigan, and I would recommend anyone traveling near Shelby to stop in as well.
Rating: 9/10 - Great! Price: Not sure, since it was a gift, but I think my friend mentioned it was less than 10 dollars. Winery Info: The Fox Barn Winery Paw Paw, Michigan Phone: 231-861-8050
Since moving to Pensacola Beach from Michigan, I have been longing for a great, cheap, rich Michigan wine. Well, Harvest White from the Fox Barn Winery fits the bill!
This semi-dry white has all the characteristics of the wine I loved so much from Michigan. Spicy, fruity and “snappy”, this wine was a perfect companion on this hot, humid Florida night while we enjoyed some Bands on the Beach.
Since moving to Florida, I’ve really become aware to how good I had it in Michigan. You couldn’t drive an hour in any direction before hitting a winery, and I do miss being able to do just that. Many of the gas stations down here in Pensacola sell all the generic cheap wines: Yellow Tail, Beringer, etc, but you’re not likely to find anything from a local vineyard.
My friend (the one that graciously brought me this wine down all the way from Shelby, MI) mentioned that the tasting room at The Fox Barn Winery was just recently opened, and was a lot of fun to visit. According to their website, it looks as though they have nice little produce market as well.
I am definitely going to check this place out the next time I’m in Michigan, and I would recommend anyone traveling near Shelby to stop in as well.
Rating: 9/10 - Great! Price: Not sure, since it was a gift, but I think my friend mentioned it was less than 10 dollars. Winery Info: The Fox Barn Winery Paw Paw, Michigan Phone: 231-861-8050
Not to sound like a lush or anything?, but I love the booze. All aspects of it. Grape, honey, barley, corn, whatever. I like sitting down to a well-set table and a nice dinner with a fantastically-matched glass of wine to sip and savor, but I also enjoy gulping down a can of cheap beer after mowing the lawn. I?ve been doing single malt scotch tastings and keeping a whisky journal since 2002, but I also like sitting around a campfire and drinking rot-gut until I?m staggering and bleary-eyed.
There are times I drink simply because it tastes good, and times I drink because I want to get stupid. Sometimes both. Well, a little while ago, I was watching Star Trek: The Next Generation re-runs. There?s a great episode where Picard goes home to France for the first time in years. His brother, Robear, is still running the family vineyard. They sit down to the evening meal, and Robear uncorks a bottle of the family wine.
Jean-Luc: Is this the forty-six? Robear: *tsk* The forty-seven. You?ve been drinking too much of that? what?s it called? Synthahol? Spoiled your palette. Jean-Luc: On the contrary, I think it heightens one?s appreciation for the genuine article.
(For the non-Trekkies in the room, synthahol is a substitute for alcohol that does not impair judgment like alcohol does.)
Heightens one?s appreciation for the genuine article. I love that line, and it got me thinking? Would I drink wine, beer and whisky if it was non-alcoholic? All things considered, is it the taste, the buzz, or both?? What about you? If beer, wine and spirits contained no alcohol, would you still have that glass of fantastic wine with dinner, that ice-cold beer after moving the lawn, or that treasured dram of 15-year-old whisky?
Me? I?d probably stop drinking whisky, because even though I dearly love exploring the subtle nuances of different single malts, spending that kind of money on a non-alcoholic drink would be silly. I?d still drink wine and meads, since finding a good match can really enhance a meal, irregardless of alcohol content. Complimenting a strip steak or a plate of fine cheeses with a can of Diet Coke or a glass of cranberry juice just wouldn?t cut it. I?m not sure about beer. I?m not much of a beer drinker anyway, so I?d probably stop altogether if it was all non-alcoholic. I went through a phase when I was drinking non-alcoholic beer because it was thirst-quenching, but it got a bit expensive. An ice cold Fresca would do the trick after mowing the lawn, I guess.
Au Jardin Les Amis (”The Friends, In the Garden”) is situated in the tranquil Singapore Botanic Gardens, on the second level of an 1920s home. We were seated on a glass enclosed balcony with a relaxing view of the gardens. It is a wonderful setting and was a great place to spend some time on my last day in Singapore.
The service was attentive, professional and was invisible except when needed. The food was very good, it wasn’t innovative - but with clean, elegant and pleasing flavour profiles it was memorable for the taste and technique. I have read that this venue can have good and bad days, and I think this must have been a good day as everything seemed to go well.
Like Iggy’s, the price was more than fair - the meal consisted of an amuse bouche, an entree, consommé, main course, dessert, les mignardises and coffee and cost $52 AUD (including 7% GST and a mandatory 10% service charge) per person plus wine. I guess when every corner of the city has wonderful (and cheap) food, you have to be fair to stay alive.
