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A few weeks ago someone came in and said, ?I have this new wine from Armenia you have to try?. So, with much hesitation I went over and tasted this Armenian wine. I was even less excited when I saw the label and realized that it was a pomegranate wine. It was pretty nasty I must say. But, the folks in Isreal didn?t think so and they made their own version.
Several years before the trend got started, a family in Israel's Upper Galilee region began working to create a tastier and healthier version of the ancient fruit, only to cross their way into yet another huge food market. Their product: the world's first pomegranate wine fit to be sold to international wine connoisseurs.
The craziest part though, in my opinion, is that Pomegranate doesn?t have enough natural sugars to ferment to alcohol. The majority of the time it has to be tampered with to even get it to the alcohol content that it needs to be a wine.
In general, pomegranates don't have enough natural sugar to ferment into alcohol on its own," Leo Open, Rimon's director of international marketing, told ISRAEL21c. "In the past, some people have added alcohol to pomegranate juice to create a form of liquor, but no one has successfully made wine. Our pomegranates are the only ones in the world that have enough sugar to do so naturally."
Hmmmmm.
"Like with all wines, the fermentation process is totally natural," Open says. That being said, pomegranate wines clearly belong to a different class than the typical reds and whites, and Rimon recognizes that the market has to treat it as such, Open says. "We consider it a fruit wine, definitely not a liqueur, and it has to be appreciated in this way."
If you have to tell me that your wine is a fruit wine and not a liquor, that?s probably not a good sign. Here?s my advice, make wine from grapes. That?s it?.it?s simple. Wine= grapes!!
So, in Illinois a police chief has a big beef with big beers. Apparently 22 ounce beers are ending up as trash all over the city and the chief is fed up. He even goes so far as to say?
Police Chief Rich Miller wants to outlaw the sale of beer in 24- or 32-ounce cans, saying those sizes are preferred by trouble-making drunks.Miller says stores sell them in paper bags that conceal them perfectly and end up as litter, and that Granite City would be better off if stores just didn't sell such beers.
So, lemme get this straight, only drunks drink 22 ounce beers?? http://cbs11tv.com/watercooler/watercooler_story_254120050.html
Science Rocks!
Check it out. I found this clip on You Tube for a new robot created by Asahi that pours your beer for you. Sure I have no idea what it is saying (probably something like Americans are retarded) and it takes a little over 3 minutes to pour the damn thing but cool nonetheless. If you?re wasted, or if you?re name is Kipp and are obsessed with beer gadgets I am guessing that it is a necessity!
For years I have loved you. I have sold your wine to people who don?t even know how to pronounce your name yet they always come back for more. I know the quote on your bottle ? ?Through this earth gate, this Torii Mor, we step, to make glad the soul with wine?. I have visited your winery and tasting room, I have bought your expensive single vineyard wines. I loved you Torii Mor. I loved you even after Patty Green left you to make her own winery but I should have known. I should have known that one day one of my undiscovered baby wineries in Oregon would sell its soul for cash. Premier Buying Group from Napa has been buying vineyard land in Oregon in a very deceitful manner and Torii Mor owner Jim Olsen has been the man behind the scenes. Expect a ?Mondavi? like venture that whores out cheap ass pinot noir in your near future.
I went to New York last week and had a great time. I went to the Bubble Lounge which is a restaurant that serves over 350 champagnes by the glass. I was in heaven. I drank the Veuve Cliquot MV "La Grand Siecle". Yep that's right MV - not NV. MV means that they blend vintages. This particular wine was '88, '90, and '95 vintages from Veuve single vineyards and it was well worth every penny I paid for it. Here's a picture. I'd post more pictures but the night went downhill from there and while the pics are very funny, they are also very telling!!!
At the Decanter event last weekend, it was great to see so many people enjoying fine wine. Such a joy to have so many truly outstanding wines under the same roof laid out for the consumer.
At this particular Encounter Bordeaux epecially had a strong presence and the exhibitors read like a roll-call of the great and the good - though by no means exhaustive it certainly gave a very good schooling in what the fuss is all about. It proves that the UK is not all about Blossom Hill sugar water despite all the depressing statistics.
Not only were there members of the public that you would expect - I had some lovely older gentlemen coming up to me at the Jancis Robinson stand, just to tell me with a conspiratorial wink that they were already "purple pagers" - but lots and lots of young people. The majority in fact. I hope this means that the next generation of wine drinkers/collectors/enthusiasts are trading up as they experience these wines first hand and making relationships with producers that may last a lifetime.
