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It’s pretty easy to call a wine sweet: it has a perceptible level of residual sugar in it (five grams of residual sugar is often considered the threshold of perception). Sweet wines generally start at about 45 grams of residual sugar (RS). Some wines, such as Tokay, have require a minimum level 60 grams of RS and rate wines by sweetness with six puttonyos being instant diabetes.
What’s the opposite of sweet? Dry. All the discernible sugar has been converted to alcohol during the fermentation process. Tricky since you might think the opposite of dry is wet and, well, all wine is wet. Dry doesn’t have to do with high tannins, which might make you go “chomp, chomp” and think “OMG, my mouth is drying out! I need water!” It’s just close to zero grams of residual sugar.
And there’s a middle ground of “off-dry,” or slightly sweet. Silly term, I agree (what is it, moist?). Slightly sweeter than that can be called medium dry. If you want to get all wonky geeky, off-dry might be five to fifteen grams of RS and medium dry, from fifteen to forty. Some countries and/or regions are so wonky geeky that they have specific terms and laws for these levels.
Oddly enough, a wine with a lower amount of residual sugar can sometimes taste sweeter than one with a slightly higher amount; it’s often a question of balance with acidity and one category that can be hard to discern in this regard is Champagne, which also as carbon dioxide zooming at your palate as well.
I bring this up because it came up in the comments of this recent posting about “light” as a wine style. And it comes up regularly in my NYU class. If you want to see sweet and dry in action, try tasting these two Leitz wines or a Northern Rhone syrah against a ripe, sweet version of the same grape from somewhere in the New World (but not all are ripe and sweet).
"Consumer Learnings for Make Benefit Glorious Zinfandel Future" Christian Miller, owner of Full Glass Research--a wine industry research firm--chose this title for an opinion study on Zinfandel as a joking reference to the movie Borat. (See the movie's wine episode here.) And it?s pretty appropriate, because depending on who you talk to, zinfandel means different things to different people. There?s an almost Babel-like confusion involved in the language of zinfandel.
Siam Winery is no tiny concern. With 1.2 million liters of tank capacity for fine wine, and twice that for the profitable wine cooler venture, they are the big boys in the region. Their 72 acres of grapes are spread over several locations, including one parcel that is actually planted among canals.
The image of a boat paddling through the Floating Vineyards is only slightly upstaged by the shot of the elephants in the vineyards at Hua Hin Hills. This is certainly not any wine country most of us are used to. Don't be fooled by the tourist friendly visage, this is a serious wine concern, making serious wine.
Kathrin Puff is the winemaker, and an incredibly capable one at that. Hailing from Germany she spent years in Italy before coming to take the reins here in Thailand. Her approach is to take the best of technology without going overboard, and the best of the organic approach, without being limited.
The Floating Vineyards are the source of the local vinifera varieties Mlaga Blanc and Red Pokdum. Their Chenin Blanc, Colombard and Syrah are sourced from the slopes of the Hua Hin Hills Vineyards, which is ever expanding.
Hua Hin Hills has issues with high water tables due to their proximity to the jungle covered mountains, so they have had to dig down 15 meters and place water barriers and add shale and other stones for drainage. This huge effort has been well rewarded by decent quality fruit from surprisingly young vines. The quality can only go up as the average age of the vines increases.
Housed in an industrial facility the winery is not at all impressive from the outside, but the interior more than makes up for that. The barrel room is well maintained and there are plans in the works to double its size.
Kathrin is a fan of micro-oxigynation so the lower level wines are not penalized by failing to get a chance to develop secondary aromas through barrel aging. The Monsoon Valley wines show the care and crafting you would expect from a small hands on winery, so the sight of the sprawling tank rooms might catch you off guard.
The scale of the fine wine production is nothing in comparison to the wine cooler facility. Here bottles whip by at blinding speed, 24/7 being filled, labeled and packed for the never ending demand for these "starter" wines. The commercial success of the coolers ensures that there is the needed capital for expanding and improving the fine wine division.
This fiscal planning is not only evident in their diversification, but also through their distribution. Not only is Monsoon Valley one of the most prominent Thai wines in stores and restaurants, they have their own retail outlet here in the high end resort of Hua Hin. This tiny shop in an upscale mall allows visitors to taste and buy the wines in the comfort of a beach town, without having to trek into the countryside or halfway to Bangkok.
