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When I was thirteen I thought I was going to grow up to be a photographer. I spent endless hours in the darkroom and carrying my cameras everywhere I went. Being shy, it was the perfect date for me at a youth dance. I could take pictures of the action and go into the darkroom later that night to print them. Often folks would come into the darkroom (it was at the same place the dance was, usually) and see what I was doing. Photography was a social magnet.
A few years later, in college and during the Vietnam War era, photography opened up the greater world to me. I met different folk than the ones in the small resort town where I had grown up. I even met a famous one from time to time.
A word about fame, something I know a little about. I grew up in a town filled with famous people (Palm Springs, CA) and learned very early not to make a fuss over folks who have been afflicted with it. Leave ?em be, talk to them normal, change the subject away from them. Some of them might even make the grade to friendship. But, I ramble.
I am a walker. Love to walk the streets of a town. Rome, Paris, New York, San Francisco, Palermo, Naples, Chicago, Dallas. I once walked the route on Elm Street in Dallas where JFK was shot (grassy knoll) to the shop on the same street where John Hinckley bought the gun that he shot Ronald Reagan with. On a hot July day I took my trusty Canon VIT rangefinder and a new Canon AE1 and did my own shooting. The Dallas of that day has altered greatly.
New York? Since 1975, I have trudged the streets of that city camera and wine bag in tow. My childhood friend and photography co-conspirator Bruce took a fabulous street shot, worthy of a Weegee. Bruce went on to become a movie mogul and one of the greatest collectors of photography in the world. And still a friend and drinking buddy.
I spent time in the NY scene with Diane Arbus? teacher, Lisette Model. Not much time, but enough to remember one cold afternoon in January in her apartment. I had already been to Arbus boot camp. It started in California and concluded in a bar in Milwaukee, a bar right out of the collective mind of Kubrick, Serling and Lovejoy. I had walked onto the set of a world that someone like Diane Arbus lived daily. And it scared the holy crap out of me.
I had my time with the world of reportage and photojournalism. One photographer from Magnum, to remane unnamed, asked my help in getting him and his art director through Tijuana for a photo shoot. An ad campaign for Pentax. I thought it odd that the photographer almost exclusively used his Leica M3 for the assignment. When I asked him, his answer seemed cynical at the time. Now, I think he was like a sushi chef, just using the best knife he had to cut the Toro.
And the old masters, so many of them I was lucky to encounter, sit awhile and soak up their greatness. They were called the f64 group. My entry was through Imogen Cunningham and Ansel Adams. In the darkroom with Ansel was a breakthrough, I still remember the warmth of that little room, and not in a creepy way. How often is it you can stand in the dark and be dazzled with brilliance?
Imogen, she reminds me a lot of my friend Alice. Petite, but never diminutive, cantankerous, strong willed and boy crazy. But a vision and a determination to walk her trail without fear. Imogen was a wonderful mentor to me in life.
On the fringe of the f64 group was Wynn Bullock. Wynn was the one who taught me about the vision thing. He schooled me in the philosophy of perception. Thanks to Wynn, some of the best photography I have ever taken was without a camera. I remember how supportive he was when I came back from NY, explaining to me that he also had to take NY in measures, not in giant doses. Like him, I needed the horizon.
My dad was a photographer and a film maker. I still have hours of 16mm reels of film he shot, some of it family, some Italy, and also Old California footage. He always thought I should take more sunset pictures.
Being a black and white kind of guy, I could never understand why he wanted to thwart my path. But fathers do that to their son?s even when they aren?t conscious of it. I love to watch sunsets (like sunrises better) but not to shoot.
My college teacher, Philip Welch, introduced me to many of the West Coast school. He was a student of Frank Lloyd Wright and had given me the entrée to that world. He told me about famous people. He said, ?Call them up, knock and their door. If they are truly great they will talk to you, if not, they are only famous. You want to meet greatness, not fame.?
I?ve had a few friends through the years who made it to fame, but not quite to greatness. I have also had more than my share of friends who bypassed fame and went straight to greatness. I have photographed them, opened bottles of wine with them, danced with them, laughed with them, cried with them and walked through pools of Jell-O with them.
All along the way there has often been a camera nearby, my consigliere of consciousness.
Cima Collina will be at the Pinot Days event in Chicago on November 14th-15th. If you want to attend this wonderful event, please go to their website and enter the code “Collina” to get a 10% discount on tickets! Please be advised that the number of discounts available is limited.
