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One of the greatest experiences that a wine lover can encounter is a wine that stops them in their tracks. I'll admit that I'm excitable in general, but there's nothing that gets me quite so giddy as a schoolboy as when I stumble across a wine that truly bowls me over. Such wines are the closest I get anymore to the emotions of that first passionate kiss in a new relationship -- they electrify me. While the world slows down to a crawl around me, all I want to do is stick my nose in the glass and inhale slowly.
This is one of those wines. I was minding my own business, tasting away through a public wine tasting in San Francisco. As a matter of course, I marched up to the Guigal table, and tasted through what they had to offer, like I have done before at other tastings. I enjoy Guigal wines a great deal, especially their more exclusive bottlings.
But while I've had Guigal wines that have been great, even exceptional, I've never had one knock me on my ass in quite the same way as this wine did when I put it in my mouth.
Etienne Guigal founded his winery in the tiny Northern Rhone village of Ampuis in 1946. The vineyards he purchased to begin producing wine had been growing grapes for as long as anyone can remember. So long that some of the stone walls in the fields dated back more than 2400 years to Roman times.
The enterprising 32-year-old Guigal was no stranger to the wine business when he bought his first vineyard, having worked as a winemaker for several years before striking out on his own. By the time his blindness forced him to turn operations over to his son in the Sixties, he had personally worked more than 67 vintages.
The estate is now beginning its third generation of family ownership, and is widely recognized as one of the top wine producers in both the region, and the world. From its humble beginnings, the estate has grown to sizable proportions, or what amounts to sizable proportions in the relatively small appellations of the region. The estate now owns vineyards in Côte-Rôtie, Condrieu, Hermitage, Crozes-Hermitage, and Saint-Joseph, and buys a significant amount of fruit from producers all over the region.
I'm not entirely sure of the estate's current production levels but they are somewhere north of 340,000 cases, with the bulk of that being wines made from purchased grapes. The wines are currently made by Philippe Guigal and his father Marcel.
This particular wine is 95% Syrah and 5% Viognier, culled from some of the oldest blocks among 6 of Guigal's vineyards:
Le Clos "Côte Blonde", La Garde "Côte Blonde", La Grande Plantée "Côte Blonde", La Pommière "Côte Brune", Le Pavillon Rouge "Côte Brune", Le Moulin "Côte Brune"
Some of these vineyards were planted in the early 16th century. Of course, they have been replanted over the ages, and the average age of the vines now is around 50 years. While the vineyards are not certified, they are essentially farmed organically.
The grapes for the wine are hand harvested, meticulously sorted, destemmed, and then undergo a cold soak for sometimes more than a month before fermentation is allowed to begin in steel tanks. After fermentation, the juice is transferred to the estate's own barrels (since 2003 the estate has run its own cooperage on the property) where it ages for at least 38 months before bottling.
Tasting Notes: Medium garnet in color, this wine leaps out of the glass, grabs you by the scruff of the neck and drags your ass into a field in the middle of southern France and then stands back laughing as you stumble blissfully among sage, lavender, rosemary, and a small lake of fresh cassis. In the mouth the wine is equally explosive with an incredibly juicy core of cassis that is riddled with crystalline, granitic minerality. Perfectly balanced, with the texture of satin, and tannins that don't grip so much as they caress. And just when you think it can't get any better, the floral notes from the Viognier sweep in like valkyries to carry you away into the finish. Please, sir, may I have another? This is definitely the best current vintage of Côte-Rôtie I have ever tasted.
Food Pairing: I'd love to drink this with a slow roasted leg of lamb with rosemary.
Siam Winery is no tiny concern. With 1.2 million liters of tank capacity for fine wine, and twice that for the profitable wine cooler venture, they are the big boys in the region. Their 72 acres of grapes are spread over several locations, including one parcel that is actually planted among canals.
The image of a boat paddling through the Floating Vineyards is only slightly upstaged by the shot of the elephants in the vineyards at Hua Hin Hills. This is certainly not any wine country most of us are used to. Don't be fooled by the tourist friendly visage, this is a serious wine concern, making serious wine.
