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This wine and its red counterpart are always nice values. This white blend from the Cotes Du Luberon is a light golden with sweet almost perfumy bouquet of vanilla, red apples and pears.
Palate--lively acidity, light citrus, pears and crisp clean finish. Blended from 4 different grapes, this wine is just a decent wine and drinks well by itself yet handles the right foods as well. I find this wine most everywhere in the $6 (when on sale) to $8 and again--this and its red version are writh keeping around for lighter drinking that won't break the bank. Raise a glass!
Its a struggle drinking Chianti without food; insufferable punishment on the taste buds in fact. That sharp, acidic, slightly earthy finish is how the wine is supposed to taste but it's a struggle to consume more than a glass. Rasping if you are subjected to a poor quality bottle.
Add food and it's like drinking a different wine.
But, I hear the masses yell, that is what Chianti is designed for - drinking with food. It is like a television without an aerial; you can use it but it just doesn't work very well. You know you are missing out on the bigger picture.
Two bottles of this rather decent Chianti have been consumed over the last few days. A Sunday roast of beef and Yorkshires was fine. Further complexity was revealed in the flavour but there remained something lacking.
What the roast lacked was the sweet acidity of tomatoes to balance. Step forward a superbly thrown together lasagne. Combining mince beef, plenty of fresh parsley, a splash of red and a tin of chopped Italian tomatoes the wine shone like a beacon . The wines refreshing acidity makes it all the more drinkable. (I'm also thinking lamb would have been a better match, over beef, with the wines acidity cutting through the inherent fat beautifully).
Review0.3 Wine Tasting Note: San Felice Il Grigio Chianti Classico Riserva, 2004, Tuscany, Italy Stockist: Everywine £257 for 12, Italian Wine Society £15.19 £182.28 for 12 [More on Adegga / Snooth]
A richness of dark cherry fruit leads into a twist of acidic bitterness on the finish. Smooth and robust with hints of leather and mixed herbs. but shines with food. Shown to both Slavonian and French oak barrels which adds complexity. 100% Sangiovese. Alcohol 13%.
Andrew BarrowScribblings Rating - 90/100 [3.75 out of 5]
One of the greatest experiences that a wine lover can encounter is a wine that stops them in their tracks. I'll admit that I'm excitable in general, but there's nothing that gets me quite so giddy as a schoolboy as when I stumble across a wine that truly bowls me over. Such wines are the closest I get anymore to the emotions of that first passionate kiss in a new relationship -- they electrify me. While the world slows down to a crawl around me, all I want to do is stick my nose in the glass and inhale slowly.
This is one of those wines. I was minding my own business, tasting away through a public wine tasting in San Francisco. As a matter of course, I marched up to the Guigal table, and tasted through what they had to offer, like I have done before at other tastings. I enjoy Guigal wines a great deal, especially their more exclusive bottlings.
But while I've had Guigal wines that have been great, even exceptional, I've never had one knock me on my ass in quite the same way as this wine did when I put it in my mouth.
Etienne Guigal founded his winery in the tiny Northern Rhone village of Ampuis in 1946. The vineyards he purchased to begin producing wine had been growing grapes for as long as anyone can remember. So long that some of the stone walls in the fields dated back more than 2400 years to Roman times.
The enterprising 32-year-old Guigal was no stranger to the wine business when he bought his first vineyard, having worked as a winemaker for several years before striking out on his own. By the time his blindness forced him to turn operations over to his son in the Sixties, he had personally worked more than 67 vintages.
The estate is now beginning its third generation of family ownership, and is widely recognized as one of the top wine producers in both the region, and the world. From its humble beginnings, the estate has grown to sizable proportions, or what amounts to sizable proportions in the relatively small appellations of the region. The estate now owns vineyards in Côte-Rôtie, Condrieu, Hermitage, Crozes-Hermitage, and Saint-Joseph, and buys a significant amount of fruit from producers all over the region.
I'm not entirely sure of the estate's current production levels but they are somewhere north of 340,000 cases, with the bulk of that being wines made from purchased grapes. The wines are currently made by Philippe Guigal and his father Marcel.
