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An amazing dinner at Tetsuya’s last weekend to celebrate a friend’s birthday, I’ll let the tasting notes and the pictures of the wine then food tell the story.
1981 Krug This is a wine that I have always wanted to try (being my birth year) and I was very lucky to get the chance on this night. Golden coloured, with a lazy, meandering bead. Powerful ginger, spice, earth, toffee, creme brulee and cedar aromas on the nose. Incredibly deep flavour and complexity, with fresh acidity sweeping over the palate into a long and memorable finish. Kept improving the longer I left it. 97/100
1982 Krug A year and a half ago I had this wine from the same source and it looked a touch awkward (while still being excellent), but tonight it was much improved. Light gold colour with straw highlights, an insanely fine bead - probably the finest I’ve ever seen. Aromas of almond, coffee, black truffles, vanilla and ginger came to the fore as the wine warmed up in the glass. The palate is vibrant, with great acidity laid over complex flavours. Still developing, another 5 years and I think it will be close to maturity. 95/100
1990 Domaine Zind-Humbrecht Hengst Gewürztraminer Vendange Tardive Golden coloured, this wine possessed an ever shifting, evolving nose of spices, honey, lychee, pineapple and rose petals. The palate possesses an astonishing balance between weight and refreshment. Rich, complex, deep and softly sweet, but with superb acidity, focus and purity of fruit. None of the oily or warm alcohol characters I often get from this grape and region. Close to the best Alsatian wine I’ve ever had. 96/100
1965 Lindemans Bin 3110 Hunter River “Burgundy” (classic release) This is one of the legends of Hunter Valley and Australian wine. Still deeply purple coloured, fading slightly to red at the rim. The nose is intoxicating and layered with notes of earth, tobacco, liquorice, leather, blackberries and five spice. The palate is so composed and well balanced. Harmony reigns among the various elements right up to the long finish. Very different in style to some other great old Australian wines I’ve tried, but superb in its own right and very representative of the Hunter Valley. 97/100
1953 Domaine J. Faiveley Nuits-Saint-Georges 1er Cru Les Saint-Georges Very lightly coloured. The nose on this wine was one of the most unique I have ever seen, along with cherry, earth and spices there was a beguiling character that I followed for some time, in the end only being able to describe it as akin to tropical fruit! The palate has superb definition and the structure that has allowed it to live to this age is still clearly evident. If there is one shortcoming, it is that the fruit is a touch thin, but otherwise the balance is very good - it seems that those famous Faiveley tannins do eventually integrate (it just takes 55 years! ). 94/100
1990 Domaine Leroy Clos de Vougeot This wine is a strong argument in favour of the excellent reputation of this fine estate. A bold, brooding nose of cherry, strawberry, liquorice, black tea, game and forest floor. There is a richness to the palate, but it is finely textured and exists alongside the structural elegance of the wine rather than pushing the palate around and dominating. Drank well tonight, but will continue to improve over the next 10 years. 95/100
1966 Château Palmer (Margaux) Youthful in colour. A nose that has both primary and secondary characters wound together with raspberry, cedar, tobacco, cinnamon, violets and graphite. The palate is velvet smooth, this is an absolute pleasure to drink. The elements of the palate are resolved in full and work together in harmony. Classic top-shelf Bordeaux. 96/100
1975 Château Lafleur (Pomerol) Corked A few were brave enough to taste this and proclaimed that underneath the taint it was exceptional, but I was not willing to try. NR/100
1990 Gaja Barbaresco Sori Tilden (Piedmont) Deeply coloured. One of the most complex, haunting and evocative noses I have ever had the privilege to experience - there were aromas of blackberry, rose petals, anise, pine, smoke, plum and layers more - with every sniff there was something new uncovered. There is a wonderful intensity to the palate, it is as though all the elements have been magnified but somehow remain in balance with a wave of pure fruit, striking acidity and the finest of tannin. On a night of legendary wines, this wine somehow rose above and was my favourite wine of the evening. I don’t give out 100 point scores often (4 wines so far) … and I’m not going to for this, but I really feel like I could, it is so very tempting. 99/100
