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There are a lot of things that I would like to change about wine in America. I'd love to lower the prices, reduce the influence of scores on buying patterns, increase consumption, broaden the varietal mix, and on and on. I've got a long list the next time any omnipotent being comes along and asks my opinion on the situation.
But if I had to choose one thing, above all else, that really needs changing when it comes to America and wine, I would choose to destroy the association between wine and the upper class. The fact that wine continues to be thought of as the beverage of the elite does more damage to the future of the industry in this country than any other phenomenon, in my opinion.
America, it must be said, did not get off on the right foot when it comes to wine. The religious zealots that founded this country were notorious teetotalers, of course. But those who followed the Puritans were Europeans of all stripes and colors, and most had a common familiarity with and appreciation for wine. Indeed, on the face of things, America could very easily have inherited their cultural predisposition for wine on the dinner table.
But it didn't for one primary reason. No one could get the damn grapes to grow right. Attempts were made for years with both imported vines as well as the many various native vines that got the early colonists so excited when they arrived. For a while, America was thought to have the potential to build a wine industry that would flourish by exporting wine back to continental Europe.
But even with the help of the many Huguenots and other wine savvy folks who arrived on American shores with no shortage of expertise in viticulture, very little progress was made. The climate was just all wrong.
Which meant that any real quantity of wine had to be imported, and that meant money, and therefore ensured that for the most part, the upper classes had the means to drink wine, and the masses made do with the products of the bountiful grains and apples that flourished here. In short, most everyone drank a lot of beer, cider, bourbon, and whisky, while the Thomas Jeffersons, Ben Franklins, and other early statesmen of America nursed their imported collections and did their best to encourage local efforts to make wine, but to no avail.
And so, if you'll forgive me squeezing and reducing a lot of complex history into a few sound bites, after about 200 years of this sort of social division, it's no wonder that, for the most part things just stayed that way. The industrial revolution widened the gap between rich and poor, engineering an even greater difference between the consumption habits of the upper classes and the lower classes. There were upswings of interest in wine, especially when people actually started to figure out how and where to grow grapes properly, but by then it was too late. Prohibition (and the rapid recovery of beer and whisky production upon repeal) put the nail in the coffin, and set the stage for people like Robert Mondavi to come along and make the valiant effort to remind everyday Americans that wine belongs on the dinner table every day. And they're still trying.
Meanwhile, wine to many people represents the intimidating, elitist, and snobbish rich. Sarah Palin's quips during the recent campaign about the wine and cocktail drinking elite perfectly illustrate the way that many people think about wine. So too do the many comments on a recent New York Times blog about the words that are used to describe wine. I can't tell you how sad it makes me to see how many people think that attempting to describe the flavors and aromas of wine is an exercise in pretension and snobbery.
But it gets even worse. It's bad enough that the average beer loving American (whoever that is) at best thinks that wine is really just for special occasions, and at worst believes that the people who drink it are rich, stuck-up, pedants. But unfortunately, a lot of wine lovers actually act that way.
In many ways the culture of wine appreciation in America encourages this sense that wine is a luxury for the knowledgeable few. We have the specialized stores. The pomp, ceremony, and mystery that surround wine in conjunction with fine dining. The astronomical prices of top wines in the market. And of course, we have the Big Boys. You know the ones I'm talking about, right? The wine assholes.
Men who feel like they own the province of wine are just the start of our problems. Worse are the ones who also like to reel off the great wines of the world they have drunk with the same gusto as they might bedroom conquests. These are the ones that recoil in horror at the thought of sharing a bottle of 1989 Lafite with their "know-nothing cousins from Des Moines" and instead prefer to save their best bottles for wine dinners that attempt to be the oenological equivalents of an evening with Annabel Chong.
But as much as I sometimes want to punch some of these people in the mouth, I don't see the wine snob as a clear perpetrator of the problem. They're just as much another symptom of the basic travesty -- that somehow we've gotten to the point where wine is far too special. And just as with anything that has cachet, wine in America has become something that many Americans think is only for certain kinds of people. Those wine people.
Of course, this rant of mine paints a rather stark, divided world, which belies the true reality of the marketplace. America is not just a collection of beer drinkers vs. wine drinkers any more than it is a collection of red states vs. blue states. And the country is slowly coming around to wine, thanks to many different factors, not the least of which are the backlash against carbohydrates and the media hype about resveratrol.
