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Here's my second look at the new Coppola Encyclopedia wines in the odd-shaped bottles. The 2006 Encyclopedia Tempranillo is from Yecla in Southeast Spain. $14, 13.5% abv. The nose has a little stewed fruit with a touch of herbs, medium tannins, and a black cherry finish. It's a solid but uncomplicated wine that's food friendly in the grand tradition of Spanish wines. The tannins are probably a little strong for Thanksgiving but keep this in mind for stews and braises over the winter months. I thought it was a great burger wine.
The screwcap is large, 1⅝" (42mm) across, ample room for printing a quote. (The silver swirl destroys the contrast necessary for legibility! Elementary design concepts!) The bottles are designed to be reused as decanters or containers for olive oil, vinegar, etc.
I suppose I should take this opportunity to mention that I've got a new camera. For the past three years almost every photo on this blog has been taken with a Fujifilm FinePix s5000. The Fuji was a great camera and I was able to coax some amazing shots out of it, but for a bridge camera (between standard point-and-shoot and DSLR), I started running into limitations with it regarding low light conditions and chromatic aberration when using macro lenses. I recently upgraded to a Nikon D40, a true digital SLR with the ability to swap out lenses.
I normally don't repeat photos, but take this recent shot. Very low light conditions, yet I shot it without a tripod and without any special setup. I just put the camera in full auto and snapped a picture. Due to the lenses, with a DSLR it's very easy to get that low depth of field look. Without going into all the math, it just means that what you want people to pay attention to is in focus and everything else in front of or behind the object is blurry. In the top photo of the wine bottle, the screwcap is in sharp focus but you can barely discern any details about the background other than colors. (This method can be increased or decreased through various methods, but I'm not teaching a photography class here.)
Will the Nikon D40 give you outstanding photos? Only if you take a lot of terrible ones first. Like anything else, practice makes perfect. But out of the different cameras I've used throughout the years, this is simultaneously the easiest and, if I want to explore all the different settings and adjustments, the most powerful camera I've owned. If you're interested, check out the review linked above, and if you decide to get one for Christmas, you can purchase it from my Amazon store, where you'll find customer reviews, accessories, and other detailed information.
The Mountain X Hunter Shiraz 2006 is the inaugural release and the brain child of Gary Walsh and Campbell Mattison of The Wine Front. It is a blend of 95% Hunter Shiraz (good start) and 5% Yarra Pinot - a throwback to a traditional hunter blend of yesteryear. The winemakers are Rhys Eather (Meerea Park) and Franco d’Anna (Hoddles Creek) respectively.
Stylistically modern Hunter Valley - showing fruity aromas of cherry, blackcurrant and some licorice. The palate is initially juicy and intense with tangy dark fruits and berries, a dash of spice and a dollop of vanilla oak. There are just enough super fine and approachable tannins to pull the finish into the savoury realm.
If you plan to drink up now, I suggest 2+ hours in a decanter, otherwise it should improve in the cellar over the medium term. A successful first release, there is something here for hunterists and non-hunterists alike. Since I don’t mind giving this lot a plug, you can buy the wine from the Boutique Wine Center, Boccaccio or North Sydney Cellars.
Score: 91/100 Price: $30 Closure: Diam Alcohol: 13.5% Would I buy this wine again? Yes I will, $30 is a reasonable price for a low production, hand picked and unique wine.
A couple of weekends ago, I attended the grand re-opening of Wine Connection in Pound Ridge, NY. Max Marinucci moved his store to a handsome, custom-built facility and it was an amazing tasting by any measure. There were about six Barolos available from producers that ran the modern-traditional axis, E. Pira, G. Mascarello, G. Conterno, and Sandrone among others. They also poured the 2004 Hudelot Noellat Richebourg (about $259; find this wine), and several current release Bordeaux. Then there was the amazing 1985 Leoville Las Cases (about $379; find this wine), whose aroma was so enticing with tannins were smooth as silk.
And the price for this tasting? Free.
In this tough economy, even seeking solace in a wine glass can still cost a lot. But there is one place where you can still taste fine wine for free: New York wine stores. Granted, you’re standing up and the pours are sometimes barely enough to cover the bottom of the glass, but they are a great opportunity for broadening your tasting experience–as well as talking with some interesting people who are usually doing the pouring.