This particular wine is 95% Syrah and 5% Viognier, culled from some of the oldest blocks among 6 of Guigal's vineyards:
Le Clos "Côte Blonde", La Garde "Côte Blonde", La Grande Plantée "Côte Blonde", La Pommière "Côte Brune", Le Pavillon Rouge "Côte Brune", Le Moulin "Côte Brune"
Some of these vineyards were planted in the early 16th century. Of course, they have been replanted over the ages, and the average age of the vines now is around 50 years. While the vineyards are not certified, they are essentially farmed organically.
The grapes for the wine are hand harvested, meticulously sorted, destemmed, and then undergo a cold soak for sometimes more than a month before fermentation is allowed to begin in steel tanks. After fermentation, the juice is transferred to the estate's own barrels (since 2003 the estate has run its own cooperage on the property) where it ages for at least 38 months before bottling.
Tasting Notes: Medium garnet in color, this wine leaps out of the glass, grabs you by the scruff of the neck and drags your ass into a field in the middle of southern France and then stands back laughing as you stumble blissfully among sage, lavender, rosemary, and a small lake of fresh cassis. In the mouth the wine is equally explosive with an incredibly juicy core of cassis that is riddled with crystalline, granitic minerality. Perfectly balanced, with the texture of satin, and tannins that don't grip so much as they caress. And just when you think it can't get any better, the floral notes from the Viognier sweep in like valkyries to carry you away into the finish. Please, sir, may I have another? This is definitely the best current vintage of Côte-Rôtie I have ever tasted.
Food Pairing: I'd love to drink this with a slow roasted leg of lamb with rosemary.
As some of you know, there was a time when I didn't really care for Champagne. But like so many preferences formed early in our lives, it turns out that I just hadn't had the good stuff. Unfortunately for my pocketbook, I eventually did find out what all the fuss was about, and now I enjoy it immensely. That is, as long as it is good.
And good Champagne, invariably means expensive. I run the risk of coming off as snobbish, or at the very least elitist by saying this, but more so than most wines, you really get what you pay for when it comes to Champagne. It's hard to find a really great bottle under $30, and even harder to find an amazing one under $60. I'm not sure about the $200-$300 range -- I've tasted a few, but only recent vintages -- but I do know that if you're willing to pay $100 for a bottle of Champagne, you can get something truly excellent.
Which brings me to this wine.
The house of Perrier-Jouet was formed in 1811 with the marriage of Pierre Nicolas Perrier and Adele Jouet. He came from a family with many generations of grape growing experience, she, from a well-to-do family in Normandy. The Perrier family's vineyard holdings in the region that would later become known as Champagne were as impressive as they were extensive. Some of the vineyards would eventually be classified as Grand Cru, and a few are still owned by the family, more than eight generations later.
Because of Perrier's wealth in land and experience, the couple wouldn't move far to settle down after they were married. They purchased an estate at the address 28 on the main avenue of Epernay, a street that would eventually be known as Avenue de Champagne. In that stone building they built what has become of the wine world's most successful brands (thanks to its latter day owners, which included at one point the larger Champagne house Mumm). The house continues to operate out of the same building, at the very same address.
Perrier-Jouet is certainly not the oldest Champagne house in existence -- it's a young pup compared to some houses that can claim to have been in operation since as early as the 16th century -- but it has several ties to history that make for good stories. One of my favorites being the tale that Oscar Wilde ordered bottles of the 1874 vintage of his favorite Champagne to his prison cell. Presumably because he couldn't bear to drink the inferior stuff they were serving him at the time? Perhaps a more important story would be the fact that in 1854 Perrier-Jouet effectively pioneered the Brut, dry style of Champagne, departing from the sweeter profiles of the times to create a wine that quickly became a standard in the region.
Perrier-Jouet, now a brand in the portfolio of drinks giant Pernot Ricard, currently owns and operates about 161 acres of vineyards in the Champagne region, of which, quite impressively, nearly all are Grand Cru classified. This is an achievement that should not be underestimated, as Champagne is famously fragmented among many, many different farmers, estates, and large Champagne houses.
The estate produces several vintage and non-vintage wines, of which this Cuvee Belle Epoque is their top bottling. Made from 50% Chardonnay and 45% Pinot Noir and 5% Pinot Meunier, it is made through careful blending and barrel selection of the winery's best fruit by winemaker Hervé Deschamps.
It's not often that a wine's label begs to be commented upon. In a world where many wines are indistinguishable from one another at a distance of 10 feet, the Perrier-Jouet bottle makes an immediate, striking impression. Whether it is the most beautiful Champagne bottle in the world I cannot say with authority, having not seen them all, but it is certainly one of the nicest pieces of packaging design that I know of in the wine industry.
