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As you may have noticed, Enotheque has been missing some updates for some time now. At the moment, I'm on the road at a very challenging but rewarding consulting job. The days are long and the nights seem all too short, resting only in brief moments before it's time to attend to the task at hand again.
I'll bring back some good posts with recommendations, interesting regions, values and interviews soon enough. For the time being, enjoy the other subscriptions of your Google Reader, since nobody is ever truly caught up with it anyway.
I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
4. Do I have to mention the cheaper subscription rate for Decanter?
Again, lists really don't do any justice to the dozens and dozens of ideas that propel themselves electrically from my dendrites when it comes to how much fun a wine geek can have in London. For now though, I leave you with a warm, albeit brief goodbye, and a reassurance that I'll soon return for more on artisan wines and the people behind them.
Ringing in at 13.5% alcohol by volume, this cheap wine was an equal match to the FishEye Merlot. From Ripon, California, this wine lets the fruit speak for itself. Along with the dark plum taste, I also experienced a little pepper in the nose.
At only 8 dollars a bottle, I found this to be a great wine. I had mine with Spicy Montreal seasoning. Try it! Rating: 7/10 Price: 7.99 Place of purchase: L&L Grocery Vineyard Info: FishEye Winery Ripon, CA www.fisheyewines.com
If you're not a subscriber to The Wine Front you don't get to see the reviews that are added to the site on most days. In the past seven days the following wines have been reviewed in the Subscriber Only section of this website.
Clos Clare has changed hands and is now run by Tom and Sam Barry. Its riesling has long since been the estate?s strong point. You need a subscription to The Wine Front to see this part of the post
Although the Oregon Pinot Gris Harvest is a little later this year than vineyard managers would like, good weather has ensured that this year's crop should be outstanding. The rule in Oregon has been that the even years (2004, 2006, etc...) are better than the odd years (2005, 2007), and it look as though the grapes will prove that theory right again.
A virtually rain-free summer with warm temperatures has slowly given the vines enough heat units to produce healthy fruit. There has been a lack of extended periods of moisture, or any other destructive types of weather. Last year's harvest was noticeably unfavorable, with several weeks of bad weather in September and October.
We return to Cyrus after a couple of years and have a truly great meal. Prices are up but our recent experience definitely justified the Michelin two stars. The food sets the highest mark in Sonoma county, but we'd still like to see more focus on local purveyors. If elaborate dining is what you seek in Sonoma, Cyrus is the perfect destination for indulgence.
Class occurs 10/19/2008, 11:30-01:00 pm Panel discussion
Riesling is currently the fastest growing white varietal in the US, increasingly sought out for its food friendliness and its aromatic, vibrant character, however, its variety of sweetness can make it a challenging purchase for the consumer. Join Riesling producers for a discussion of this versatile grape and the new ?Riesling Taste Scale,? read more.
Rediscovering Riesling Walk Around Tasting Sunday, October 19 ~ 1:00 - 4:00 pm Elegant, aromatic and food-friendly, Riesling?s making a comeback! The perfect pairing for Asian, Indian, and of course, German and Austrian cuisine, ?The Other White Wine? abundantly deserves its growing popularity. Taste dozens of domestic and international dry, semi-sweet, sweet and sparkling Rieslings paired with artisan foods ranging from sausage to sushi. You?re sure to find the perfect match! read more Pub.: 2008-10-08 09:18:37; Udt.:
Well it’s Wine Blogging Friday for me this month, but hopefully I can sneak into the summary. The theme for Wine Blogging Wednesday this month comes by way of Philly-based wine blogger Joe who goes by 1WineDude online. And it’s a complete departure from our basic formula of wine variety, region or something a bit quirky. In fact, he has challenged us to actually drink madeirized — or intentionally heated and/or oxidized — wines. This style of wine is found in Madeira, Australia?s Rutherglen Tokays and Sherry. But Joe was also mindful that these wines might not be available everywhere so he included all fortified wines including Porto for his “Baked Goods” theme.