While there are many silly (separate entrances for separate licenses) and annoying (not being able to to sell cheese in a wine shop nor wine in a food shop) aspects of New York wine retail laws, the free tasting is a definite boon for consumers. Stores can’t charge for tasting since that would be profiting from the sale of liquor on-premises, which requires a different license. Other states have different rules about in-store pourings and they are not always free, but are often a good value. (Sadly, one place where free tastings may someday be illegal is the little-known wine country called France.)
And the downturn in the economy means that some shops are eagerly pouring wines (or, technically, having the distributor reps pour the wines) to attract foot traffic. So check out your local retailers and see what’s on the calendar. Here’s my map of my favorite NYC wine shops.
“I guarantee you all these prices will be significantly higher this time next year,” John Kapon, president and auctioneer at Acker, Merrall is reported to have said between bids at an auction last December. The buyers who paid $8,000 for six bottles of the ?61 Dom Perignon and $22,000 of for eight bottles of the ?66 Cristal might be wondering if that was a money-back guarantee.
Prices of all kinds of assets have declined precipitously since last December. Wine appeared somewhat immune as recently as September but evidence is now emerging that prices for collectible wines are entering a correction after many years of strong growth. The Liv-ex 100 Fine Wine Index fell 12.4 percent in October.
A close observer of auctions told me yesterday that two recent sales only sold 35 and 43 percent of lots. And some lots are going for well below the low price estimate. At another auction, someone else told me that a case of 1998 Grand Cru Chablis sold for $60. Even though there’s a risk of premature oxidation with that wine, $5 a bottle certainly seems like it’s worth a flier. Such a low selling price indicates that there was no reserve.
While many shops may have locked in higher costs, making them unwilling or unable to discount, some specialty shops do broker private collections too and can have faster turnarounds than auction houses. Provenance is always an issue with mature wine, so feel free to ask where the wines came from.
But some sellers at auction may be eager to liquidate making the secondary market may be the best place for wine deals this fall. Of course, if the global economic malaise continues into next year or beyond, declines in fine wine prices could continue. So you may not want to step in and catch too many falling magnums.
Some upcoming auctions: Zachys, Nov 6-8; Acker, Merrall Nov 7; Christie’s Nov 17 and 21; Sotheby’s Nov 22; Hart Davis Hart Dec 5.
The Prosecco DOC? di Conegliano-Valdobbiadene Consorzio? has applied to the Italian government for promotion to the higher DOCG? status.
At the same time, the basic IGT? (Indicazione Geografica Tipica?) level Prosecco grown in the lower plains will also have to go though stricter quality control, the DOC says.
Some IGTs will be elevated to to DOC (Denominazione di Origine Controllata?) while others will be demoted, losing the right to put 'Prosecco' on the label.
DOCG (Denominazione di Origine Controllata e Garantita?), established in 1963, is the highest legal category of Italian wines.
The Prosecco Consorzio has applied to the Ministry of Agriculture to allow promotion of the best Proseccos in 2009.
Speaking at the Consorzio tasting in London on Monday, Consorzio director Giancarlo Vettorello told decanter.com it was time 'to push ahead with our UK promotion as sales in UK are on the rise and Prosecco seems to be all the rage.'
There were 37 producers at this year's tasting, 12 more than last year.
Today the Prosecco DOC produces some 57m bottles of which 15m are exported worldwide. The currently imports 6% of total exports, the equivalent of 1m bottles exported in 2007.
This is the kind of cross diversification I can relate to! Kerin O'Keefe (decanter.com) writes:
Italian coffee giant Illy has just acquired the 90ha Mastrojanni estate? in the Montalcino hamlet of Castelnuovo dell'Abate.
Founded in 1975 by Gabriele and Antonio Mastrojanni, the estate has 24 ha under vine and an overall production of 80,000 bottles a year.
Until now Mastrojanni has been a family-owned firm?, and is known for its classic Brunellos, particularly its single vineyard? Brunello, Schiena d'Asino.
Managing Director and winemaker? Andrea Machetti, who is to remain in charge of day-to-day operations under Illy, has been with Mastrojanni since 1992.
'The Illy family members obviously love wine and are known for their good taste?. Though they will make some investments in the business, the house style? won't change and we will continue to focus on making outstanding Brunello from Sangiovese,' Machetti told decanter.com.
The Illy family, based in Trieste, which bought controlling shares in chocolate? company Domori in 2006 as well as in French tea firm Dammann Frères in 2007, is not new to the wine business.