The bottle is adorned with an enameled image of anenomes, the work of the artist Emile Gallé in the Art Nouveau style, which he created as a work of art in 1902 for the family, and which has been their signature bottle ever since they put it into production for their top cuvee starting in 1969.
Full disclosure: I received this wine as a press sample.
Tasting Notes: Bright gold in the glass with very fine bubbles, this wine smells of citrus oil, yeast, and the skin of yellow apples. In the mouth it is sunshine bright with a velvet soft mousse that supports flavors of lemon zest, toasted oats, and freshly baked brioche. Great acidity makes it a joy to drink, as the wine sings the whole way down. Delicious.
Food Pairing: This wine is quite bright and airy, making it a slam dunk with oysters, goat cheese, or egg dishes of all kinds. I'm not sure I can think of anything I wouldn't drink this with, to be honest.
A combination cited as a classic food and wine combination is Munster cheese with Gewürztraminer. But how many people sit down to a meal of just cheese? What I'm after is a main meal dish.
Ruling out Gewurz with Chinese or Thai dishes (a combination I've never found remotely enjoyable) a recipe sent with a bottle of Espiritu de Chile Gewürztraminer sounded at once interesting, autumnal and tasty.
The wine itself is not hugely expensive (around a fiver) but works well as a mid-week slurp and did work deliciously well with the food - a Thai-Spiced Chicken Salad.
Review0.3 Wine Tasting Note: Espiritu de Chile Gewürztraminer, 2007, Central Valley, Chile. Price: £4.99 [More: Adegga / Snooth]
A pleasant nose - hints of violets, limes and roses with similar flavours on the palate only more focused and noticeable. Hints of sweetness balance the wine but this is not a full in-yer-face Gewurz some can verge on the soapy, almost violent in intensity and spicy sweetness. This does have a little of the rose and ginger coupled with a suspicion of strawberries but, as expected for a humbly priced wine, is quite gentle and more subtle.
With the food: Despite the generous dollop of Thai Chili Paste the salad is not overly spicy (in the heat-hot spectrum) it still has a decent level of background heat but not enough to dampen the taste buds and, in turn, ruin the wine. Pear and apple flavours appear in the wine leading to the question should the dish have a little sliced pear added for additional autumnal flavours (not terribly Thai I suppose. Mind you is Savoy cabbage?)
Andrew BarrowScribblings Rating - 86/100 [3.25 out of 5]
Duck pâté and Foie Gras (although I find this too rich a combination, especially if the wine is of the sweeter style) do work well with Gewurztraminer.
Tuscany is probably the Italian wine region that is best known among American drinkers. Hundreds of raffia-covered fiascos (you know what I'm talking about--the bottles that you use for candle holders when the wine is all gone) have entered hundreds of homes all over the country. (picture by dottorpeni)
But there's more to Tuscan wine than just Chianti. For the last two months of 2008 I'll be focusing on the wines from this region. Why two months? There's just too much good wine to spend only one month exploring.
Tuscany is a region that is known for more than wine, of course. Home to the great poet Dante, its also the region where Pisa's "leaning tower" is located. Pisa is not the only town in the region with stunning architecture, as any visitor to Florence, San Gimignano, or Siena knows. Rolling hills, groves of olive trees, fields of sunflowers and vines, and old houses dot the landscape as well, making Tuscany a feast for the eyes as well as the tastebuds. (photo by vigour)
And the grapes of Tuscany are just as diverse as the countryside where they're planted. There's Sangiovese, of course, but there's also rarer indigenous varieties like Toroldega, Vernaccia, and Canaiolo. And Tuscan vineyards have their fare share of international grapes in them like Merlot, Syrah, Cabernet Franc, Tempranillo, and Cabernet Sauvignon, too. Merlot and Cabernet Sauvignon are often blended with Sangiovese in the powerful red wines known as Super Tuscans that earn high scores from the wine magazines and command high prices in the wine shops. (photo by rayced)
Great wine demands great food, and as anyone who has been to Tuscany knows--these people can cook. Whether you're looking for a simple pasta dish with sauce made from butter and sage, a hearty soup thickened with bread and beans, grilled beef cooked to perfection as they do in Florence, or the small cookies made for dunking in your coffee or wine called cantucci, you can find a dish to suit you from among the region's traditional recipes. These dishes are perfect for winter temperatures and feeding large crowds at the holidays. Many of them are also either quick to prepare, or cook at low temperatures in the pot or oven so they are ideal for entertaining.