But we've got a long way to go to get to an American wine scene that I'll be satisfied with. There are a lot of myths to shatter, a lot of attitudes to adjust, and a lot of evil distribution monopolies to crush before Americans get used to having good wine on their tables every day. But perhaps most importantly, there's a lot of wine that needs to be shared among friends -- a lot of wine that needs to be enjoyed without the trappings of ceremony or status, but instead with the simple appreciation for the fact that we are all so very lucky for what we have.
Go forth and drink without fear, and spread the wine love.
OK folks, here's the deal. Today is the last day of A Menu For Hope charity raffle. You've got until Midnight tonight, Pacific Time, to buy raffle tickets for some seriously awesome prizes. Every raffle ticket increases your chance of winning said prize, and every ticket buys healthy, nutritious lunches for school children in Lesotho. What could be better than that?
It's important to realize that even a single $10 ticket can win you some seriously good loot. One of the most popular prizes last year (and this year), the Meadowood vacation package, was won by someone who bought a single ticket.
It's also important that you know that some of this year's prizes have had slightly less bidding than others, which means the chances of you winning them are QUITE HIGH with just a single ticket, and INCREDIBLY HIGH were you to buy say, 10 tickets.
You may be asking, "Now why would I go and spend $100 on raffle tickets, even though the cause is so good." Here's the answer: because if you did, you'd have a very good chance of winning prizes that are in some cases worth THOUSANDS OF DOLLARS.
Getting the picture? It's like this: if I told you that by spending $100 you'd have a 3 in 5 chance of winning $400 worth of wine and be doing a great thing for charity, I hope that you'd see this as a winning proposition, no?
So here are some prizes that need a little love in the bidding department, and might just be yours for the taking, depending on just how generous you're feeling (or how much Champagne you've already had today). Go bid a little bit (or a little more), and have yourself a very Happy New Year!
Wine and Film Premieres from Wilson Daniels One of the country's most respected wine importers, Wilson Daniels Ltd., is celebrating its 30th anniversary in 2008. The Napa Valley-based company has created a Menu For Hope six-bottle collection of wines from its portfolio of European wine estates, offering bidders an opportunity to taste wines from six different regions spanning three countries -- with a high-definition twist. Winners will receive the following wines:
NV Delamotte Brut Cotes des Blancs Grand Cru 2006 Domaine Marc Kreydenweiss Kritt Gewurztraminer Alsace 2005 Domaine Faiveley Nuits-Saint-Georges 2006 Domaine Philippe & Vincent Jaboulet Crozes-Hermitage Rouge 2004 Castello di Volpaia Chianti Classico Riserva DOCG 1996 Royal Tokaji Nyulászó First Growth Tokaji Aszú 6 Puttonyos
This fall, Wilson Daniels premiered documentary-style films for its French and Hungarian wine estates, which the winning bidder can watch online or download to an iPod at www.wilsondanielsfilms.com to "virtually" tour the vineyards and meet the winemakers before, after, or while they taste the wines. Value: $275. Prize Code: WB04. Courtesy of Wilson Daniels Ltd.
Two World Class Gruner Veltliners and a set of World Class White Wine Glasses This prize includes a set of six Denkart Zalto white wine glasses and the two most highly rated Gruner Veltliners in the Winemonger inventory, the 2006 and 2007 Donabaum Spitzer Point GV Smaragd Gruner Veltliner from Austria. The wines speak for themselves, but you should know about the glasses. 100% lead free and dishwasher safe, these glasses were created for the complexity and refinement of the most expressive white wines. Technical perfection is the basic principle of the Zalto Glass Manufactury. Zalto Glasses have always been produced following a tradition of using only the most highly skilled glass-blowers working with a selection of the best raw materials. The curve of the bowls are tilted at the angles of 24°, 48° and 72°, which are in accordance to the tilt angles of the Earth. This stunning glass has become the standard for many world-class tasting rooms and well-set tables. Shipping within the USA only. Value: more than $415. Prize Code: WB07. More details at Winemonger.