But if treking is your thing the Hua Hin Hills facility will welcome you with their modern tasting room and dining facilities and tours are even available for the main winery. More information can be found at http://www.monsoonvalleywine.com/.
OK, so there’s alot of hub-bub about that the Wine Spectator expose that happened by blogger Robin Goldstein. And first let me say a couple things. Bloggers are extraordinarily important to the world and this is just the latest example of some good citizen journalism. Bravo to Robin for the work on setting up this sting. Nice, ethical, and well executed.
As a marketing professional for a decade and a half I’ll say this though - what did you think the award was? Wine Spectator is a “for profit” private entity that has what, 100 employees? I’ve dealt with many many awards for the rediculous number of products and companies I’ve launched and I’ll tell you this, whenever there is a for-profit entity involved then you’re going to pay-to-play. And if you pay-to-play then you’re probably getting an award! There are several technology related firms that have pay for entry, then I win the award, then they call me back and pitch me Ad space, and then tell me to be involved in the award ceremony I have the great opportunity to present my product/company at a high profile industry show…for yet another fee.
update: On side note for the history books. In the late 1990s, what I call “Bubble Days” of tech, pay-to-play got ridiculous. There were analyst firms that would take EQUITY in a startup and then write a positive report. Subsequently, these firms would go public and thanks to the Tech Bubble some people got very rich for their “award” or “positive outlook”…nuts…
This Wine Spectator debacle is nothing new or unexpected. They’re leveraging their brand, which has the power today to make a $20 wine into a $100 wine overnight, to make more money. What is unexpected is the fact that they were complete IDIOTS about it and obviously do zero vetting not a very thorough job vetting applicants. Dumb dumb dumb. But I’m not surprised the award is the way it is. Not at all actually. Maybe thats part of the marketer’s secret code or something but thats how these things go. If this didn’t happen (the dumb non-vetting move being exposed), who wouldn’t pay $250 for this “Excellence” award, hence “profit” opportunity. Look, even now, if you have a real restaurant whats to stop you from fudging the wine list? The sting was a totally fake place, but what stops you from doing this again? Pay-to-play, thats how it works. Its a revenue generator for the company, thats all.
Now, I do want to point out something in stark contrast. The “American Wine Blogger Awards“. Whenever they come around everyone gets in Tom Wark’s grill about “who are you to judge me” and “what makes you think this award is valid at all”, and so on. I mean he gets HEAVY criticism. Well guess what - its decided on by people submitting nominations, then the finalists are chosen by a panel and voted on by the people again. Oh yeah, and it FREE. In fact, when I offered to sponsor the AWBAs Tom turned that down. So even though its not perfect I view it kind of like how I view the American Democracy - its not perfect and sometimes its not fair (just look at my tax bill every f’in year), but its about the best you’re gonna get!
Don't miss this opportunity to peek behind the cellar door and taste the wines of 2008 long before their release!
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Don Ziraldo is the founder of Inniskillin Winery in Canada and is credited with bringing ice wine to the forefront. If you?ve never had it, you should try it. It?s expensive ($100 for a half bottle) but OMG it is divine. I had the Cab Franc Icewine and it tasted like a liquid strawberry shortcake. Anywho, Ziraldo got married this past week to Anna Netter. But here?s the good part. The couple did a press release and here are just a few snipits from their article. The 58-year-old Mr. Ziraldo met his bride on the ski slopes of Whistler, but they lived apart for some time, "each continuing to travel and learn from other cultures. Gradually, thanks to their mutual interest in Buddhism, both learned that "there is no fear, only love." At the 2004 Olympic Games in Greece the couple exchanged eternity rings. Remember that kids ?there is no fear, only love?. WTF? I love it, they exchanged ?eternity rings?. Is that just basically what millionaires call a wedding band? And OMG, that hat and those shoes do not scream millionaire. I do like her dress though.
More details on the wedding: It took place at the jet-set Hotel Traube-Tonbach (Traube means grape in German), which "prides itself on its strictly enforced peace and quiet, and the glamour of its very upscale clientele." The wines were Inniskillin -- natch -- and the dinner menu featured venison and pike. The couple is honeymooning in the Bahamas with friends.
Does it strike anyone else as odd that they took ?friends? on their honeymoon?
Fact #1 JD Wetherspoon?s is a chain of pubs in England. There are 650 in operation.