As well as the wines on offer there were also Masterclasses, the two most popular being the Margaux vertical and Jancis. Both of these will be available as podcasts - once the technology has been tamed- on the Decanter website and Jancis will put hers up on www.JancisRobinson.com
As well as all that, authors - Andrew Jefford and John Radford to name just two - were there for book signings and a very nice team from Riedel explaining all the subtle nuances of the various glasses and exactly why you need at least 10 different sets (I wish).
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
Chateau Petrogasm’s resident beer nut and co-founder, Andrew Stuart, will occasionally be posting reviews of beers both domestic and foreign. We encourage all fans of beer and of Chateau Petrogasm to do the same. A note on the review: Dogfish Head’s 90 Minute I.P.A. has been hailed as perhaps one of the best I.P.A.’s being made in the United States. Brewmaster Sam Caglione is also considered to be one of the most talented and influential Microbrewers working in the beer industry today. I would love to hear feedback on this review, particularly whether or not you find it to be a positive or negative review, and your own thoughts on this beer.
This is a premium Montenegrin red wine made from the indigenous Vranac grape. The Reserve is produced from particulary good years, in small quantities, aged in barrels for several years. It is also aged in bottles for one year before being released to the market.
This is a dry wine, with a pleasant fruity nose. However, the impressions are far lower than it’s price. If you want to experience the Vranac variety the Montenegrin way, go for a regular Planta?e Vranac or their Vranac Pro Corde. They are much cheaper and the experience is almost the same.
Wines of the Vranac variety are produced throughout the region, apart from Montenegro, you can find them in Macedonia, Serbia, Croatia and Herzegovina.
This weekend, we built a wine rack. When we first moved to Terrassa almost 3 years ago, we were regularly lacking in wine as a result of less income, less samples and less travel. Consequently, we never had a formal wine rack. But when you change any one of these factors, you end up with a lot more wine. Now imagine if you changed all three like we have?! We not only needed to figure out where to store it all, but also how to inventory it. I still have most of my cellar in Cellartracker, though I quit putting in my tasting notes. I like Snooth and Adegga as well, but they both need better cellar management for me to move to them exclusively. Since this past weekend we created the wine rack, maybe next weekend we’ll inventory the wine. Let’s see what happens.
As for building the wine rack, it actually turned out to be much easier than we expected. Odd note though: untreated, uncut, plain wood costs more than planed, beveled whole sheets of wood here in Terrassa. So instead of needing to sand and polish it, we simply bought nice sheets of solid, shelving wood and then cut it to fit. Yet, we still need another. So later today, I’m off to buy some more wood for wine rack number two!
Enough about housing. Next Monday, we’re off to judge wine blogs! It feels a bit odd to mention, after we realized at the EWBC that judging a wine blog is quite subjective once you get past the aggregators and plagiarizers. Once into the meat of the blogging world, where the hard work and effort is being spent, judging wine blogs is a bit of a silly endeavor. What’s good for you is not always what’s good for me. But none the less, we’ve been asked to judge Spanish and Catalan wine blogs this coming week in Reus, Spain, a short train ride from where we live. The grand prize is 3,000 euros, which seems a bit excessive and makes me wonder if we’ll see a lot of blogs that were “recently” launched. Oh well, anything to promote more social media in the Spanish wine world can’t be all that bad. We’ll keep you informed. DO Catalunya is hosting it, and while their website is a nightmare to look at, let’s hope this initiative leads to some good ideas.
