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There is definitely wine in India, but who exactly is drinking it? I have tasted pretty much all of the local, at least grape, wine I can find, which was pretty easy, as that is a population of about three producers. I ran across fruit wines being sold up in the foothills of the Himalayans, but I didn't have a chance to try it, and I don't usually count it as wine, at least for the scope of this blog.
The most amazing thing about wine, at least this far from Delhi (I am up north in the large city of Chandigarh) is people's perceptions of it. They, at least the locals I have met, do not know exactly what wine is. They assume it is a sort of whiskey, and a high priced one at that.
When I had a chance to share wine with them they were delighted with the taste, although to be fair I started them off with a slightly sweet white. This is a beginner wine for many people, and it was well received here, and went nicely with the local foods.
People here drink whiskey, and they drink it with nibbles before a meal. Drinking wine with the dinner was not something they had ever thought of doing. In fact drinking wine at all was something they had not thought of doing.
Almost every block there is a store that sells liquor and beer, and while the signs say they have wine, none actually do. Only a few stores carry wine at all, and their selection is very small.
That is not surprising given that most of the people in India I have met have no idea what wine is. The few restaurants that have wine listed have "both kinds" red and white, and nothing more descriptive than that.
The wines made in India are not bad, but they are very expensive. In a country where a hair cut cost $1.50 a $12 bottle of wine is an investment that few consider worth the risk.
It is changing. The ultra rich are drinking the big name labels, as they always do. The middle classes are ordering Dominos pizzas in their Levi jeans over their cell phones, and sooner or later they are going to start equating wine with their lifestyles.
Once India gets a taste for wine, watch out, there is a huge potential market here, if you are very, very patient, or very, very proactive.
You might have to walk past this one a few times before you pick it up. The small black and white vineyard scene on the label depicts terroir, but it does so in a quiet way. You eventually pick up the bottle. After all, it's an affordable Pinot Noir, and you're curious about its roots in Argentina. Flipping to the back label, you read the description and discover this is one of Dan Kravitz' Hand Picked Selections. That closes the sale on the first of many bottles.
At any given time, if you find an importer that you can trust, that's great. If that importer is finding real bargains, you have a personal shopper. There are so many labels and so much good wine out there, a solid importer like Dan Kravitz can help you cut through a lot of clutter.
Alfredo Roca Mendoza Pinot Noir 2007 is a versatile red with nothing to hide. Though terroir is a difficult term to define, this wine embodies it. Beneath the bright garnet color, you begin to pick up some rocky overtones in addition to the prevailing black cherry, vanilla and roasted aromas that conspire to stimulate your appetite. Then plum and red currant preserves, herbal and earthy flavor notes carry through to a warm and rustic dry finish. There's a nice complexity here and not an overwhelming sense of oak or alcohol in the way of the fruit of the vines.
Good as a starter, you can pair this Pinot Noir with a wide variety of dishes. We can vouch for roast chicken, pork tenderloin medallions in a savory gravy, and pan grilled wild salmon. This sort of versatility makes it a candidate for the holiday table.
Released january 28, 2008. gown (aka andrew macgregor and otherwise known as one-half of the bark haze with thurston moore) moved from western wassachusetts to nova scotia in mid-2007. before he moved, he wanted to have one big audio blow-out to remember the grand old mass times. with that goal in mind, gown went into the studio with the sunburned hand of the man gang (represented this time out by john moloney, sarah o'shea, ron schneiderman and taylor richardson) to melt some audio consoles. for the maples represents a portion of that recorded output and believe us, it's some massive stuff. sunburned's thick funk presents the perfect background for gown's shredding guitar-play. extremely hot stuff, especially the massive side-long "bending close." click HERE for a downloadable preview, "taylor's jam."
