Learn How To Easily Find Wines Of $50 Quality For $10 Or Less. Impress Friends With Your Expanded Wine Knowledge. Eliminate Your Dependence On Wine Salespeople. And Take The Hassle Out Of Buying Wine.
Earn $6.17 / Sale! %75 Commission! The Ultimate Resource For Anyone Who Wants To Learn How To Make Outstanding Wines & Spirits From Their Very Own Home!
This wine is characterized by a yellow-green colour, a fresh citrusy aroma with hints of honey and a complex flowery aftertaste. It’s a semi-dry riesling, dryer than the Slovenian rieslings (such as Laski Riesling for example), but sweeter than those found in Serbia. It is a nice wine to accompany a lighter meal.
This is one of the wines available in Belgrade restaurants in 0.2l bottles, so if you’re a driver among non-wine drinkers (meaning you can’t order a whole bottle of some fine wine) it’s a good chance you’ll be in a position to try it. Do so.
OK, so there’s alot of hub-bub about that the Wine Spectator expose that happened by blogger Robin Goldstein. And first let me say a couple things. Bloggers are extraordinarily important to the world and this is just the latest example of some good citizen journalism. Bravo to Robin for the work on setting up this sting. Nice, ethical, and well executed.
As a marketing professional for a decade and a half I’ll say this though - what did you think the award was? Wine Spectator is a “for profit” private entity that has what, 100 employees? I’ve dealt with many many awards for the rediculous number of products and companies I’ve launched and I’ll tell you this, whenever there is a for-profit entity involved then you’re going to pay-to-play. And if you pay-to-play then you’re probably getting an award! There are several technology related firms that have pay for entry, then I win the award, then they call me back and pitch me Ad space, and then tell me to be involved in the award ceremony I have the great opportunity to present my product/company at a high profile industry show…for yet another fee.
update: On side note for the history books. In the late 1990s, what I call “Bubble Days” of tech, pay-to-play got ridiculous. There were analyst firms that would take EQUITY in a startup and then write a positive report. Subsequently, these firms would go public and thanks to the Tech Bubble some people got very rich for their “award” or “positive outlook”…nuts…
This Wine Spectator debacle is nothing new or unexpected. They’re leveraging their brand, which has the power today to make a $20 wine into a $100 wine overnight, to make more money. What is unexpected is the fact that they were complete IDIOTS about it and obviously do zero vetting not a very thorough job vetting applicants. Dumb dumb dumb. But I’m not surprised the award is the way it is. Not at all actually. Maybe thats part of the marketer’s secret code or something but thats how these things go. If this didn’t happen (the dumb non-vetting move being exposed), who wouldn’t pay $250 for this “Excellence” award, hence “profit” opportunity. Look, even now, if you have a real restaurant whats to stop you from fudging the wine list? The sting was a totally fake place, but what stops you from doing this again? Pay-to-play, thats how it works. Its a revenue generator for the company, thats all.
Now, I do want to point out something in stark contrast. The “American Wine Blogger Awards“. Whenever they come around everyone gets in Tom Wark’s grill about “who are you to judge me” and “what makes you think this award is valid at all”, and so on. I mean he gets HEAVY criticism. Well guess what - its decided on by people submitting nominations, then the finalists are chosen by a panel and voted on by the people again. Oh yeah, and it FREE. In fact, when I offered to sponsor the AWBAs Tom turned that down. So even though its not perfect I view it kind of like how I view the American Democracy - its not perfect and sometimes its not fair (just look at my tax bill every f’in year), but its about the best you’re gonna get!
If you?re interested in designing your own custom wine cellar there are a number of options available to you. The best news is that there are wine cellar designs for everyone from the avid do-it-yourselfer to the complete woodworking novice.
There are modular wine racks that are available in different grains and finishes, with the least expensive generally being a wood such as pine. Most modular wine rack dealers will offer other materials such as red cedar or finished wood as well. Of course you can always save some money and finish the wood yourself if you desire a particular type of finish or color for your wine cellar racks.
There are many wine racking companies that offer crown molding and skirting pieces so that you can easily combine different styles of wine cellar racking materials and types. This approach can yield some very unique custom wine cellar designs.