I knew at some point there would be an occasion to write about Sherry, a wine I’ve had over the years but didn’t really get into until a visit in June of 2007 to El Puerto de Santa María in the so-called Sherry Triangle. As a guest of Osborne, I visited their winery and tasted Fino literally pulled from the solera. But the most surprising part of this visit was a dinner with only Sherry served. I knew the starter would be easy with a Fino or Amontillado and the dessert course would be matched with a sweet Sherry of some sort but the entree would be a challenge. That’s when I was introduced to Oloroso which was a revelation at the time. But the best wine that night was a sweet Sherry made from a very old solera and the Pedro Ximénez grape. I rated it a 99, the only wine I have ever rated that high.
But before I dig my notes out for that wine let me flash forward to this week when I was looking for a Sherry to review for this tasting. As someone now a bit more educated about Sherry, I know that Fino is best consumed before 6 months from it’s bottling date. Most every Sherry producer has some sort of bottling code that indicates the day and year of bottling. Many times these are cryptic with Roman numerals used for the year but Osborne uses a more understandable code. So while I am continually disappointed in the stores here in the Twin Cities where Fino is “fresh” at 9-10 months past bottling, I was surprised to see a bottle of Osborne Pedro Ximénez “1827″ on the shelf with a bottling date of June 23, 2007… just 5 days before my visit to the winery.
For those not familiar with how Sherry is produced, a quick aside before my tasting notes. The production of Sherry is very old, in it’s current form since the the Moors ruled Spain some 1,200 years ago. Some, according to this piece in Wikipedia, track this style of wine back to the city of Shiraz in modern day Iran, literally the cradle of viticulture in antiquity. The production of Sherry starts with grapes grown in very chalky soils around Jerez, Spain from Palomino or Pedro Ximenez. In the latter case, the grapes are dried for two days before pressing and fermentation begins to concentrate their sugars. After primary fermentation, the wine is fortified with brandy to levels of alcohol determined by the style of the final wine. Fino or Amontillado are fortified to 15 degrees alcohol so that flor yeast can survive to complete the wine. Oloroso is fortified to 17-18 degrees alcohol to prevent the growth of flor and the wine is primarily shaped by oxidation in the solera.
The solera is a system of large barrels between 3 and 9 in number usually stacked in a pyramid shape. This allows for the young wine to be introduced at the top of the solera to fill the lower barrels where the finished wine is drawn for bottling. Sherry is aged in barrel for a minimum of three years but this time in barrel is much longer for more highly prized and rare Sherries. Through reduction and oxidation the resulting wine gains complexity and since all the barrels are neutral, no aromas or flavors from the oak. This is a truly unique and old school style of wine that I hope more wine lovers will try.
Tasting Notes: Bodegas Osborne, Pedro Ximenez “1827″ Sherry ($21) - Mahogany in color with powerful aromas of fig, molasses, espresso, hazelnuts and some heat from the alcohol. Rich and sweet in the mouth with fig, maple syrup, cocoa and caramel flavors finishing very long with enough acidity that balances the luscious sweetness. Decadent, delicious and an excellent value at around $20 a bottle. Also very nice poured over vanilla ice cream as it’s own dessert.
17% ABV Screwtop closure Rating: 4 out of 5 stars
Bodegas Osborne, Pedro Ximenez “Viejo” Sherry ($100/sample tasted at the winery) - Almost black in color with very complex aromas of fig, dates, espresso, dark chocolate, molasses and a hint of baked orange. In the mouth, very rich and layered fig, caramel, baked orange, spice and nut flavors mingle with quite a bit of sweetness that is balanced by acidity. This wine has a finish that seems to go on forever. One of the most extraordinary tastings of my life and as close to a perfect wine I have ever encountered. Buy it, if you can afford it.