as per the three lobed standard, for the maples is pressed on 180g RTI vinyl. it is housed within silkscreened jackets (screen work by alan sherry / SIWA) bearing new artwork by gown. the record is from an edition of 698 copies and, and as an added convenience for our vinyl friends, will come packaged with a glass-mastered CD (not CD-R) of the material present on the wax. pre-ordered copies were accompanied by a bonus CD (TLR-059) of previously unreleased gown material. Info stolen from; Three Lobed Recordings
Dubbed the "first lady of wine" by one Robert Parker, Heidi Peterson Barrett makes damn good wine (think Screaming Eagle) in Napa, and now you can listen to her talk about how she decides what and when to harvest in this video just posted by one of her winery clients, Fantesca. Filmed on October 2, Heidi discusses not only Fantesca's harvest but that of the region as a whole, so it's a nice 3-minute primer on what's happening in the vineyards in and around Napa about this time. Personally, I was super lucky to meet Heidi earlier this year in Napa at a fantastic gathering of women in wine, and if you click the link to "read more" you can check out a pic of the two of us. Not my best pic - but then again, that hardly matters when one is so close to Ms. Hallowedness of Wine. Cheers!
It’s time for a break. Back with updates from 20th November, and who knows - maybe the Autumn issue will also be out before the clock strikes December! a holiday time
Wine is all about the senses. About sensory evaluation, sensuality and consensual enjoyment. And wouldn't it be awful to lose your sense of taste, of smell, of touch, of sight?
It happens. Years ago, a wine-loving colleague went through a devastating course of chemotherapy to treat cancer and was cured. Afterwards he told me he had permanently lost his taste for wine. He sold his not inconsiderable cellar soon afterwards. Another friend had an operation on his nose that left him without a sense of smell. He'll drink a glass of wine with dinner but admits to being indifferent to its finer points.
I was reminded of this aspect of wine and the senses recently while listening to a wine expert banging on about the unimportance of colour in wine. If I heard him correctly, his thesis was that if the wine smelt and tasted good you shouldn't worry too much about its colour.
I couldn't disagree more. I love the colour of wine in the morning, or the evening. The crystal clear, green-hued glisten of a young riesling; the black cherry colour of a young shiraz; the vibrant inky purple of a Coonawarra cabern? [enough already! - Ed.] The visual appeal of wine in the glass is to me an unmissable part of wine drinking.
The banging on wine person finally admitted to being colour blind! They used to call this attitude making a virtue of a necessity.
And talking of sensory evaluation Long due for reassessment is the ancient scoring system used at most Australian wine shows. The one where wines are scored out of 20 - with a possible three points (15%) awarded for appearance, seven (35%) for bouquet and ten (50%) for palate. Anyone who's ever had a cold will tell you that smell is probably the most important sensory sensation where wine is concerned. When people have colds they typically complain, ?I can't taste a thing.' What they really mean is, ?I can't smell a thing.' It's their noses that are blocked up - not their mouths.
I realise that many judges just award an intuitive score out of 20 rather than individually scoring each component and then adding up the total. Nevertheless, I'd re-jig the weighting thus: three points (15%) for appearance, nine (45%) for bouquet, five (25%) for palate and three (15%) for overall finesse and balance. Whether the scoring system is out of 20 or 100, or whatever, the percentage weighting would remain the same.
The latest edition of Decanter (March) came out this week, and several articles caught my eye. The first was entitled Start Your Own Wine Cellar. As I’m often torn between buying bottles to drink and those I think I may like to keep for a special occasion, I was drawn to the profiles of the 3 different types of people for whom Decanter made recommendations. There was the couple who did not know much about wine, but wanted to learn and had £500 to get them going. At the other extreme was the couple who already drank a lot of good Bordeaux and had £5000 to spend. I found myself drawn to the example in the middle, someone who knows her grape varieties, but would not describe herself as a connoisseur. Decanter put together an interesting cellar at a cost of £1000 for her.
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
I always peruse the Wines of the Month to see what recommendations I can pick up. These wines are available from stockists in the UK so I feel sorry for foreign readers who may be unable to source them. However I’m always a bit frustrated to read other reviews elsewhere in the magazine and see the dreaded ?N/A? next to them. Although I figure what’s the point in reviewing them if they aren’t available in the UK I have to keep reminding myself how international Decanter is. In this month’s issue 4 of the 9 letters are from non UK readers. I am sure this helps the editorial team keep an international focus which is good for all us readers.