Fact #2 Constellation Brands is a wine GIANT. They sell more than 80 million cases a year. They own Alice White, Almaden, Arbor Mist, Cook's, Covey Run, Inglenook, Vendange, Dunnewood, Farallon, Great Western, J. Roget, Marcus James, Paul Masson table wines, Taylor California Cellars, Viña Santa Carolina, Banrock Station, Hardys, Leasingham, Barossa Valley Estate, Chateau Reynella, and Nobilo just to name a few. Seriously, they own hundreds of wineries.
Fact #3 Constellation often does ?private labels?. This means that they take one of their wines, let?s say Alice White for example, and they put it in a bottle with a different label on it. So, if you were a mega retail store *cough Total Wine cough* you could take that Alice White and call it Blue Flame *cough ass in a glass cough* and when people want more, they can only get it at your store b/c the consumer doesn?t know it?s Alice White?.for example.
Fact #4 JD Wetherspoon?s let several different companies compete for their house wine. Whatever wine was the most popular for the trial period would win an exclusive with all of the pubs for a contract valued at nearly 150 million dollars.
Okay, now that we know the facts, let?s look at what really happened. It seems that an email was leaked from the Boss of Matthew Clarks Brands (a division of Constellation Brands) to all of their employees (around 300 people).
Wine distributor Matthew Clark emailed staff asking them to buy up to eight bottles of wine each at JD Wetherspoon's pubs in Bristol - and then claim it back on expenses. Employees were told to buy Nottage Hill Chardonnay and Shiraz, and Echo Falls - all of which are produced by Matthew Clark parent company Constellation Europe. If each of the firm's 300 employees had "done their bit" and splashed out on eight bottles of wine, it would have increased sales by 2,400 bottles in the city's pubs - potentially tipping the balance in its favour. The plan to artificially enhance the wine's popularity was devised as Constellation battled with rival firms for the exclusive rights to supply wine to JD Wetherspoon's 650 pubs.
Nice. I?d love to buy wine and expense it back to my boss. Somehow I don?t think he?d go for it. I have to say though, this doesn?t shock me so much. I wouldn?t put anything past Constellation Brands. So I guess my point here is know your brands, and know what you are buying. http://news.independent.co.uk/uk/this_britain/article1200200.ece
When pigs fly?I mean drink beer
So, in Tasmania (off of the coast of Australia) there is a local tourist attraction that has been getting a lot of flack lately. If you go to the ?Pub in the Paddock? you will find Prescilla and PB and they chug beers. But get this, Prescilla and PB are pigs. Yep, people can pay to ? and I quote ? ?pour bottles of beer down the willing throats of resident pigs?.
Dude, I would totally pay to see that. But PETA would like to go on the record and state that they are not down with it and they want to have the pigs rescued.
"Whilst it is a difficult pill to swallow ... it's certainly not cruelty, unfortunately," RSPCA state chief executive Rick Butler told PETA.
Pub owner Anne Free said Wednesday she was outraged that the tourist attraction had been attacked as cruel in the latest edition of a magazine published by animal welfare group Choose Cruelty Free. "When it's very, very quiet, I often actually have to go over and give them a couple of drinks because, yeah, they do look forward to it," Free told Australian Broadcasting Corp. radio. Note to self: If you ever go to Tasmania, you must go see the beer swilling pigs! http://msnbc.msn.com/id/14035561/
Boozehounds
Heartland Brewery has just begun marketing their new beer called Slobber Lager. This non-alcoholic beef flavored beer is made specifically for dogs.
"It's damn good," said Jon Bloostein, owner of Heartland Brewery, after taking a sip. Polo, a Bichon Frise, took a sniff and slurped down the whole bowl in a few seconds. Simba, a Shih Tzu, was more hesitant. After several whiffs and plenty of encouragement, he took a few gulps. But Diva, a Rottweiler, couldn't get enough. She finished one bowl and moved on to the next. Still thirsty, she sipped from a pint glass, then drank straight from the tap. "She's a beer drinker!" said Allison Cardona of the ASPCA, who helped bring the dogs, all available for adoption, to the tavern for the taste test.
Um, I am sure the dogs love it but why is the brewer drinking it? Ew! Beef flavored beer? Count me out. My dog is fat enough as it is so he?s definitely not getting any.
Schramsberg has just come out with a new sparkling wine meant to compete with the likes of Krug, Dom P., and Cristal. It is called J. Schram Rose 1988 and there were only 800 cases produced. Rarely will you ever see an American Sparkler go for more than $75 but this one??$120. "It appears in a world where Dom Pérignon Rosé is $200, and Cristal is probably $350. The Krug Rosé is certainly in that range as well," said Shramsberg head winemaker Hugh Davies. "This wine competes with those in terms of flavor, finesse and character.