There are built in glass racks that are made to fit snugly within a rack system. A good place for one of these individual units would be above the table top piece mentioned above. This would add to the ambience as well as functionality of your custom modular wine racking system.
If you want something a little different than the traditional wood wine cellar racks, there are attractive metal trellis rack pieces that are very economical, yet stylish. These tend to look classier than the wood modular wine racking pieces, especially for placement in bar areas that will be viewed by visitors.
If you would like to add a table area to your wine cellar while increasing the storage capacity of your cellar at the same time, a wine bin table may be the best addition to your modular racking system. There are taller, wine tasting tables that hold just over 100 bottles or about 180 bottles of wine, and there are shorter wine rack tables that hold more than 200 wine bottles in case bins.
There are many online dealers and manufacturers of wine cellar racking pieces that also offer custom computer design services to help you achieve the exact wine cellar layout that you have in mine. With many of these professional services you can then have the plans sent to you and decide if you will build them yourself or have someone else build them for you.
With all of the wine cellar design options available to you, there are many ways to accomplish the perfect wine cellar design for you and your situation. There are many wine enthusiasts online communities and the like where you can find others interested in the same things that you are and maybe gain some other ideas about wine cellars and the design aspect of creating your own wine cellar.
Part of becoming a connoisseur of cheap wines is knowing where to look for them. I’ll share with you one of my little secret places I attempt to seek out cheap wine: the “Reduced for Quick Sale” shelf at your local supermarket. At Meijer, my local super-mega-ultra-store, this shelf is usually located in the bottle return area. Not a very pleasant place to be searching for wines, but just think of it as a treasure hunt! You may find a bounty of cheap wines that you never knew existed.
While picking over the wines yesterday, a cartoon label caught my eye: Big Daddy Vineyards Merlot. I picked up the March 2002 vintage for about 6 dollars.
Why was this reduced for quick sale? Was it worth enduring the stench of the bottle return area to bring home this wine? Yes, yes it was. It’s almost sad that this wine traveled all the way from Argentina to end up in my bottle return area.
Big Daddy knows how to make a good cheap wine. Believe it or not, the first attribute of this wine I picked up on was the light hint of bacon. Mmm bacon. Who doesn’t love bacon? Big Daddy loves it, that’s for sure. Look at that belly! On top of the bacon was a strong berry with a leathery taste.
If you’re looking for a full bodied cheap red wine with a lot of character, give the Big Daddy Merlot a try.
Rating: 8/10 - High score for originality Price: 6.00 Place of purchase: Meijer Vineyard Info: Big Daddy Vineyards Mendoza, Argentina www.bigdaddyvineyards.com
2006 F et D Clair, Santenay Medium cherry-red colour. A very nice width of high-toned fruit on the nose, slowly it takes on a clear red berry complexion. Good depth and a furry texture on the palate. The acidity is nicely balanced and the medium-weight flavours last very well. A six-pack [...]
The growing sense of optimism over the 2008 vintage in Oregon has spilled over the edge of the fermenter into outright excitement. Veteran winemakers throughout the Willamette Valley are letting their enthusiasm for this vintage show now that almost all their fruit is harvested. Here are some comments on the 2008 vintage from some of Oregon’s most important winemakers.
Brian O’Donnell owner and winemaker of the one of Oregon’s finest estates Belle Pente describes 2008 this way, “In terms of my impression of the harvest, I’m really excited! We brought in 10 tons October 1st that is now done, and these are some of the most delicious young wines I’ve ever tasted! The chemistry on the stuff we picked later is a little bizarre, but with a few tweaks it should be fine….we’re planning to let fermentation run a little hotter than normal and do longer than normal post-fermentation maceration to try and “burn” some of the obvious fruitiness out of the wines to let the site characteristics show thru better. But frankly, I think we’ve got a tiger by the tail, and she’s wild and sassy and will take a lot of good (and lucky) winemaking decisions to get the best out of her.”