The panel tastings this month are both French, 2005 St Emilions and 2005 cru bourgeois. I was stunned to see a great value 2005 cru bourgeois at £7.35. I must seek it out.
Next month’s edition features Italy and is out, according to the ad in the magazine, on February 6. Oops ? I think they forgot to change the date from last month’s edition as I’m sure they mean March 6th!
I've just finished going through a clutch of Hollick reds. I always think of them as one of Coonawarra's better producers, though clearly in recent years they've invested more and more in the nearby Wrattonbully region. I tasted through the following wines:
... and I was expecting that the Hollick Coonawarra Cabernet Sauvignon 2004 would come out clearly on top. It didn't. Indeed it wasn't even a Coonawarra wine that I preferred the most.
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Yesterday would have been Liz and my 11th anniversary. On our third (and last) anniversary, in 2000, we were given a bottle and encouraged to put it away and drink in eight years. At that time the election hadn?t yet been decided, but what had been put in place in the next three months, by a power greater than any of us, was the downward spiral of my wife?s health and the last days of her life. We were cut off, never got a chance to drink that bottle of wine.
This weekend, while rooting among my wine closet I found that bottle of wine. It was an Italian wine, and it was red, and from a very good vintage. Now the issue isn?t whether the wine is ready to drink. I?m not sure I am.
The last eight years have been a time I would never had imagined in my life. I never planned to turn 50 as a widowed person. Jobs and friendships, loves and passions have all tried to make up for the giant crater in my own personal ground zero. And yes, we do rebuild, if ever so slowly, again.
So I will put that bottle of Italian wine back in its slot in the wine rack and maybe let it rest a little more.
The average diner tends to be less than well-educated when it comes to pairing wine with their meals, or knowing how to serve it. To avoid turning ordering a glass of wine into a major ordeal, it's important to educate yourself about the wines available and the things you should or should not be doing to enjoy them.
Te Whare Ra ( "Tee Faree Ra" is supposed to mean house in the Sun in Maori)is based in Marlborough New Zealand. This is on the south Island in the town of Renwick which is host to quite a few wineries including Cloudy Bay, Montana etc...
Established in 1979, this small boutique winery probably has some of the oldest vines in the area. In 2003, the husband and wife team of Jason & Anna Flowerday took the helm and have significantly upgraded various aspects of the winery. Although offering a Pinot Noir, IMHO they are a white wine producer with offerings mainly from Sauvignon Blanc, Reisling, Gerwurztraminer and Chardonnay. It's their aromatic wines which to me show their stuff here. Current size of the vineyards ~9 hectares with many coming from the older vines planted in 1979 ( almost 30 years ago) - I was told the Gerwurztraminer. Fruit is basically hand sorted and picked - now we are talking.
Cutting to the chase, my favorite wines from their lineup would be the "Toru" bottling and their Gerwurztraminer.
The "Toru" is a blend of several aromatic grape varietals consiting of Riesling, Gerwurztraminer and Pinot Gris. While tasting this wine, images of a picnic & grilled seafood keep popping up - probably my mind telling me that's where I should be with this. 89 points The 2007 Gerwurztraminer to me is a standout here. The concentration and flavor in here just screams of old vines and low yields. The typical Lychee notes were present although not overpowering, minerals, hints of sweetness from the fruit with 22g/l of residual sugar - nice finish ( the wine was still going strong after being opened more than 24 hours). The best thing to compare this to would be an Alsatian Gewurtz VT. 92+ points
Spelunking anyone? I feel like a spelunker when I where that headlamp. I’m filling the last barrels for the 2008 vintage in this photo. It certainly was a long one for us, and I’m glad it is over. Wine quality overall seems very good. The whites are delicate and fragrant, and the reds show good varietal character so far.