Yeah, but it?s still Schramsberg and I doubt it competes with Krug. Strike that ? There is NO WAY it competes with Krug. If anybody out there can get a hold of some, I wanna know what it?s like. Ooooh I would love to have it in a blind tasting. http://www.winespectator.com/Wine/Features/0,1197,3361,00.html
Last night was our anniversary so Kipp and I got a babysitter and hit the town. First we went to Milner's in Winston Salem and I had a glass of Renard Rose. It was just kinda meh... From there we proceeded to go to several different bars and I actually ran into an old sorority sister at Foothills. Anyway we came home at 8:30 (I know, were wild right?) and I fixed Steak with a mushroom and Humboldt Fog (bleu cheese) sauce. We had an '01 Spotteswoode with it. That review will come tomorrow. But for now read my review of Martinelli Pinot that I had at an impromptu wine dinner with Jon and Sam at my house on Sunday.
Martinelli '02 Moonshine Ranch Pinot Noir The nose was earthy and powdery all at the same time. It also had a lot of blackberry with some hints of white pepper. The palate was all cherry cola and sweet black cherries. There was some hidden acidity on the mid-palate with a very sweet, very lush blackberry jam finish. Yeah, it was over extracted but damn, it was GOOD. I have one more bottle and I think I'll let that one sit for about 3 more years.
Circle: No beginning and no end, and when you think you?ve come upon the conclusion you?re back at the start. Perhaps this describes Circle?s compositional work ethic more than anything. Circle is a west coast rock band, the west coast of Finland, that is. They live in a city called Pori, further north than the capital, Helsinki, and Stockholm, Sweden to the east. With a large student population, and its own jazz festival, Pori also is home to Finland?s most visible underground rock band, Circle. Their latest in a long line of innovative recordings, Hollywood, lists them as a "new exciting band from Finland." To most people, this is true enough, but to those paying attention, Circle has been making some of the most original modern rock music since the beginning of the ?90s. Formed by bassist/guitarist/vocalist/creative wildman Jussi Lehtisalo, the group has been on an endless journey of musical exploration since they began. Besides being consummate players, the band are avid music collectors and enthusiasts; hence, Circle music and records have many stylistic touchstones, most notably Krautrock, artrock, avant garde, prog, and cinematic post rock. Just when you think you?re getting a handle on them, though, you see they also have a deep love of heavy metal, particularly from the 1980s, all manner of punk rock, as well as Velvet-style droning and even country and folk music. (Their love of metal forged their now infamous tagline-NWOFHM. Get it?) Some have called them Finland?s mighty masters of metallic hypno drone rock. Whew!
In the USA, San Francisco-based record retailer Aquarius was one of the first to champion the band. They have noted: ?We'd always wondered why they weren't the latest post-rock big thing...well maybe it's 'cause they're so dang weird! Which, of course, we like. Bands that sing in their own made-up languages (a la Magma) and do other unashamedly "prog rock" and sometime metal things too are definitely cool with us. But does that get them signed to Thrill Jockey or Matador? No. Not yet anyway.?
Well, yeah, not yet, but fortunately for us there is the band?s own label, Ektro, run by Circle ringmaster Lehtisalo. It?s through Ektro (distributed by Southern in the US) that Hollywood will be released early in 2009. This hour-long album takes Circle fans on a different trip yet again. Back up a few years when Lehtisalo tracked down L.A. musician/producer Bruce Duff via the internet. Duff was the frontman of ?alternative metal? band Jesters of Destiny, who in the mid-to-late ?80s were signed to Metal Blade Records. Lehtisalo arranged through Duff to release an expanded version of Jesters of Destiny?s album Fun at the Funeral on Ektro. An email friendship followed, and soon enough Circle and Duff were exchanging DVD files across thousands of miles of oceans and began collaborating on recordings.
The first music to arise from this joint venture was an EP on Philly-based label No Quarter, entitled Earthworm. As reviewed in Collective Zine, ?Whoa. Shooting out the traps in totally manic mode, bass and drums locked down in their inexorable search for the ultimate groove whilst a raft of guitars and keyboards jazz away over the top. Actually, even they're in some way locked in to the relentless forward momentum Circle's rocket-powered Can worship summons up, and that's all before the vocals kick in. Simple and clear, endlessly melodious over the pleasing cacophony wailing away beneath. And that's just for openers.?