Francesco Illy, one of the four grandchildren of the firm's founder, already owns a young estate in Montalcino, Podere Le Ripi. Riccardo Illy, president of the holding group said, 'Everyone in my family has a passion for wine, and with this acquisition, we have realised one of our dreams.'
A two tier qualification proposal for Brunello? I can't believe it's come down to this... talk about making a mountain out of a molehill. Richard Woodard (decanter.com) writes:
Italian winemaker? Angelo Gaja has said that Brunello should operate a two-tier system and allow other varieties other than Sangiovese.
As the Brunello grape blending furore continues, the veteran Piedmont producer - who also makes Brunello di Montalcino ? has suggested DOC? Brunello should move on and no longer demand the wine is made from 100% Sangiovese.
In an article published this month in Italian newspaper Libero and local Tuscan paper La Nazione, Gaja says that if indeed Brunello producers have been adding other grapes illegally to the wine, then those producers should have been lobbying to get the appellation? rules changed.
I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
4. Do I have to mention the cheaper subscription rate for Decanter?
Again, lists really don't do any justice to the dozens and dozens of ideas that propel themselves electrically from my dendrites when it comes to how much fun a wine geek can have in London. For now though, I leave you with a warm, albeit brief goodbye, and a reassurance that I'll soon return for more on artisan wines and the people behind them.
I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
4. Do I have to mention the cheaper subscription rate for Decanter?
Again, lists really don't do any justice to the dozens and dozens of ideas that propel themselves electrically from my dendrites when it comes to how much fun a wine geek can have in London. For now though, I leave you with a warm, albeit brief goodbye, and a reassurance that I'll soon return for more on artisan wines and the people behind them.
How do you keep up to date with the wine world these days? I’ve found out what works for me although I still suffer from information overload some times. My interests are as follows ?
current hot topics such as closures, global warming, harvest expectations and so on
recommendations on wines to try and buy
educational material especially anything that helps me towards my WSET Diploma
I’ve found the following sources really help me
Harpers magazine. I wish I could afford their annual subscription but it’s just too much. However I subscribe to their daily bulletins via Google’s reader and this really works for me. I see a couple of lines summarising news items when I’m on the computer at home or work and I can always click the link to go their web site if i wish to read more
an unusual source of news items is South African Wines. They send out regular emails which summarise the key stories from around the world by directing you towards the various publications, web sites, blogs etc which have something interesting and relevant
there is no substitute for a monthly magazine which is good for those train journeys commuting to work. Decanter and Wine and Spirit are my favourites. I was working in the US last summer and enjoyed Wine Spectator and thought about taking out a subscription but the cost including mailing back to the UK was prohibitive
I love reading other people’s blogs. People like Jamie Goode and Andrew Jefford talk about people they have met, wines they have drunk and places they have visited. The problem with blogs is that there are so many (and yes I have one also) that it’s possible to subscribe to too many of them using Google’s reader that information overload soon takes over.
Podcasts are great for car journeys if you put them on a CD or train journeys if you play them on your phone. I’ve learned a lot from some of the podcasts from Grape Radio
For bedtime reading or sitting in a chair (with a glass of something nice of course) there is no substitute for the hard stuff ie: books. You can’t go wrong with a copy of the Oxford Companion to Wine by your side. I also try to look up every wine I try in at least one reference book such as the World Atlas of Wine, Wine by the Label or Oz Clark’s pocket wine book. These often give the context for the wine leaving the label to give the detail (unless of course it’s French!).
I may occasionally suffer from information overload but I do learn a whole lot of interesting stuff about wine which vastly increases my enjoyment of the stuff.
The latest edition of Decanter (March) came out this week, and several articles caught my eye. The first was entitled Start Your Own Wine Cellar. As I’m often torn between buying bottles to drink and those I think I may like to keep for a special occasion, I was drawn to the profiles of the 3 different types of people for whom Decanter made recommendations. There was the couple who did not know much about wine, but wanted to learn and had £500 to get them going. At the other extreme was the couple who already drank a lot of good Bordeaux and had £5000 to spend. I found myself drawn to the example in the middle, someone who knows her grape varieties, but would not describe herself as a connoisseur. Decanter put together an interesting cellar at a cost of £1000 for her.