With so much to love about Tuscan food and wine, it seemed like the right moment to slow down and enjoy the end of the this year's wine journey through Italy. Those of you who have been following the series know that there are still regions I've not yet reached. So we'll pick up where we left off in January 2009 and continue to drink the wines from the remaining regions of Italy all through next year. (photo by davidanthonyporter)
I'll be back periodically over the next several weeks with tasting notes and food pairings for Tuscan wines. Yes, Chianti will be among them. So, too, will be Tuscan whites and a wine made with indigenous varieties. And the Tuscan wine theme will spill over into Serious Grape on Fridays as well, where I'll talk about Super Tuscans and compare the different levels of Chianti from the regular bottles to Chianti Classico and reserve wines. As always, I hope you will join in and share your Tuscan wine recommendations and experiences.
After daylight savings ends, my thoughts turn increasingly to red wine. Once I set the clocks back, it gets dark faster than I expect. I start cooking dinner. The heat comes on. I wonder "is there a red wine in the house?"
And then there are the winter foods that start sounding just perfect right about now: beef stew, chicken chile, and soups made with late fall vegetables.
If this sounds like you right now, I've got a red that will knock your socks off and have you praising the wine gods. It's from Chile, which (like Argentina) produces some excellent value wines. This one is no exception, and it's made by Veramonte, the winery that also makes exceptionally good value Sauvignon Blancs.
The 2005 Veramonte Primus represents the best of what Chile has to offer to people seeking great value and great taste. This excellent QPR red wine drinks like a wine that's two or three times the cost. It's big, bold,a n balanced. Made from a mixture of 51% Merlot, 32% Cabernet Sauvignon, and 17% Carmenere, the first thing that will strike you if you get your own bottle is the beautiful, dark plum color. Then you will be bowled over by heady aromas of plum, blackberry, spice, and plum blossom. I loved the way that the promise of the aromas was delivered in the flavors, which echoed the smells beautifully--although the plummy notes did take center stage. The wine had rich, satiny texture that seemed more opulent than a wine with an under $20 pricetag deserved--but I'm certainly not complaining. Well-integrated tannins and a taste that reminded me of the spicy smell of my mom's cedar chest rounded out this nicely made, well-balanced wine. It's drinking very well now, but if you find some for a good price I think you might want to buy a couple of bottles and put them away for drinking between now and the end of 2009.
I received my bottle as a sample, but you should be able to find bottles of this wine all over the US for between $14 and $26. And they bottled some in 375 ml bottles, as well, which are retailing for $7-$14.
Enjoy the change in seasons. Get some red wine, snuggle with the one you love, and catch up on your movies and TV now that the election is over. Long winter nights can be a good thing, after all.
Perhaps I'm just getting too old, but I can't for the life of me really understand what San Francisco Wine Week is all about.
Here we are living in one of the greatest wine and food cities of the world. We're spoiled rotten when it comes to our wine and food. We expect, and regularly receive great local ingredients in our food, an incredible selection of wines from California and around the world, and completely take for granted the fact that we can bring a bottle of our favorite wine to any restaurant we like.
If there was ever a large city in America that might have a week long celebration of wine, San Francisco would certainly be at the top of the list. And here we are beginning just that sort of celebration, except....
It seems completely, and utterly lame.
As far as I can tell, San Francisco Wine Week is simply six nights of open bars in various venues around the city where you can taste as much wine as you want, no doubt to the soundtrack of thumping electronica.
Come on people. That was the best you could come up with?
Granted, this event is supposedly aimed at the young, urban, hip crowd of Millenials that make up the largest wine drinking population that America has ever seen. But I've got to believe that there's a better way to celebrate what the promoters rightly identified as one of the Bay Area's most defining cultures.
And just to make sure I've exercised my complete curmudgeonly rights, let me just say that the web site and all the marketing material I've seen are horribly unhelpful at getting any sense of what these nightly events will be like. For instance, Wednesday night is the "Sommelier Party" hosted by sommelier Mark Bright.