Kathrin Puff is the winemaker, and an incredibly capable one at that. Hailing from Germany she spent years in Italy before coming to take the reins here in Thailand. Her approach is to take the best of technology without going overboard, and the best of the organic approach, without being limited.
The Floating Vineyards are the source of the local vinifera varieties Mlaga Blanc and Red Pokdum. Their Chenin Blanc, Colombard and Syrah are sourced from the slopes of the Hua Hin Hills Vineyards, which is ever expanding.
Hua Hin Hills has issues with high water tables due to their proximity to the jungle covered mountains, so they have had to dig down 15 meters and place water barriers and add shale and other stones for drainage. This huge effort has been well rewarded by decent quality fruit from surprisingly young vines. The quality can only go up as the average age of the vines increases.
Housed in an industrial facility the winery is not at all impressive from the outside, but the interior more than makes up for that. The barrel room is well maintained and there are plans in the works to double its size.
Kathrin is a fan of micro-oxigynation so the lower level wines are not penalized by failing to get a chance to develop secondary aromas through barrel aging. The Monsoon Valley wines show the care and crafting you would expect from a small hands on winery, so the sight of the sprawling tank rooms might catch you off guard.
The scale of the fine wine production is nothing in comparison to the wine cooler facility. Here bottles whip by at blinding speed, 24/7 being filled, labeled and packed for the never ending demand for these "starter" wines. The commercial success of the coolers ensures that there is the needed capital for expanding and improving the fine wine division.
This fiscal planning is not only evident in their diversification, but also through their distribution. Not only is Monsoon Valley one of the most prominent Thai wines in stores and restaurants, they have their own retail outlet here in the high end resort of Hua Hin. This tiny shop in an upscale mall allows visitors to taste and buy the wines in the comfort of a beach town, without having to trek into the countryside or halfway to Bangkok.
But if treking is your thing the Hua Hin Hills facility will welcome you with their modern tasting room and dining facilities and tours are even available for the main winery. More information can be found at http://www.monsoonvalleywine.com/.
This was originally going to be one of those quick and dirty reviews. Two Argentinean wines, a snack provided by Chef Tim (that would be Tim Ellison, one of our favourite local sommeliers and co-founder of the BC Wine Appreciation Society), followed by a fast dash through the Cambie Liquor store to stock up on a few winter staples like Cognac and Champagne. Oh well, things change.
Uncharacteristically for a Saturday, there was plenty of parking ? must be something to do with the snow. Vancouver + Snow = Mass Panic.
Tim and I do our usual three-kiss-on-the-cheek greeting ? that?s right cheek to right cheek, left to left, and right to right in case you?ve ever wondered. The beef he?s carving with Melissa Popp from Hills Foods smells wonderful and the Chimichurri Sauce looks even better. Both wines on offer are from Bodega del Fin del Mundo from Patagonia, Argentinean ? Southern most White and Southern most Red. Hmmm. White and Red. That tells me a lot, but what the heck.
Turns out our white is a 60/40 Sauvignon Blanc, Chardonnay blend. Surprisingly crisp with a pleasing length to the finish ? not huge but pleasing. Today, however, this wine seemed just a bit too citrus without food ? or maybe I?m just cantankerous from the snow. Still, at the price point of $12.95, this is one worth stocking for when you need a sipper with light nibblies. I?m already thinking summer sailing and it?s only December.
The red is 70/15/15 Merlot, Malbec, and Cabernet Sauvignon. Once again priced at $12.95, this is one good value. A hint of tobacco and a nice, round mouth feel. I was surprised I liked it as much as I did. And it went fabulously well with the beef ? although I had to check that particular pairing twice just to be sure. Tim and Melissa Popp from Hills Foods were happy to provide a photo op for the results of their combined cooking talents.
Tasting Aftermath at the Computer
Arriving home, I thought it would be fun to find out more about a winery located ? literally ? at the end of the world. One thing lead to another ? like good surfing usually does. I spent, let?s just say ?a while,? including a browse about through the Hills Foods site (who generously provided today?s beef) ? some great recipes and cool organic meat products. But here?s the summary about the wines.