16% ABV Natural cork closure Rating: 5 out of 5 stars
Thanks to Joe, the 1WineDude, for getting me back into this style of wine. I’m going to continue to explore Sherry both here and on my podcast… and might even post those recordings made in Spain some 17 months ago.
The best kinds of cheap wines are the kinds that have a rich story behind them. Well, The Tillerman White wine brought to you by the Hook & Ladder Winery certainly fits the bill. At first glance this wine label made no sense to me… Hook & Ladder? The Tillerman? After doing some research, I feel enlightened knowing the origins of this fine cheap wine, so I’ll share:
The owner of the family-run Hook & Ladder, Cecil De Loach used to be a firefighter! “Hook and Ladder” is just another name for a firetruck. And The Tillerman is guy who drives the back end of a firetruck. A firefighter and a wine-maker! What a life!
I sampled several bottles of The Tillerman White, and I am glad I did. Not being a fan of white blends with a lot of oak, I enjoyed everything about this wine. The peach/apricot aroma was the most prominent feature of this wine as it approached my nose. The wine was very dry, tasty, had an awesome finish. Just a perfect all-around table wine. For about 16 bucks or less, this Sonoma County wine is a steal. If you see it in your supermarket, snatch it up! I look forward to trying some of their many other varietals. This same vineyard, the Russian River Valley produces Chardonay, Gewurztraminer, White Zin, Pinot Noir, Zinfandel, Cabernet Sauvignon, and the “Third Alarm” Reserve Chardonnay. Oh, how I would love to visit the vineyard one day. Rating: 9/10 - Excellent! The only reason I’m not giving it 10 is because I promised my readers “cheap wines less than 15 dollars” and this wine retails for 16. Look around though, I’m sure you can find a good deal! Even if you can’t, it is worth the extra dollar.
Extra Info:Hook & Ladder - Founded in 2004 2027 Olivet Road Santa Rosa, CA 95401 phone: 707-546-5712
SPIT: red states With more states turning blue, a reader writes in to say that it will be even harder to do a red state-blue state article again now that Virginia and Colorado are blue. Indeed! Texas, over to you?
SPIT: global wine mergers The purchase of Napa’s Chateau Montelena by the Reybier group (Cos d’Estournel), hailed in July by Robert Parker as “one of the biggest stories in my 30 years in the wine field,” has now been canceled. [PR newswire]
SPIT: global wine John Mariani has a sip of the Andeluna Grand Reserve Pasionado, a $50 red from Mendoza, and calls it “an explosion of high-alcohol, grapey, oaky flavors that seemed to epitomize all that is wrong with what has been called the globalization of wine.” [Bloomberg]
SIPPED: Making drinks instead of ordering them At least one person from the world of finance has stopped thinking about structured equity products and is now thinking about Purple Hooters at the New York Bartending School in Manhattan. [Bloomberg]
Time to clear a few things up here at Catavino.net. This past week, we have received some emails that need to be addressed, and we think the only place to do it is here on our site. Lately, we’ve been receiving some odd emails. Evidently, there is a rumor circulating that Catavino is a winery/bodega. You see, this week I’ve received at least 5 emails from different countries, including the USA, asking to represent our wines in restaurants, export markets and country wide in the case of Canada. Being a couple of wine writers without a winery, nor with any connection to the wine making process, I’m not sure where this idea has come from. I have to say we’re quite flattered, though a bit befuddled. Is there something on our site that leads people to think we make wine? Do other wine bloggers find themselves being solicited in such a way? Inquiring minds want to know!
Trust us, we would love to make a wine. In fact, we tried to once, but with mixed results. We will try again, and if you are a winery who wants to help us in this project, we’re all ears. We’d love to put out a Catavino Garnacha Blanca, or Catavino Touriga Nacional, but sadly, they don’t exist. However, we’ll be sure to scream it from the rooftops if we and when we do create a Catavino wine.