1982 Penfolds Grange A nose of blackberry, cedar, liquorice, vanilla, red and black currant. Youthful and very fresh with bold and bursting with flavour, but maintains its balance across the long length of the palate. Drinking beautifully well now. Consistent with the previous bottle I tasted a year prior, one of my favourite Granges. 95/100
1990 Lindemans Sesquicentenary Release Coonawarra Cabernet Sauvignon (magnum) 91% Cabernet Sauvignon, 9% Shiraz. An aroma of tomato leaf dominates the nose, behind it are some notes of raspberry, blackberry and a touch of briar. The texture of the palate is good with elegant primary fruit characters and good balance. Drinking well now but will develop and improve over the next 10 years. Was not shamed among some of the great wines from around the world. 91/100
1928 Marc Brédif Vouvray A dazzling light straw-golden in colour. The aromas were surprisingly fresh - lots of pear, apple, honey, blueberry, ginger, oats and cloves. Amazing acidity and depth still present on the palate. It actually got better after an hour in the glass, taking on extra weight of flavour. This wasn’t showing any signs of falling apart, maybe good bottles will live forever! 94/100
1981 Jakob Gerhardt Niersteiner Frauenkirchner Bouvier and Traminer TBA (Austria) Deeply coloured, almost like a tokay, but with strands of gold. Deep scents of apricot, marmalade, honey and apples. Great depth on the palate, with strong sweetness and a viscous mouth-feel balanced by very good acidity. Great persistence. Drink now. 93/100
1968 d’Oliveira Reserva Boal Madeira (Portugal) Nutty, burnt toast, caramel, banana and a very familiar medicinal aroma from my childhood (possibly amoxicillin). There is a bitterness to the palate and the alcohol stands out. It is very long and intense, but I couldn’t really get into this. 86/100
Chestnut Mushroom Soup with Truffle Salt
Italian White Roll and Truffle Butter
Smoked Ocean Trout and Avruga Caviar with Scallop Mousse and Quail Egg
Leek and Crab Custard
Grilled Scampi Wrapped in Pancetta
Scampi in Sea Water and Lemon Scented Olive Oil
Marinated Scampi with White Miso and Passionfruit
Confit of Petuna Tasmanian Ocean Trout with Konbu, Apple, Fennel and Witlof
Antarctic Black Cod with Globe Artichoke and Yuzu Vinaigrette
Roasted Breast of Quail with Soft Polenta and Shiitake Mushrooms
Slow Roasted De-Boned Rack of Lamb with Blue Cheese and White Miso
Grass Fed Angus Beef Fillet with Blewitt and Chestnut Mushrooms
Cheese
Apple Sorbet with Apple Jelly
Mont Blanc
Apple Tarte Tartin with Calvados Cream Ice Cream
Chocolate Terrine with Mascarpone and Cognac Anglaise
I have been traveling in the past week with a dining partner who can not drink much. Rather than ordering a whole bottle, which would inevitably require leaving some behind so I could drive back to the hotel safely, I have been choosing several different wines by the glass over the course of the meals.
This wine and its red counterpart are always nice values. This white blend from the Cotes Du Luberon is a light golden with sweet almost perfumy bouquet of vanilla, red apples and pears.
Palate--lively acidity, light citrus, pears and crisp clean finish. Blended from 4 different grapes, this wine is just a decent wine and drinks well by itself yet handles the right foods as well. I find this wine most everywhere in the $6 (when on sale) to $8 and again--this and its red version are writh keeping around for lighter drinking that won't break the bank. Raise a glass!
What am I doing around 1:00 am EST almost every night? Checking woot.com for the latest woot item, of course! Being a computer/tech junkie, I am always finding random good deals on woot. Now, they have made my life complete, with Wine Woot.
Every week they will be featuring a single deal on wine. Take it or leave it, but when they are out of stock, you are out of luck. If this turns out anything like the regular Woot.com, a good deal will be sold out in minutes.