Half Case of Verge Syrah, and a Tour of the Vineyard Join VERGE Winemaker Mike Brunson for a special tour of Bradford Mountain where you will see firsthand what it means to farm on the edge of the wild. At just over 1200 feet elevation, Bradford Mountain is on the far western edge of Dry Creek Valley in Sonoma County. VERGE Wine Cellars produces small lots of block specific Syrah and these organcially grown vineyards are perfect examples of what we call Fringe Vineyards. Mike Brunson has over 15 years winemaking experience and will describe the ins and outs of organic viticulture, mountain farming, and Syrah winemaking. After the hike, you'll enjoy a tasting of Syrahs from Bradford Mountain as well as a selection of other Syrahs from around the world. As a parting gift, you will also recieve 6 bottles of VERGE Wine Cellars' inaugural release, the 2006 VERGE Syrah. Value: $240. Prize code: WB08. Courtesy of Verge Cellars.
Wine Book Bonanza There's only one thing better than drinking wine, and that's drinking wine with a nice wine book on your lap. Here's your chance to add to your library and maybe learn a thing or two in the process. Courtesy of University of California Press, pick any 5 wine books from their current list of titles. Value: approx $150. Prize Code:WB09. Courtesy of University of California Press.
Wine Travel Guide Voucher The main raffle prize on offer from Wine Travel Guides is a gold gift subscription to Wine Travel Guides (worth £49 or approximately $75 or €60) which lasts a whole year from activation. This will give you access to all the travel guides on the site. Today there are 46 comprehensive guides to the wine regions of France. By mid-January there will be a further seven guides covering Tuscany in Italy, Rioja in Spain and Mosel in Germany. Here is your chance to plan that trip to the wine regions of Europe with expert insider advice from 15 top-class wine and travel writers.
The bonus offer: If you can meet author Wink Lorch in either the Jura or Savoie wine regions of France, she will personally drive you around the wine region for a day, meeting and tasting with some of her favourite wine growers and taking you out to lunch. Value: $80 or more. Prize Code:WB10. Courtesy of Wink Lorch.
Inaugural Vintage of Capture's Tin Cross Vineyards Sauvignon Blanc This prize consists of a bottle from the first launch of Capture Winery's 2008 Tin Cross Vineyard Sauvignon Blanc. This wine is the unprecedented, first product of the winemaking team's efforts with Tin Cross being to be released in Spring 2009. Additionally, this wine will arrive paired with an elegantly framed vision of its origin; an image of Tin Cross' upper vineyard, professionally photographed and signed by the renowned Olaf Beckman. The total package is valued at $542. Prize Code:WB14. More details at Our Wine Story.
Port Wine Starter Set from Quevedo If you're a lover of port wine, or think you might be, you'll enjoy this gift: A Port Wine Starter Kit made up of: - port wine tongs - port wine filter - port wine decanter - port wine cups - dark chocolate - a coupon for a bottle of Quevedo 2005 Vintage redeemable at the closest wine shop that carries the wine. Value: $90. Prize Code: WB17. More details at Quevedo Wine.
Exclusive Wine Accessory Set This prize includes four exclusive wine accessories developed by Wine Line:
-Wine Vine 12 bottle stainless steel wine rack -Wine Flyte Carrier--for easily serving 6 glasses of wine, carrying & drying glasses as well-patent pending -Wine Aerator w/single glass adapter-patent pending -Chateau Epernay Handmade Rosewood Corkscrew in gift box
These accessories make fantastic gifts for wine lovers. Value: $200.00. Prize Code: WB18. Courtesy of WineLine
Custom 90 Minute Wine Seminar Bill Wilson, the host and producer of the Wine for Newbies Podcast will offer a 90-minute live wine seminar. The winner of this prize can choose the topic(s) for this wine seminar which he'll broadcast via streaming video at a time and date of the winner's choosing. The winner can have as many people participate as he or she wants! Since the seminar will be live via the Internet, the winner can be anywhere, as long as they understand English. Prize code: WB20. Courtesy of Wine for Newbies.
Wine, Wine and More Wine from Domaine 547 This prize includes a Magnum of 2003 Pax Cellars Kobler Family Vineyard Syrah and a $50 gift certificate to domaine547.com. The prize can be shipped to anywhere that FedEx legally delivers alcohol to, with the exception of New Hampshire. Domaine 547 is also willing to arrange for shipping to other states, on behalf of any bidder who wants to ship the wine via use of their own UPS account. Value: $150. Prize Code: WB27. Courtesy of Domaine 547.
