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Mr. Ramsay is not actually in residence at his latest London venture, the York & Albany, but the place has all his hallmarks: professionalism, attention to detail and tweaks of idiosyncrasy.
Brilliant article from the recent issue of Wine Spectator written by Matt Kramer (winespectator.com):
Recently I found myself in one of those wine wrangles that, truth to tell, I usually try to avoid. (Check out any wine chat board on the Internet if you've got a taste? for this sort of thing.)
The wrangle was with, natch, a winemaker?, while at a social event. It involved the winemaker's assertion that "fine wine is art." I pointed out, as modestly as I could, that there's no denying that nature surely doesn't make wine on its own, let alone fine wine (vinegar? is more like it). I then went on to say that fine wine is, at best, a high craft both in the vineyard? and the cellar?.
Probably, if I had stopped there, the discussion would have proved amicable. But I took the matter one step further. (You're shocked, I know.) I submitted that saying that winemaking, and therefore its result, is "art" was self-aggrandizing. You can imagine how that was received.
Now, I admit that the self-aggrandizing bit was a low blow. Still, it's true. If winemakers can get you, me and, especially, their employers to see them as artists, you know what'll happen: Their salaries will rise, and producers, for their part, will start pricing wine as "art." And you know what that means.
So why isn't fine wine "art"? The answer is surprisingly simple. Art is creation; wine is amplification. The big? difference between an artist and a winemaker is that an artist starts with a blank sheet while a winemaker works with the exact opposite. A grape arrives at the winery? with all the parts included, a piñata stuffed with goodies, just waiting to be cracked open.
Is there a craft to doing that? You bet there is. But where an artist conceives of something out of the proverbial thin air, no winemaker anywhere in the world can do any such thing.
For example, when my wine heroine Lalou Bize-Leroy bought the former Domaine? Noëllat in Vosne-Romanée and transformed it into Domaine Leroy, she did not create her magnificent wines from scratch. It was all right there in the hallowed ground and old vines? of her newly acquired pieces of Richebourg and Romanée St.-Vivant. She didn't create something from nothing. Quite the opposite.
Fine wine is not creation. It is refinement. If it were otherwise, then everybody would be "creating" Lafite Rothschild or La Tâche or any other wine masterpiece of singular, irreproducible expression and high price. Counterfeiting aside, I don't see anybody doing that, do you?
They don't because they can't. That's precisely why fine wine is not art. It comes from all the forces that create a particularity of site. Great winemakers?which is to say, expert practitioners of winecraft?tease what they can from the sites that are available to them by planting the right grapevines, growing them astutely, harvesting the fruit at an ideal moment (a problematic issue today given some winemakers' and critics' preferences for ever greater ripeness) and handling the fermented juice? in the cellar with deft control.
This is no small charge, and I, for one, do not seek to diminish it in any way. But art? Not a chance. The poet E.E. Cummings put his finger on it better than anyone else: "A world of made is not a world of born." Wine is no more a blank canvas than the Grand Canyon.
Why does this distinction matter? Because abstract though it is, if winemakers and, yes, wine lovers, see wine as art, then the essential connection between what a grape expresses from its site and what we expect is severed. If a winemaker is an "artist," then he or she, by artistic right, can and should modify the result to suit a personal vision separate from a "mere" expression of place.
However, if the finest winemaking is seen as a high craft, rather than art, the expectation changes subtly yet substantively. Where art presumes a blank slate upon which a personal vision necessarily is writ large, the notion of craft is more deferential. Like great parenting, it's a guardianship of something already largely complete. The goal is refinement and amplification of what's inherent. Think of what happens when parents do otherwise.
So it is with wine. All sorts of technological deconstruction and reconstruction now occurs in many wineries today, especially ones creating high-end?or at least high-priced?wines. They see themselves as artists and would like to convince you of same. If they can, well, you know how distorted the results can be?and who pays.
Matt Kramer has contributed regularly to Wine Spectator since 1985.