The wine deal they have up there right now looks pretty good: St. Supéry 2000 Cabernet Sauvignon / Merlot Sampler. Seeing as how these would fit the Cheap Wine Reviews rule of 15 bucks or less, I might give this wine a try.
by Martin Field The chief boffin in our R&D department is about to patent a design for an electronic menu. Basically, the E-menu (as she likes to call it) is designed to increase efficiency of ordering, to provide detailed information to diners, to minimise the unwanted attention of pushy waiters and sommeliers and thereby to reduce the number of floor staff. There are obvious cost savings related to this latter aim. The wi-fi menu can be permanently installed in dining tables, one at each setting or, as a less expensive alternative, can take the form of a menu folder to be handed out to individual guests.
First Press - the UK wine trade’s first fully-interactive Ezine, has just launched featuring an interview with JancisRobinson. First Press has been produced by Nicky Burston of World Wine Agencies. It has a lifestyle look and feel and is easy to download, or email directly to friends. Issue 1 of this new quarterly features wine celebrity interviews and podcasts, up-and-coming news and events and includes a prize draw for tickets to Old Trafford.
I’ve decided to live blog tonight’s Twitter Taste Live using COVERITLIVE, a service I used for live blogging a tech event earlier this week. All the presenting bloggers Twitter accounts will be captured here along with others I will add during the tasting. You can also post comments right here in the view below. If this works, I’ll continue to cover these online tastings for those who can’t join us live.
I don’t often buy wines from Maison Latour, and whilst I’ve had so-so bottles from them, it has more been due to lack of local availability than quality reasons. Now I’ve found a relatively close merchant, so two or three bottles might appear over the next days. 2005 Louis Latour, Gevrey-Chambertin Medium-plus colour. The [...]
OK, so I’m trying to insure that the Wine Bloggers’ Conference in Sonoma has good, solid Wi-Fi access. I’ve spent a decade and a half in the networking industry and the last 8 years designing wireless products so when I setup a conference for 160+ BLOGGERS, i.e. many many laptops in the same room, I have my concerns because of the physical limitations of Wi-Fi.
So the hotel hooks me up with the contact information for their service provider (the Wi-Fi is outsourced which is typical for a hotel). I send him a message stating exactly my concerns and pointing out that I’ve setup many tradeshow demos as well as conference networks that got hammered by a techie conference. Here is the email that he sends back to me (understand, I am the hotel’s customer and I am selling out their hotel for this weekend and giving them untold exposure through media the whole weekend). Is it me or is this dude kinda of a douche?
Dear Sirs-
There are a total of 19 APs interspersed throughout the hotel, not including extra devices occasionally set up by catering. Depending on the unit, they?ll support from 12-36 users on the wireless (multiple internals). This has been the design at the Flamingo since its initial design and installation, almost as if we knew what we were doing?
Please inform the users that the codes will be bound to the MAC address of the NIC they use at the time of connection and entry of the code. They cannot switch computers and use the same code. The time in contiguous and not broken up to when they are using the connection, ie: 3 hrs ? 9 hrs of 15 minute usage periods.
Also, be aware that the total bandwidth for the Hotel Guests use is 6mb/3mb. Therefore, this should not be a time for these ?HEAVY internet users? to download all the Richard Simmons or Jane Fonda videos as this type of abuse will naturally hinder the enjoyable experience that such a convention should foster, human dialogue and contact.
I hope that you enjoy your stay at the Flamingo and that all elements of your convention are a total success.
JJ
Maybe its me, I don’t know…
Updated: The hotel worked on the service provider to create a parallel network in the main conference area that will be supported by additional APs on non-adjacent channels and they committed to having staff on hand throughout the entire conference should this network shit the bed. I feel better about the chances of success.