Off to a good start, the Trans-Atlantic team carried on with the goal of finishing a full-long player, and that?s Hollywood. Named for Duff?s hometown, will this L.A. meets Pori pairing play in Peoria? For starters, the band that has been known for lyrics created in their own made-up language (known as Meronian) ala Magma or Sigor Ros. Wiseass Duff chose to reduce everything to its lowest common denominator, otherwise known as English. The weighty, lengthy songs cover terrain from the Roundhouse to the Appalachians, and the eight songs also include a three-movement Requiem in all of its unashamed, unabashed prog rock glory and pretense.
As has always been the case, Circle has presented itself yet again as being unwilling or unable to sit still or to be predictable, but their desire to present the best work possible is always a part of their program. As if in a screening room, dim the lights, hit the projector, and take in Hollywood. Info stolen from; Circle
I'm in the mood for a throw-down. No more of this namby-pamby dancing around the ring.
A couple of weeks ago, I got slammed on the ropes for a comment I made about a post on Vinography. The winos over there are apparently pretty fond of their New World wines because, when I suggested that Old World wines might be suffering in the global marketplace because of what is simply an archaic (or nonexistent?) approach to marketing, damn. You'd have thought I said something about their mother.
"Absurd!" they said. "Wine that tastes like fruit, not boxes of cigars and pencil lead, appeals to US consumers," they proclaimed.
Hmmm.
I'm a U.S. consumer, and I'm a pretty even-handed gal. I like New World wines; I like Old World wines. I was trying to make a point about what I considered to be the glaring difference in the marketplace. I was trying to make that point independent of taste, because I tend to believe there's a place out there for both styles of wine.
But then I started to think about it, and I've decided, even-handed is for wusses.
I'm picking sides, and do you know why? It's not about technical quality. There are New World and Old World wines of technical brilliance. It's not about image. Image is surface; popularity comes and goes.
No, this is a matter of taste, and I'm coming down on the side of the Old World.
This is my battle cry for wines that taste like cigar boxes and dirt, seashells and truffles; for wines that taste like a location; for being able to tell the difference between chadonnays made 30 miles apart; for a wine that has structure without having an alcohol content of 15 percent; for a wine that isn't obvious; for a wine that doesn't cater to a soda-pop palate; for a wine that actually pairs well with food; for a wine that goes for elegance over brawn; for a wine that doesn't give it up on the first date - one that I've got to work for, one that tastes better the next day, one that could sit on the shelf and evolve for a couple of years, one with a little mystery.
As the summer turns up the heat and the sounds of BBQs, street festivals and music, sweet music waft through the air, the chiming of Mojito glasses can be heard. To celebrate this classic drink, Tidings has commissioned two recipes...
?You haven?t posted much recently?? Really, no way?I could only wish the reason behind this was holiday-making. Life is currently beyond hectic, recently going from consulting job back to teaching and onwards with a complicated move. Sometimes, I find that life (as in working, family events, consulting travel, etc.) can get in the way of reading an overpopulated Google Reader inbox and commenting on every blog and forum across e-creation. In fact and admittedly, I must say that I sort of prefer real life to this whole thing, though at any rate, I love to write, and I?m sort of pining for more precious time to write, whether on wine or a multitude of other subjects.
Pleasure aside, ?you know what time it is, it?s business time.? Who could possibly wait until early 2009 for more FOTC? At any rate, the intention of this post? I would like to see more artisan Godello imported and available in the North American market. This brilliant viño galego white, while being delicious and predominantly planted in the Valdeorras and Bierzo (yes, León) D.O.?s, is capable of conveying that the cool breezes, seascapes and gorgeous greenery of the region are all tangible in more ways than just through Albariño. I truly adore Rias Baixas Albariños, but I feel that little brother Godello needs some love too; and what better a time than now to try it out, since more regional producers than ever are beginning to invest serious attention in crafting these wines, with sights on the export markets in addition to the domestic one. I sort of find the idea of trying them side by side to be fun. Maybe find a nice Albariño (say a solid bottle of Códax or perhaps Pazo) to enjoy and compare alongside a crisp, complex Godello?goes without saying that some fresh seafood is in order here. Recommendations and notes upcoming?