OK. So what does that mean? If you wanted to find out, say, the difference between that night and Tuesday night, which is the "Import Party" you would be shit out of luck, as they say. Nothing on the web site provides any indication of what is actually going on that night, or any other night, for that matter, other than "wine tastings." Hell, it's not even clear whether there will even be food at these things, except for "San Francisco restauratuers" being mentioned somewhere as some of the sponsors.
And if you want to know what's going to be happening at the ultimate end of week party, the Red Gala, you'll find yourself similarly screwed, except, of course for the dress code, which is supremely, unhelpfully described as "red attire encouraged but not required." So would that be red t-shirts or red ball gowns?
It's quite a shame that a city so steeped in wine and so populated with smart, talented hospitality folks couldn't come up with something better for the first Wine Week than this. As far as I can tell, we've got nothing educational, nothing uniquely Californian, and nothing really fun, except, perhaps if you're a young guy who knows a thing or two about wine and wants to go meet chicks that will be impressed with your knowledge. Sounds more like "party with alcoholics" than it does "celebrate wine culture."
Of course, that may just be the target audience for this whole debacle. The saving grace of which may be that the entire week's events cost a mere $75 bucks. Which means, no matter how bad the event ends up being, a motivated barfly will at least be able to drink their money's worth if they go every night. With only 44 wineries participating, you might also be able to get through every single one over the course of the week. In fairness, it must be noted that some of the wineries pouring at the event are quite good.
I'll leave it to the most adventurous of you readers to go check it out and look forward to happily being proved wrong. But I don't expect to be. San Francisco, you can do better than this.
Yesterday, at an event for the local farmers and winemakers, there were a few Texas wines at the tables. One particularly appealed, insofar as it corresponded with what I have been thinking about in terms of what American terroir is.
First the wine. Cabernet Sauvignon from the High Plains of the Texas Panhandle. High acid. Very High. Almost to the point of being volatile. Naturally. Tender tannins. Harry Waugh of Latour would have loooved it. A creamy, almost uncanny, balance. I talked to the winemaker about the wine and related an earlier tasting of grapes from the same vineyard, but made by a different winemaker. The earlier wine had been taken through Reverse Osmosis almost to the point of stripping certain fleshy parts of the wine out, making the acidity factor even more stark. The earlier winemaker told me he had done that (R.O.) because the wine naturally had this aspect of what some folks would recognize as volatile acidity and he tried to ?work it out.? It didn?t work for him and in the process he removed some of the buttresses that held the wine up, resulting in a wine that tasted as if it had had plastic surgery that had gone bad. Fortunately the second winemaker knew what the characteristic of the vineyard was and didn?t fight it, but rather let nature be. I don?t even like Cabernet for the most part, but this was a lovely drink.
Which is a very long introduction to something I have been talking about to wine folks across the country lately. This idea of American terroir.
It started with thoughts about California terroir (where I lived for half my life, growing up there) and feeling something in my environment before I knew the terms. In those many trips from Southern to Northern California going back to school and stopping in Templeton or Paso Robles, Gilroy or the many little vineyard plots along the way, I would taste a Zinfandel or a Charbono and note something that seemed oddly familiar. Something I couldn?t quite pinpoint. But it was concrete. Real.
I know there are critics who think "California wine" is big and bold and ripe and, well, immense. And other than those creeping levels of alcohol, I really am having a hard time understanding what their frame of reference is. Certainly not from growing up drinking the wines of Italy. Or France. Or Virginia, for that matter.
Yesterday, I also went into a natural foods café and ordered a glass of carrot and celery juice. As I was drinking it, I was really enjoying the earthiness of the carrots, the nervous edge of the celery. It was a perfect drink, and it had tons of terroir from the organically grown produce. A chap behind the counter said I should try it next time with a little apple juice. As I was walking outside in what seemed like a perfect California day (in Texas) I thought to myself, ?That would make it fruity.? I didn?t want more fruit. I enjoyed the balance of the fruit with the muddiness of the carrots and the salty-spicy green quality of the celery. It didn?t need to be manipulated with sugar from the apples to make it more pleasurable.
Take a handsome woman. Or man. Lets say someone from Croatia. Or Louisiana. In their natural state, some of us prefer that to a more enhanced look. Some like breasts that aren?t enormously out of proportion. Or lips that don?t look like that got into a fight with Sugar Ray Leonard. Muscles that look healthy, but not menacing. Many of us like wine like that.