Vern Fisher of the Monterey County Herald came by one day and photographed us as we processed Chardonnay and Pinot Noir on the same day. Click here to see and hear the slideshow he put together. By the way— I’d have to get my arm twisted to do both whites and reds simultaneously here, because, well, you’ll see why…..but sometimes I’m reminded that Mother Nature is stronger than me, hee hee. Anyway, I’ve long admired Vern’s photographs in the paper, and I think he was able to capture what we do here on a very busy day.
The slideshow starts out at Chula Vina….the first photo is Henry Carrasco, owner of Chula Vina…the crew is shown harvesting the Chardonnay and Pinot that we subsequently are shown processing. Chula Vina is in Chualar Canyon, BTW, and it is one of my favorite beautiful places. Enjoy…
It’s time for a break. Back with updates from 20th November, and who knows - maybe the Autumn issue will also be out before the clock strikes December! a holiday time
…Ok, well my mom anyway. I for one, am not a fan of half the pompous, skinny tie types littering up the well these days. I prefer someone who doesn’t judge and knows when to push another cocktail on me. …WITHOUT regaling me (nay, really just them) with tales of their molecular gastronomic experiments with [...]
With the huge popularity gain for wine in the past five years, one could wonder if a recession in the wine industry is looming.
Much depends on factors in the grand scheme of things. The once-booming housing industry created much wealth for a lot of Americans, but a recent downturn in home sales has created a large-scale semi-panic in the mortgage and banking industry. The stock markets have been shaken by the idea that mortgage companies are virtually disappearing overnight. This has put into question the stability of the biggest banks, and what their exposure to these smaller (defunct) companies has been.
The wine industry is based much on excess wealth. Wine is seen by many, not as an essential, but as a luxury item that would be cut out of a budget if tough times arose. A recent look at distribution and retail inventory levels showed a large glut, sometimes in excess of 200 days worth of stock.
The ever-popular Pinot Noir seems to be immune to this kind of chatter, however. Spurned to new heights of acceptance by the movie Sideways, the "heartbreak grape" seems to be an indespensible red... a must for any cellar or pantry. The next couple of years will be crucial to the industry at the retail and restaurant level.
The average wine consumer has no idea what it means for a wine to be organic. And when it comes to Biodynamic wines, most wine drinkers have never even heard of them. But that doesn't matter, because an increasing number of the most sought-after, expensive wines in the world are biodynamically produced, which means that biodynamics is one of the most significant modern trends in global winemaking.
The only problem (for those who care) is that biodynamic winemaking involves a maddening, paradoxical mixture of scientifically sound farming practices and utterly ridiculous new-age mysticism. If you want to know just how kooky it can get, you might be interested in a recent feature on biodynamic wine in SF Weekly, which dives into detail on the cow skulls stuffed with oak bark left in a hole; the red deer bladders filled with yarrow flowers buried in compost piles; the proscriptions to burn insects in the vineyards only during certain proper planetary alignment; and the claims that the moon should determine when you put your wine into new barrels.
Of course, if you actually believe in biodynamics, you now hate my guts along with Joe Eskenazi, the author of the aforementioned article which is entitled Voodoo on the Vine.
Joe's angle on biodynamic winemaking will draw criticism for focusing only on the strangest parts of an elaborate farming and winemaking methodology. His (and my) detractors would be justified in complaining at the sensationalism of a few practices, and a few predilections of the methods inventor, while many, even most biodynamic winemaking principles are the same as good old organic farming.
But that is precisely the problem. Most biodynamic farming principles make sense because they are the same as scientifically grounded organic farming (e.g. don't use pesticides; let the sheep take care of the weeds and fertilize the soil; etc.). But then the whole system is undermined by the use of, and rationalization for, special preparations and actions that are not only bizarre in their conception, but explained by the worst kind of pseudo-scientific quasi-religious gobbledygook that you could possible imagine.
You can't imagine how angry this makes me. You see, I love biodynamic wine. Some of my favorite wines in the world; some of the best wines I have ever tasted in my life; some of the wineries that seem to consistently make some of the highest quality wines I have ever experienced are produced biodynamically, and I don't believe this is a coincidence.