In other news, we still want to talk to you about the wines we tasted at the EWBC2008; however, it may take some time. At the end of this month, we’ll be retasting several of the wines with an American Importer who will be staying with us for a few days. But remember, for our Keynote tasting, our intention was to select wines that we had either tasted before or that we respected. And on the night of the event, I tasted through the wines a few times; and while they all showed well, I didn’t take the time to write notes or analyze the wines. So this past Friday, I did analyze one of these wines, and I’m sad to say, it just pissed me off more than anything else. Dominio DosTares Leione 2005 - Prieto Picudo, is a wine that I have loved in the past. Now, maybe it’s as a result of the vintage, or maybe I’m drinking this too young since it does still have some stuffing to it, but I’m sorry, Oak is not a Fruit! This wine has so much going for it with the funky fruit notes and exotic touches of spice, but over it all sits a river of vanilla, syrup and sweet oak. I have a few bottles left to celler and taste again in the future, but even after 3 days being open, the wine is still bugging me. Note to Spain(rather wine makers everywhere): OAK is NOT a FRUIT. Just to be clear here are the aging and oak stats from the Dostares website (a well done website, that deserves mention!):
Pre-fermentation maceration: 3 days at 12ºC Alcoholic Fermentation: Duration: 12 days Temperature: 27ºC Malolactic Fermentation: in French, American and Hungarian oak
Ageing process in barrel: Capacity: 225 litres Age of barrel: New & second-fill. Type of oak: French, Hungarian and American Toasting level: Medium and medium+ Ageing time: 9 months
What stuns me is that I assumed this wine saw 100% new oak, and as you can see it is not. Now for contrast, we were just in Miguel Merino’s winery, who is using 100% new oak, (mixed barrels, American Staves, and French tops and bottoms). That is a lot of new wood, and a lot of American wood influence and yet his wines are perfumey, full of terroir and complex fruit, without the sickening vanilla oak sheen.
Too many factors go into winemaking to pinpoint anything specific as the problem, but in the end, 100% new oak is not always a bad thing, despite the bad reputation people give it. If you hear anyone ever say 100% new oak is evil, well tell ‘em to shove off, or at least explain what wine they are talking about. Sometimes they are right, sometimes their not, Almond Joy’s gots nutz, Mounds don’t…sorry…
Other than that, the weather here is starting to chill down a bit, which is nice and sad at the same time. I unfortunately, have not had enough sherry this year. Too busy? Not sure why that is an excuse, but it is somewhat true. Therefore, I’m making up for it with a steady intake of Osborne’s Fino Quinta and a new cheap Manzanilla I picked up a couple of days ago that is quite nice, Bodegas Barbadillo’s Muyfina. Full of honey notes, and light nuttiness, I really have to say this is a treat, and pairs great with a late afternoon siesta!
I?ve just spent a few hours researching some wines Susan and I are tasting next week. Well, attempting to research would more appropriately describe this exercise in frustration. I?m still astonished how many winery websites are hard to find, poorly laid out, and then give little or no information. Sometimes I dig through page after page after page and finally discover a two-line tasting note ? how exciting.
To all you wineries, if you think this amount of information will have wines flying off the shelves, think again. First of all, by the time most consumers are looking up a wine on the Internet they?ve already tasted it, so they?re after more detail than ?black cherries and leather.? And could you include just a few words on your different vintages? Your 2001 tasting notes are getting a little dated. Besides, I?m sure your 2006 will taste different ? different weather, different harvest conditions, different wine.
How about a little technical information? French Oak or American Oak for example. A few lines covering pH, harvest dates, Brix at harvest, and residual sugar would be nice. Wine geeks will love you and talk up your wines ? free promotion.
I?d also think you would have your labels available for download ? after all, your design person?s already done the graphics in digital format, so just get a copy. Buyers could then print the label and take it to their favorite store as a reminder of what they?re looking for. Wine reviewers would be able add a label to their review or blog ? more free promotion. People could share copies with their friends and family: look at this great wine I just found. Even more free promotion.
People viewing your site aren?t usually there to read all about the owners and how wonderful they are ? at least not at first. Surprise ? top of most people?s hit list are the wines themselves. What grape varieties? What quantities in your Bordeaux style blend? Can we have a little story on the style of wines you are trying to produce? Who is the winemaker and what?s their philosophy, experience, and technique. What does your winery look like ? a picture or two might be nice especially for the folks buying your wine who live across the country.
Oh, and some way of getting a hold of you would be nice ? an email address or phone number would be cool. How can you except to answer questions ? like ?where do I buy your wines?? Or maybe you just like seeing your wines sitting in the warehouse.
None of this actually takes that much effort. Really, it doesn?t. All you need to do is spend a little time and money on your website to make it stand out among the rest. If you want to see what I mean, here are links to a couple of websites that get it right.
Arrow Leaf Cellars in BC?s Okanagan has a site that?s easy to negotiate and includes a contact list, newsletter, pictures of the vineyard, and a great tech sheet. There?s even info on screw caps with a link to the New Zealand Screwcap Wine Seal Initiative ? just in case you haven?t been converted yet.