Magnum of wine, tour, and tasting at Tolosa Winery for Six People Join Tolosa winemaker Larry Brooks for a past, present and future tour of the Winery in San Luis Obispo and finish with a artisan wine and cheese pairing. A Magnum of our 10th Anniversary wine will also be given to the winner upon arrival.
PAST: Guests will learn about the origin of our name and the story behind our brand. They will also have the opportunity to taste past vintages from the Tolosa library collection.
PRESENT: After a brief talk about our vineyard and outside production area, guests will be toured through our tank and barrel rooms.
FUTURE: The tour finishes with a futures tasting from select French oak barrels. This intimate tasting will take place in our private barrel designed area with our finest wine selections.
Following the tour you and your guests will be guided through an artisan wine and cheese pairing with Tolosa's wine and cheese educator & sommelier, John Shakley. As you relax in our beautiful private Heritage Room, John will pair five limited production wines with five artisan cheeses from around the world. Value: $400. Prize Code: WB29. Courtesy of Tolosa Winery.
When I was thirteen I thought I was going to grow up to be a photographer. I spent endless hours in the darkroom and carrying my cameras everywhere I went. Being shy, it was the perfect date for me at a youth dance. I could take pictures of the action and go into the darkroom later that night to print them. Often folks would come into the darkroom (it was at the same place the dance was, usually) and see what I was doing. Photography was a social magnet.
A few years later, in college and during the Vietnam War era, photography opened up the greater world to me. I met different folk than the ones in the small resort town where I had grown up. I even met a famous one from time to time.
A word about fame, something I know a little about. I grew up in a town filled with famous people (Palm Springs, CA) and learned very early not to make a fuss over folks who have been afflicted with it. Leave ?em be, talk to them normal, change the subject away from them. Some of them might even make the grade to friendship. But, I ramble.
I am a walker. Love to walk the streets of a town. Rome, Paris, New York, San Francisco, Palermo, Naples, Chicago, Dallas. I once walked the route on Elm Street in Dallas where JFK was shot (grassy knoll) to the shop on the same street where John Hinckley bought the gun that he shot Ronald Reagan with. On a hot July day I took my trusty Canon VIT rangefinder and a new Canon AE1 and did my own shooting. The Dallas of that day has altered greatly.
New York? Since 1975, I have trudged the streets of that city camera and wine bag in tow. My childhood friend and photography co-conspirator Bruce took a fabulous street shot, worthy of a Weegee. Bruce went on to become a movie mogul and one of the greatest collectors of photography in the world. And still a friend and drinking buddy.
I spent time in the NY scene with Diane Arbus? teacher, Lisette Model. Not much time, but enough to remember one cold afternoon in January in her apartment. I had already been to Arbus boot camp. It started in California and concluded in a bar in Milwaukee, a bar right out of the collective mind of Kubrick, Serling and Lovejoy. I had walked onto the set of a world that someone like Diane Arbus lived daily. And it scared the holy crap out of me.
I had my time with the world of reportage and photojournalism. One photographer from Magnum, to remane unnamed, asked my help in getting him and his art director through Tijuana for a photo shoot. An ad campaign for Pentax. I thought it odd that the photographer almost exclusively used his Leica M3 for the assignment. When I asked him, his answer seemed cynical at the time. Now, I think he was like a sushi chef, just using the best knife he had to cut the Toro.
And the old masters, so many of them I was lucky to encounter, sit awhile and soak up their greatness. They were called the f64 group. My entry was through Imogen Cunningham and Ansel Adams. In the darkroom with Ansel was a breakthrough, I still remember the warmth of that little room, and not in a creepy way. How often is it you can stand in the dark and be dazzled with brilliance?
Imogen, she reminds me a lot of my friend Alice. Petite, but never diminutive, cantankerous, strong willed and boy crazy. But a vision and a determination to walk her trail without fear. Imogen was a wonderful mentor to me in life.
On the fringe of the f64 group was Wynn Bullock. Wynn was the one who taught me about the vision thing. He schooled me in the philosophy of perception. Thanks to Wynn, some of the best photography I have ever taken was without a camera. I remember how supportive he was when I came back from NY, explaining to me that he also had to take NY in measures, not in giant doses. Like him, I needed the horizon.