The wine;
The wine list is extensive and full of very special bottles, as well as being generally well above my budget!
Donnhoff Oberhauser Leistenberg Riesling Kabinett 2006 (Nahe, Germany) - 8.5% alcohol - Donnhoff is very quickly heading toward the top of my favourite Riesling producer list. This had aromas of sea salt, pears, tea leaves and mandarin. Delicate and long on the palate, there is some lovely fruit sweetness balanced by superb acidity. Lovely drinking now, but will age well over the next 10 years. 91/100
Bonneau Du Martray Corton Charlemagne Grand Cru 1992 (Burgundy, France) 375ml - 13% alcohol - Golden straw coloured. Butter, sesame, toast and honey aromas on the nose. Rich and creamy mouthfeel, with enough acid to keep the palate from being flabby. Very good length and texture. Drink now and over the next couple of years. 91/100
The food;
Prawn with Basil and Berry Foam with Apple juice
Cougette blossom stuffed with crab meat
Hon maguro with horseradish and roasted sesame dressing
Vine ripened tomato consomme with basil
Lightly smoked ocean trout with apple and fennel salad
Roasted flank steak and braised oxtail in red wine with seasonal vegetables
IN A DRAMATIC change of focus the Hardy Wine Company today announced that it was taking a great leap backwards - and changing its name. From the end of this month the Hardy Wine Company will be known as Constellation Wines Australia. This is an attempt to change the perception of the Hardys wine name from that of a corporate giant to, more simply, a regional winery 'known for quality and craftsmanship'
While this change is largely window-dressing, it is important. It marks a significant shift in thinking at Hardys. In recent years its super-premium portfolio has been sadly neglected, to the point where many premium wine drinkers (and wine media) today query whether the Jack Mann, Houghton Gladstones, Hardy's Tintara and Thomas Hardy super-premium labels still exist. The Hardy Wine Company has become known for good quality, cheap, non-region-specific fighting varietals. It has been at the forefront of the much maligned 'race to the bottom'.
And for a long time this strategy has been widely perceived as puzzling and myopic - like defecating in your own nest.
Hardy Wine Company President John Grant said today that ‘This is a pivotal time for our company as we embark on a range of activities to move our company to higher ground. From 31 March ... we aim to showcase to the world regional winemaking at its finest.
‘By drawing on Constellation’s global resources and tapping into our generational traditions, we aim to become Australia’s regional wine champion, recognised for our quality brands and winemaking excellence.’
‘Changing our company name provides greater freedom to shine the spotlight on the real heroes of our business - the outstanding regional wines. In particular, it allows the Hardys brand to return to being a winery, known for quality and craftsmanship, rather than being known as a corporation.’
‘We will be adding to our diverse regional offering and continuing our exploration of Australia’s premium wine regions’, he said, ‘as well as strengthening our front line staff, with additional personnel, tools, resources and training’.
Constellation Wines Australia brands include: Amberley, Banrock Station, Barossa Valley Estate, Bay of Fires, Berri Estates, Brookland Valley Estate, Chateau Reynella, Goundrey, Hardys, Houghton, Leasingham, Moondah Brook, Omni, Redman, Renmano, Stanley Wines, Starvedog Lane, Stonehaven, Tintara, Yarra Burn.
Love is in the air this month. For those of you looking for a way to dress up your Valentine?s Day, consider the object of your affection ?the one with the sparkling personality? as your inspiration.
Accordingly, pop open the sparkling wines and celebrate.
If Valentine?s Day is not your thing, there are plenty of other reasons to celebrate with bubbly this month, from Presidents? Day to any other day of the week, which ends in ?y.? Why? Because sparkling wines add a touch of festivity to any occasion and they taste too good to wait for a special event. And, even though you may not have a fondness for this Hallmark holiday, you always have your love of wines to keep you warm.
Sparkling wines, of which Champagne is most well-known, capitalize on harnessing the CO2 created during the fermentation process to provide the fizz we all know and love. This capture takes place during a secondary fermentation, which is coupled with allowing the spent yeasts to remain in the bottle throughout the ageing period. The yeasts impart the bready/toasty aromas and flavors that are characteristic of sparkling wines.
There are several ways to make a wine sparkle, the simplest, cheapest and short-lived being the injection method (aka pompe bicyclette), which injects CO2 into the wine. These man-made bubbles tend to be large and coarse on the palate.
Conversely, the traditional method, based upon Methode Champagnoise, provides a longer-lasting, smaller bead, which has more finesse in its mouthfeel. These traits stem from the labor-intensive process which includes an initial blending of still wines (assemblage) that is then bottled and capped, along with a yeast and sugar mixture (tirage), to facilitate a secondary fermentation. The wines are then left to age on the spent yeasts for a period of time as set by the appellation (in Champagne, this is a minimum of 15 months for non-vintage wines, while Cavas are generally aged for 9 months).