Down under, Peter Lehmann Wines has another fantastic site ? history, descriptions of the area, info about the winemakers and the wines. After spending time on the site, you want to buy rush out to the store and buy a bottle or two.
And to the winery in Australia who will not put info on their web site because it is too ?techie,? it?s time to get with the Digital Age. You say you?d rather have people come to the cellar door to get info than surf the Net. Yeah, right. I?ll just hop on a plane from Canada right away. Lots of luck selling wines in our local market and no reviews from this quarter. SUSAN'S NOTE:
I confess, I have a severe love/hate relationship with the web. I admire Frank?s ability to search through layers and layers until he comes up with some nugget of information, but I certainly don?t share it. No results after a couple of Google searches and I?m on to something else. And sites that give me no contact information put me into orbit ? Frank usually doesn?t even bother telling me about them any more because then he has to listen to my usually loud, always colourful verbal tirades.
However, one interesting thing did come out of his visit to the ?We don?t believe in an Internet presence? Aussie site. Our debate on whether the owner was simply stupid or was being blatantly arrogant was lively, thoroughly entertaining, and will certainly keep them at the top of our ?Do Not Visit or Buy From? list for a long, long time. FYI: arrogant won hands down.
Note: Photos show the Arrow Leaf Cellars' vineyards and porch area. Wine bottles show Arrow Leaf's Zweigelt and Peter Lehmann's Semillon. Enjoy.
Négociant Cameron Hughes has made a name for himself selecting and sometimes blending wines that drink like twice or sometimes three times their asking price. Using direct to consumer marketing on his website and distribution through warehouse retailers like Costco and Sam’s Club, Hughes effectively disintermediates the 3-tier wine distribution system here in the U.S. This means he can make money selling $10-20 wines that he sources from some of the top producers around the world.
This past Saturday I presented three of his wines as part of Twitter Taste Live 5. All the wines were provided by Cameron Hughes as samples but I was very impressed with each wine which I will review over the next few weeks here. But the most impressive wine was a new release today, Lot 93, a 2004 Tempranillo from Spain’s Rioja region.
When I opened this wine Saturday, the brand on the cork indicated the producer is Bodegas Covila. On my visit to the region last year, I was struck by how every winery seemed to age their wines as “shiners” or unlabeled, selling the wine when it was “ready to drink.” This old school philosophy makes many wines from Spain tremendous values and provides stock for folks like Cameron Hughes to buy and label for his customers. The result is one of the best values I’ve ever seen as this could easily sell for $50-60 a bottle.
Tasting notes:
Cameron Hughes, “Lot 93″, Tempranillo, Rioja 2004 ($21/sample) - Dark ruby in color with black cherry, cassis, fennel, cocoa and vanilla aromas. Sleek and concentrated black cherry & dark currant fruit with some black pepper and a touch of earth finishing long with firm, but surprisingly well integrated, tannins. A well structured wine that will age for another 5-8 years. The most extreme value I’ve tasted yet from this négociant. Highly recommended.
13.5% ABV Natural cork closure Rating: 4 out of 5 stars
Hmm. I wonder if anyone even bothers to stop by any more, even if it's just to note my conspicuous absence.
Lots going on, folks.
Thanks to all who wished the Chef and me well last month on the anniversary of our wedding.
On a similar note, best wishes to Scott and Jill on their nuptials last weekend. Such a beautiful party.
And, of course, there's the wine goings on. Much to do here in Northeast Ohio, especially this weekend. If you felt let down by the Tribe's oh-so-typical performance this year, you can return to Jacobs Field in Cleveland this weekend, Nov. 2-4, for a much happier occasion. It's the Heinen's/WVIZ World Series of Wine , a perennial joy for wine novices and aficionados alike. It really doesn't get much better than the grand tastings ($70-$75 a person; purchase tickets in advance). More than 400 wines, 100-plus producers, stellar munchies, unparalleled people watching. You'll find lots of opportunities to speak with winery and distributor representatives to get the real dirt on what you're tasting.
It's hard not to over imbibe with so many wines to try, so take a cab or a limo or book a hotel room. Some downtown Cleveland hotels are offering packages specifically for the occasion.
This is easily the biggest wine event of the year for Northeast Ohio. Oh, and it benefits public broadcasting, as if you needed another reason to go.
