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The other night I invited my brother John over for dinner and the chance to spend a bit of time shooting the breeze, swapping tales, and unwinding at the end of the week. I had a couple of buffalo filet steaks marinating for a few hours in a mixture of Worcestershire sauce, soy sauce, and Angostura bitters. I sliced up a few small blue potatoes and roasted them in butter and garlic, and prepped basic sides of mesclun mix and fresh berries. When John showed up, I threw the meat in the skillet and cooked it to a perfect medium rare. Anything longer and buffalo starts to get damned tough.
The yellowish blob on top of the steak is a daub of homemade aioli, best described as French garlic mayonnaise. I used olive oil, egg yolks, a lot of garlic, and cayenne pepper to make mine. It solidifies in the refrigerator, but when topped on a hot steak it slowly melts into a lovely sauce. It's a bit different from béarnaise, but definitely gets the job done, and the oil-based topping helps compensate for the fully lean buffalo meat.
For the wine we popped open a bottle of Delicato's now defunct 2004 Night Owl Merlot from Monterey, California. $10, 14.5% abv. Some blackberry and cedar notes, but mostly just a pretty basic California table Merlot. While the wine was not spectacular, the food and conversation were great, and frankly there's nothing wrong with the wine taking a backstage to everything else once in a while.
You cannot have a better match with a plate of salumi than with this wine. Chill it up a little bit, and start your engines. From the Grasparossa grape, I took a bottle over to a chef from Emilia-Romagna the other day. He has known me for years, but has rarely if ever acknowledged my presence in his world. When I handed the bottle to his son to give to him, you?d think I was his long lost cousin. His eyes lit up, he smiled, he liked me. He really, really, liked me. I owe it all to this friendly little Lambrusco.
Served slightly chilled, it is frizzante, and enters with a burst of slightly under-ripe dark cherry notes. Then the fruit kicks in and there, all of a sudden, you have a party on your palate.
Note: this wine is bone-dry.
Get yourself hooked up with a Lambrusco like this. It takes the snob off the table. It?s subtle and bold, delicate and a romp. It?s a serious wine that laughs at itself. Go get yourself some.
Well it’s Wine Blogging Friday for me this month, but hopefully I can sneak into the summary. The theme for Wine Blogging Wednesday this month comes by way of Philly-based wine blogger Joe who goes by 1WineDude online. And it’s a complete departure from our basic formula of wine variety, region or something a bit quirky. In fact, he has challenged us to actually drink madeirized — or intentionally heated and/or oxidized — wines. This style of wine is found in Madeira, Australia?s Rutherglen Tokays and Sherry. But Joe was also mindful that these wines might not be available everywhere so he included all fortified wines including Porto for his “Baked Goods” theme.
I knew at some point there would be an occasion to write about Sherry, a wine I’ve had over the years but didn’t really get into until a visit in June of 2007 to El Puerto de Santa María in the so-called Sherry Triangle. As a guest of Osborne, I visited their winery and tasted Fino literally pulled from the solera. But the most surprising part of this visit was a dinner with only Sherry served. I knew the starter would be easy with a Fino or Amontillado and the dessert course would be matched with a sweet Sherry of some sort but the entree would be a challenge. That’s when I was introduced to Oloroso which was a revelation at the time. But the best wine that night was a sweet Sherry made from a very old solera and the Pedro Ximénez grape. I rated it a 99, the only wine I have ever rated that high.
But before I dig my notes out for that wine let me flash forward to this week when I was looking for a Sherry to review for this tasting. As someone now a bit more educated about Sherry, I know that Fino is best consumed before 6 months from it’s bottling date. Most every Sherry producer has some sort of bottling code that indicates the day and year of bottling. Many times these are cryptic with Roman numerals used for the year but Osborne uses a more understandable code. So while I am continually disappointed in the stores here in the Twin Cities where Fino is “fresh” at 9-10 months past bottling, I was surprised to see a bottle of Osborne Pedro Ximénez “1827″ on the shelf with a bottling date of June 23, 2007… just 5 days before my visit to the winery.