Few growers and winemakers have the depth of experience possessed by David Adelsheim one of the true founders and pioneers of the Oregon wine industry. About this vintage he comments, “Another weird year. Three weeks late, rain in July and August, and still we saw the beginnings of drought stress in some sites. We starting picking on Sep 29th and finished this past week on Oct 18th. A third of our Pinot noir was picked by Oct 3rd; during the next 10 days (which were damp) we picked only a few lots of white grapes; everything else was picked in the final six hectic days. And the quality is looking pretty grand. It will need to be – our crop levels were off by 30% compared to 2007”
Jerry Murray winemaker and vineyard manager of highly regarded Patton Valley Vineyards says of 2008, “The harvest has looked great. We pulled in the last of our fruit yesterday. Considering the way the season started out, late bud break and all, mother nature has given us exactly what we needed to not just to avoid a disaster but to really ripen fruit in a way that should make some amazing wines, true pinot. The chemistry of the grapes has been just about perfect, great acidity, moderate alcohol, great color and phenolic development. As a winemaker you hope for this sort of vintage every year but I would be surprised if you get more than a handful in a lifetime. All that is left is to see the quality through to bottle. It is very exciting.”
Top: Vines at the Belle Pente estate vineyard change color. Below: Harvest in Tony Soter’s Mineral Springs Vineyard
Slightly firm, with juniper, sage and sandalwood hints framing dark plum, currant, coffee and mineral notes. The grippy finish has a cedar note in the background, with hints of black tea and tar. A gutsy style, with fresh acidity in reserve. Best from 2009 through 2028. 4,330 cases made.
Editors note: Starting today, we will be highlighting an Iberian wine, or winery, every Friday. It may cover a single one, a project or a winery. We’ll try, in most cases, to choose wines that are widely distributed, but this will not always be possible. Hope you enjoy.
About a year and half ago, I stumbled across a wine website that had a link to an Iberian winery blog. Clicking the link, I was taken to a page with about three posts and no comments enabled. At the time, there were approximately three other winery blogs out there, and I was excited to see another pop up. However, this “blog” didn’t allow comments. Thus, in my world, it wasn’t a blog. Long story short, earlier this month, I made contact with Andrew McCarthy through a friend, and was able to help him with a little Blogspot coding to remedy this problem. Today Castro Martin sits at the 8th place in our sidebar list of Iberian winery blogs, and I’m glad to have them there. I have loved Castro Martin’s wines for quite some time, and today, both Gabriella and I would like to recommend their great Albarino’s from the popular region of Rias Baixas.
Seriously, these are some nice wines: full of body and pure fruit, they are both complex and easy to understand. The Castro Martin Albarino is straightforward pure flesh fruit with some zesty acidity. It is a 2006, and if you noticed, we’re almost to the end of 2008; meaning that for it to have this kind of zestiness is a credit to the winemaker or the grape. I’ve been lectured by winemakers who work with Albariño that contrary to popular thought, it should be aged. In fact, I have yet to do it, but I have a standing invitation with Lusco to taste through some older vintages just to illustrate this exact point. This wine is still alive, full of vivacity, and I trust will last for another year or two.
The second wine we’re suggesting is the A2O, a wine that unfortunately is spelled with a tilde (~) over the 2; thus making brand awareness an issue since no one I know can type it. But that’s beside the point. This wine is full of stuffing and ready to go for a 5 year stay in my cellar, if we can stop ourselves from drinking it all up. Rich and layered flavors supported on a framework of acidity that is strong and yet supple. I want more, and you should too. Check this wine out!!
This family owned winery itself has a history that stretches back well before DO of Rias Baixas existed, and their website claims that they were the first to use stainless steel tanks for their wines. And current winemaker, Angela Martin is responsible for the production of award winning wines, such as the Acio de Ouro (no info) in 2000, for best Albariño. There’s even rumor that in 2001, Andrew McCarthy attended a wine tasting that appeared to have lasted a bit longer than was to be expected, eventually ending in a marriage!
I don’t need to recap the entire history and wine making, because the site (despite its silly pop-up windows and some distracting flash) provides some good information for your to peruse on your own time. Here’s a direct link to avoid the pop-up window.
Complaints? Well I have to say, I hate fake cork. If your going to opt out of the real cork, then please move to screw caps. Fake cork is annoying, ugly and at times, harder to open than the real stuff. Please just get on with it and move to a screwcap if you don’t want the cork. Otherwise, the wines are great and well worth seeking out. Not to mention, please leave a comment on their newly “open to comments” blog, where you can see what is happening in Galicia, Spain.