If you are often frustrated reading wine magazines, wine books, and wine reviews that focus on wines you can't find in your local store, you may wonder why I am addicted to Michael Broadbent's Vintage Wine: Fifty Years of Tasting Three Centuries of Wines. This book collects his tasting notes for the oldest, rarest, and most coveted wines in the world.
If you don't know Michael Broadbent's book, it's an awe-inspiring trip through some of the oldest and most expensive cellars on the planet. And because there's no conceivable way most of us will ever be able to buy any of the wines he tastes here, there's none of that frustration--just pure enjoyment. If this sounds like something you might find fun, or you are looking for a gift for a wine lover, check out today's post.
The other night I invited my brother John over for dinner and the chance to spend a bit of time shooting the breeze, swapping tales, and unwinding at the end of the week. I had a couple of buffalo filet steaks marinating for a few hours in a mixture of Worcestershire sauce, soy sauce, and Angostura bitters. I sliced up a few small blue potatoes and roasted them in butter and garlic, and prepped basic sides of mesclun mix and fresh berries. When John showed up, I threw the meat in the skillet and cooked it to a perfect medium rare. Anything longer and buffalo starts to get damned tough.
The yellowish blob on top of the steak is a daub of homemade aioli, best described as French garlic mayonnaise. I used olive oil, egg yolks, a lot of garlic, and cayenne pepper to make mine. It solidifies in the refrigerator, but when topped on a hot steak it slowly melts into a lovely sauce. It's a bit different from béarnaise, but definitely gets the job done, and the oil-based topping helps compensate for the fully lean buffalo meat.
For the wine we popped open a bottle of Delicato's now defunct 2004 Night Owl Merlot from Monterey, California. $10, 14.5% abv. Some blackberry and cedar notes, but mostly just a pretty basic California table Merlot. While the wine was not spectacular, the food and conversation were great, and frankly there's nothing wrong with the wine taking a backstage to everything else once in a while.
Ahhh, “Dear Abby“…what ever happened to that in this age of near real-time social media…anyway, here’s one thats worth a chuckle (but not worth the e-mail bandwidth its probably taking up!).
Maybe this is a way to reduce traffic on the Internet, just post funny stuff up on a blog and send friends the links not giant emails.
*******************************
Dear Abby:
I have never written to you before, but I really need your advice. I have suspected for some time now that my wife has been cheating on me. The usual signs; phone rings but if I answer, the caller hangs up. My wife has been going but with ‘the girls’ a lot recently — although when I ask their names, she always says, “just some friends from work, you don’t know them.” I always try to stay awake to look out for her coming home, but I usually fall asleep. Anyway, I have never approached the subject with my wife. I think deep down I just did not want to know the truth, but last night she went out again and I decided to check on her finally. Around midnight, I decided to hide in the garage behind my golf clubs so I could get a good view of the whole street when she arrived home from a night out with ‘the girls.’ When she got out of the car she was buttoning up her blouse, which was open, and she took her panties out of her purse and slipped them on. It was at that moment, crouching behind my golf clubs, that I noticed a hairline crack where the grip meets the graphite shaft on my 3-wood. Is this something I can or should try to fix myself, or should I take it back to the pro-shop where I bought it and try to get a refund?
Wine is all about the senses. About sensory evaluation, sensuality and consensual enjoyment. And wouldn't it be awful to lose your sense of taste, of smell, of touch, of sight?
It happens. Years ago, a wine-loving colleague went through a devastating course of chemotherapy to treat cancer and was cured. Afterwards he told me he had permanently lost his taste for wine. He sold his not inconsiderable cellar soon afterwards. Another friend had an operation on his nose that left him without a sense of smell. He'll drink a glass of wine with dinner but admits to being indifferent to its finer points.
I was reminded of this aspect of wine and the senses recently while listening to a wine expert banging on about the unimportance of colour in wine. If I heard him correctly, his thesis was that if the wine smelt and tasted good you shouldn't worry too much about its colour.
I couldn't disagree more. I love the colour of wine in the morning, or the evening. The crystal clear, green-hued glisten of a young riesling; the black cherry colour of a young shiraz; the vibrant inky purple of a Coonawarra cabern? [enough already! - Ed.] The visual appeal of wine in the glass is to me an unmissable part of wine drinking.
The banging on wine person finally admitted to being colour blind! They used to call this attitude making a virtue of a necessity.