Winemaker’s Dinner
I will be present and pouring Cima Collina at Christopher’s on Lincoln, in Carmel-by-the-Sea this Friday at 7:00. Christopher’s is one of my favorite local restaurants (chef owned and operated), and Christopher himself is a James Beard award-winning chef. Great food, great atmosphere, great service. Tickets are available at: montereywines.org.
CHICAGO (MarketWatch) -- On a hot, sunny Friday here in September only days after the first Monday market meltdown, two well-heeled wine buyers battled each other at a private auction for the privilege of shattering a world-record price for a single case? of 1982 Chateau? Lafite Rothschild.
A Chinese buyer who flew in from Beijing for the Hart Davis Hart Co. auction won with a final bid of $54,970 -- a whopping $4,580.83 a bottle. At its release in 1984, a single bottle would have sold for roughly $100. A case of 1990 Romanee-Conti Domaine? de la Romanee-Conti that was released at about $500 a bottle sold for $179,250, or $14,937.50 each. A case of 2000 Chateau Petrus was bought for $57,360, or $4,780 a bottle. At its release, the price was $750 a bottle.
Such dramatic price appreciation is not the norm for wine investments, but it does underscore how lucrative and resilient investing in fine wine can be -- particularly so at a time when market volatility is deflating 401(k) accounts and retirement nest eggs, and low interest rates are choking returns on cash and other investments.
Editors note: Starting today, we will be highlighting an Iberian wine, or winery, every Friday. It may cover a single one, a project or a winery. We’ll try, in most cases, to choose wines that are widely distributed, but this will not always be possible. Hope you enjoy.
About a year and half ago, I stumbled across a wine website that had a link to an Iberian winery blog. Clicking the link, I was taken to a page with about three posts and no comments enabled. At the time, there were approximately three other winery blogs out there, and I was excited to see another pop up. However, this “blog” didn’t allow comments. Thus, in my world, it wasn’t a blog. Long story short, earlier this month, I made contact with Andrew McCarthy through a friend, and was able to help him with a little Blogspot coding to remedy this problem. Today Castro Martin sits at the 8th place in our sidebar list of Iberian winery blogs, and I’m glad to have them there. I have loved Castro Martin’s wines for quite some time, and today, both Gabriella and I would like to recommend their great Albarino’s from the popular region of Rias Baixas.
Seriously, these are some nice wines: full of body and pure fruit, they are both complex and easy to understand. The Castro Martin Albarino is straightforward pure flesh fruit with some zesty acidity. It is a 2006, and if you noticed, we’re almost to the end of 2008; meaning that for it to have this kind of zestiness is a credit to the winemaker or the grape. I’ve been lectured by winemakers who work with Albariño that contrary to popular thought, it should be aged. In fact, I have yet to do it, but I have a standing invitation with Lusco to taste through some older vintages just to illustrate this exact point. This wine is still alive, full of vivacity, and I trust will last for another year or two.
The second wine we’re suggesting is the A2O, a wine that unfortunately is spelled with a tilde (~) over the 2; thus making brand awareness an issue since no one I know can type it. But that’s beside the point. This wine is full of stuffing and ready to go for a 5 year stay in my cellar, if we can stop ourselves from drinking it all up. Rich and layered flavors supported on a framework of acidity that is strong and yet supple. I want more, and you should too. Check this wine out!!
This family owned winery itself has a history that stretches back well before DO of Rias Baixas existed, and their website claims that they were the first to use stainless steel tanks for their wines. And current winemaker, Angela Martin is responsible for the production of award winning wines, such as the Acio de Ouro (no info) in 2000, for best Albariño. There’s even rumor that in 2001, Andrew McCarthy attended a wine tasting that appeared to have lasted a bit longer than was to be expected, eventually ending in a marriage!
I don’t need to recap the entire history and wine making, because the site (despite its silly pop-up windows and some distracting flash) provides some good information for your to peruse on your own time. Here’s a direct link to avoid the pop-up window.
Complaints? Well I have to say, I hate fake cork. If your going to opt out of the real cork, then please move to screw caps. Fake cork is annoying, ugly and at times, harder to open than the real stuff. Please just get on with it and move to a screwcap if you don’t want the cork. Otherwise, the wines are great and well worth seeking out. Not to mention, please leave a comment on their newly “open to comments” blog, where you can see what is happening in Galicia, Spain.