A few weeks ago, while in the Maremma, I tasted fresh Merlot grape juice before it started fermenting. It was direct, fresh. The fruit was there but it wasn?t hulky. Maybe that it was pre-oak, pre-malolactic and pre-spinning cones, that attracted me to the promise of the wine to come. Just like the carrot-celery juice. It was standing there in front of you, pure and natural. Senza manovra.
I think California gets a bad rap. From folks who think they know what California wine is. And from winemakers who have mistaken their winemaking hats with their deity hats. I know when I talk to some of my winemaker friends like Robert Pellegrini, how they seethe when people try to reinvent "California wine", as if with one swipe of the sword it can all be commandeered. In the meantime, folks like him have their wines downgraded by the critics in favor of more voluptuous wines with a hedonistic bent. Pave paradise to put up a parking lot. And a tram.
I hear you, Bob. I too, remember the promise of California. And that seems to be a forgotten promise in today?s menagerie of players along the coast, from the numb and number corporate-crunching wine machines to the post-mid-life crisis wine lifestyle gazillionares.
Last February I went up to Stony Hill at the invitation of Peter McCrea. It was the Napa of my childhood, still as I remembered it in the beginning. The wines were a pleasant 12 ½%. There was no overpowering weight of wood. Acidity was healthy, bracing. The taste of the earth was present. That is how I see terroir in America.
And as America seems to be at a turning point, wouldn?t it be a great time for all of us to put down our preconceptions about what we think California wine is, or should be, and just ?let the sunshine in??
“I guarantee you all these prices will be significantly higher this time next year,” John Kapon, president and auctioneer at Acker, Merrall is reported to have said between bids at an auction last December. The buyers who paid $8,000 for six bottles of the ?61 Dom Perignon and $22,000 of for eight bottles of the ?66 Cristal might be wondering if that was a money-back guarantee.
Prices of all kinds of assets have declined precipitously since last December. Wine appeared somewhat immune as recently as September but evidence is now emerging that prices for collectible wines are entering a correction after many years of strong growth. The Liv-ex 100 Fine Wine Index fell 12.4 percent in October.
A close observer of auctions told me yesterday that two recent sales only sold 35 and 43 percent of lots. And some lots are going for well below the low price estimate. At another auction, someone else told me that a case of 1998 Grand Cru Chablis sold for $60. Even though there’s a risk of premature oxidation with that wine, $5 a bottle certainly seems like it’s worth a flier. Such a low selling price indicates that there was no reserve.
While many shops may have locked in higher costs, making them unwilling or unable to discount, some specialty shops do broker private collections too and can have faster turnarounds than auction houses. Provenance is always an issue with mature wine, so feel free to ask where the wines came from.
But some sellers at auction may be eager to liquidate making the secondary market may be the best place for wine deals this fall. Of course, if the global economic malaise continues into next year or beyond, declines in fine wine prices could continue. So you may not want to step in and catch too many falling magnums.
Some upcoming auctions: Zachys, Nov 6-8; Acker, Merrall Nov 7; Christie’s Nov 17 and 21; Sotheby’s Nov 22; Hart Davis Hart Dec 5.
It's time to talk turkey again--and what wine goes with it. (image from Carolina Morning)
Every year, new visitors come to this site in search of a delicious, affordable, and available bottle of wine to pair with their holiday meal. Old friends visit, too, sometimes to suggest their own picks for the year and sometimes to take issue with something I've picked. It doesn't matter why you're here--I'm glad to see you, and hope that what follows will be helpful to you as you plan for the big dinner.
If you are looking for general advice on Thanksgiving wine and hospitality, I'd encourage you to check out this article I wrote a few years ago on issues facing the host/hostess and the guests. If you are wondering what to drink with your meal, and with leftovers, you're in the right place. Here are my picks for 2008--all of which offer great taste and great value in an easy-to-find package. Clicking on the wine's name will take you to the winery's site where you can find more information about the wine and its makers. Many of the wines I picked this year are made with organic grapes, are farmed with sustainability in mind, and/or are made by families with great stories of how they got in the business of grape-growing and wine-making. Clicking on the range of prices will take you to a list of retailers who stock the wine. Maybe one will be near you.