For those not familiar with how Sherry is produced, a quick aside before my tasting notes. The production of Sherry is very old, in it’s current form since the the Moors ruled Spain some 1,200 years ago. Some, according to this piece in Wikipedia, track this style of wine back to the city of Shiraz in modern day Iran, literally the cradle of viticulture in antiquity. The production of Sherry starts with grapes grown in very chalky soils around Jerez, Spain from Palomino or Pedro Ximenez. In the latter case, the grapes are dried for two days before pressing and fermentation begins to concentrate their sugars. After primary fermentation, the wine is fortified with brandy to levels of alcohol determined by the style of the final wine. Fino or Amontillado are fortified to 15 degrees alcohol so that flor yeast can survive to complete the wine. Oloroso is fortified to 17-18 degrees alcohol to prevent the growth of flor and the wine is primarily shaped by oxidation in the solera.
The solera is a system of large barrels between 3 and 9 in number usually stacked in a pyramid shape. This allows for the young wine to be introduced at the top of the solera to fill the lower barrels where the finished wine is drawn for bottling. Sherry is aged in barrel for a minimum of three years but this time in barrel is much longer for more highly prized and rare Sherries. Through reduction and oxidation the resulting wine gains complexity and since all the barrels are neutral, no aromas or flavors from the oak. This is a truly unique and old school style of wine that I hope more wine lovers will try.
Tasting Notes: Bodegas Osborne, Pedro Ximenez “1827″ Sherry ($21) - Mahogany in color with powerful aromas of fig, molasses, espresso, hazelnuts and some heat from the alcohol. Rich and sweet in the mouth with fig, maple syrup, cocoa and caramel flavors finishing very long with enough acidity that balances the luscious sweetness. Decadent, delicious and an excellent value at around $20 a bottle. Also very nice poured over vanilla ice cream as it’s own dessert.
17% ABV Screwtop closure Rating: 4 out of 5 stars
Bodegas Osborne, Pedro Ximenez “Viejo” Sherry ($100/sample tasted at the winery) - Almost black in color with very complex aromas of fig, dates, espresso, dark chocolate, molasses and a hint of baked orange. In the mouth, very rich and layered fig, caramel, baked orange, spice and nut flavors mingle with quite a bit of sweetness that is balanced by acidity. This wine has a finish that seems to go on forever. One of the most extraordinary tastings of my life and as close to a perfect wine I have ever encountered. Buy it, if you can afford it.
16% ABV Natural cork closure Rating: 5 out of 5 stars
Thanks to Joe, the 1WineDude, for getting me back into this style of wine. I’m going to continue to explore Sherry both here and on my podcast… and might even post those recordings made in Spain some 17 months ago.
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
Christina Rowan of Washington DC thought quickly and calmly when a gunman crashed a backyard barbecue and held a gun to a 14-year-old girl's head. Moments later, the gunman left with a glass of wine and a smile. Read the whole story.
Not something you read about much are the wines of Laithwaites, despite being one of the largest wine retailers in the UK. They offer wines under the laithwaites brand, The Sunday Times Wine Club, Direct Wines and the Nectar Wine Club amongst others. They delivered a mammoth 56 million bottles of wine across the UK during the last 12 months.
A little tasting a few weeks back (I'm falling behind with my note writing!), in the high Victorian Gothic splendours of Oxford Town Hall (such a welcome change from having to trundle all the way to the metropolis), offered a just under 30 wines from the companies range.
A vast majority of the wines offered are own label - just a smattering from well known names (Cloudy Bay, Royal Tokaji, Hunters for example) appear on their list. The company owns a Chateau in Bordeaux where many staff are sent to learn the intercacies of wine making. Visiting a vineyard and winery is an amazing experience and really brings home the connection between land and final product.
Shame then that the Laithwaite Sauvignon Blanc (£7.89) from this estate, Chateau La Clarière was one of the worst wines available at the tasting. Perhaps they should send me a bottle to try for the girls running the tasting were hugely enthused by it and their experiences of visiting the estate, but my notes read slightly over extracted, harsh nose, sharp acidic finish.
But other drinks were more palatable:
Review0.3 Wine Tasting Note: Alessandro Gallici Prosecco Brut, NV, Vino Spumante, Italy. Price: £8.89 [More: Adegga / Snooth] Gentle nose, vibrant fizz (like you were expecting something else?), frothy, fun. Tranch of peachy, appley, fruit. Good price. Alcohol 11.5%.
Review0.3 Wine Tasting Note: Royal Tokaji Dry Furmint, 2006, Hungary. Price: £10.69 [More: Adegga / Snooth] An unusual wine with which to tempt the masses; I imagine trying is the best way to sell this (there was a wine club tasting, with the same wines as offered to me occurring simultaneously in an adjacent room) . No nose but an interesting array of flavours on the palate - clean, minerally, citrus, slightly honeyed, apricoty.