It seems obvious on reflection but it remains an important distinction to make, especially given the widespread labeling of wine making as an art form, particularly in wine marketing circles.
by Martin Field I was reflecting one night, over an aged cognac, on chaos theory. Popularised by the notion that the gentle motion of a butterfly?s wings in, say, Noosa, may very well cause a typhoon in, say, the Philippines. Extraordinary, I thought, and hard to believe, but then again all things are possible. How does one separate theory from fact? I wondered. By scientific experimentation, I answered myself readily. So, just a moment ago, I popped the cork of a bottle of champagne. I do not take responsibility for the consequences of this action but, wherever you are in the world, I say to you: ?Do you notice a slight freshening of the breeze? Did the dogs just start to bark? ?Be very afraid!?
Plus, a dentist visit to look forward to; making Champagne the centerpiece, literally; a thief with good taste and bad planning; good news and bad for Michigan wine lovers
Whether you always agree with him or not, there's little denying that Robert Parker, Jr. has had a tremendous influence on wine buying. The author and publisher of "The Wine Advocate" for over 25 years has won countless awards, including being appointed a "Chevalier dans l'Ordre de la Legion d'Honneur" in France. He created the now widely-used 100-point wine ranking system and has written extensively about wine industries around the world.
Parker's latest work is the exhaustive "Parker's Wine Buyer's Guide," a 1536-page catalog of the world's great, good, and average wines and comes out on October 7. Far from being dry and laborious, this tome is easy-to-read with lots of maps and regional wine information interspersed with winery and individual wine ratings and prices.
"Parker's Wine Buyer's Guide" is being publishing in trade softcover, in hardcover, and as an e-book simultaneously. Shipping is an issue with a book this large, so the $24.99 ebook is a smart option. The softcover is currently $23 with Amazon.com and you can get free shipping with them for orders over $25. This book would make a good gift for anyone who enjoys wines and/or traveling throughout the world's wine regions.
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Advertising on the Women Wine Critics Board ABOUT US This blog is compiled and edited by Mary Baker, co-owner of Dover Canyon Winery in Paso Robles, California. Mary has considerable experience in the California wine industry, and the blog is open to all writers who are passionate about wine. It is updated at least three times per month with guest articles and wine news. OUR READERSHIP The Women Wine Critics Board attracts an audience interested in fine wine, wine-related travel and wine appreciation experiences. As of June 2007, the number of unique visitors coming to the site on a monthly...
Whilst in Bordeaux I took the time to speak to Thierry Manoncourt at Chateau Figeac to ask him about his life and how things have changed during his stewardship of the estate since the 1940s - he will be ninety in September this year. The interview will be podcast in the near future (in [...]
What with the Summer Games currently placing China and its regional cuisines in the limelight in terms of reflecting nearly a continent?s worth of complex, multi-ethnic influences, we should also consider other similarly impressive culinary miracles that geographically take up an infinitesimally tiny fraction the size of China?say Slovenia. In my understanding at least, Slovenia has always represented a fascinating crossroads within an impossibly modest amount of land. Many diverse and even warring influences have laced Slovene customs, viticulture and cuisine. Somehow though, like a cultural or culinary manifestation of the metaphysical concept in J.L. Borges? The Aleph, individual influences never amass into an incomprehensible amalgamation, but rather, remain clearly discernible.
Whether in its fairly recent history as a sovereign republic, under communism or seemingly serving as the geopolitical puck between Napoleon and the Habsburgs? shuffleboard match, Slovenia?s former overlords and neighbors include decidedly unique food cultures?Croats, Istrian Italians, Hungarians and Austrians, among others. Bearing all of this in mind and turning our thoughts to the central concern here on Enotheque, I would like to recommend this wine from the Gori?ka Brda region. Aside from being one of the wines I?ve been enjoying recently, I chose to post on it because I strongly feel that it?s indicative of the impressive quality-value dynamic that importers and retailers could benefit from should markets seem more receptive to the artisan wines of Slovenia.