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
I always peruse the Wines of the Month to see what recommendations I can pick up. These wines are available from stockists in the UK so I feel sorry for foreign readers who may be unable to source them. However I’m always a bit frustrated to read other reviews elsewhere in the magazine and see the dreaded ?N/A? next to them. Although I figure what’s the point in reviewing them if they aren’t available in the UK I have to keep reminding myself how international Decanter is. In this month’s issue 4 of the 9 letters are from non UK readers. I am sure this helps the editorial team keep an international focus which is good for all us readers.
The panel tastings this month are both French, 2005 St Emilions and 2005 cru bourgeois. I was stunned to see a great value 2005 cru bourgeois at £7.35. I must seek it out.
Next month’s edition features Italy and is out, according to the ad in the magazine, on February 6. Oops ? I think they forgot to change the date from last month’s edition as I’m sure they mean March 6th!
The 2004 vintage of this wine received a bronze medal at the Decanter World Wine Awards last year (2006). I’ve only been able to find the 2005 vintage in Belgrade wine shops. It has an intensive and complex aroma with hints of flowers. Dominant tastes are those of melon and slightly of apricots. However, I wasn’t impressed, perhaps I expected more due to all the hype. Or perhaps there’s a significant difference in the two vintages. We should note that this winery has a good reputation. The Simcic Sivi Pinot 1990 was awarded the Cordon d’Excellence; their Chardonnay has won two gold medals at the Ljubljana Wine Fair and the 1994 vintage was declared Champion by the Knights of the Burgerland-Pannonian Order.
The 2004 vintage of this wine received a bronze medal at the Decanter World Wine Awards last year (2006). I’ve only been able to find the 2005 vintage in Belgrade wine shops. It has an intensive and complex aroma with hints of flowers. Dominant tastes are those of melon and slightly of apricots. However, I wasn’t impressed, perhaps I expected more due to all the hype. Or perhaps there’s a significant difference in the two vintages. We should note that this winery has a good reputation. The Simcic Sivi Pinot 1990 was awarded the Cordon d’Excellence; their Chardonnay has won two gold medals at the Ljubljana Wine Fair and the 1994 vintage was declared Champion by the Knights of the Burgerland-Pannonian Order.
At the Decanter event last weekend, it was great to see so many people enjoying fine wine. Such a joy to have so many truly outstanding wines under the same roof laid out for the consumer.
At this particular Encounter Bordeaux epecially had a strong presence and the exhibitors read like a roll-call of the great and the good - though by no means exhaustive it certainly gave a very good schooling in what the fuss is all about. It proves that the UK is not all about Blossom Hill sugar water despite all the depressing statistics.
Not only were there members of the public that you would expect - I had some lovely older gentlemen coming up to me at the Jancis Robinson stand, just to tell me with a conspiratorial wink that they were already "purple pagers" - but lots and lots of young people. The majority in fact. I hope this means that the next generation of wine drinkers/collectors/enthusiasts are trading up as they experience these wines first hand and making relationships with producers that may last a lifetime.
As well as the wines on offer there were also Masterclasses, the two most popular being the Margaux vertical and Jancis. Both of these will be available as podcasts - once the technology has been tamed- on the Decanter website and Jancis will put hers up on www.JancisRobinson.com
As well as all that, authors - Andrew Jefford and John Radford to name just two - were there for book signings and a very nice team from Riedel explaining all the subtle nuances of the various glasses and exactly why you need at least 10 different sets (I wish).
Using bargain wines is often preferable for occasions when it would be unwise to to invest a large amount of money in expensive wine.
Do you really want to use top-notch red wine for making sangria or for serving up at parties, when friends have already had enough to drink? No, I didn't think so!
Drinking Bargain Wines
Blended wine is usually cheaper and a reasonable bet in terms of drinkability. As a general rule, Chilean blends are the cheapest option, although it's often worth paying that little bit extra for Australian blends. In fact, a number of Australian producers market two excellent blends at the lower end of the price spectrum, one white and one red. The red is a blend of cabernet sauvignon and shiraz and the white consists of semillon and chardonnay. Keep an eye out for these grape combinations, if you're after a bargain!
Another winner at the cheaper end of the market is Spanish Rioja (both red and white). As Rioja is usually less fruity than the previously mentioned blends it is generally better for serving with food, rather than drinking on its own.