2003 Embriux Priorat de Vall Llach $35 Wine label said: Wrong language! The bottle is no help! Vineyard66 says: This another of my series of Spanish wines, as we will be there next year and I’m doing my homework. The web tells me that Embruix means “betwiching” in Spanish, but also that it is primarily Cabernet and Grenache blend [...]
A big, full-bodied, expansively-flavored, traditionally made Gigondas is a blend of 60% Grenache, 20% Syrah, 10% Cinsault, and 10% Mourvedre. Abundant herbes of Provence, heady, peppery notes are accompanied by sweet kirsch liqueur, plum, and fig characteristics. Dense, medium-bodied, and ripe. Nice, pure, plum-cherry finish.
Based at the foot of the Dentelles de Montmirail , its vines rising up the south west facing slopes, the Domaine des Bosquets encompasses 26 hectares at the heart of the appellation of Gigondas. This is one of the wines produced by the Brechet family
Score: 9/10 Price: ?18 Retailer: Somewhere in Marseille
This concludes the baker's dozen of reruns. I had to republish this one. It was hard to write -- I'll say it took me years, effectively. I said things I'd needed to say for a long time. If ever I had a touchstone in writing, it would be this. I don't what know what else to say. January 27, 2008 Húgues the Memorious: Wine, Depression, Introspection, Awareness In vino veritas. For centuries there have been...
If you are often frustrated reading wine magazines, wine books, and wine reviews that focus on wines you can't find in your local store, you may wonder why I am addicted to Michael Broadbent's Vintage Wine: Fifty Years of Tasting Three Centuries of Wines. This book collects his tasting notes for the oldest, rarest, and most coveted wines in the world.
If you don't know Michael Broadbent's book, it's an awe-inspiring trip through some of the oldest and most expensive cellars on the planet. And because there's no conceivable way most of us will ever be able to buy any of the wines he tastes here, there's none of that frustration--just pure enjoyment. If this sounds like something you might find fun, or you are looking for a gift for a wine lover, check out today's post.
2003 Lignier-Michelot, Morey St.Denis Vieilles Vignes Medium-plus colour. The nose is forward, maybe a hint porty and certainly very ripe but generally the fruit talks of pinot. Ripe, plenty of concentration and very well mannered tannin. The understated acidity provides good balance and just enough freshness. It’s riper than I prefer, [...]
Hmm. I wonder if anyone even bothers to stop by any more, even if it's just to note my conspicuous absence.
Lots going on, folks.
Thanks to all who wished the Chef and me well last month on the anniversary of our wedding.
On a similar note, best wishes to Scott and Jill on their nuptials last weekend. Such a beautiful party.
And, of course, there's the wine goings on. Much to do here in Northeast Ohio, especially this weekend. If you felt let down by the Tribe's oh-so-typical performance this year, you can return to Jacobs Field in Cleveland this weekend, Nov. 2-4, for a much happier occasion. It's the Heinen's/WVIZ World Series of Wine , a perennial joy for wine novices and aficionados alike. It really doesn't get much better than the grand tastings ($70-$75 a person; purchase tickets in advance). More than 400 wines, 100-plus producers, stellar munchies, unparalleled people watching. You'll find lots of opportunities to speak with winery and distributor representatives to get the real dirt on what you're tasting.
It's hard not to over imbibe with so many wines to try, so take a cab or a limo or book a hotel room. Some downtown Cleveland hotels are offering packages specifically for the occasion.
This is easily the biggest wine event of the year for Northeast Ohio. Oh, and it benefits public broadcasting, as if you needed another reason to go.
This is the first cabernet from the bonny team at Donny Goodmac. It’s made from 20 year old vines growing on a steep-ish slope - which managed to avoid most of the frost troubles of that vintage. You need a subscription to The Wine Front to see this part of the post
The average diner tends to be less than well-educated when it comes to pairing wine with their meals, or knowing how to serve it. To avoid turning ordering a glass of wine into a major ordeal, it's important to educate yourself about the wines available and the things you should or should not be doing to enjoy them.