Even if one is already familiar with the Colli Orientali of Friuli?sRibolla Gialla, the Slovene version, Rebula, is more than worth trying. As a whole, Slovenia and the Gori?ka Brda produce white wines of impressive caliber, be it from more distinctly regional varieties or others introduced from abroad: Briski Tokaji, Teran, Chardonnay, Sauvignon Blanc, Sivi Pinot, Pinela, or Rebula for that matter. In terms of this one, vintner Matjaz Cetrtic farms Rebula on wide, terraced limestone vineyards, purposefully limiting yields to ensure lush, concentrated and nuanced wines. My notes follow for the 2004 Matjaz Cetrtic Ferdinand Rebula Brda:
Tasting Notes?
Appearance-wise, this wine is medium gold. The nose is clean and of medium intensity, with highly unusual though pleasantly different aromas of caramelized or burnt orange peel, citrus, flowers and minerals. Strange, delightful palate with just enough lemon acidity, hint of underripe green fruit flavors, minerality in the form of pebbles, as well as the aforementioned burnt orange peel flavor that leads into a nice finish. If in search of something wildly, completely different, I wouldn?t doubt to reach for more Slovene wines such as this Cetrtic Rebula.
As a closing note, should the unbelievable degree of complexity in tiny Slovenia?s food and wine heritages impress you and compel you towards further learning, visit the culinary section of what appears to be their official tourism portal on the web.
Celebrate Wine is pleased to be a part of a new wine-writing project called "Drink Local Wine." The site brings together wine journalists, sommeliers, bloggers, and other wine enthusiasts from 16 "non-west coast" states and Canada. The goal is to enforce the reality that North American wine is not just about California, Oregon, and Washington anymore.
At "Drink Local Wine," you'll find information about wines from Illinois, Maryland, Georgia, and Wisconsin...and, of course, my home state, Ohio. Be sure to take a look.
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I played Risk as a kid. It's never a good idea to fight a war on two fronts.
But that's what winemakers are doing. They're fighting for our taste buds and our minds. And in the quest for our minds, New Worlders are winning. Why? In a word: marketing.
And that's where Old Worlders have fallen behind. For too long, they didn't play the game. They didn't embrace the global marketplace with a big, wide bear hug. They didn't think they needed to. They were wrong.
I get this.
People want at-a-glance labels, suggested pairings, critters, playful names and specified grapes. They don't want micro appellations, regular-size appellations or any appellation, for that matter. They want wine. Just wine. So many people don't really care where it comes from or about the traditions and geography behind it.
The German wine industry has taken this so much to heart that it's changing the name of one of its wine regions (they've done this before). The Mosel-Saar-Ruwer appellation will most likely become Mosel. Why? Because it's easier to say and remember. For who, you ask? Not the Germans, I'm guessing.
And this is where I get off the bus.
I fear this rush to make wine look the same on the outside will ultimately homogenize what's on the inside. And I don't think I'm far off this one. If wine drinkers have become so lazy that they can't be bothered to know that Chianti is made from the sangiovese grape, why should their taste buds be bothered to know the difference between quality and plonk or even red from white?
I know, I know. We're busy. We have far too many things floating around in our heads already. We shouldn't have to know that Sancerre is sauvignon blanc to be able to enjoy wine. But that's the thing. You don't need to know that. All you need to do is try it. Most people don't wonder what's in their beer or how their Jack Daniels was made. It's just something we drink; it's part of our culture - the way wine is a part of so many other cultures.
I'm all for demystifying wine, but for me, that's done in the mouth. The idea that generic labels will help the average consumer enjoy wine more is something that's being perpetuated by the very people who made it intimidating in the first place: marketers.
Class occurs 10/19/2008, 11:30-01:00 pm Panel discussion
Riesling is currently the fastest growing white varietal in the US, increasingly sought out for its food friendliness and its aromatic, vibrant character, however, its variety of sweetness can make it a challenging purchase for the consumer. Join Riesling producers for a discussion of this versatile grape and the new ?Riesling Taste Scale,? read more.