London's Black Time have carved a hefty reputation for themselves over the past few years through scattered tours across Europe and the US, numerous limited-edition 7-inch records, two dense yet danceable long-player albums, and a manifesto that, among other things, espouses "fuck and rage" and the "heavy vampire sound." Double Negative is the latest full-length in the Black Time canon. Fans of the band's previous output will not be disappointed, especially if they want to hear the fractured, art-damaged scree of their singles forged with the trebly garage punk of their two albums. The trio of Lemmy Caution, Janie Too Bad, and Mr. Stix outdo themselves here and turn in the most fully realized Black Time release to date. If you've been aching for Messthetics and Back From The Grave compilations, then look no further. Double Negative is the absinthe you've been wanting to drink. Known for their propensity for all things black, Black Time carries their theme of bleak darkness to the nth degree. With tracks like "Skeleton Factory," "Blot Out The Sun," "Little Death," and "I'm Gonna Haunt You When I'm Gone" (featuring lead vox by Janie), you know you're in for the feel-bad record of the year.
In 1964 the Beatles released Meet the Beatles in the United States, the first Ford Mustang was produced, Lyndon Johnson defeated Barry Goldwater for President and the grapes for the 1964 Gran Reserva Rioja of FaustinoI were harvested. They made 219,500 bottles and I drank one last night. I can?t help but be struck by history when I taste older wines. By the way, I just turned nine a month before they picked these grapes, which means I?m becoming part of history too.
To experience these wines is to touch a piece of history as no one makes wines in the same way anymore. Too much science has entered both the winery and vineyard and that?s a good thing. The great thing about an old Rioja Grand Reserva is that they were only produced from the best vintages and from the best wines, which means that you won?t find the faults you often see in older wines from lesser years and pedigrees. A wine like this lets you reach out to winemakers of the past and be touched by the way they thought.
The 64 Faustino Gran Reserva shows not a trace of cassis, raspberries, new oak or alcohol. Part of that is its age, but I?m willing to bet it never showed any of those things. Years in barrels (old) and bottle before release assured there was no baby fat on this wine when it was deemed ready for sale. The winery did the maturing for you.
The most striking thing about such wines are the aromatics. It is almost (almost) anti-climatic to taste them. The other is the finish, which is long and haunting. They are wines that invite you to think. Think about not only the way they taste and smell, but about the people and times in which they were born.
There is no such thing as great young wine. Very good, very enjoyable ones yes, but great ones no. Young wines only have the potential to be great. Drinking young wine all the time deadens the palate making it only sensitive to power and fruit. In today?s hedonistic market driven by immediate pleasures most of the greatest wines are consumed before they actually become great. It?s a terrible waste as today?s wines could be the best ever made and, in addition, never have there been so many wonderful wines designed to be drunk young. More often then not, these ?lesser? wines are more pleasurable to drink in their youth than more distinguished and pricy bottles.
For every wine there is a season, connoisseurs should be able to pick the proper season to drink wines made to age. Now we give potentially great, age-worthy (age-necessary) wines points at birth and that defines them forever. It is more important how a Bordeaux or Barolo tastes at two than how it tastes at twelve. That is obviously half-ass backwards. There are wonderful wines for drinking young and grand wines that don?t achieve their regal stature for years. Trying to make those wines ready to drink upon release denies their true potential. It is silly to think that a wine can become instantly profound. Like the people that make them, few wines become become complex as adolescents.
It would be depressing to think you achieved your intellectual peak at thirteen. Why do the same thing to the world?s finest wines.
The French wine appellation of Gigondas tends to get overshadowed by its flashy and better-known cousin, Chateauneuf du Pape. However, the smooth red wines of this Rhone Valley region have a charm and complexity all of their own. Like Chateauneuf, they are made with primarily Grenache grapes, but the similarity ends there as James Molesworth of "Wine Spectator" magazine illustrates in the video below:
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If you?re interested in designing your own custom wine cellar there are a number of options available to you. The best news is that there are wine cellar designs for everyone from the avid do-it-yourselfer to the complete woodworking novice.
There are modular wine racks that are available in different grains and finishes, with the least expensive generally being a wood such as pine. Most modular wine rack dealers will offer other materials such as red cedar or finished wood as well. Of course you can always save some money and finish the wood yourself if you desire a particular type of finish or color for your wine cellar racks.
There are many wine racking companies that offer crown molding and skirting pieces so that you can easily combine different styles of wine cellar racking materials and types. This approach can yield some very unique custom wine cellar designs.