I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
4. Do I have to mention the cheaper subscription rate for Decanter?
Again, lists really don't do any justice to the dozens and dozens of ideas that propel themselves electrically from my dendrites when it comes to how much fun a wine geek can have in London. For now though, I leave you with a warm, albeit brief goodbye, and a reassurance that I'll soon return for more on artisan wines and the people behind them.
I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
4. Do I have to mention the cheaper subscription rate for Decanter?
Again, lists really don't do any justice to the dozens and dozens of ideas that propel themselves electrically from my dendrites when it comes to how much fun a wine geek can have in London. For now though, I leave you with a warm, albeit brief goodbye, and a reassurance that I'll soon return for more on artisan wines and the people behind them.
Apparently I don’t get out much. Until recently, I didn’t know that some restaurants charge as much as $250 per bottle for their corkage fee. Excuse me, but that is insane. As Lettie Teague in Food and Wine magazine asked recently, “What could you get for $250 that you couldn’t for, say, $25?”
The average cost of corkage around the country is about $25, which is infinitely more reasonable, but even those establishments that have reasonable corkage fees, they, perhaps surprisingly, come with their own set of rules. One of the more popular restaurants in San Francisco, Michael Mina, for example, has a two-bottle limit with their $35 per bottle fee, and the bottles that you bring can’t be something that they have on the house list. That certainly makes sense, and if you’re planning on bringing your own bottle of wine to your next dinner reservation, it’s a good idea to call ahead to inquire as to the restaurant’s fee and their own individual rules. You know, “know before you go,” and all that.
In her recent Corkage article, Lettie shared seven cheap corkage spots for your drinking pleasure:
Where to Go
Metro Marche, New York City ($10). This bus-station brasserie has good food and cheap corkage. 625 Eighth Avenue, 212-239-1010
Sip Sak, New York City ($13). Great Turkish food and a low corkage fee. 928 Second Avenue, 212-583-1900
Dehlia Lounge, Seattle ($15). Corkage here is just $15, as it is at all of Tom Douglas’s restaurants. 2001 Fourth Avenue, 206-682-4142
Market, St. Helena, California ($15). Corkage is free on Tuesday nights at this friendly diner. 1347 Main Street, 707-963-3799
Charlie Palmer Steak, Washington, DC ($25). If you bring an American wine, the corkage is free; otherwise, it’s $25. 101 Constiutution Avenue NW, 202-547-8100
Naha, Chicago ($25). There are lots of great corkage spots in Chicago, but this restaurant also has terrific food. 500 North Clark Street, 312-321-6242
Michael Mina, San Francisco ($35). This top restaurant has a great wine list and a fair corkage fee as well. 335 Powell Street, 415-397-9222.
Note to self: Never, under any circumstances, fly cross country in the winter time using Chicago's O'Hare aerostop as your connecting hub. As good as the flight times look on paper, keep in mind, they are pure fantasy. That sweet...
Note to self: Never, under any circumstances, fly cross country in the winter time using Chicago's O'Hare aerostop as your connecting hub. As good as the flight times look on paper, keep in mind, they are pure fantasy. That sweet 45 minute layover from SLC? How's about 4.5 12 hours!? And that snappy 1 hour layover from Ottawa back to SLC? Try 3 hours. Oy veh. I need a drink. And speaking of drinks, can I interest you in a Chiroubles?
G. DuBoeuf Chiroubles 2005 ($10) - Had this wine originated from a more 'serious' French wine region, chances are it would be selling at 3-4 times the asking price. However, seeing as it comes from the immensely under-appreciated region of Beaujolais, you can grab it for ten damn dollars. Chiroubles is one of 10 Beaujolais Crus (i.e. premier growing sites). I might not describe this wine as, "exploding from the glass like a massive bouquet of violets," as Parker-proxy Pierre Rovani does. I would however describe it as an ultrasexy rendition of the Gamay grape - with scents of fresh blueberry and violet-blossom. In the mouth, DuB.'s Chiroubles does it nice and smooth with silky tannins and simple cherry-blueberry flavors. Snatch this wine up forthwith and sip it with a plate of bistro frites.