Rediscovering Riesling Walk Around Tasting Sunday, October 19 ~ 1:00 - 4:00 pm Elegant, aromatic and food-friendly, Riesling?s making a comeback! The perfect pairing for Asian, Indian, and of course, German and Austrian cuisine, ?The Other White Wine? abundantly deserves its growing popularity. Taste dozens of domestic and international dry, semi-sweet, sweet and sparkling Rieslings paired with artisan foods ranging from sausage to sushi. You?re sure to find the perfect match! read more Pub.: 2008-10-08 09:18:37; Udt.:
Keeping a wine bottle sealed is probably the most important factor when it comes to maintaining a good wine.
A cork is essential, as it keeps oxygen out of the wine bottle. If a bottle of wine is not airtight then it may become oxidized and undrinkable
Traditionally, the only corks worth considering were those actually made of cork. Recently, however, many wine experts have recognized that cork may actually cause more problems than it solves.
Cork, due to its malleable nature may have imperfections; these can result in the seal of the bottle not being as airtight as it could be and the wine being spoilt. In an attempt to avoid this problem, modern cork manufacturers may treat the cork with a chemical called TVA. Unfortunately, this chemical can cause the wine to taste and smell a little damp and musty.
Having said this, cork is able to expand to fully fill the neck of the bottle, which therefore, still makes it the preferred option for special wines that need to be stored, over a long period of time.
Plastic corks are becoming increasing popular, of late. One of the main problems associated with traditional corks is that the wine becomes 'corked'. Plastic corks prevent this occurring. Great! I hear you say. However, there can be minor irritations with plastic corks. A plastic cork can sometimes be difficult to extract from the bottle and virtually impossible to fit back into a half drunk bottle.
Another recent development is the widespread use of screw-top bottles. Until recently, this type of seal was used for only the cheapest of wines. Wine producers across the globe are now recognizing the benefits that screw tops provide. This type of seal ensures that wine is kept fresh; there is no chance of the wine becoming 'corked' and the bottle can be easily resealed. In reality, the only reason that screw tops are not more popular is because of the ingrained snobbery associated with this method of sealing a bottle.
No matter which type of cork you choose, it is important that you are able to recognize whether the wine has been properly sealed or not. A useful test is to see whether the top of the cork is level with the top of the bottle; if it isn't, then that particular bottle of wine is probably best avoided.
If a traditional cork breaks when you are removing it - don't panic! Use a corkscrew to attempt to 'dig out' the remaining cork. If this fails, simply push the remains of the cork down into the bottle. Contrary to popular belief, this will not destroy the wine's flavor. You may have to fish out a few bits of cork, but the taste of the wine should remain unaffected. However, you'd be wise to finish the whole bottle, under these circumstances!
When choosing your wine, base your decision on the wine itself and not the type of cork. Resist the temptation to be a cork snob; a screw top bottle may just give you a pleasant surprise
About the author: Ever since Neil Best first pondered the question, Who made the first wine anyway? he's been recording his findings at Good Glug. Find about your favorite wine regions, wine recipes, and speciality wines along with how it's made and how best to store it for maximum enjoyment
No one wants his or her taxes raised. Yet given the enormity of the fiscal challenges that lie ahead for this country, is a new tax on wine in order? I don't think so, and certainly hope not. But in the past, anti-alcohol lobbies have eyed a tax increase on wine and spirits.
At a recent tasting of South African Great Whites I was really excited by the wines I tried.
In the past I have sometimes been disappointed that in general the wines could seem out of balance, either too acidic or flabby, the fruit almost a cariacature of itself and even in the worst cases just dirty.
These wines however showed exuberant fruit, great balance of refreshing acidity with richness and depth and really distinctive character. I thought they showed very well and certainly will lead me to the South African shelves when I want good value white.
My favourites from each section as follows, full tasting notes seem to a bit of a dream at the moment but one day I hope to get them all up!