I know most folks think of harvest as grapes being harvested and received, but the real work for us goes far beyond receiving grapes. It can be a very physically wearing time, and the end of it all is, frankly, welcome. We can resume our normal lives and actually get the weekends off. We aren’t off the hook entirely, though, as the wines and barrels need to be monitored. We check for the progress of malo-lactic fermentation, check on any wines that may have gone to barrel slightly sweet, and monitor any increase in volatile fermentation. Barrels also need to be topped, additions made, white wines stirred, and all the equipment needs to be cleaned, repaired if needed, and put away. Here’s a photo from a few weeks ago that I like.This is a picture of a red fermentor after we have drained most of the wine and before we have started shoveling the skins out of the tank and into the presses. The open space underneath is a stainless steel filter which, among other things, helps us to drain the tank.
The font of the title is pleasantly wacky, and the title itself promises a dream-like escapade in which Feiring daydreams herself ?saving the world? and falling in love with a superhero winemaker. Not a bad concept. This is not a journalistic effort like other recently released wine books, To Cork or Not to Cork, The Billionaire?s Vinegar, First Big Crush, Wine and Philosophy. This is a personal essay on a personal point of view. The book is a small-format book?hardbound, 5 ½ ? by 8?, 158 pages exclusive of acknowledgments and index, and can easily be read in a few hours. In the introduction she says, ?I am hoping to intrigue those who want wines that truly have a story to tell. Once people experience these wines and winemakers, once they know that wine truly does have soul and character, it will be difficult for them to cozy up to wines made by the numbers and not from the heart.? I hope that this book fulfills her mission. Unfortunately . . .
This Aussie (McClaren Vale) is an unexpected blend of Cabernet Sauvignon, Petite Verdot and Merlot presenting with a dark cherry pigmentation with bright red fruit aromas.
Steely palate with good structure, red fruit and a juicy core that is easy to drink and just a nice, fruity wine that is well made. I noted "Buy more" and $10, why not?
Although I missed the boat on this one completely, the results are in for the latest Wine Blogging Wednesday over at CorkDork. This month’s objective was to try new red wines from New Zealand. 31 bloggers participated this time! Check it out!
by Martin Field Glenmorangie The Original Single Malt Scotch ? up to $70 **** Ten years old, according to the label, and matured in ?Bourbon oak casks?. And you can detect the oaky vanilla as you first inhale this distinctive Scotch. There is also a faint aroma of smokiness and a hint of lemon. The palate is light and velvet in texture and you?d swear there was honey in there somewhere, along with top notes of lime and lemon. Drink with just a splash of water and leave the ice and mixers for the tourists. Classy stuff indeed. Appleton Estate Reserve Jamaica Rum ? up to $55 **** ?Aged 8 years.? Lifted aromatics of Demerara sugar and island spices. Sweet and mellow in the mouth it flows down the throat like molten golden syrup. Definitely a sippin? rum, drink it from a goldfish bowl as you would a Cognac or malt scotch. I wouldn?t spoil it with mixers; maybe ice or a few drops of water to enhance the esters. Tulloch Hunter River White 2008 ? up to $22 ** A blend of chardonnay, semillon and verdelho from the Hunter. Tropical fruity nose leads to a well-weighted palate, replete with zesty and refreshing elements of passionfruit and pineapple. Plantagenet Great Southern Riesling 2008 ? up to $22 *** This wine?s bouquet of sweetness and limes reminded me of a wedge of Key Lime Pie I once savoured. Its palate is light, dry and delicate showing some of that lime tartness along with Granny Smith apples. The finish shows a zingy acidity. Pfeiffer The Carson Gewürztraminer 2008 - $16.50 **$ King Valley, Victoria. Lime blossoms and roses dominate the bouquet. The palate is smooth and softish with some grapey sweetness. Try with entrée dishes. Cape Mentelle Sauvignon Blanc Semillon 2008 ? up to $28 *** Margaret River. Western Australia. The nose shows white flowers, an edge of lime juice and a hint of toasted oak. On the palate we find kiwi fruit, blackcurrant leaf, hay and lime zest. The finish is distinctly crisp and dry. Fine aperitif style.
If you need to educate yourself on the finer qualities of our fermented friend, check out this Wine Guide Video. You will discover all you need to know about foreign wine.
Speaking of "Fermented Friends", don't say I didn't warn you!