This is what Joe Eskenazi did not include in his article, perhaps because he's not fully immersed in the world of wine. While he rightfully points out, with the appropriate level of cynicism, the fact that some wine producers are moving to make biodynamic wine because they think it will sell better, there are many more producers who have been making wine biodynamically for years, even decades without ever telling anyone about it, least of all the people who buy their wine. These winemakers are some of the smartest, most talented folks in the wine industry. The only reason they would possibly be producing wine biodynamically (which Eskenazi's article points out is much more labor, time, and cost intensive than any other farming method) must be that they believe they make better wine that way.
There are two types of people in the world. Those who believe that while science is not perfect, it is the most powerful interpretation that we have found of the world around us, and those who believe that there are better explanations for what we observe in the natural world than science can provide. I am very much a member of the first group. There's a lot we don't know about the world yet, and there are a lot of really interesting interpretations about how things work, but the scientific method produces the most reliable interpretations of what is real and what is true that I know of. I (and pretty much everyone in a first world nation, whether they know it or not) trust my life to that fact nearly every moment of every single day.
And that belief I hold is precisely the source of my unending frustration with biodynamic wine. I think it's good stuff. But I know it's not good for the reasons that the people who make it, and the people who tell them how to make it, say it is. The claims of the philosophy that underlies biodynamic wine growing, and the specific explanations for various prescriptions of the farming and winemaking process are just plain wrong. They can be proved wrong, in some cases simply with a calculator, but in all cases by rigorous scientific enquiry.
Which is why I keep hoping that someone will come up with Biodynamics Lite™: a kinder, gentler form of biodynamic winemaking that throws out all the bullshit, and sticks to the things that science tells us will actually work.
I plan on continuing to drink more and more biodynamic wine, and encourage everyone who loves wine to do so as well. I just hope there is a day when I don't have to roll my eyes a little every time I see the word on a wine label, or bite my fist as a winemaker proudly tells me that the reason I love his wine is due to the fact that he completely avoided the dueling vortices when he mixed his preparation of ground up quartz crystals.
This is a dry, slightly sparkling wine, with a pleasent, rich, complex aroma. A pleasure to sniff and taste, there’s a fruity note and there’s quite an undefined spicy note, definitely requires another bottle of researching . The producer specifies it as a wine “with characteristic Muscat taste and smell carrying combination of spicy tones of incense, cinnamon, basil and fruit tones of pine apple and strawberry”.
Although it does have the muscaty taste it’s a dry wine, but still does go well with desserts such as nutty cakes. Also goes well with lighter meat dishes and on it’s own.
The Ivanovi? winery is a winery with a long tradition, one of those where the younger generation has embraced it’s ancestry recipes and combined it with modern trends. Some of the details are available online. It is located in the ?upa region in southern Serbia.
Wine Magazine have announced their 2007 WINE Classification (South Africa) - the fourth since first published in 2004.
It basically identifies South African wines and cellars with the best track records in terms of consistently good reviews in WINE magazine panel tastings conducted blind (without sight of the labels) over the previous five years.
If anything it gives you an idea of what to look out for in the respective categories when you're in the shops and/or which estates may be worth visiting.
Pinot Gris is a grape varietal that is a mutation of the Pinot Noir grape. The Pinot Gris vine appears similar to the Pinot Noir, but it produces a grape that is coppery gray instead of the dark violet of Pinot Noir. In fact, the only certain method of differentiating the vines is by the fruit that they produce. Researchers have found that the DNA structure of Pinot Gris and Pinot Noir are virtually identical.
The Pinot Gris grape produces a delicious white wine with a rosy platinum color. This wine captures a perfect balance of acidity, fruit flavor and sweetness.
Well it has been a few weeks since my last entry and although I could tell you all about the Rhône and Burgundy en primeur campaigns, the New Wave Spanish wines I've been trying, or the South African Reds to match the last entry of South African Whites that my father has been religiously clicking on to, only to discover nothing of what his daughter has been up to in the Big Smoke, I won't.