Review0.3 Wine Tasting Note: Rocky Rombola Rosé, 2008, New South Wales, Australia Price: £6.29 [More: Adegga / Snooth] Delicious looking colour, vibrant. Very Aussie in style, ripe fruit, full, good price. A freshness and vibrancy (that were lacking in a couple of other rosés at the tasting). Along with the fruitiness there is a nice, sharp berry edge on the finish. Alcohol 13%. £6.29.
Review0.3 Wine Tasting Note: Gran Valle de Niebla Pinot Noir, 2007, Rapel, Chile Price: £9.15 [More on Adegga / Snooth] From the reliable Cono Sur stable. Easy drinking, soft, but over-priced. Alcohol 13.5%.
Review0.3 Wine Tasting Note: Stony Creek Tarrango Shiraz, 2006, Big Rivers, Fleurieu & Gundagai, Australia Price: £7.39 [More on Adegga / Snooth] An interesting blend (70% Tarrango, 30% Shiraz) Light and fruity almost pinot in style. Tarrango on the nose, Syrah on the finish. Offers a juicy softness. Alcohol 13%. £7.39.
Review0.3 Wine Tasting Note: Tenca Tree Shiraz , 2007, Central Valley, Chile Price: £6.29 [More on Adegga / Snooth] Deep,almost opaque in colour. Good blackberry spiced nose and decent spicy finish. Commercial,soft but nice expression. Alcohol 13%.
Review0.3 Wine Tasting Note: San Floriano Ripasso, 2005, Valpolicella Classico Superiore, Italy Price: £11.39 [More on Adegga / Snooth] The best red of the tasting - lovely palate, and rich, expressive nose. Plenty of tannins, concentration and ripe, stewed fruit. Good length. Alcohol 13.5%.
Review0.3 Cider Tasting Note: Cidre Artisanal Le Brun Brut, NV, Cidre de Bretagne, France Price: £4.29 Not really a cider fan but this is rather nice - not 'dirty; as some ciders can be on the nose, not to alcoholic either (which is the normal region I dislike cider). Alcohol 5.5%. Sweetish fruit, dry finish £4.29.
Review0.3 Wine Tasting Note: Miranda Golden Botrytis, NV, Riverina, Australia Price: £11.15 half bottle [More: Adegga / Snooth] A mix of Riverina Semillon and King Valley Riesling. Fresh, treacle and orange syrup nose. Rich, full, sweet, mouth-filling, ripe and good complexity for the price. Alcohol 10%.
Many years ago I was interviewed for a job at Laithwaites essentially writing the (prodigiously large and frequent) mailing material; much to their loss I didn't get the job!
Since moving to Pensacola Beach from Michigan, I have been longing for a great, cheap, rich Michigan wine. Well, Harvest White from the Fox Barn Winery fits the bill!
This semi-dry white has all the characteristics of the wine I loved so much from Michigan. Spicy, fruity and “snappy”, this wine was a perfect companion on this hot, humid Florida night while we enjoyed some Bands on the Beach.
Since moving to Florida, I’ve really become aware to how good I had it in Michigan. You couldn’t drive an hour in any direction before hitting a winery, and I do miss being able to do just that. Many of the gas stations down here in Pensacola sell all the generic cheap wines: Yellow Tail, Beringer, etc, but you’re not likely to find anything from a local vineyard.
My friend (the one that graciously brought me this wine down all the way from Shelby, MI) mentioned that the tasting room at The Fox Barn Winery was just recently opened, and was a lot of fun to visit. According to their website, it looks as though they have nice little produce market as well.
I am definitely going to check this place out the next time I’m in Michigan, and I would recommend anyone traveling near Shelby to stop in as well.