Bodega del Fin del Mundo was founded in 1999 when the owners planted vines on a deserted plot of land in Patagonia, Argentina. First problem ? no water. From the pictures on the website, there?s not only no water, there isn?t much of anything here ? think bleak, windswept, and desolated. Twenty kilometers of irrigation canal with computerized pumping system later, there was water, but now each plant needed its own windbreak to protect it from the gales that swept across the land on a seemingly daily basis. These folks clearly have plenty of the stubborn gene.
In 2002, their first vinification produced 30,000 bottles and netted a silver medal for Malbec. The owners began constructing a new, contemporary winery so they could move out of the small warehouse they?d been using to date. By 2004 were winning gold and silver medals at the Brussels Wine Expo and the Mondial du Pinot Noir in Switzerland, and their list of medals gets longer every year.
Also interesting, Bodega del Fin del Mundo continues to consider itself an experimental vineyard and is researching the viability of grape varieties seldom associated with Argentina ? Petit Verdot, Cabernet Franc, Aspirant Boushet, and Viognier.
And here?s a bonus, Tim even shared his recipe for his Chimichurri Sauce. Check it out. Thanks Tim!
TIM'S ARGENTINEAN CHIMICHURRI SAUCE
A light oil and vinegar sauce with chopped parsley, cilantro, and garlic. Use as a garnish on your favourite cut of grilled beef. Makes 1 cup and would be wicked with fish and chicken too.
Ingredients: 1/2 cup vegetable or olive oil 1/4 cup red wine or sherry vinegar 1 med white onion, minced 1/4 cup flat leaf parsley, finely chopped 1 tbsp cilantro, finely chopped 2 tbsp oregano, fresh, finely chopped 4 cloves of garlic, finely chopped 1/4 tsp chili pepper flakes 1/4 tsp black pepper, coarse grind 1 tsp lemon juice salt to taste
Method: Whisk together oil and vinegar in non-reactive bowl. Add the rest of the ingredients and combine thoroughly. Season with salt to taste. Cover and refrigerate for 2-3 hours to allow flavours to develop. Serve as a garnish with all types of grilled meats and fish. Will keep covered in the fridge for 2-3 days.
This weekend, we built a wine rack. When we first moved to Terrassa almost 3 years ago, we were regularly lacking in wine as a result of less income, less samples and less travel. Consequently, we never had a formal wine rack. But when you change any one of these factors, you end up with a lot more wine. Now imagine if you changed all three like we have?! We not only needed to figure out where to store it all, but also how to inventory it. I still have most of my cellar in Cellartracker, though I quit putting in my tasting notes. I like Snooth and Adegga as well, but they both need better cellar management for me to move to them exclusively. Since this past weekend we created the wine rack, maybe next weekend we’ll inventory the wine. Let’s see what happens.
As for building the wine rack, it actually turned out to be much easier than we expected. Odd note though: untreated, uncut, plain wood costs more than planed, beveled whole sheets of wood here in Terrassa. So instead of needing to sand and polish it, we simply bought nice sheets of solid, shelving wood and then cut it to fit. Yet, we still need another. So later today, I’m off to buy some more wood for wine rack number two!
Enough about housing. Next Monday, we’re off to judge wine blogs! It feels a bit odd to mention, after we realized at the EWBC that judging a wine blog is quite subjective once you get past the aggregators and plagiarizers. Once into the meat of the blogging world, where the hard work and effort is being spent, judging wine blogs is a bit of a silly endeavor. What’s good for you is not always what’s good for me. But none the less, we’ve been asked to judge Spanish and Catalan wine blogs this coming week in Reus, Spain, a short train ride from where we live. The grand prize is 3,000 euros, which seems a bit excessive and makes me wonder if we’ll see a lot of blogs that were “recently” launched. Oh well, anything to promote more social media in the Spanish wine world can’t be all that bad. We’ll keep you informed. DO Catalunya is hosting it, and while their website is a nightmare to look at, let’s hope this initiative leads to some good ideas.