?You haven?t posted much recently?? Really, no way?I could only wish the reason behind this was holiday-making. Life is currently beyond hectic, recently going from consulting job back to teaching and onwards with a complicated move. Sometimes, I find that life (as in working, family events, consulting travel, etc.) can get in the way of reading an overpopulated Google Reader inbox and commenting on every blog and forum across e-creation. In fact and admittedly, I must say that I sort of prefer real life to this whole thing, though at any rate, I love to write, and I?m sort of pining for more precious time to write, whether on wine or a multitude of other subjects.
Pleasure aside, ?you know what time it is, it?s business time.? Who could possibly wait until early 2009 for more FOTC? At any rate, the intention of this post? I would like to see more artisan Godello imported and available in the North American market. This brilliant viño galego white, while being delicious and predominantly planted in the Valdeorras and Bierzo (yes, León) D.O.?s, is capable of conveying that the cool breezes, seascapes and gorgeous greenery of the region are all tangible in more ways than just through Albariño. I truly adore Rias Baixas Albariños, but I feel that little brother Godello needs some love too; and what better a time than now to try it out, since more regional producers than ever are beginning to invest serious attention in crafting these wines, with sights on the export markets in addition to the domestic one. I sort of find the idea of trying them side by side to be fun. Maybe find a nice Albariño (say a solid bottle of Códax or perhaps Pazo) to enjoy and compare alongside a crisp, complex Godello?goes without saying that some fresh seafood is in order here. Recommendations and notes upcoming?
Many people would be able to identify a bottle of wine that was truly faulty and, in a restaurant, ask for a replacement. But would you be able to tell what the fault was or what to blame for it? It is all to do with perception threshold. Different faults require different parts per thousand or even million to be perceived.
Some people are more sensitive to certain faults than others so while the host, who may taste the wine as it is brought to the table, is happily quaffing, one or more guests could be secretively retching into their napkins. Depending on how well you know your host and judging, diplomatically, how much of an ego dent your comments could produce, it might be worth discreetly asking people to have another careful sniff.
At a wine faults workshop this week, it was made clear that a fault is only a fault if the people drinking the wine consider it to be. For example the "fault" brett - produced from brettanomyces yeast acting on the phenolic acids of the grape - is a characteristic that some tasters love and some winemakers deliberately introduce. It can produce strong animal characteristics that enhance a wine's complexity and increases some people's pleasure.
Of course it is very important to get the balance right because the smallest increase tips a wine over from animal (yum) to bretty (yuck). And even in the lower doses some people adore the fragrant pong while others will recoil in horror at the filthy stench. Perception is all.
Then there is actual corkiness. Produced by TCA, TBA and TeCA it has various origins like the high levels of chlorine used to clean the winery and equipment, the breakdown of other cleaning agents by funghi in the winery - low ventilation and high humidity contibuting to high levels in the atmosphere.
The cork industry is keen to point out that it is not something inherently present in the corks more of a contamination at the winery. The plastic in alternative closure linings etc are equally susceptible to this contamination. With increased awareness, far higher standards of hygiene than ever before and alternative cleaning solutions available the problem should be getting better. However despite some high profile cases in California back in 2004, there are still many wineries taking the easy option and continuing bad practices.
At the other end is a sulfide problem that produces a tomato, truffle, cabbage, rubber character. This is reduction, the opposite of oxidation and the result of a complete seal which prevents any movement of oxygen into the wine. Unlike oxidation though, this can be corrected sometimes as simply as swirling the wine in the glass or decanting the bottle thereby allowing some air contact and dissipating the bad aromas.
This problem has been most associated with screwcaps which provide such an affective seal that all the positive benefits of cork permeability have been lost alongside the problems that can occur for freshness through excessive permeability.
New Zealand wineries have famously chosen to address this by slightly oxidising the wine before bottling in order to achieve balance once the wine is in bottle. As is often the case with the New World, they are quick to respond to problems and criticism.
However this is a dangerous and nervy solution and not always successful. Pascal Chatonnet, leading faults scientist, oenologist and consultant to wineries all over the world, argues that some of the essential character and originality is lost through this process and the overall quality and elegance is compromised, though this is not necessarily understood by the consumer as the original wine is not available to compare.