Rating: 9/10 - Great! Price: Not sure, since it was a gift, but I think my friend mentioned it was less than 10 dollars. Winery Info: The Fox Barn Winery Paw Paw, Michigan Phone: 231-861-8050
There's a working theory out there about Pocahaunted: either every record they've released is a concept album, or none of them are. There's good proof to support both camps. The truth, of course, might lie somewhere in between the two (if that's possible -- which it probably isn't), but Island Diamonds makes a stronger case for the former. The ladies' longstanding studio union with Eagle Rock guru Bobb Bruno has explored an array of terrains in the past, but their partnership on Diamonds transformed Pocahaunted into a way weirder, doper, and dancier creature than ever before, inspired in equal parts by Manda's obsession with Max Romeo tropical soul and bad acid jazz and Bethany's abiding love of mainstream rap and the Cocteau Twins (that sounds like it'd be a nightmare, right?). Naturally, the results don't really resemble any of the influences they may have attempted to channel during these sessions, but so what? Low-lidded drum machine beats, sparse guitar chimes, and the occasional air-raid siren cycle beneath a night sky of cooing, crying, and caterwauling in the classic PHAUNT mode/model. This CD digipak edition is a repress of the sold out LP on Arbor, with all new collage-portrait artwork by the band, plus two bonus tracks added on (one an outtake from the Diamonds sessions, one the unedited mix of their Bored Fortress 7" single) and a freaky digital music video for 'Ashes Is White' created by part-time Pocahaunted bassist/best friend Luis Naranjo. Info stolen from; Insound
You can find a complete discography on Nacho?s blog Hijos de Saturno. Have fun and leave me a comment!
As I write I'm sipping a glass of Californian red - a Robert Mondavi Woodbridge Cabernet Sauvignon 2005 to be precise.
It's fairly typical of the type of Californian wine readily available in the UK. Following the WineDudes request for some foreign thoughts on Californian wine the Woodbridge is 'research'. Not sure if the Wine Dude is going to utilise my barely coherant scribbles in a post or (update - he has) not but the crux of the article was that, while we can get hold of American wines in the UK most are the large brands (such as Gallo and this Mondavi) and the small quantities of boutique wines that many American wine bloggers rave about are never seen over here.
I hesitate to mention the ubiquitous Gallo in the same paragraph as Mondavi for both the Cabernet and this similar but slightly spicier Shiraz are very drinkable examples which offer more than a modicum of interest, something those massed Gallo brands never will.
Review0.3 Wine Tasting Note: Robert Mondavi Woodbridge Shiraz, 2006, California Stockists: Threshers and most supermarkets Price: £7.20 [More on Adegga / Snooth] Very similar in style to the Cabernet - sweetish full fruit, soft but evident tannins combine to make a highly drinkable fruity style of red. Broad flavours enveloping the blueberry/blackberry spectrum, not complicated but enhanced by some varietal spice. Not sure where Jancis Robinson gets the "very pinched and ungenerous" idea from as the wine appears fleshy, broad, lightly spiced and very drinkable. Alcohol 135%.
Aiming for a modicum of seasonal eating a dish of acorn squash with a tomato and cream minced lamb stuffing was paired with this red, the sweetness of the fruit playing nicely with the inherant sweetness of the squash and the stuffing. The softness held enough in the acidity and tannin stakes to counter the creamy richness.
Andrew BarrowScribblings Rating - 88/100 [3.5 out of 5]
Every year TigullioVino.it, Italy?s foremost wine portal, organizes a wine Meeting, a table-top event bringing together over one hundred winemakers hand picked from Italy and Europe. This year?s edition, with some influence from yours truly, is called Terroir Vino, and was held at the magnificent Palazzo Ducale in Genova. The Palazzo Ducale, photo by Luca Risso Terroir Vino is the brainchild of my friend, web entrepreneur Fil Ronco. Participants are invited after selection in a blind tasting by TigullioVino teams, and so you get a wide spectrum of styles and sizes of winery, from the ?all natural? vigneron with less than 4 hectares, to large quality producers like Lungarotti. Half the day is reserved for wine professionals (press, restaurant owners, importers), and starting mid-afternoon the event is open to the public for a nominal fee. The setting under the gold leaf carved ceilings of the doge?s palace, the perfect organization and the friendly atmosphere made this Terroir Vino day a big success. It was good to see lots of blogging and newsgroup friends, including Joan Gómez Pallarès, Terry Hughes, Luca Risso, Giampiero Nadali, Schigi, Filippo Cintolesi, Franco Solari, Fiorenzo Sartore, Mirco Mariotti, Gianpaolo Paglia, even Slow Food friends Enrico Sala and Maurizio Fava. All in all 1500 people attended.