In other news, we still want to talk to you about the wines we tasted at the EWBC2008; however, it may take some time. At the end of this month, we’ll be retasting several of the wines with an American Importer who will be staying with us for a few days. But remember, for our Keynote tasting, our intention was to select wines that we had either tasted before or that we respected. And on the night of the event, I tasted through the wines a few times; and while they all showed well, I didn’t take the time to write notes or analyze the wines. So this past Friday, I did analyze one of these wines, and I’m sad to say, it just pissed me off more than anything else. Dominio DosTares Leione 2005 - Prieto Picudo, is a wine that I have loved in the past. Now, maybe it’s as a result of the vintage, or maybe I’m drinking this too young since it does still have some stuffing to it, but I’m sorry, Oak is not a Fruit! This wine has so much going for it with the funky fruit notes and exotic touches of spice, but over it all sits a river of vanilla, syrup and sweet oak. I have a few bottles left to celler and taste again in the future, but even after 3 days being open, the wine is still bugging me. Note to Spain(rather wine makers everywhere): OAK is NOT a FRUIT. Just to be clear here are the aging and oak stats from the Dostares website (a well done website, that deserves mention!):
Pre-fermentation maceration: 3 days at 12ºC Alcoholic Fermentation: Duration: 12 days Temperature: 27ºC Malolactic Fermentation: in French, American and Hungarian oak
Ageing process in barrel: Capacity: 225 litres Age of barrel: New & second-fill. Type of oak: French, Hungarian and American Toasting level: Medium and medium+ Ageing time: 9 months
What stuns me is that I assumed this wine saw 100% new oak, and as you can see it is not. Now for contrast, we were just in Miguel Merino’s winery, who is using 100% new oak, (mixed barrels, American Staves, and French tops and bottoms). That is a lot of new wood, and a lot of American wood influence and yet his wines are perfumey, full of terroir and complex fruit, without the sickening vanilla oak sheen.
Too many factors go into winemaking to pinpoint anything specific as the problem, but in the end, 100% new oak is not always a bad thing, despite the bad reputation people give it. If you hear anyone ever say 100% new oak is evil, well tell ‘em to shove off, or at least explain what wine they are talking about. Sometimes they are right, sometimes their not, Almond Joy’s gots nutz, Mounds don’t…sorry…
Other than that, the weather here is starting to chill down a bit, which is nice and sad at the same time. I unfortunately, have not had enough sherry this year. Too busy? Not sure why that is an excuse, but it is somewhat true. Therefore, I’m making up for it with a steady intake of Osborne’s Fino Quinta and a new cheap Manzanilla I picked up a couple of days ago that is quite nice, Bodegas Barbadillo’s Muyfina. Full of honey notes, and light nuttiness, I really have to say this is a treat, and pairs great with a late afternoon siesta!
This merry band of merchants, flying the flag for small, artisanal wineries with distinctive, regional wines came to Fulham last week to give both press and public a chance to see what they have to offer.
The lower and upper ends of the wine market are well served by supermarkets and the "establishment" but there is increasing demand for wine between these extremes. The best value for quality of wines with integrity and interest. These merchants are really passionate about their lists and usually have personal relationships built up with the producers so they have fairly extensive knowledge of the vineyards, wineries and vintages.
Some of the listings are inevitably idiosyncratic and not all the wines will be to everyone's taste but these are dedicated people who will help you find treasures you will come back for again and again.
Jim Monks from Decanter Wines is a private collector who started by bringing in pallets for his own cellar, his approach is unashamedly personal (all the wines are aged in his cellar until he feels they are ready to drink and only then offered to the public) and any commercial success is second to his goal of providing himself with the kind of wine he wants to drink. Luckily, his taste seems to be shared and his wines show very well.
Also showing was Nick Dobson a self-proclaimed "niche player" with some outstanding and unusual wines from Switzerland, Austria and Germany. With these countries slowly garnering a following for their wines it is worth knowing where to track down some great examples.
Also well-represented were Amordivino, Italian importers; The Big Red Wine Company showing mainly the Southern Rhone on this occasion; Abbe Arrous whose "Cyrcée, Collioure 2002" was the outstanding wine of the day for me; and Leon Stolarski with a wonderfully diverse selection of regional French wine.