This is another dry red wine from the sunny ?emovsko valley near Podgorica, Montenegro. We’ve covered a few wines from the Planta?e winery in the past and this is probably the poorest of their wines, without much character. Enjoyable only with a meal.
The difference in perception of this wine and the Dulka Cabernet we just covered is quite huge - the wine makers from Fru?ka Gora do seem to know how to add some magic to their wines and add a special touch to it (OK, it costs twice as much, but is well worth it!).
Score: 5/10 Price: 240 RSD (?3) Retailer: Widely available in Serbia and Montenegro
I'm in the mood for a throw-down. No more of this namby-pamby dancing around the ring.
A couple of weeks ago, I got slammed on the ropes for a comment I made about a post on Vinography. The winos over there are apparently pretty fond of their New World wines because, when I suggested that Old World wines might be suffering in the global marketplace because of what is simply an archaic (or nonexistent?) approach to marketing, damn. You'd have thought I said something about their mother.
"Absurd!" they said. "Wine that tastes like fruit, not boxes of cigars and pencil lead, appeals to US consumers," they proclaimed.
Hmmm.
I'm a U.S. consumer, and I'm a pretty even-handed gal. I like New World wines; I like Old World wines. I was trying to make a point about what I considered to be the glaring difference in the marketplace. I was trying to make that point independent of taste, because I tend to believe there's a place out there for both styles of wine.
But then I started to think about it, and I've decided, even-handed is for wusses.
I'm picking sides, and do you know why? It's not about technical quality. There are New World and Old World wines of technical brilliance. It's not about image. Image is surface; popularity comes and goes.
No, this is a matter of taste, and I'm coming down on the side of the Old World.
This is my battle cry for wines that taste like cigar boxes and dirt, seashells and truffles; for wines that taste like a location; for being able to tell the difference between chadonnays made 30 miles apart; for a wine that has structure without having an alcohol content of 15 percent; for a wine that isn't obvious; for a wine that doesn't cater to a soda-pop palate; for a wine that actually pairs well with food; for a wine that goes for elegance over brawn; for a wine that doesn't give it up on the first date - one that I've got to work for, one that tastes better the next day, one that could sit on the shelf and evolve for a couple of years, one with a little mystery.
2006 Muga Roija Blanco $12.99 Wine label said: Nothing much… it’s barrel fermented and imported by Jorge Ordonez. Whoopdeedoo. Vineyard66 says: As I am still researching Spanish wines, I’ve noticed that my good friend Bill from California has been spouting off about Muga Roija. Of course, he was speaking about the red wines the area is famous for. I [...]
Weingut Bernard OTT. Wagram, Austria. 12.5%. Screwcap. Approx $A40.
One of the most notable things about this wine (besides the harmless tartrate crystals), is the lovely texture. Though a dry wine of 12.5%, this feels more voluptuous. It's silky and essence like and there is an impression of weight and flesh, without heaviness. It is zippy and spice laden with plenty of grip and length.
The font of the title is pleasantly wacky, and the title itself promises a dream-like escapade in which Feiring daydreams herself ?saving the world? and falling in love with a superhero winemaker. Not a bad concept. This is not a journalistic effort like other recently released wine books, To Cork or Not to Cork, The Billionaire?s Vinegar, First Big Crush, Wine and Philosophy. This is a personal essay on a personal point of view. The book is a small-format book?hardbound, 5 ½ ? by 8?, 158 pages exclusive of acknowledgments and index, and can easily be read in a few hours. In the introduction she says, ?I am hoping to intrigue those who want wines that truly have a story to tell. Once people experience these wines and winemakers, once they know that wine truly does have soul and character, it will be difficult for them to cozy up to wines made by the numbers and not from the heart.? I hope that this book fulfills her mission. Unfortunately . . .
This is another dry red wine from the sunny ?emovsko valley near Podgorica, Montenegro. We’ve covered a few wines from the Planta?e winery in the past and this is probably the poorest of their wines, without much character. Enjoyable only with a meal.
The difference in perception of this wine and the Dulka Cabernet we just covered is quite huge - the wine makers from Fru?ka Gora do seem to know how to add some magic to their wines and add a special touch to it (OK, it costs twice as much, but is well worth it!).