What we do do is work with wineries to use the internet more effectively. Currently, we have 4 clients, and we are interested in helping a few more, but we are getting picky. If you are, or you know, a winery that understands how the wine world is changing and that old ideas might not apply, give us a ring. My number is: +34 656 433 063, call me, llamame, liga-me, or send us an email: cvm@catavino.net, we’re listening!
So Now For Some Wine…But Let’s Not Talk About Iberia For A Moment
A completely biased and non-professional review is coming up. Why? Amy Lillard, and her blog, have been in my feed reader for almost as long as I’ve known what a feed is. Tom Wark has lauded them as one of the top winery blogs, and I have to agree with his approval. The level of frankness and honesty on this site is mind blowing and if you are a winery who wants to start a blog, you would not be doing poorly if you copied Amy’s model and style. Because of her writing, I felt like a close friend even before I had the chance to meet her at the EWBC 2008. The only element that was missing from our relationship was her wine. I wanted to try the wine but with its lack of distribution in Spain, I just had to wait. The winery and the blog’s name are La Gramiere.
Fortunately, the harvest did not keep Amy from visiting us in Logrono at the EWBC2008, giving me the chance to finally taste the wine behind the blog. Thus, this critique is tainted by the relationship I have with both her and her writing. Having followed the ups and downs for so long on her blog, I feel connected to what she is doing, and I feel like I hold a small stake in her adventure. This is proof as to why wineries should blog!
How is the wine? In one word, great! We miss French wine, seeing that Spain has none for sale, or at least very little. This is a wine after my own heart, a Rhone wine that is not from the Rhone (see full story here). It is full of the spice and terroir that I love, but with a lighter, less obvious way about it. After my first taste, where I was grateful that it didn’t suck (a fear I had considering my high expectations), I was quickly told that the wine was around 15%; something that both turned me off and at the same time surprised me. Similar to my notes on Monday, discussing how 100% new oak shouldn’t always be associated as a bad trait, you cannot say that high alcohol is always bad either. This wine is balanced and pleasant, and has a long life ahead of itself. I have to recommend it: number one, if you trust me and my palate, and number two, if you like to look at wine from new perspectives. This is a winner, not to mention organic. And if you ask Amy her thoughts on organic wine…well, let’s just say that you might want to pour a tall glass and grab a seat, because it will be awhile before she finishes.
Sorry that I can’t be more objective, but I feel that as I become closer to wineries who blog, the less I can allow myself not to be their cheerleaders. On the other hand if I try to separate myself from my love for this wine and look at it completely objectively, I still have to say I think it is a very well made, interesting wine. La Gramiere is making great wine, and they are telling the story as they do it. For me this is what wine should be about, good juice, good people, and lot’s of stories!
It's official. Millennials are a major force in wine. Why we needed a study to tell us this, I'm not sure. We millennials are hip, sophisticated and reliably swayed by marketing. Sigh. At least we have the good sense to like wine.
Quotable: "Connoisseur, n. A specialist who knows everything about something and nothing about anything else." - Ambrose Bierce, The Devil's Dictionary
Caberiffic: Delectus 2001 Napa Valley Cabernet Sauvignon Stanton Vineyard Oakville ($50). Tobacco, mushroom, black cherry, plum. Decant, my friends, decant.
Splurge worthy: Philip Togni Vineyard 2003 Napa Valley Cabernet Sauvignon (online prices vary widely, between $80 and $150). Blackberry, dusty chocolate, plum, great acid on the back end.
This is the first cabernet from the bonny team at Donny Goodmac. It’s made from 20 year old vines growing on a steep-ish slope - which managed to avoid most of the frost troubles of that vintage. You need a subscription to The Wine Front to see this part of the post
The latest edition of Decanter (March) came out this week, and several articles caught my eye. The first was entitled Start Your Own Wine Cellar. As I’m often torn between buying bottles to drink and those I think I may like to keep for a special occasion, I was drawn to the profiles of the 3 different types of people for whom Decanter made recommendations. There was the couple who did not know much about wine, but wanted to learn and had £500 to get them going. At the other extreme was the couple who already drank a lot of good Bordeaux and had £5000 to spend. I found myself drawn to the example in the middle, someone who knows her grape varieties, but would not describe herself as a connoisseur. Decanter put together an interesting cellar at a cost of £1000 for her.