Sparkling Wines What's a holiday dinner without some bubbles? These two picks are great for toasts, appetizers, brunch the morning after, or drinking with the main meal. Sparkling wine has great acidity, which means it pairs with most foods and there's no doubt that sparklers are festive. NV Roederer Estate Brut ($15-$20). For my money, this is the best value around in domestic sparkling wine. Expect tiny bubbles, aromas of brioche and Meyer lemon, and flavors of apples, toast, and nuts. Just as good with food as without.
NV Domaine Allimant-Laugner Cremant d'Alsace Rose ($16-$19). If you're looking for a pink sparkler, try this one. It' made with 100% Pinot Noir and has knockout fresh strawberry aromas with light berry, mineral, and citrus flavors. Like the Roederer Brut, this wine is as good with food as it is without.
Rosé Wines Rosé wines are perfect for turkey and all the side-dishes that make us groan afterwards. If you feel that rosé wines are too "casual" for a fancy dinner, don't forget the leftovers. Wouldn't a cool rosé be perfect on Saturday with your turkey sandwich? These rosé winesare dry, not sweet, and very refreshing. 2007 Fort Ross Pinot Noir Rosé($12-$16). Fort Ross makes some of the best Pinot Noir out there, and this is the rosé version of their wine. It's a beautiful color, with raspberry and strawberry aromas and flavors and a delicious stony note that keeps it complex and interesting. 2006 Jeriko Estate Rosé ($9-$13). This is a round and full rosé, with aromas and flavors of strawberries and minerals. If you don't like watermelon notes in your wine, you'll like this. Made with organic grapes.
White Wines I'm a fan of white wines for Thanksgiving. I like their freshness, and the way that they pair so beautifully with stuffing, gravy, turkey, cranberries, Waldorf salad--you name it, these whites will go with it. They're versatile and flavorful, but won't overwhelm the food. 2006 Brooks Riesling ($14-$19). This is not a sweet wine. It's dry in style, with aromas of lime, apple, Meyer lemon, petrol, and stone. You will taste lime, slate, currants, and a touch of honey which makes it ideal if you are serving smoked turkey or a turkey made with lots of spices. Exceptionally complex for the price. 2006 Adelsheim Pinot Gris ($14-$20). Delicious aromas of peach, honey, and a kiss of caramelized sugar, but there's lots of bright acidity to keep the peach and apple flavors in balance. This aromatic wine would be perfect if you are serving sausage stuffing, and while it may give a sweet impression it finishes dry. 2006 Mauritson Sauvignon Blanc ($13-$17). One of the best domestic Sauvignon Blancs I've had in a long time, made with no oak and no assertive aromas or flavors. Warm melon, Meyer lemon, and clementine aromas and flavors accompany fresh, grassy notes. 2007 Clif Bar Family Winery The Climber White ($13-$15). This white blend has a core of Sauvignon Blanc with the addition of Pinot Blanc (12%), Chenin Blanc (4%) and Muscat (3%). The result is a wine with good acidity but an impression of softness. Aromas of pink grapefruit and nectarine, and flavors of Meyer lemon, nectarine, and peach. 2007 Cupcake Vineyards Chardonnay ($11-$13; also available in CostPlus World Markets). A new label to me, this wine had clean and fresh apple and citrus aromas and flavors. There is a lovely creaminess to this wine, and a touch of mild oakiness. Very much like a white wine from Burgundy at a fraction of the price.
Red Wines There are a lot of people out there recommending Zinfandel for Thanksgiving. Unless you are very, very careful you may overwhelm your food with a jammy, high-alcohol wine. That's true for many other red wines, too. If you are serving turkey and lots of different sweet and savory dishes, red wines may not be your best bet. However, the ones below will not overwhelm your food--and the flavors may be just right for you if you like dark meat, or are serving something smoked or (gasp!) not serving turkey at all.
2006 Domaine du Vissoux/Pierre-Marie Chermette Vieilles Vignes Cuvee Traditionelle ($12-$16). Gamay is a low-alcohol, high-acid grape that produces fresh, zesty reds. You will smell cherries, berries and some chalk in this wine, and the flavors are pure, juicy Bing cherry with an earthy undertow and some mineral notes. 2006 MacMurray Ranch Pinot Noir Sonoma Coast ($12-$27) A great bargain in Pinot Noirs, this wine has high-toned cherry and raspberry fruit aromas, with a touch of allspice. There are flavors of cherry, raspberry, allspice, and fresh-baked cobbler with a terrific, silky texture.