And talking of sensory evaluation Long due for reassessment is the ancient scoring system used at most Australian wine shows. The one where wines are scored out of 20 - with a possible three points (15%) awarded for appearance, seven (35%) for bouquet and ten (50%) for palate. Anyone who's ever had a cold will tell you that smell is probably the most important sensory sensation where wine is concerned. When people have colds they typically complain, ?I can't taste a thing.' What they really mean is, ?I can't smell a thing.' It's their noses that are blocked up - not their mouths.
I realise that many judges just award an intuitive score out of 20 rather than individually scoring each component and then adding up the total. Nevertheless, I'd re-jig the weighting thus: three points (15%) for appearance, nine (45%) for bouquet, five (25%) for palate and three (15%) for overall finesse and balance. Whether the scoring system is out of 20 or 100, or whatever, the percentage weighting would remain the same.
We return to Cyrus after a couple of years and have a truly great meal. Prices are up but our recent experience definitely justified the Michelin two stars. The food sets the highest mark in Sonoma county, but we'd still like to see more focus on local purveyors. If elaborate dining is what you seek in Sonoma, Cyrus is the perfect destination for indulgence.
Clos Clare has changed hands and is now run by Tom and Sam Barry. Its riesling has long since been the estate?s strong point. You need a subscription to The Wine Front to see this part of the post
Dubbed the "first lady of wine" by one Robert Parker, Heidi Peterson Barrett makes damn good wine (think Screaming Eagle) in Napa, and now you can listen to her talk about how she decides what and when to harvest in this video just posted by one of her winery clients, Fantesca. Filmed on October 2, Heidi discusses not only Fantesca's harvest but that of the region as a whole, so it's a nice 3-minute primer on what's happening in the vineyards in and around Napa about this time. Personally, I was super lucky to meet Heidi earlier this year in Napa at a fantastic gathering of women in wine, and if you click the link to "read more" you can check out a pic of the two of us. Not my best pic - but then again, that hardly matters when one is so close to Ms. Hallowedness of Wine. Cheers!
A superb recent dinner at Azuma. The food was some of the very best that I’ve had anywhere in Sydney and I would highly recommend trying it if possible.
-Pacific Oysters with Ponzu dressing -Prawn Tempura served with curry salt
1982 Perrier Jouet Belle Epoque Light straw gold colour belies the age of this wine. The nose showed aromas of citrus, honey, vanilla and nuts. The palate is fresh, with remarkable vibrancy and acidity. The depth and the length were both outstanding. Superb - looked after bottles will probably get better over the next 6-7 years as well! 95/100
1996 Philipponnat Clos des Goisses Doughy, citrus, talc, raspberry and with some time in the glass some light nutty characters. The palate is undoubtedly powerful, with a rich and creamy mouthfeel. Great length. As it had time to breath in the glass it unwound and just got better and better. Bursting with potential, I was glad to try this young and I hope I have another encounter with it when it has aged. 94/100
2000 William Fevre Chablis Les Preuses Delightful nose of flowers, minerals, honey and a touch of vanilla. The palate has great structure and balance, with fine acidity along its length leading into a long finish. One of the best Chablis I have tried this year, this will get better and I think be close to peaking over the next 5 years. 93/100
2001 Leflaive Chevalier Montrachet Gunflint, florals, chalk and some light oak on the nose. Bold palate with massive intensity and depth of fruit that is tamed by an excellent line of acidity. Well textured and superbly long. Very primary at this stage, I would like to see another bottle in 10 years time. 93/100
- Grilled Chicken Fillet marinated in garlic miso - Grilled Chicken Balls served on skewers - Twice Cooked Duck Breast with teriyaki sauce and yuzu citrus pepper
1990 Rousseau Chambertin Clos de Beze Concentrated and deeply coloured, the nose is expressive and had aromas of redberries, earth, black cherry and dark chocolate. The palate was more refined than I thought it would be based on the nose, it showed some intense fruit but also a lot of class and structure. Beautiful length and quite delicious to drink. Set to improve over the next 5+ years. 94/100
1990 Mommessin Clos de Tart This showed strawberry, cherry, earth and some red floral characters on the nose. The palate is pleasant except for some tannins poking through abruptly on the finish. Based on this bottle, close to its peak. Still a very good wine and I was happy to experience it. 90/100
2000 Leroy Romanee St Vivant Densely coloured. Earthy, spice and black pepper. Brilliance is evident on the palate - textured and layered, there is plenty of complexity here even though the wine is young. Long and balanced, this was delicious now but also has a bright future. 95/100
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