Jan Daneel Chenin Blanc 2005 Napier: Very simple but stylish label would have great shelf presence. Pretty, sunny apricot nose. The broad oak at the front palate is a touch too heavy but underneath is gorgeous fruit. Well-rounded, almost heavy, weight in the middle with enough crisp acidity to take you back for another sip. The fruit pushes right through to the end and lingers for ages. Lovely. 17 Stockist -Jeroboams £15
Tokara Sauvignon Blanc 2005 Stellenbosch: Fresh, flower petals delicacy on nose followed by vibrant, exciting fruit on the palate. Well-handled oak comes pouring through on its tail but is integrated and adds complexity. Balanced and fine with a crisp, juicy finish. 18 Stockist - Wimbledon Wine Cellars £17.99
Other very good Sauvignon Blancs - Quoin Rock 2005 Stellenbosch £9.49 Andrew Chapman Wines; Cape Point Vineyards 2005 Cape Point £14 Jeroboams; Neil Ellis Groenekloof 2005 Stellenbosch £9.99 Christopher Piper Wines, Villeneuve Wines, SA Wines Online
Jordan Nine Yards Chardonnay 2005 Stellenbosch: Up front fruit balanced with a sure and light touch. Fine and nutty with integrated oak tannins backing it up. Silky mouth feel kept frech with tangy acidity. 17 Stockist Laytons; SA Wines Online £17.25
Other recommended chardonnays - Glen Carlou Quartz Stone Chardonnay 2005 Paarl £11.99-12.49 Oddbins, Christopher Piper, SA Wines Online, Genesis Wines; Quoin Rock Chardonnay 2002 sent by mistake but very high scoring, see previous info for stockist leads.
Fairview Viognier 2006 Paarl :Very aromatic nose but avoids parody. Crystallised fruit, nice levels of acidity. Not just floral but lively and fresh. 17 Stockists Harrods; Noel Young Wines; Valvona & Crolla £9.95
Also very good was the Bellingham Maverick Viognier 2005 Wellington £8.49 Majestic, SA Wines Online.
I recommend the Villiera Inspiration 2006 Stellenbosch £9.99 Tesco This desert wine has an unctuous, lovely texture, a nose of marmalade ice cream, very fresh and fine. Rich and great value.
Over two million Canadians have diabetes. For thirty-two years I?ve been a card-carrying member of the no-sugar-tonight club. The thing that always surprises people when they find out I?m diabetic is the significant part that food and wine play in...
Finish of mixed berries, cassis, cedar, and tobacco
Good friends treated us to a couple of bottles of this wine. It's drinking really well right now and is enjoyable because it's so relaxed and polished. The flavors integrate beautifully, and the texture is nearly perfect.
To purchase this wine at auction or from the library collection of a fine wine merchant, expect to pay around $150 per bottle. As one of the Grand Cru Classe wines of St. Emillion, this wine has the reputation of aging quite well. Typically a Merlot-based blend, it has developed a strong reputation and a strong following for decades.
The web site for Philip Stein - purveyor of the new Wine Wand - claims that thanks to this nifty device "The full bouquet and taste of wine can be enjoyed within minutes, not hours." That's a bold statement, but one that can be tested on your very own at home, for the bargain price of just $325. That's right, that's the price of the Wine Wand, which Stein's site describes loftily as "a breakthrough device that uses natural energy to aerate wine, enhancing flavors and aroma almost instantly." Okaaaaay, so where's the catch?
SPIT: red states With more states turning blue, a reader writes in to say that it will be even harder to do a red state-blue state article again now that Virginia and Colorado are blue. Indeed! Texas, over to you?
SPIT: global wine mergers The purchase of Napa’s Chateau Montelena by the Reybier group (Cos d’Estournel), hailed in July by Robert Parker as “one of the biggest stories in my 30 years in the wine field,” has now been canceled. [PR newswire]
SPIT: global wine John Mariani has a sip of the Andeluna Grand Reserve Pasionado, a $50 red from Mendoza, and calls it “an explosion of high-alcohol, grapey, oaky flavors that seemed to epitomize all that is wrong with what has been called the globalization of wine.” [Bloomberg]
SIPPED: Making drinks instead of ordering them At least one person from the world of finance has stopped thinking about structured equity products and is now thinking about Purple Hooters at the New York Bartending School in Manhattan. [Bloomberg]
Often when you think of Napa and Sonoma, the big corporate winery showcases come to mind. Palatial wineries costing tens of millions of dollars surrounded by gardens that compete with Versailles and gourmet kitchens better equipped than three star Michelin restaurants. Yet some of California’s most exciting wines are not being made in such wine palaces.