My dad was a photographer and a film maker. I still have hours of 16mm reels of film he shot, some of it family, some Italy, and also Old California footage. He always thought I should take more sunset pictures.
Being a black and white kind of guy, I could never understand why he wanted to thwart my path. But fathers do that to their son?s even when they aren?t conscious of it. I love to watch sunsets (like sunrises better) but not to shoot.
My college teacher, Philip Welch, introduced me to many of the West Coast school. He was a student of Frank Lloyd Wright and had given me the entrée to that world. He told me about famous people. He said, ?Call them up, knock and their door. If they are truly great they will talk to you, if not, they are only famous. You want to meet greatness, not fame.?
I?ve had a few friends through the years who made it to fame, but not quite to greatness. I have also had more than my share of friends who bypassed fame and went straight to greatness. I have photographed them, opened bottles of wine with them, danced with them, laughed with them, cried with them and walked through pools of Jell-O with them.
All along the way there has often been a camera nearby, my consigliere of consciousness.
With the holidays approaching, I thought I'd arrange my various cocktail recipes into one convenient collection. This is a set of twelve 3"x5" cards that you can cut out and put in the recipe box, stick in the liquor cabinet, or use as flash cards for training your kids to mix your evening cocktails.
While I didn't create these cocktail recipes, I did put a bit of effort into trying them out and then typesetting them in an attractive and easy-to-read format. With that in mind I've licensed it under a Creative Commons Attribution 3.0 Unported License, which means that you're free to use this file for personal or commercial use or modify it as long as you give me credit. You can even put that download link on your website or blog if you want to recommend cocktails to your readers. Have fun!
“I guarantee you all these prices will be significantly higher this time next year,” John Kapon, president and auctioneer at Acker, Merrall is reported to have said between bids at an auction last December. The buyers who paid $8,000 for six bottles of the ?61 Dom Perignon and $22,000 of for eight bottles of the ?66 Cristal might be wondering if that was a money-back guarantee.
Prices of all kinds of assets have declined precipitously since last December. Wine appeared somewhat immune as recently as September but evidence is now emerging that prices for collectible wines are entering a correction after many years of strong growth. The Liv-ex 100 Fine Wine Index fell 12.4 percent in October.
A close observer of auctions told me yesterday that two recent sales only sold 35 and 43 percent of lots. And some lots are going for well below the low price estimate. At another auction, someone else told me that a case of 1998 Grand Cru Chablis sold for $60. Even though there’s a risk of premature oxidation with that wine, $5 a bottle certainly seems like it’s worth a flier. Such a low selling price indicates that there was no reserve.
While many shops may have locked in higher costs, making them unwilling or unable to discount, some specialty shops do broker private collections too and can have faster turnarounds than auction houses. Provenance is always an issue with mature wine, so feel free to ask where the wines came from.
But some sellers at auction may be eager to liquidate making the secondary market may be the best place for wine deals this fall. Of course, if the global economic malaise continues into next year or beyond, declines in fine wine prices could continue. So you may not want to step in and catch too many falling magnums.
Some upcoming auctions: Zachys, Nov 6-8; Acker, Merrall Nov 7; Christie’s Nov 17 and 21; Sotheby’s Nov 22; Hart Davis Hart Dec 5.
One of the events I enjoyed was the vineyard walk on Saturday morning led by Zephyr Adventures. We went to Saralee's Vineyard in the Russian River Valley, where we met up with Rich and Saralee Kunde (who made us a fabulous lunch!), Daniel Moore of Zmor Winery, and Rod and Lynn Swan Berglund of Joseph Swan Vineyards. We hiked through the vineyards, learned a lot about the area and its viticultural heritage, and drank some fantastic wines.
I hope this slide show whets your appetite to learn more about the Russian River Valley appellation, and makes you feel that you've been able to enjoy a little bit of this year's fall season here in the California Wine Country.
If you're interested in seeing more pictures of the 2008 Wine Bloggers Conference, head over to my Flickr photostream where I've set up a collection of pictures for you to flip through.
Sad sign of the times: collectors are resorting to selling their precious wine in order to raise capital. Lisa Baertlein (reuters.com) writes:
LOS ANGELES (Reuters) - Wine cellars have been taking a hit from the global credit crisis and it isn't because the owners of rare bottles are drinking more -- it's because they have been selling to raise cash.