There are built in glass racks that are made to fit snugly within a rack system. A good place for one of these individual units would be above the table top piece mentioned above. This would add to the ambience as well as functionality of your custom modular wine racking system.
If you want something a little different than the traditional wood wine cellar racks, there are attractive metal trellis rack pieces that are very economical, yet stylish. These tend to look classier than the wood modular wine racking pieces, especially for placement in bar areas that will be viewed by visitors.
If you would like to add a table area to your wine cellar while increasing the storage capacity of your cellar at the same time, a wine bin table may be the best addition to your modular racking system. There are taller, wine tasting tables that hold just over 100 bottles or about 180 bottles of wine, and there are shorter wine rack tables that hold more than 200 wine bottles in case bins.
There are many online dealers and manufacturers of wine cellar racking pieces that also offer custom computer design services to help you achieve the exact wine cellar layout that you have in mine. With many of these professional services you can then have the plans sent to you and decide if you will build them yourself or have someone else build them for you.
With all of the wine cellar design options available to you, there are many ways to accomplish the perfect wine cellar design for you and your situation. There are many wine enthusiasts online communities and the like where you can find others interested in the same things that you are and maybe gain some other ideas about wine cellars and the design aspect of creating your own wine cellar.
…Big Boy style Rob had been planning this event seemingly all his life, and twelve very fortunate guests were invited to the private room at Cru one innocent Spring evening for this once-in-a-lifetime event, making me the resident Chesire Cat. For those of you that might not know or forget, double-blind means you do not know [...]
What does it take to be a pioneer in the wine business? Vision, drive, a great love of wine, and of course, money. Dr. Piya Bhirombhakdi found himself in possession of all of these prerequisites and so in 1989 he fulfilled his dream and started PB Khao Yai Winery.
The Bhirombhakdi family are no strangers to the beverage industry. They founded Thailand's first brewery in 1933 and so it is only fitting that they should also lead the way in wine making. Today the PB Winery produces over one million bottles of wine annually from 130 acres of vineyards.
The ubiquitous Syrah and Chenin Blanc are well represented, but PB's Tempranillo which is not widely planted in Thailand, it is also amazingly good. This Spanish grape seems an obvious choice for the warm climate of these southern latitudes. I expect to see more of it from other producers in the future.
The large area of plantings allows PB to source grapes from a myriad number of micro-climates. This not only gives the fruit a variety of characteristics, it helps to mitigate the chance of disaster. Mildew may pop up in one side of the vineyard, but down the dell and around the corner chances are the vines are safe.
The banana trees that can be seen from the vineyards are the only indication you have that this is not your ordinary grape growing region. One of the first of the "New Latitude Wines" as they refer to themselves in Thailand, PB's vineyards are among the most mature and healthy of those we witnessed.
The entry level of wines go by the charming name of Sawasdee, which means "hello" in Thai. True to their name the wines are welcome and a good place to start. The Pirom line is in the middle, with PB Reserve taking the top position. Chenin Blanc can be found at all three levels, and Shiraz at the top and bottom, but Tempranillo is only used for the Pirom wines.
The winery and vineyards are open for tours and the Great Hornbill Grill is the on site restaurant. We had quite the feast when Piya himself hosted us, but any visitor will enjoy their selection of Thai and Western dishes. In the mood for something simple and familiar? A wood fired pizza and plenty of Singha beer on tap may be just the thing you are looking for.
400 people a day on the weekends come to marvel at this wine estate. Set among the jungle growth of this tropical locale, it is situated less than two hours outside of Bangkok. If you prefer to skip the crowds come out during the week and take in the sights and flavors of Thai wine country. To make tour arrangements or for more information, visit their web site at http://www.khaoyaiwinery.com.
Tecnorati
I went to New York last week and had a great time. I went to the Bubble Lounge which is a restaurant that serves over 350 champagnes by the glass. I was in heaven. I drank the Veuve Cliquot MV "La Grand Siecle". Yep that's right MV - not NV. MV means that they blend vintages. This particular wine was '88, '90, and '95 vintages from Veuve single vineyards and it was well worth every penny I paid for it. Here's a picture. I'd post more pictures but the night went downhill from there and while the pics are very funny, they are also very telling!!!
This is a premium Montenegrin red wine made from the indigenous Vranac grape. The Reserve is produced from particulary good years, in small quantities, aged in barrels for several years. It is also aged in bottles for one year before being released to the market.
This past Saturday I presented three of his wines as part of 