Score: 5/10 Price: 240 RSD (?3) Retailer: Widely available in Serbia and Montenegro
If you've read many wine labels, especially those of wines that cost more than $25, you've almost certainly seen on that contains the phrase "fermented with wild yeasts" or "native yeast fermentation." This indication that the winemaker has not used a so-called "commercial" yeast is often a telltale clue as to the overall philosophy of the winemaker. Making wine without commercial yeasts can be more difficult, more unpredictable, and more risky than some are willing to accept. Those who do eschew commercial yeasts often do so because they are committed to making what they believe is a more natural wine, both for its lack of "intervention" by the winemaker, as well as because the yeasts that do end up driving the fermentation are believed to be from the vineyard and part of its ecology.
Without a doubt, making wine without commercial yeasts represents a more traditional method of making wine, but apparently the more we learn about yeasts and winemaking the less it seems that there actually is any such thing as a wild yeast fermentation.
A recent thread on the Mark Squires bulletin board addressed this very topic, and I highly encourage anyone who is interested in the subject to check it out. The discussion ranges across a number of different issues regarding yeasts, often getting quite technical, but the gist of it can be boiled down to a simple set of arguments.
First, it is clear that there are yeasts on the skins of the grapes out in the vineyards, and that when no commercial yeasts are added (and sometimes even when they are) some these yeasts can also be found working away in fermenting grapes in the winery.
However, it is also true that most of the time the yeasts that do the most work in fermenting the grapes in the winery are very different yeasts than are found in the vineyard. Which begs the question where, exactly, did they come from?
The answer, according to a lot of winemakers and researchers, is from within the winery itself. No matter how well a winery is sanitized, it tends to harbor all sorts of biological elements, including complex "cultures" of yeast that breed, mutate, and even evolve in the little ecosystem that is the winery.
If the winery ever has used commercial yeasts, this local culture will most certainly include some of these commercial yeasts. And if it hasn't it will likely include yeasts that were brought into the facility on humans, pets, equipment, insects, and more.
All of which is a long-winded way of saying that the decision to not use commercial yeasts to ferment the wine doesn't really mean that what you're getting instead is some natural cocktail of yeasts that are specific to a vineyard. A native fermentation it may be, but the yeasts that are chowing down on the grapes are much more likely to be native to the winery building than they are the vineyard, and in many cases they may include commercial yeasts as well.
I'm certainly guilty of romanticizing native yeast fermentations as a writer. Along with the decision not to fine or filter the wine, this decision generally says something to me about the quality of the wine. The fact that winemaking yeasts aren't entirely wild doesn't necessarily undermine that meaning, but it certainly does call into question just how much justification there might be for prejudice against commercial yeasts as somehow "unnatural." Biodynamic winemaking, for instance, clearly proscribes use of commercial yeasts as yet another unnatural intervention in winemaking.
The process by which grapes ferment involves sometimes 80 or more different kinds of yeasts, the actions of which are affected by pH, temperature, sugar levels, and thousands of compounds in the grapes, not to mention anything we humans might do. We're still trying to figure out just exactly how it all comes together.
As intrigued and excited as I am about the degree to which science is gradually deepening its understanding of what wine is and how it comes to be, I also love the fact that it's so complex that we've still got a long way to go.
Mystery is a good thing. It means we need to keep drinking.
Tecnorati
This wine is characterized by a yellow-green colour, a fresh citrusy aroma with hints of honey and a complex flowery aftertaste. It’s a semi-dry riesling, dryer than the Slovenian rieslings (such as Laski Riesling for example), but sweeter than those found in Serbia. It is a nice wine to accompany a lighter meal. 
A big, full-bodied, expansively-flavored, traditionally made Gigondas is a blend of 60% Grenache, 20% Syrah, 10% Cinsault, and 10% Mourvedre. Abundant herbes of Provence, heady, peppery notes are accompanied by sweet kirsch liqueur, plum, and fig characteristics. Dense, medium-bodied, and ripe. Nice, pure, plum-cherry finish.
This is another dry red wine from the sunny ?emovsko valley near Podgorica, Montenegro. We’ve covered a few wines from the Planta?e winery in the past and this is probably the poorest of their wines, without much character. Enjoyable only with a meal.