The sediment left behind must then be carefully shifted from the base of the bottle to the neck in a process known as riddling. The bottles are gently tilted and turned throughout a period of several weeks, forcing the sediment down into the mouth of the bottle. The necks are then immersed into a cold, briny solution, thereby freezing the sediment. The caps are removed and the frozen sediment is thrust out of the bottle and discarded (disgorgement). The remaining wine is topped off with a blend of wine and sugar/must (liqueur d?expedition), which impacts the resulting dryness or sweetness of the finished sparkling wine. The final step is the insertion of the cork, which is much denser that those used for still wines given that sparkling wines can be under up to 6 atmospheres of pressure (be careful where you point that thing).
A similar process is used in the transfer method whereby the steps above remain the same with the exception that the sediment is removed in bulk and the wine is then filtered and bottled. Such wines will note that they have been fermented in the bottle, whereas the wines in the previous method are labeled as having been fermented in this bottle. An additional method involves the use of a tank in which the entire secondary fermentation, ageing and disgorgement takes place. While this is of course a much less expensive process than the other two, it is frequently used to produce wines that have a distinct freshness to them such as Astis from the Piedmont region in Italy.
The Champagne region in France has done a good job in marketing itself as a luxury product and this joined with increasing demand, limited supply and expensive processes has pushed up the price on these wines. Vintage sparklers (those produced entirely from grapes grown in a particularly great year) and prestige marquees (i.e. Crystal, Dom Perignon) command even higher prices. However, many sparkling wines from other regions in France (such as Burgundy and the Loire Valley) as well as well-made American, Italian (Asti and Prosecco), Germany (Sekt) and Spain (Cava) can offer the consumer a wonderful experience without the hefty price tag.
With Valentine’s Day fast approaching, people will be uncorking bottles of wine the world over. After all, when you think romance, wine is never far behind. In her book, The Simple & Savvy Wine Guide, author Leslie Sbrocco suggests “a deep red wine such as a sparkling Shiraz” as the perfect drink to celebrate the occasion. She also set about to dispel a few popular wine myths:
Myth: A screw cap means the wine is cheap. Fact: Some of the world’s most forward-thinking wineries are using screw caps these days. They’re easy to open and reclose, and they preserve the wine longer.
Myth: Older wine is better. Fact: Most wine sold today isn’t meant to be aged. If it’s from a reputable source, it’s safe to assume that it’s ready to drink.
Apparently I don’t get out much. Until recently, I didn’t know that some restaurants charge as much as $250 per bottle for their corkage fee. Excuse me, but that is insane. As Lettie Teague in Food and Wine magazine asked recently, “What could you get for $250 that you couldn’t for, say, $25?”
The average cost of corkage around the country is about $25, which is infinitely more reasonable, but even those establishments that have reasonable corkage fees, they, perhaps surprisingly, come with their own set of rules. One of the more popular restaurants in San Francisco, Michael Mina, for example, has a two-bottle limit with their $35 per bottle fee, and the bottles that you bring can’t be something that they have on the house list. That certainly makes sense, and if you’re planning on bringing your own bottle of wine to your next dinner reservation, it’s a good idea to call ahead to inquire as to the restaurant’s fee and their own individual rules. You know, “know before you go,” and all that.
In her recent Corkage article, Lettie shared seven cheap corkage spots for your drinking pleasure:
Where to Go
Metro Marche, New York City ($10). This bus-station brasserie has good food and cheap corkage. 625 Eighth Avenue, 212-239-1010
Sip Sak, New York City ($13). Great Turkish food and a low corkage fee. 928 Second Avenue, 212-583-1900
Dehlia Lounge, Seattle ($15). Corkage here is just $15, as it is at all of Tom Douglas’s restaurants. 2001 Fourth Avenue, 206-682-4142
Market, St. Helena, California ($15). Corkage is free on Tuesday nights at this friendly diner. 1347 Main Street, 707-963-3799
Charlie Palmer Steak, Washington, DC ($25). If you bring an American wine, the corkage is free; otherwise, it’s $25. 101 Constiutution Avenue NW, 202-547-8100
Naha, Chicago ($25). There are lots of great corkage spots in Chicago, but this restaurant also has terrific food. 500 North Clark Street, 312-321-6242
Michael Mina, San Francisco ($35). This top restaurant has a great wine list and a fair corkage fee as well. 335 Powell Street, 415-397-9222.