The selling started with mortgage brokers and has moved to Wall Street as owners turn their collections of coveted vintages into liquid assets.
"People need money. Even richer people need money sometimes," Vinfolio.com founder and Chief Executive Stephen Bachmann told Reuters on Monday.
In the last few weeks, private collectors submitted offers to sell $10 million worth of wine to Vinfolio, a San Francisco-based company that buys and sells wine online. Normally the company has about $6 million offered to it.
October is Breast Cancer Awareness Month and Fat Bastard wines are doing their part to cure this disease by donating 25 cents for every bottle sold in restaurants and retail stores, up to $75,000. This is the sixth year the company has run this program and to date, they have donated more than $250,000 to breast cancer research.
During October, Fat Bastard wines will be easy to spot on the shelf. They'll have a pink ribbon necker with an attached pin for consumers to wear. Fat Bastard's wine collection includes Chardonnay, Sauvignon Blanc, Rose, Pinot Noir, Shiraz, Merlot, and Cabernet Sauvignon.
Contents of this feed are a property of Creative Weblogging Limited and are protected by copyright laws. Violations will be prosecuted. Please email us if you'd like to use this feed for non-commercial activities at feeds - at - creative-weblogging.com.
October is Breast Cancer Awareness Month and Fat Bastard wines are doing their part to cure this disease by donating 25 cents for every bottle sold in restaurants and retail stores, up to $75,000. This is the sixth year the company has run this program and to date, they have donated more than $250,000 to breast cancer research.
During October, Fat Bastard wines will be easy to spot on the shelf. They'll have a pink ribbon necker with an attached pin for consumers to wear. Fat Bastard's wine collection includes Chardonnay, Sauvignon Blanc, Rose, Pinot Noir, Shiraz, Merlot, and Cabernet Sauvignon.
Contents of this feed are a property of Creative Weblogging Limited and are protected by copyright laws. Violations will be prosecuted. Please email us if you'd like to use this feed for non-commercial activities at feeds - at - creative-weblogging.com.
Anyone who?s read Blanc de Noir for long knows we?re both huge fans of Italian wines. There?s just something about the diversity, quality, and sheer fun factor of Italian wines ? whether it?s a casual summer patio sipper or a robust vintage to accompany a big, festive dinner or one of the meditative Amarones that are still way up there on our list of favourites.
So when BC Wine Appreciation Society decided to add a couple of Italian wines to an educational tasting scheduled just prior to the 2008 Playhouse International Wine Festival ? the theme country for this year?s festival was, after all, Italy ? Frank and our illustrious BCWAS leader, Tim Ellison, decided to add a twist to the event. How about putting up a couple of Italian wines with the usual BC vintages? Frank, however, took the concept one step farther.
Here?s the deal. From BC: three sparklers, four Pinot Grigios, two Pinot Noirs, a Cabernet Sauvignon, and a Merlot. From Italy: three Chiantis ? just three and all from Frescobaldi, one of Italy?s most respected winemakers (multi-generations shown above).
Here?s the catch. The Chiantis were bottled in 2004, 1982, and 1975. No, it?s not a typo. The last two came from the collection of Italian wines Frank recently acquired ? one of those fantastic opportunities that come about from being in the right place and the right time and having way more patience than most when it comes to negotiating.
Alas, on the night of the event, Frank was sick with flu, but you can bet eyes went wide as people realized what he?d sent.
The 2004 was, pretty much as expected, dark purple with lots of fruit and tannins that were more ?in your face? than makes for a good sipping wine unless you?re eating. But truth is, few people spent much time with that particular wine since they were all eager to try the two older offerings.
Immediately apparent was the change in colour ? now tawny with a much larger rim than the 2004. Controversy was plentiful and several people found neither one was ?quite my thing? as one member put it in an attempt to be diplomatic. The level of oxidization, especially in the 1975, caused raised eyebrows among half the folks there. It was virtually unanimous that the ?82 needs to be drunk now and the ?75 is clearly a bit past its prime ? although not a soul suggested it should be tossed.
However wide ranging the evening?s opinions were, one thing we all did agree on. These are wines made with love and benefit from patience.