Other Uses of Bargain Wines
Sangria
If you're making sangria, you need red quaffing wine - and lots of it. As sangria is made from red wine, sugar, fruit juice and spirits, the quality of the red wine becomes largely secondary. This is where boxed wines come into their own. Buy large boxes that are relatively cheap - no one will notice! Be sure to purchase reasonable quality fruit juice and don't go for the absolute cheapest wine as you may live to regret it, the following morning!
Large Parties and Receptions
When serving wine to a large party, cost is obviously important. As a rule, boxed whites are generally more palatable than boxed reds, so if want to trim costs, anywhere, buying cheaper white wine may be a safer option.
A great way to improve boxed red wine is to add a reasonable quality bottle of red wine. Provided that you choose the correct bottle of red, this can make an impressive difference to the taste. Of course, you do need some suitable decanters or serving carafes and a little patience to pull this one off, successfully.
Finally, choose your nibbles wisely. Plain potato chips will do little to help you disguise a poor wine. Instead opt for a selection of cheeses, as they will enhance the flavor of even the cheapest of wines.
About the author: Since Neil Best first pondered the question, Who made the first wine anyway? he's been recording his findings at http://www.goodglug.comFind about your favorite wine regions, wine recipes, and speciality wines along with how it's made and how best to store it for maximum enjoyment
This merry band of merchants, flying the flag for small, artisanal wineries with distinctive, regional wines came to Fulham last week to give both press and public a chance to see what they have to offer.
The lower and upper ends of the wine market are well served by supermarkets and the "establishment" but there is increasing demand for wine between these extremes. The best value for quality of wines with integrity and interest. These merchants are really passionate about their lists and usually have personal relationships built up with the producers so they have fairly extensive knowledge of the vineyards, wineries and vintages.
Some of the listings are inevitably idiosyncratic and not all the wines will be to everyone's taste but these are dedicated people who will help you find treasures you will come back for again and again.
Jim Monks from Decanter Wines is a private collector who started by bringing in pallets for his own cellar, his approach is unashamedly personal (all the wines are aged in his cellar until he feels they are ready to drink and only then offered to the public) and any commercial success is second to his goal of providing himself with the kind of wine he wants to drink. Luckily, his taste seems to be shared and his wines show very well.
Also showing was Nick Dobson a self-proclaimed "niche player" with some outstanding and unusual wines from Switzerland, Austria and Germany. With these countries slowly garnering a following for their wines it is worth knowing where to track down some great examples.
Also well-represented were Amordivino, Italian importers; The Big Red Wine Company showing mainly the Southern Rhone on this occasion; Abbe Arrous whose "Cyrcée, Collioure 2002" was the outstanding wine of the day for me; and Leon Stolarski with a wonderfully diverse selection of regional French wine.
The full list of tasting notes will be put up on this site but have a look at their website and sign up to their free monthly newsletter asdw.org.uk it is always going to be worth finding something a little bit different and a little bit special.
After having a look through the supermarket shelves for the first time in ages I was actually pleasantly surprised that there were quite a few decent mid-range wines on offer.
I don't think that makes up the majority of wine sold to their customers and if you regularly go to just one supermarket branch I think you'd get bored quickly.
However the point is that there are some good even great wines being offered. I have been especially impressed with Tescos and Sainsburys premium own brands which have gone to specific regions and made authentically regional wines. Sounds easy but too often I have drunk a winemaking- rather than wine- style.
Over the past three weeks Waitrose put on their annual press tasting showing their 270 wine range. For the first time all the fine wine was shown together with the everyday drinkers. This was an admirable show of confidence in all of the wines but did lead to a couple of unfairly marked contrasts - a 2005 Fitou after a 2003 Ch Mouton Rothschild 1er cru Pauillac (delicious, by the way). However despite this I think it was a brilliant way to show the wines and a thoroughly enjoyable tasting.
It would be too long to list all the wines here so I will add a new section to the site for tasting notes from various merchants etc and publish them all together. As soon as time allows. Highlights though for me, apart from the Mouton Rothschild were Corton-PougetsGrand Cru 2003 from Louis Jadot, Ch Lagrange2000 St Julien, Ch Rauzan-Ségla1998 Margaux, Ch Cos d'Estournel2003 St Estèphe.