2004 Quivira Zinfandel Dry Creek Valley ($18-$20). If you must, this is the Zinfandel to get. With aromas of black cherry, allspice, and cedar, and flavors of cherry, baker's chocolate, and pepper it has beautiful acidity and is very food friendly. This Zin feels and tastes more old fashioned and restrained--just the way I like them. The 2005 is also in the market, and while I haven't tasted it, ordinary drinkers on CellarTracker! seem to give it thumbs up, too. 2004 Bodegas Montecillo Rioja Crianza ($7-$12). If you think I'm nuts to suggest Tempranillo with turkey--trust me. I'm not. This is one of the great bargain reds, from Osborne's Bodegas Montecillo. There are aromas of roasted herbs and spicy berries, and nice, high-toned red fruit. Beautiful acidity and some dusty tannins make for a long, juicy aftertaste.
Whatever you serve on Thanksgiving, remember to relax and enjoy your friends and family. That's what the holiday is really all about!
Disclosure: The Adelsheim, MacMurray Ranch, and Clif Bar Family Winery bottlings were samples; I tasted both the Cupcake and Osborne wines at tastings. All other bottles were purchased by me over the last eleven months in a variety of brick-and-mortar and online stores.
Our reviews mark the 5th edition of the Wine Book Club, and the last meeting for 2008--because no one is going to post a review between Christmas and New Year's Eve, are they? So it's all the more fitting that we mark the end of 2008 and the end of the Bush administration with a book dedicated to helping us understand
Tecnorati
Yesterday, at an event for the local farmers and winemakers, there were a few Texas wines at the tables. One particularly appealed, insofar as it corresponded with what I have been thinking about in terms of what American terroir is.
It started with thoughts about California terroir (where I lived for half my life, growing up there) and feeling something in my environment before I knew the terms. In those many trips from Southern to Northern California going back to school and stopping in Templeton or Paso Robles, Gilroy or the many little vineyard plots along the way, I would taste a Zinfandel or a Charbono and note something that seemed oddly familiar. Something I couldn?t quite pinpoint. But it was concrete. Real.
I know there are critics who think "California wine" is big and bold and ripe and, well, immense. And other than those creeping levels of alcohol, I really am having a hard time understanding what their frame of reference is. Certainly not from growing up drinking the wines of Italy. Or France. Or Virginia, for that matter.
Yesterday, I also went into a natural foods café and ordered a glass of carrot and celery juice. As I was drinking it, I was really enjoying the earthiness of the carrots, the nervous edge of the celery. It was a perfect drink, and it had tons of terroir from the organically grown produce. A chap behind the counter said I should try it next time with a little apple juice. As I was walking outside in what seemed like a perfect California day (in Texas) I thought to myself, ?That would make it fruity.? I didn?t want more fruit. I enjoyed the balance of the fruit with the muddiness of the carrots and the salty-spicy green quality of the celery. It didn?t need to be manipulated with sugar from the apples to make it more pleasurable.
Take a handsome woman. Or man. Lets say someone from Croatia. Or Louisiana. In their natural state, some of us prefer that to a more enhanced look. Some like breasts that aren?t enormously out of proportion. Or lips that don?t look like that got into a fight with Sugar Ray Leonard. Muscles that look healthy, but not menacing. Many of us like wine like that.
I think California gets a bad rap. From folks who think they know what California wine is. And from winemakers who have mistaken their winemaking hats with their deity hats. I know when I talk to some of my winemaker friends like Robert Pellegrini, how they seethe when people try to reinvent "California wine", as if with one swipe of the sword it can all be commandeered. In the meantime, folks like him have their wines downgraded by the critics in favor of more voluptuous wines with a hedonistic bent. Pave paradise to put up a parking lot. And a tram.
I hear you, Bob. I too, remember the promise of California. And that seems to be a forgotten promise in today?s menagerie of players along the coast, from the numb and number corporate-crunching wine machines to the post-mid-life crisis wine lifestyle gazillionares.
And as America seems to be at a turning point, wouldn?t it be a great time for all of us to put down our preconceptions about what we think California wine is, or should be, and just ?let the sunshine in??
“I guarantee you all these prices will be significantly higher this time next year,” John Kapon, president and auctioneer at Acker, Merrall is reported to have said between bids at 