The full list of tasting notes will be put up on this site but have a look at their website and sign up to their free monthly newsletter asdw.org.uk it is always going to be worth finding something a little bit different and a little bit special.
Leave it to a baby boomer to latch onto this millennial wine label concept. Forgive me; the label goes with the new table we just bought from Pier 1 Imports, that place where the millennial generation now shops. The proverbial "we" refers to the writer, namely me, and my civil union partner of nearly 20 years, or whatever is allowed to be said given we do not fall into the category of "one man and one woman".
Geode is a wine concept. It is a design. It is targeted marketing. This is its first vintage. It over-delivers. That's a good thing. Quick, before they sell it off to a larger company keen on watering it down and milking the label as a cash cow, buy it and drink up.
If they are going to wing these concepts out at us, then we need to know when to buy and when to pass. We need to be as fickle about our preferences as they are about their focus group results. My experience is this type of concept is best when it starts out. They can evolve into something even better, but rarely. Again I say, buy now and drink up. Just don't get married to it. Play the field. Be gay with California wine - don't get married.
White Rocket Wine Company has done a great job with Geode Santa Barbara Chardonnay 2006. Chardonnay is the proverbial "dead horse" in many ways these days, so it takes a strong concept, product and price to make hay. True to form as a Santa Barbara County Chardonnay, this newbie takes on hints of Puligny-Montrachet, a remarkable feat for a sub-$15 wine, Geode is packed with oodles of honeyed botrytis overtones and delicious tropical fruit flavors. The honey is in the head space and the pineapple, mango and lemon-lime grace the palate in a sophisticated way. The performance is very well rounded, creamy on the palate, yet the finish is crisp dry.
Veteran wine maker Melissa Bates is credited with this stellar value laden effort. She reportedly gave this wine an average of 8 months in oak, 3/4 French, 1/4 new.
Price: $14 (Nashville). Closure: real cork. Alcohol content: 13.5%.
They maybe should start calling Napa Chardonnay simply, "a glass of white Napa". Chardonnay seems so generic, especially in the days of now, when "mom-and-pop" wineries are a romantic thing of the almost-past. Last year William Hill Estate changed hands, leaving the portfolio of Jim Beam's peeps and joining the ranks of E&J Gallo's decendents' peeps. But this is Napa juice, so I say, call it "a glass of white Napa". It sounds more distinguished than, say, a glass of Gallo's William Hill Napa Chardonnay.
By the way, do you know how to tell right away if that winery you're researching is owned by one of the large "wine umbrella portfolio management groups", without googling it? Here's a hint: If they ask you when you're born, before you check out their homepage, tell them you're born on January 1st 1901. And rest assured, you're under a big umbrella.
Okay, now that we've established that Gallo bought a Napa property with lots of history and genuine character, let's give them credit for injecting the house with efficiency without sacrificing quality. Under Gallo's umbrella, William Hill can compete better in the reality known as wine 2.0, the modern wine marketing landscape. As part of an entire "aisle" of offerings, this label can wield more muscle than it could stand-alone. We get better deals as a result. When they don't water it down, we stand to benefit by such an arrangement.
Reportedly, the fruit for William Hill Napa Chardonnay 2005 is from Carneros and Atlas Peak. Malolactic fermentation and oak aging inject the wine with richness, layered atop the lean acidic structure begotten from the cool climate vineyards. The oak influence is noticeable, reinforcing the tropical mango and perfumed lemon aromas and flavors. Here is a successful baby Chassagne-Montrachet, if you dare call it that. I call it a darn good glass of "white Napa".
Price: $13 (Nashville, on sale). Closure: Real cork. Alcohol content: 13.9%.
Beautifully conceptual these wines, both of them. This is what Chardonnay is all about, and it's amazing how affordable they are.
Whilst in Bordeaux I took the time to speak to Thierry Manoncourt at Chateau Figeac to ask him about his life and how things have changed during his stewardship of the estate since the 1940s - he will be ninety in September this year. The interview will be podcast in the near future (in [...]