I am very tempted to tell you about having to pay an Australian, let's say friend, in wine for a lost - no, thoroughly thrashed - bet over the Ashes (this was his first return to England since that sorry episode). A fairly painful experience for both wallet and liver BUT let's move on to the future.
Wine Relief is upon us www.rednoseday.com/partners/wine-relief/ and there are several different bottles widely available to buy from which retailers are donating some of the profit to Comic Relief. How easy is it to open a bottle of wine and make a difference?
For my part I have been enthusiastically working my way through the offerings and on March 3rd, this Saturday in fact, I will be a guest panellist on the Virtual Wine online tasting of the 6 best on offer. The team at Virtual Wine have also studiously tasted and deliberated to come up with the finalists which will be tasted by a select (!) panel live from 7.30 pm.
The idea is that you at home can order the taster packs of 6 wines from Virtual Wine (10% still going to Comic Relief) or buy them from the various retailers, and taste the wines at the same time. You can then send belligerent, loving or simply drunken messages to us via email and your concerns will be addressed immediately. What a laugh...
So get some friends round, you must have some, put on some nibbles and sharpen your tongues. Take a look here www.virtualwine.co.uk to download instructions and tasting notes.
These people like wine and have a laugh with it, their contribution to the cork vs screwcap debate was to race bottles down river to see which was fastest, the loser then wrestled the winner to the ground in an unscripted, but thrilling, finale.
Yesterday would have been Liz and my 11th anniversary. On our third (and last) anniversary, in 2000, we were given a bottle and encouraged to put it away and drink in eight years. At that time the election hadn?t yet been decided, but what had been put in place in the next three months, by a power greater than any of us, was the downward spiral of my wife?s health and the last days of her life. We were cut off, never got a chance to drink that bottle of wine.
This weekend, while rooting among my wine closet I found that bottle of wine. It was an Italian wine, and it was red, and from a very good vintage. Now the issue isn?t whether the wine is ready to drink. I?m not sure I am.
The last eight years have been a time I would never had imagined in my life. I never planned to turn 50 as a widowed person. Jobs and friendships, loves and passions have all tried to make up for the giant crater in my own personal ground zero. And yes, we do rebuild, if ever so slowly, again.
So I will put that bottle of Italian wine back in its slot in the wine rack and maybe let it rest a little more.
…OUT? You’ve got to be OUT of your goddamn mind. Every Tuesday, I write a post for the Seattle Weekly entitled, “Ask The Bartender.” Apparently, I struck a nerve with this post: Ask The Bartender….Out? (Cringe) from Voracious, the Seattle Weekly food blog Those nerves apparently belong to some really over-sensitive men and the 5 female bartenders in [...]
The Wine Cask was sent this wine for review by the good folks at Sam's Club. It represents an embarkation to "Fair trade" products which purchases products from people who are committed to paying their workers in every step of the process a "fair wage."
This Malbec is from the Mendoza area of Argentina which is truly coming of age with respect to this grape. The 2005 vintage was a 90 point rated vintage according to the Wine Spectator. (The current issue of the Wine Spectator highlights Argentina and its forte with this grape.)
The wine is a hefty purple hue with room filling medium sweet aromas of dark berry jam and some pleasant aromas of a tinge of black licorice. This wine has plenty of life in it but is well integrated and drinking well right now. Palate is extracted with big dark fruit, some tarry notes and a touch of smokey or burnt wood--for the uninitiated, these are positives--and finishes with a lingering light plum ending. The reference price on this wine is $10 and for the price, this is a decent value so raise a glass and give it a swirl!
I thought the food was of a high standard with good use of fresh ingredients and I felt like it was good value for the money (ended up around $75 a head for food, corkage and tip). We needed to take care with some of the dishes and the spice clashing with the wines (the Hokkien noodles especially!) but it was manageable. We had the table for 6-8 people that you can book, any more than 6 people and I think it would have been too squished.