[07/16/2008, 03:04]
Training Diageo Chile sponsors a program to train waiters and waitresses
This initiative, which comes from Diageo ? one of the most important multinationals in the elaboration and distribution of alcoholic drinks ? will take place in Santiago de Chile. It aims at unemployed young people with limited economic resources, who are trained for free in order to place them in the job market and prepare them for a profession linked to the field of gastronomy
In the year 2007, 17 youths were trained, who are already working in bars, hotels and pubs.
"We take care of finding places for our graduates to practice, and we also work with them. This year 30 people have already registered for the training program. We are focused on professionalizing the Bartender Career so that our graduates have an extra tool to acquire work proficiency in the tourism and entertainment industry. The challenge for the coming years is to get younger people to participate in this initiative, and that it be considered a social program supported by the state,? says Chistophe Beau, commercial manager of Diageo Chile.
The training program, which starts on July 14 and lasts 4 months, enables students to study English and learn about cocktails preparation and serving, customer service and conflict handling, hygiene and food manipulation; and they are specially instructed in the responsible intake of alcohol.
Unlike last year, INCAP Training has prepared a curricular mesh so that students can take courses on enology, drinks preparation and presentation, and techniques on how to handle bottles in a bar. Another difference with respect to last year is that the exigency level in English was raised. The requisites to have access to this training program include: being an unemployed young adult with limited economic resources and have the fourth secondary school year completed.
"This initiative give students the opportunity to improve their quality of life and have better opportunities in the job market,? says Hernán Larraín, commercial manager of INACAP Training.
INACAP, the Technological University of Chile, is a well-known Technical Training Organism (OTEC) that uses the benefits offered by the Chilean State to promote formation programs, with funds that come from 1% deductible from company taxes.
The Chilean Republic has become a main protagonist in the generation of social changes. This is achieved through encouraging the development and acquisition of new knowledge, in order to improve the quality of life.
For some reason it has taken me around three years to even try a Cabernet based wine from Margaret River. I will atone for my sins and swiftly include several of these wines in my cellar, starting with the Sandalford Reserve Cabernet Sauvignon 2005.
Sweet blackcurrant and blackberry aromas draw you into glass, on the front palate it’s all juicy, velvety and mouthfilling followed by a long and drying finish with plenty of chalky tannin and a little oak.
The finish is a touch warming, a trait I have noticed with other Margaret River Cabernets and feel is best described as a dash of white pepper. Overall a very good package, enjoyable now (after a serious decant) however should be much better after some time in the cellar.
Score: 92/100 Price: $28 Closure: Screwcap Alcohol: 14.5% Other Opinions:Sandalford, The Wine Front Would I buy this wine again? Yes, I feel the wine is priced reasonably.
My girlfriend discovered some wines in a family member's apartment. The condition of the wines...are questionable, I suspect most of them are vinegar, but thought I would run them by the fine people in this comm.
They are
1975 Champagne: Piper-Heildsieck
1979 Saint Emilion Grand Cru Classe: Chateau L'Angelus
Welcome to the 5th Edition of the Wine Book Club, the online book club for wine lovers who also like to read. I'm the host for this month's event, and for my theme I was inspired by the season. What better way to celebrate September and October than to read a book written by a genuine PhD (September is back to school month) about wine and politics (we are in the midst of an election)? This idea was even more appealing given that the author may be better known to those of you who read wine blogs as Dr. Vino, the award-winning wine blogger.
Colman's book compares the way that politics has shaped wine culture in France and America. One of the most striking things about the story he tells here is that, along with politics, there are two other "P"s that have played an equally active a role in determining what you drink: phylloxera, the louse that destroyed grape vines all over the world in the 1870s; and Robert Parker, the critic who began telling us what we should drink in the 1970s. Phylloxera, it turns out, led to such a collapse in the worldwide wine business that it opened the door to greater governmental control and intervention as people sought to limit fraud, graft, corruption, and lost income. And Parker helped people to wade through seas of indifferent wine with misleading labels at a time when Americans were still drinking like it was Prohibition and they'd rather mainline the hard stuff than drink a glass of wine with dinner. The ripples he sent out from his one-man business in Monkton, Maryland in the 1970s now threaten to engulf us in wave after wave of homogeneous wine made to please Parker's influential palate.