This is the first cabernet from the bonny team at Donny Goodmac. It’s made from 20 year old vines growing on a steep-ish slope - which managed to avoid most of the frost troubles of that vintage. You need a subscription to The Wine Front to see this part of the post
Time to clear a few things up here at Catavino.net. This past week, we have received some emails that need to be addressed, and we think the only place to do it is here on our site. Lately, we’ve been receiving some odd emails. Evidently, there is a rumor circulating that Catavino is a winery/bodega. You see, this week I’ve received at least 5 emails from different countries, including the USA, asking to represent our wines in restaurants, export markets and country wide in the case of Canada. Being a couple of wine writers without a winery, nor with any connection to the wine making process, I’m not sure where this idea has come from. I have to say we’re quite flattered, though a bit befuddled. Is there something on our site that leads people to think we make wine? Do other wine bloggers find themselves being solicited in such a way? Inquiring minds want to know!
Trust us, we would love to make a wine. In fact, we tried to once, but with mixed results. We will try again, and if you are a winery who wants to help us in this project, we’re all ears. We’d love to put out a Catavino Garnacha Blanca, or Catavino Touriga Nacional, but sadly, they don’t exist. However, we’ll be sure to scream it from the rooftops if we and when we do create a Catavino wine.
What we do do is work with wineries to use the internet more effectively. Currently, we have 4 clients, and we are interested in helping a few more, but we are getting picky. If you are, or you know, a winery that understands how the wine world is changing and that old ideas might not apply, give us a ring. My number is: +34 656 433 063, call me, llamame, liga-me, or send us an email: cvm@catavino.net, we’re listening!
So Now For Some Wine…But Let’s Not Talk About Iberia For A Moment
A completely biased and non-professional review is coming up. Why? Amy Lillard, and her blog, have been in my feed reader for almost as long as I’ve known what a feed is. Tom Wark has lauded them as one of the top winery blogs, and I have to agree with his approval. The level of frankness and honesty on this site is mind blowing and if you are a winery who wants to start a blog, you would not be doing poorly if you copied Amy’s model and style. Because of her writing, I felt like a close friend even before I had the chance to meet her at the EWBC 2008. The only element that was missing from our relationship was her wine. I wanted to try the wine but with its lack of distribution in Spain, I just had to wait. The winery and the blog’s name are La Gramiere.
Fortunately, the harvest did not keep Amy from visiting us in Logrono at the EWBC2008, giving me the chance to finally taste the wine behind the blog. Thus, this critique is tainted by the relationship I have with both her and her writing. Having followed the ups and downs for so long on her blog, I feel connected to what she is doing, and I feel like I hold a small stake in her adventure. This is proof as to why wineries should blog!
How is the wine? In one word, great! We miss French wine, seeing that Spain has none for sale, or at least very little. This is a wine after my own heart, a Rhone wine that is not from the Rhone (see full story here). It is full of the spice and terroir that I love, but with a lighter, less obvious way about it. After my first taste, where I was grateful that it didn’t suck (a fear I had considering my high expectations), I was quickly told that the wine was around 15%; something that both turned me off and at the same time surprised me. Similar to my notes on Monday, discussing how 100% new oak shouldn’t always be associated as a bad trait, you cannot say that high alcohol is always bad either. This wine is balanced and pleasant, and has a long life ahead of itself. I have to recommend it: number one, if you trust me and my palate, and number two, if you like to look at wine from new perspectives. This is a winner, not to mention organic. And if you ask Amy her thoughts on organic wine…well, let’s just say that you might want to pour a tall glass and grab a seat, because it will be awhile before she finishes.
Sorry that I can’t be more objective, but I feel that as I become closer to wineries who blog, the less I can allow myself not to be their cheerleaders. On the other hand if I try to separate myself from my love for this wine and look at it completely objectively, I still have to say I think it is a very well made, interesting wine. La Gramiere is making great wine, and they are telling the story as they do it. For me this is what wine should be about, good juice, good people, and lot’s of stories!
At a recent tasting of South African Great Whites I was really excited by the wines I tried.
In the past I have sometimes been disappointed that in general the wines could seem out of balance, either too acidic or flabby, the fruit almost a cariacature of itself and even in the worst cases just dirty.
These wines however showed exuberant fruit, great balance of refreshing acidity with richness and depth and really distinctive character. I thought they showed very well and certainly will lead me to the South African shelves when I want good value white.