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
I always peruse the Wines of the Month to see what recommendations I can pick up. These wines are available from stockists in the UK so I feel sorry for foreign readers who may be unable to source them. However I’m always a bit frustrated to read other reviews elsewhere in the magazine and see the dreaded ?N/A? next to them. Although I figure what’s the point in reviewing them if they aren’t available in the UK I have to keep reminding myself how international Decanter is. In this month’s issue 4 of the 9 letters are from non UK readers. I am sure this helps the editorial team keep an international focus which is good for all us readers.
The panel tastings this month are both French, 2005 St Emilions and 2005 cru bourgeois. I was stunned to see a great value 2005 cru bourgeois at £7.35. I must seek it out.
Next month’s edition features Italy and is out, according to the ad in the magazine, on February 6. Oops ? I think they forgot to change the date from last month’s edition as I’m sure they mean March 6th!
Maryland's wine and commercial grape industry members gathered on November 3, 2008 to celebrate the Maryland Wineries Association's 25th Anniversary, and to honor special guests.
Nearly 100 winery proprietors, commercial grape growers and guests enjoyed dinner, tasting each others' wines and talking about the progress the industry has made over the last 25 years.
Many of the founding members of the Wineries Association were on-hand to discuss the challenges they faced during the formative years of the industry. The industry's newcomers were treated to tastings from library wines from wineries present and past?including early bottlings of Catoctin Winery and Byrd Vineyards.
MWA Executive Director Kevin Atticks presented "Friend of the Industry" awards to four individuals and "The Gnarled Vine Award" to a couple who has had a major impact in the Maryland wine/grape industry.
MWA "Friend of the Industry" recipients Steve McHenry, Maryland Agricultural & Resource-Based Industry Development Corporation (MARBIDCO): For developing vineyard installation and winery/vineyard equipment loans; for funding important industry projects.
Jack Steinmetz, Kent County Economic Development: For encouraging the growth of the industry in Kent Co. For developing loan fund for county growers; for spearheading and organizing the development of a Vineyard Management Company study and workshops.
Hudson Cattell and Linda Jones McKee: For their service to the industry in the creation of Wine East Magazine and for their abundant enthusiasm for East Coast wine, and their faith in our ability to compete in the global wine market.
"The Gnarled Vine Award" Presented to Jack & Emily Johnston, Copernica Vineyard This Gnarled Vine award honors a couple? a couple who has been at a driving force in developing our industry over the last 25 years. Although they are self-proclaimed ?behind the scenes? people, these two very individual people have been vital to the growth of the Maryland Wine Industry.
Together they grow about six acres of the state?s most acclaimed Cabernet Sauvignon and Cabernet Franc. As eternal leaders in the Maryland Grape Growers Association, he manages and she edits the MGGA?s Grapevine quarterly newsletter.
They have been cornerstones of the wine appreciation movement, founding the Carroll County Chapter of the American Wine Society in 1980. They have managed the wine education program at the Maryland Wine Festival since its very beginning in 1984. The recipients of the Gnarled Vine award are Emily and Jack Johnston of Copernica Vineyard.
Woodhall Wine Cellars proprietor Al Copp raised a toast to MWA and to the wine and grape industry offering support for the industry's accomplishments and looking forward to many more years of prosperous growth.
*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argent
Tecnorati
Class occurs 10/19/2008, 11:30-01:00 pm 
I knew at some point there would be an occasion to write about Sherry, a wine I’ve had over the years but didn’t really get into until a visit in June of 2007 to El Puerto de Santa María in the so-called Sherry Triangle. As a guest of 
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