I consider myself reasonably knowledgeable about wine history, but I was surprised again and again by the nuggets of historical lore and sharp analysis that Colman includes here. Lately, I've been wondering why we don't buy wine in bulk here in the US like they do virtually everywhere else in the world. Turns out it's due to a combination of Prohibiton (and the resulting patchwork of legislation) and something called the Office of Price Administration that was established in World War II. Until then, wine was shipped in tanker trucks and on the rails to 1500 bottling facilities studded all over the country. And thus the enormous carbon footprint of wine began!
Colman's message is sobering, even though his book is a delight to read with its clear prose and fluid style. The bottom line is this: when money, egos, and bureaucracy collide--as they do in the wine business--it becomes almost impossible to do what is best for consumers, the environment, and the winemakers themselves. With everybody taking a cut in wine sales, from the bottle makers to the distributors to the retailers to the government, it really is astonishing that anyone bothers to make wine at all. And in case you're thinking the situation is better in France, let me assure you it isn't--it's just different.
If you enjoy Colman's blog, you are in for a treat since this book is written in the same direct, engaging style as his blog posts. The book has great graphic features (like a comparison of how politics shapes French and American wine blog labels) and informative sidebars that offer the reader opportunities to pause and consider the issues from a fresh perspective.
I highly recommend this book, especially if you find yourself wondering why you don't know what grape is in a French bottle of wine, or why it is that an American wine is labeled "Cabernet Sauvignon" when 25% of the grapes in it are Syrah. The answer to both questions is simple. Wine Politics. After reading this book, you'll never think about the relationship between the two in the same way again.
Tyler Colman's Wine Politics: How Governments, Environmentalists, Mobsters, and Critics Influence the Wines We Drink was published by the University of California Press, who sent a copy of the book to me for review. It retails for $27.50, but you can buy it on Amazon.com for $18.15.
If you are participating in this month's online club, please leave comments and/or links to your own posts below. You can also leave links at the Wine Book Club site, or on our mirror site on Shelfari.
Obama beat McCain by 53 - 46 percent in the popular vote. The logic of the electoral college broadened this to a 68 - 32 percent victory. But there’s one core constituency where Obama thrashed McCain by an even wider margin: the wine vote.
Obama took nine of the top ten wine consuming states (Texas, the fourth largest wine market, was red) as well as 17 of the top 20 (Georgia and Arizona are 13th and 14th) using 2006 data on wine consumption from Adams Wine Handbook. Those states alone would have been enough to win the electoral college with 276 electoral votes for Obama. Overall, blue states this year were thirsty for wine, putting back a total of 80.8 percent of all wine consumed in America.
McCain captured nine of the ten states with the lowest consumption (Vermont was blue).
And in case half-bottle sized Vermont raises the question of whether the data per capita (of drinking age) were different, Obama actually took all of the top ten thirstiest states per capita and 18 out of the top 20. McCain took 14 of the bottom 15.
Drink wine, vote Democratic? Forget Joe Six-Pack, this year the path to the White House was through the wine glass.
Finally, and prosaically, Illinois was the number two state (behind much larger California) for Champagne and sparkling wine. I’m sure that figure went up after last Tuesday night.
Total gallons of wine consumed in blue states: 228,563,000 or 80.8 percent of the total. The top twenty wine consuming states roll after the jump.
California Florida New York Texas New Jersey Illinois Massachusetts Washington Pennsylvania Michigan Virginia Ohio North Carolina Georgia Arizona Connecticut Maryland Colorado Oregon Wisconsin
Fellow wine blogger Jon Bonne crunched the numbers differently, looking at wine production and voting behavior, finding that states producing 99.6% of American wine were blue this year. [SF Chronicle]
Tecnorati
You cannot have a better match with a plate of salumi than with this wine. Chill it up a little bit, and start your engines. From the Grasparossa grape, I took a bottle over to a chef from Emilia-Romagna the other day. He has known me for years, but has rarely if ever acknowledged my presence in his world. When I handed the bottle to his son to give to him, you?d think I was his long lost cousin. His eyes lit up, he smiled, he liked me. He really, really, liked me. I owe it all to this friendly little Lambrusco.
I knew at some point there would be an occasion to write about Sherry, a wine I’ve had over the years but didn’t really get into until a visit in June of 2007 to El Puerto de Santa María in the so-called Sherry Triangle. As a guest of 
For some reason it has taken me around three years to even try a Cabernet based wine from Margaret River. I will atone for my sins and swiftly include several of these wines in my cellar, starting with the Sandalford Reserve Cabernet Sauvignon 2005.