Hot on the heels of the sensational success of the 'World's Greatest Book Of Useless Information', the Official Useless Information Society bring you another essential compendium of everything you never needed but always wanted to know., Reference ; Curiosities & Wonders, The Best Book of Useless Information Ever
As Seen on Ellens 12 Days of Giveaways & Good Morning America The pocket-size electronic talking Wine Master offers a sleek and slim design easy control panel and over 10 000 wine and spirits reviews ratings and suggested retail prices at your fingertips. The newest version of the Wine Master is the most essential wine tool you can own. Bring along with you to wine shops and restaurants and never make another wine buying mistake again. Requires 2-AAA batteries (not included). Over 10 000 wine and spirits reviews ratings (100 pt. scale) and suggested retail prices from Wine Enthusiast Magazine Food and wine pairing guide Digital display screen with back-light and compressed text functions Talking navigation with on/off Type Varietal Winery or Vintage search option Handsome non-zipper black case Wine Master is a mighty wizard that gives you mastery over the most serious wine shop clerks and sommeliers. Brushed aluminum with chrome accents. The Wine Enthusiast 2008 Wine Buying Guide is also available. Size: 4-3/4'H x 3'W NOTE: The information included in the Wine Master is based on the reviews and ratings conducted by The Wine Enthusiast Magazine. For the 2008 edition we added 10 425 reviews. Therefore if you look at a review of a 2002 Caymus in 2007 and in 2008 the review will be the same. Since we cannot review all the wines produced in a year some wines may not appear with a newer year review which does not mean that the wine is discontinued but just that particular vintage (year) was not reviewed.
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Aerates wine faster with an extra-wide base. The Riedel Ultra Wine Decanter offers a modern design in crystal while creating maximum breathing room for your wine. Made of 24% lead crystal the wine decanter has a broad base that allows the wine to aerate and release flavors and aromas which enhance the attributes of your wine. Decanting wines (particularly old wines) just before serving ensures clarity and true color while preventing any sediments from interfering with the wine-drinking experience. Decanting young wines gives it a chance to open up and tame overpowering tannins and fruit flavors. Pair the Riedel Ultra Wine Decanter with our large wine decanter glass stopper. Size: 8-3/8'H 45-3/8 oz.
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Tecnorati
When I was thirteen I thought I was going to grow up to be a photographer. I spent endless hours in the darkroom and carrying my cameras everywhere I went. Being shy, it was the perfect date for me at a youth dance. I could take pictures of the action and go into the darkroom later that night to print them. Often folks would come into the darkroom (it was at the same place the dance was, usually) and see what I was doing. Photography was a social magnet.
A word about fame, something I know a little about. I grew up in a town filled with famous people (Palm Springs, CA) and learned very early not to make a fuss over folks who have been afflicted with it. Leave ?em be, talk to them normal, change the subject away from them. Some of them might even make the grade to friendship. But, I ramble.
I am a walker. Love to walk the streets of a town. Rome, Paris, New York, San Francisco, Palermo, Naples, Chicago, Dallas. I once walked the route on Elm Street in Dallas where JFK was shot (grassy knoll) to the shop on the same street where John Hinckley bought the gun that he shot Ronald Reagan with. On a hot July day I took my trusty Canon VIT rangefinder and a new Canon AE1 and did my own shooting. The Dallas of that day has altered greatly.
New York? Since 1975, I have trudged the streets of that city camera and wine bag in tow. My childhood friend and photography co-conspirator Bruce took a fabulous street shot, worthy of a 
I spent time in the NY scene with 
I had my time with the world of reportage and photojournalism. One photographer from 
And the old masters, so many of them I was lucky to encounter, sit awhile and soak up their greatness. They were called the 
Imogen, she reminds me a lot of my friend 
On the fringe of the f64 group was 
My dad was a photographer and a film maker. I still have hours of 16mm reels of film he shot, some of it family, some Italy, and also Old California footage. He always thought I should take more sunset pictures.
Being a black and white kind of guy, I could never understand why he wanted to thwart my path. But fathers do that to their son?s even when they aren?t conscious of it. I love to watch sunsets (like sunrises better) but not to shoot.
My college teacher, Philip Welch, introduced me to many of the West Coast school. He was a student of Frank Lloyd Wright and had given me the entrée to that world. He told me about famous people. He said, ?Call them up, knock and their door. If they are truly great they will talk to you, if not, they are only famous. You want to meet greatness, not fame.?
I?ve had a few friends through the years who made it to fame, but not quite to greatness. I have also had more than my share of friends who bypassed fame and went straight to greatness. I have photographed them, opened bottles of wine with them, danced with them, laughed with them, cried with them and walked through pools of Jell-O with them.
Apparently I don’t get out much. Until recently, I didn’t know that some restaurants charge as much as $250 per bottle for their corkage fee. Excuse me, but that is insane. As Lettie Teague in 