Yes ok, not exactly hard to have picked those out, there were also lots of more affordable lovely reds, Ch d'Aiguilhe2002 Côtes de Castillon - a former neighbour of mine though I didn't hang out with the Count, Cuvée Constance 2004 VdP des Côtes Catalanes + lots more - 2004 Gigondas from Gabriel Meffre, CNdP 2004 from Perrin et Fils and I haven't even left France yet. Ormanni Chianti 2003, Viña del Olivo2001 from Contino in Rioja, Columella2004 from South Africa, Craggy Range Le Sol Syrah2004 from New Zealand, Cape Mentelle Cab/Merlot2004 from Margaret River in Western Australia and the fabulous O'Leary Walker duo with their Claire O'Leary Reserve Shiraz 2002.
The whites, tasted the week before, were of a similarly high standard. There was a consistent level of quality and of typicity across the range. Again some fabulous Burgundy leading ladies but also a Ch Jolys Jurançon Sec 2005, another VdP des Côtes Catalanes Matassa Cuvée Marguerite 2005, CVNE Monopole Rioja Blanco 2005 a super food wine, Cono Sur's dependable Limited Release Gewurztraminer 2006, Villa Maria Single Vineyard Graham Sauvignon Blanc 2005, Torbreck Woodcutter's Semillon 2003 - outstanding, I thought. O'Leary Walker Polish Hill River Riesling 2006, Paul Blanck Riesling Grand Cru Schlossberg 2002 from Alsace.
Some of the top wines are only available in a very few stores, even only one store in a couple of cases and clearly there are limited stocks. However Waitrose are taking themselves very seriously as wine merchants and are doing a better job than any of the other supermarkets on current evidence. Their new winelist is as good as anything a very good independent merchant would produce with introductions to countries and regions, tasting notes and lots of helpful information.
It is no surprise that this year they scooped two top awards : the International Wine Challenge Supermarket Wine Retailer of the Year 2006 and Decanter World Wine Awards Best Supermarket 2006. Congratulations.
I played Risk as a kid. It's never a good idea to fight a war on two fronts.
But that's what winemakers are doing. They're fighting for our taste buds and our minds. And in the quest for our minds, New Worlders are winning. Why? In a word: marketing.
And that's where Old Worlders have fallen behind. For too long, they didn't play the game. They didn't embrace the global marketplace with a big, wide bear hug. They didn't think they needed to. They were wrong.
I get this.
People want at-a-glance labels, suggested pairings, critters, playful names and specified grapes. They don't want micro appellations, regular-size appellations or any appellation, for that matter. They want wine. Just wine. So many people don't really care where it comes from or about the traditions and geography behind it.
The German wine industry has taken this so much to heart that it's changing the name of one of its wine regions (they've done this before). The Mosel-Saar-Ruwer appellation will most likely become Mosel. Why? Because it's easier to say and remember. For who, you ask? Not the Germans, I'm guessing.
And this is where I get off the bus.
I fear this rush to make wine look the same on the outside will ultimately homogenize what's on the inside. And I don't think I'm far off this one. If wine drinkers have become so lazy that they can't be bothered to know that Chianti is made from the sangiovese grape, why should their taste buds be bothered to know the difference between quality and plonk or even red from white?
I know, I know. We're busy. We have far too many things floating around in our heads already. We shouldn't have to know that Sancerre is sauvignon blanc to be able to enjoy wine. But that's the thing. You don't need to know that. All you need to do is try it. Most people don't wonder what's in their beer or how their Jack Daniels was made. It's just something we drink; it's part of our culture - the way wine is a part of so many other cultures.
I'm all for demystifying wine, but for me, that's done in the mouth. The idea that generic labels will help the average consumer enjoy wine more is something that's being perpetuated by the very people who made it intimidating in the first place: marketers.
Tecnorati
The Mountain X Hunter Shiraz 2006 is the inaugural release and the brain child of Gary Walsh and Campbell Mattison of 
“I guarantee you all these prices will be significantly higher this time next year,” John Kapon, president and auctioneer at Acker, Merrall is reported to have said between bids at 
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
The 2004 vintage of this wine received a bronze medal at the Decanter World Wine Awards last year (2006). I’ve only been able to find the 2005 vintage in Belgrade wine shops. It has an intensive and complex aroma with hints of flowers. Dominant tastes are those of melon and slightly of apricots. However, I wasn’t impressed, perhaps I expected more due to all the hype. Or perhaps there’s a significant difference in the two vintages.