Frank?s Tasting Notes: Castello di Nipozzano Riserva 1982 This wine has aged well, probably because it is a Riserva. After more than a quarter of a century there?s still lots of fruit left ? black cherry and dark fruits with a note of white truffles in the background. The tannins have smoothed right out so they are now a little silky, and the finish is fairly long. This wine shows just how well age can improve a Chianti. Alcohol 12.5%. All the bottles for both these wines are numbered ? I have 10 left, all around 84,960 series out of 293,600 bottles produced in 1982.
Castello di Nipozzano Chianti Rufina 1975 Sadly just a little past its prime but still drinkable as the acidity has helped this one hold up. Wide orange rim, brick red colour. Truffles leave sherry undertones. This vintage has shown a lot of bottle variation ? the fruit showed up a little more in this one than the first one we tried. Alcohol 12.7%. The last bottle I have left is number 74324 of 80,000 bottles produced.
For some people, the storage and acquisition of wine is more than just a hobby, it is an art.
Wine connoisseurs all know that the proper storage of wine is important to its final flavor. Once it is already bottled, wine will still mature and gain body and flavor. Proper care should be taken when handling wine, or else its potential for greatness will go to waste. To keep their wine well preserved, the discriminating connoisseur will choose a proper wine rack.
How to Buy a Wine Rack
The Build Wine racks can be made of so many different materials and styles. You should consider which material and style fits your need and preference. You could have wood, glass, alloy, or metal racks. Some people try to choose materials that match their living rooms. There are a variety of styles of wine racks, find one that if convenient for you. The popular styles include counter top racks, diamond bins, cabinets and others.
The Essential Elements A good wine rack will ensure that the following elements are strictly controlled. Light, humidity, temperature, stability. If you want to keep your wine well preserved and ready for ambush party, you need to make sure they are not exposed to light, moisture, extreme temperatures and shaking or vibration.
Cabinet wine racks are good at keeping wine bottles safe. They can emulate the conditions at a wine cellar best. These condition include moderate humidity, cool temperatures, and little light
We try to control the humidity so we can avoid getting the wine cork from accumulating moisture. This will lessen the chances that the wine will get contaminated or oxidized. Keeping the correct humidity or appropriately moist environment will keep the wine cork damp, reducing the chances of contamination and/or oxidization. Warm conditions will accelerate wine aging. You have to keep this in mind when you consider which wine rack to choose.
Things to Remember Don’t place wine cellars above or near refrigerators. Refrigerators generate heat and this heat could ruin you wine collection. Buying and installing a good wine rack would be useless if that happened.
Your rack has to be smooth enough that when the wine bottles are put and taken, they will not get scratched and damaged. Bottles and labels are also important parts of the overall value of wine.
A wine cellar is great but not necessary to store your wine in the correct environment. But since not everyone can afford a wine cellar or has space enough for one, you could opt for a wine rack instead. Wine racks function a lot like wine cellars, but they are smaller and are more accessible. They are also a lot cheaper and easier to install.
Believe it or not, ultraviolet light can affect and ruin wine. That’s the reason wine cellars are so dark and that’s why you have to keep your wine in a dark safe place. When you store your wine bottles, make sure they are stored sideways; this ensures that the wine is always in contact with the cork to keep it moist.
Once again we cannot express how important it is to maintain the right conditions for your wine to mature nicely. Your wine rack system has to maintain the right amount of humidity and temperature to keep your collection going. Bear in mind that wine is something you keep for a long time. Keep your wine racks pumping a temperature range of 55-60° F. Also make sure the humidity is in the 50% to 75% range. Adjust these settings according to the needs of your wine.
Start Planning for Your Wine Rack Now! Well, now you have pretty much gotten everything in order. When a party comes crashing through, you can whip out the grade A wine and celebrate to your hearts content. Pour out the good times to the tune of the compliments and admiration your friends will throw your way all because of your fine wine rack.
About the author: For more great wine rack info and advice check out: http://www.rack-hq.com
Mongrain Glass makes beautiful and fancy wine glasses. James Mongrain is the artist behind this beauty. The thing that impresses me most about James Mongrain is that he has worked with Dale Chihuly since the late 1990?s. Dale Chihuly is a world class glass artist.