The food was as follows:
Steamed Prawn Wontons with Organic Brown Rice Vinegar Dressing Steamed Scallop Wontons with Sichuan Chilli Oil Homestyle Fried Biodynamic Eggs with Organic Soy & Homemade XO Sung Choi Bao of Free-Range ‘Kurobuta’ Pork, Ginger & Mushrooms
Crispy-Skin Duck White-Cooked Free-Range Chicken with Shoyu Organic Soy, Chilli & Coriander Red-Braised Pork Belly served with Fennel & Leek Dry-Fried Organic Hokkien Noodles with Homemade XO Sauce Dry-Fried Green Beans with Organic Miso Paste & Garlic
Organic Steamed and Fried Rice
The wines were;
1995 Jacquesson Signature Grand Vin: The nose is bready, with lemons and green apples coming through. Youthful and taut on the palate with lemony acid at the fore. Very good, and it should get better as it unwinds over the next 7-10+ years. 90/100
2002 Marcel Deiss Altenberg de Bergheim GC Alsace: Nutty, orange peel, peach, smoke and floral notes. Richly fruited with opulent weight. Balanced palate, with the acidity holding up to the residual sugar and fruit sweetness. Finishes long and clean. Was a superb match with the slightly spicy Asian food being consumed. 94/100
1996 Zind Humbrecht Riesling Rangen de Thann Clos St Urbain: Light citrus, minerals and a touch of candy on the nose. The palate is incredibly austere. The length is good, but with the acid dominating the palate, it was not very enjoyable. 85/100
2000 Bonneau du Martray Corton Charlemagne: Cashew nuts, smoke, graphite and chalky aromas comprise the nose. Lovely richness to the fruit on the palate. Balanced, long and very, very tasty. This is a beautiful wine that will only get better as it develops over the next 8-10 years. 93/100
2000 Fourrier Clos St Jacques: Earth and game meat aromas on the nose. Nicely balanced and textured on the palate. Seems to be in a pretty approachable place at the moment, although it is lacking some depth. 90/100
2004 Dugat-Py Charmes Chambertin: Forward, interesting nose of green beans, tobacco leaf, spice, blackcurrant and cherry aromas. The palate shows some green, slightly under ripe tannins. Good length, but the green elements distract from the experience. 88/100
2006 Hillcrest Reserve Pinot Noir: Cherry, floral, earth and spice aromas on the nose. Excellent layers and balance to the palate. Sweet fruit provides good weight and the tannins and acid provide great structure. A wine of obviously high quality and I think it will develop well in the bottle over the next 5-10 years. 92/100
1986 Chateau L’Eglise Clinet: Savoury aromas of game, smoke and tobacco - with some time the aromas became more bretty and animal like and a bit overpowering. Palate was smooth, medium bodied and well resolved. Best on pouring, the brett coming forward was a shame but it was still quite nice overall. 89/100
1997 Castelgiocondo Brunello di Montalcino Riserva: Complex nose of floral notes with tar, liquorice, blackcurrant and cherry. Well structured and balanced palate, with the bold, deep set fruit balanced well with the medium intensity tannins and well integrated acidity. Delicious. 92/100
NV Campbells Merchant Prince Rare Muscat: Maple syrup, caramel, coconut, brown sugar and raisin aromas on the complex, layered nose. Palate is superb - balanced, complex, delicious and brilliantly long. Technicall
Tecnorati
).
A few were brave enough to taste this and proclaimed that underneath the taint it was exceptional, but I was not willing to try.
Vern Fisher of the Monterey County Herald came by one day and photographed us as we processed Chardonnay and Pinot Noir on the same day. Click 
This is a dry, slightly sparkling wine, with a pleasent, rich, complex aroma. A pleasure to sniff and taste, there’s a fruity note and there’s quite an undefined spicy note, definitely requires another bottle of researching 
. The producer specifies it as a wine “with characteristic Muscat taste and smell carrying combination of spicy tones of incense, cinnamon, basil and fruit tones of pine apple and strawberry”.