Kopaonik is the largest Serbian ski resort. It is a popular place for domestic skiers and is becoming increasingly popular with foreign visitors. Although “Kopaonik” is actually a large mountain, the term usually refers to the area around the “Grand” hotel and the apartment complex “Sun?ani Vrhovi”. The area is small but contains quite a few hotels and private houses. It’s self contained, with shops, banks, a post office, etc. Apart from the restaurants in hotels, there are a few good restaurants around. In this article I’ll write about the restaurants I’ve visited this year, it might help you make the right choice (I didn’t have any tips at all…).
Etno club “Sunce”
This restaurant is located at the end of a quiet cool-de-sac, in the woods, a 5 minute walk from the Grand hotel. It looks very small from the outside, but it’s quite a spacious place. The atmosphere is great, fairly traditional, with two open fire places, a mixture of smaller and larger tables, a nice blend of loudness and privacy. The music wasn’t great, but that’s the easiest thing to change . The food was excellent and so was the service. They offer mainly Serbian dishes, if you’re not sure what to choose from the menu, the waiters will help you with their recommendations, you can trust them. The wine list includes wines from some of the better Serbian cellars, such as Radovanovi? and Aleksandrovi? (Topola). Go for Aleksandrovi?’s red or white Triumph, they are some of the best wines Serbia has to offer. Overall, it’s a great place, I’ll be back.
Food quality 5/5 Atmosphere 5/5 Service: 5/5 Price 3/5 (moderate, but excellent value) Wine list 3/5 (Radovanovi?, Aleksandrovi?)
Na?a ku?a
This place reminds me of modern pubs-restaurants in Ireland. It has a large bar area in the center, with large tables around, a couple of two seater tables in the corner for some extra privacy and a cosy open fire in the front. Both the interior of the restaurant and the furniture are made of light coloured wood, and there are stripes of small red lights throughout. There’s also a big video beam that mainly shows snow scenes during the day. It is a place frequented by the younger crowd and is open quite late into the nigth (until 3am). They have a small but well-chosen menu (which is also extremely well designed) and it’s obvious they put a lot of effort to make it a bit different from other restaurants in the vicinty. The chef is excellent, and the food is great, so give “Na?a Ku?a” a try if you get tired from the Serbian cousine and are looking for some European tastes. It is one of the more expensive restaurants, with a full dinner for two with a bottle of wine and a dessert producing a bill of around 50 euros. The wine choice is not great, but they do have a few wines apart from the regular choice, we recommend the wines from the Terra Lazarica range.
Food quality 5/5 Atmosphere 4/5 (nice mix of modern and traditional, younger crowd) Service: 4/5 Price 2/5 (expensive) Wine list 2/5
Etno ku?a Studenica
If you’re on a lower budget looking for good quality Serbian food you should visit the etno restaurant Studenica. Pick one of the two tables on the far left to avoid looking at the interior of the kitchen and to avoid the local crowd on the right side. The place is clean, the food was great and the waiter was top-notch, but the problem with this place is that it has too much light, it is visited by the local crowd and generally the level of privacy is quite low.
Food quality 4/5 Atmosphere 2/5 Service: 4/5 Price 4/5 (relatively cheap, good value) Wine list 1/5
Zvrk
This is a very popular restaurant located at the center of ski activities (the “baby slope”, ski lifts Karaman Greben and Pan?i?ev Vrh), just besides the Grand hotel. The restaurant has two levels, the upper one being more packed and colorful, the lower one containing a large center-located open fire place. This fire creates a very tempting smell outside the restaurant, which is the main reason you probably won’t resist getting into it. In general, it’s not a bad place, but there are much better choices around…
Food quality: 2/5 Atmosphere: 4/5 Service: 3/5 Price: 3/5 Wine list: 1/5 (just the very basic Serbian wines)
And apparently, Yulia is the Upset Queen. She's adept at bringing $7 bottles that end up winning blind tastings. Either that or we all have cheap tastes... not quite sure.
So last night was the Mourvedre/Monastrell showdown. And honestly, it was pretty disappointing. We blind tasted 5 wines and none of them were particularly stellar. As per my normal accuracy, I guessed 3 out of 5. I knew we had 2 cheap Spanish, 1 pricier Spanish, Cline's Ancient Vines, and Thomas Coyne. I did not know the vintage of any of them.
Wine #1: Blackberry/blueberry nose, with a touch of herbs. A bit of funk wafting through. Tight tannins. Thin fruit, but very ripe. Smoke on the finish. I guessed it was a
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. The food was excellent and so was the service. They offer mainly Serbian dishes, if you’re not sure what to choose from the menu, the waiters will help you with their recommendations, you can trust them. The wine list includes wines from some of the better Serbian cellars, such as Radovanovi? and Aleksandrovi? (Topola). Go for Aleksandrovi?’s red or white Triumph, they are some of the best wines Serbia has to offer. Overall, it’s a great place, I’ll be back.