I looked through the Mongrain Glass website at the pictures of fancy wine glasses. The white glass goblets were magnificent, as were the chartreuse and yellow. I looked further at the Solid Series and there were more fancy wine glasses in blue, pink and the prettiest black glass I?ve ever seen.
James Mongrain and Mongrain Glass have so many fancy wine glasses for sale. It is important to keep in mind that each of the pieces is handmade and one-of-a-kind. If you want to order any of the Mongrain Glass fancy wine glasses, you need to e-mail or call with your order.
Mongrain Glass has a series of fancy wine glasses called the Creature Series. These are so beautiful. The stems of the fancy wine glasses are creatures like swans and sea horses. There is one design in particular, that has a frosted look to it. There are even dainty flowers around the base of these fancy wine glasses.
The Modern Venetians line of Mongrain Glass fancy wine glasses are very sophisticated in appearance. The glass detail work brings lace to mind because of its intricacy. I would have a very hard time trying to choose which line of Morain Glass fancy wine glasses I wanted. I actually like them all.
In addition to fancy wine glasses, Morain Glass makes commissioned pieces of art. Some of the pieces pictured in the gallery on their website were very large. There are no prices listed on this website, but these look like they cost many thousands of dollars.
Fancy wine glasses really do seem to be a small part of what Morain Glass does in their studio. I found a picture of a piece of art entitle Vortex. Vortex is described as a 7-foot stainless-steel slice of sensuality. The foundation of this piece of art is set in steel and a collection of glass forms illuminate neon light from within. The union of glass and steel in this piece of art is somewhat of a contrast, both in form and idea. Glass and steel are two distinct elements that have been joined so intimately it?s as if they are one.
Tecnorati
When I was thirteen I thought I was going to grow up to be a photographer. I spent endless hours in the darkroom and carrying my cameras everywhere I went. Being shy, it was the perfect date for me at a youth dance. I could take pictures of the action and go into the darkroom later that night to print them. Often folks would come into the darkroom (it was at the same place the dance was, usually) and see what I was doing. Photography was a social magnet.
A word about fame, something I know a little about. I grew up in a town filled with famous people (Palm Springs, CA) and learned very early not to make a fuss over folks who have been afflicted with it. Leave ?em be, talk to them normal, change the subject away from them. Some of them might even make the grade to friendship. But, I ramble.
I am a walker. Love to walk the streets of a town. Rome, Paris, New York, San Francisco, Palermo, Naples, Chicago, Dallas. I once walked the route on Elm Street in Dallas where JFK was shot (grassy knoll) to the shop on the same street where John Hinckley bought the gun that he shot Ronald Reagan with. On a hot July day I took my trusty Canon VIT rangefinder and a new Canon AE1 and did my own shooting. The Dallas of that day has altered greatly.
New York? Since 1975, I have trudged the streets of that city camera and wine bag in tow. My childhood friend and photography co-conspirator Bruce took a fabulous street shot, worthy of a 
I spent time in the NY scene with 
I had my time with the world of reportage and photojournalism. One photographer from 
And the old masters, so many of them I was lucky to encounter, sit awhile and soak up their greatness. They were called the 
Imogen, she reminds me a lot of my friend 
On the fringe of the f64 group was 
My dad was a photographer and a film maker. I still have hours of 16mm reels of film he shot, some of it family, some Italy, and also Old California footage. He always thought I should take more sunset pictures.
Being a black and white kind of guy, I could never understand why he wanted to thwart my path. But fathers do that to their son?s even when they aren?t conscious of it. I love to watch sunsets (like sunrises better) but not to shoot.
My college teacher, Philip Welch, introduced me to many of the West Coast school. He was a student of Frank Lloyd Wright and had given me the entrée to that world. He told me about famous people. He said, ?Call them up, knock and their door. If they are truly great they will talk to you, if not, they are only famous. You want to meet greatness, not fame.?
I?ve had a few friends through the years who made it to fame, but not quite to greatness. I have also had more than my share of friends who bypassed fame and went straight to greatness. I have photographed them, opened bottles of wine with them, danced with them, laughed with them, cried with them and walked through pools of Jell-O with them.
“I guarantee you all these prices will be significantly higher this time next year,” John Kapon, president and auctioneer at Acker, Merrall is reported to have said between bids at 