What is important to the cork industry is that while a consumer might recognise the wine is faulty, the only real language employed to describe or attribute the fault invokes cork. This is of major concern and is where the charm offensive needs to conentrate, for cork may not have played any part whatsoever.
For consumers the challenge to the industry as a whole is to find a closure with the correct level of permeability and which is kept free of contamination. It is in everybody's interests and with a more frank discussion opening up we can only hope that solutions won't be too far away.
October is Breast Cancer Awareness Month and Fat Bastard wines are doing their part to cure this disease by donating 25 cents for every bottle sold in restaurants and retail stores, up to $75,000. This is the sixth year the company has run this program and to date, they have donated more than $250,000 to breast cancer research.
During October, Fat Bastard wines will be easy to spot on the shelf. They'll have a pink ribbon necker with an attached pin for consumers to wear. Fat Bastard's wine collection includes Chardonnay, Sauvignon Blanc, Rose, Pinot Noir, Shiraz, Merlot, and Cabernet Sauvignon.
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This Thursday--TODAY Nov.20-- marks the annual, world wide release day of Beaujolais Nouveau. It is a celebratory affair in Beaujolais when a very simple wine made from Gamay grapes is released having barely enough time to ferment. It is merely weeks old from the time of harvest to the time of release.
Typically B. Nouveau is simple, fruity guzzling wine at its simple best. Brimming with strawberry and/or raspberry highlights it is wine made to drink immediately and in fact in all likelihood will have gone by if you hold it until this time next year.
So find yourself a couple different bottles from different producers and compare. You can expect to pay around $10-$12 a bottle so raise a glass! (I JUST bought a bottle of Duboeuf and it cost me $9. If you would, let us know what you think of the particular Nouveau you slog down! Watch for the review of the one I just bought later on this evening and raise a glass!
Ringing in at 13.5% alcohol by volume, this cheap wine was an equal match to the FishEye Merlot. From Ripon, California, this wine lets the fruit speak for itself. Along with the dark plum taste, I also experienced a little pepper in the nose.
At only 8 dollars a bottle, I found this to be a great wine. I had mine with Spicy Montreal seasoning. Try it! Rating: 7/10 Price: 7.99 Place of purchase: L&L Grocery Vineyard Info: FishEye Winery Ripon, CA www.fisheyewines.com
by Martin Field Crown Ambassador Reserve Lager 2008 ? around $55 * * * * * A limited 5000 bottle release beer, in individually numbered 750ml bottles, each with a wax seal and a presentation box. The lager is bottle-conditioned, so look for the yeast sediment when pouring. At 9.2 percent alcohol, it is twice as strong as some regular beers. I tasted bottle number 2465: Dark amber in colour, with a nose of malt and toffee along with hoppy high notes. In the mouth, the high alcohol contributes to a thick, velvety, creamy mouthfeel. The long-lasting, complex flavours of malt, hops and a hint of mocha made me wonder where I could get another bottle. They reckon this lager will cellar for ten years or so and I wouldn?t be surprised. A scrumptious drop, which, despite the price tag, will be snapped up by collectors. Chandon Vintage Brut 2005 ? under $39 - * * * A blend of chardonnay, pinot noir, pinot meunier, two years on yeast lees. Very pale, tinged with green, persistent bead. Bouquet shows brioche and lime blossoms and praline. The palate is lip-smackingly crisp and dry showing flavours of baked bread, hazel nuts and a zesty Granny Smith apple finish. A first class aperitif style.
I couldn't resist dropping a line about McCormick & Kuleto's 15th Annual Shuck & Swallow Challenge, going down tomorrow eve in SF, because it's just so deliciously fun to say out loud. Those in the mood for shucking and swallowing are welcome to watch and score some oysters and wine in the process ($30 for food & wine). The 411: The competition between a dozen teams from Bay Area restaurants goes down at 5pm and showcases teams competing to shuck and eat as many oysters as possible in 10 minutes. (The current record is just under 200.) The shucking & swallowing is free to watch...
Tecnorati
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