My favourites from each section as follows, full tasting notes seem to a bit of a dream at the moment but one day I hope to get them all up!
Jan Daneel Chenin Blanc 2005 Napier: Very simple but stylish label would have great shelf presence. Pretty, sunny apricot nose. The broad oak at the front palate is a touch too heavy but underneath is gorgeous fruit. Well-rounded, almost heavy, weight in the middle with enough crisp acidity to take you back for another sip. The fruit pushes right through to the end and lingers for ages. Lovely. 17 Stockist -Jeroboams £15
Tokara Sauvignon Blanc 2005 Stellenbosch: Fresh, flower petals delicacy on nose followed by vibrant, exciting fruit on the palate. Well-handled oak comes pouring through on its tail but is integrated and adds complexity. Balanced and fine with a crisp, juicy finish. 18 Stockist - Wimbledon Wine Cellars £17.99
Other very good Sauvignon Blancs - Quoin Rock 2005 Stellenbosch £9.49 Andrew Chapman Wines; Cape Point Vineyards 2005 Cape Point £14 Jeroboams; Neil Ellis Groenekloof 2005 Stellenbosch £9.99 Christopher Piper Wines, Villeneuve Wines, SA Wines Online
Jordan Nine Yards Chardonnay 2005 Stellenbosch: Up front fruit balanced with a sure and light touch. Fine and nutty with integrated oak tannins backing it up. Silky mouth feel kept frech with tangy acidity. 17 Stockist Laytons; SA Wines Online £17.25
Other recommended chardonnays - Glen Carlou Quartz Stone Chardonnay 2005 Paarl £11.99-12.49 Oddbins, Christopher Piper, SA Wines Online, Genesis Wines; Quoin Rock Chardonnay 2002 sent by mistake but very high scoring, see previous info for stockist leads.
Fairview Viognier 2006 Paarl :Very aromatic nose but avoids parody. Crystallised fruit, nice levels of acidity. Not just floral but lively and fresh. 17 Stockists Harrods; Noel Young Wines; Valvona & Crolla £9.95
Also very good was the Bellingham Maverick Viognier 2005 Wellington £8.49 Majestic, SA Wines Online.
I recommend the Villiera Inspiration 2006 Stellenbosch £9.99 Tesco This desert wine has an unctuous, lovely texture, a nose of marmalade ice cream, very fresh and fine. Rich and great value.
This really tickles my funny bone. Deidre Woollard (luxist.com) writes:
We may all be cutting back, but at the the White House dinner Friday night for foreign leaders to discuss the global financial crisis, the meal was anything but spare.
The menu for around 24 global leaders gathered in the White House State Dining Room included, according to the AP, fruitwood-smoked quail? with quince gastrique; quinoa risotto?; thyme?-roasted rack of lamb?; tomato?, fennel? and eggplant? fondue?; a salad? course of endive?, baked Brie and walnuts?; and a pear torte. What's raising some eyebrows though is one of the wine selections, the Shafer Cabernet Hillside Select 2003, which runs for around $300 a bottle, if you can find it. This wine was served with the main course will more modest wines such as the Landmark Chardonnay Damaris Reserve? 2006 (around $40 a bottle, served with the appetizer) and the Chandon Étoile Rosé? sparkling wine? (about $30 a bottle, served with dessert) rounded out the rest of the meal.
The President pays for his own groceries in the White House but state dinners such as this one are paid for with taxpayer dollars. It is perhaps some comfort in this case? that at least two of those attending: President Bush and French President Nicolas Sarkozy are said to be teetotalers. Others in attendance included Australian Prime Minister Kevin Rudd; Canadian Prime Minister Stephen Harper; Chinese President Hu Jintao; German Chancellor Angela Merkel; and British Prime Minister Gordon Brown.
It is home to over one third of all vines planted in France. Yet, how the Languedoc adjusts to world glut in grapes will have a profound effect on its future. Once responsible for massive amounts of low quality grapes, growers in the France's south have had to make a choice as competition from other countries have made this a less viable business.
Faced with the option of simply pulling out vines, a new generation