Working in leased space, crammed in with other small producers sharing space and equipment, some young winemakers are making a dramatic new generation of California wines. Some of the most compelling wines I tasted during a visit to Sonoma last weekend were some bottlings of syrah produced by some low tech, but high passion winemakers. I say this is a new generation because these are not the huge raspberry fruit bomb syrahs with little varietal character you have come to expect from California. These are big wines, just as they should be, but layered in with all that fruit was real complexity as they exhibited that earthy, butcher shop character that defines the finest wines from this variety.
Morgon Peterson at Bedrock Wine Company is crafting some of the most fascinating American wines I’ve tasted in some time. He’s making a tremendous range of single vineyard syrahs and a dramatic sauvignon blanc/semillon blend. Neighbor Phillip Staehle is making some compelling wines under the Enkidu label. His Odyssey Russian River Syrah is proof positive that the best syrah is made in cooler climates than conventional wisdom has called for in the past.
In the picture above, Peterson presses wines using a muscle powered basket press. Yes, he really makes wine that way. There’s a growing group of young winemakers in California who are well educated not only on winemaking science, but on the traditions that made European wines the standard for greatness in the past. They are on the cutting edge of California winemaking not because of their use of the latest technologies, but by their return to the methods of the past. They are making textured, complex wines that don’t bury the characteristics of the variety under excess and manipulations, but that proudly and clearly show their California personality. For me, these wines were nothing short of exciting. As you might expect, very little wine is produced at wineries such as these. I’d suggest you get on the mailing list now.
There's still plenty of fire left in the belly of old gnarly Grenache vines in Calatayud, Spain. These old vines manifest their destiny in Garnacha de Fuego 2007, imported by Jorge Ordoñez, and sold here in Tennessee for well under $10, and in some areas of the country nearer to $5.
This is one of those outstanding inexpensive red wines that make you wonder why some wines cost so much. Unencumbered by wood aging, it's so very pure and drinkable, yet unlike similarly priced junk wine, the wine equivalent to junk food, it's genuine. There isn't a hint of manipulation evident.
True to form for a fresh Grenache, you get a plethora of raspberry character, perhaps even some "Now-Or-Later" cherry mixed in. There's also some white pepper spice to be sure, and a mouth full of rocks. The body is light-to-medium, and the combination of youth (wine) and age (vine) come through in the somewhat rustic, lasting finish.
The vines harvested for this wine go back to the days when Franco took power and when Picasso painted Guernica. On a political hiatus for decades, these sage vines are now just coming into their own. Therefore I'm raising a glass, to remember those people who suffered before, and to be enlightened with the wisdom to help alleviate future suffering. The planting of these vines was a bit before my time, but not really that long ago in the evolutionary big picture. History is changing fast, and as was said, "those who cannot learn from history are doomed to repeat it." Garnacha de Fuego kindles the mind, makes you think, doesn't cost a lot, and it even goes great with fried green tomatoes.
If you need to stock up on wine, Tesco start their Wine festival from Monday, 25% off all wine when you buy any 6 bottles or more. Includes champagne, vermouth, port, sherry and boxed wine too. I'd expect their competitors to start similar deals in the coming weeks too.
Big News! Okay, I was trying to keep this one under wraps but it seems a few people have already found out and, well what better place to announce it than here right?
As of August 7th I will be back at the Wine Warehouse full time drinking for my living. I am very excited and can't wait to get back in the game.
Also My friend Andi got a new job at the O'Henry Hotel and I wish her mucho success in all of her endeavors. I will miss her.
Cheers to my new job!
[08/29/2006, 02:09]
Buenos Aires, wine and tango (1).
Almost a hundred of Argentine warehouses will expose your products in the biggest Fair of Wine of Latin America.
This event - Wines and Warehouses 2006 - removes to end for the sixth year in a row. It will be realized in the Fairground Land of La Rural, in Buenos Aires, between the 14th to September 16.
This meeting of the industry of the wine incites the interest not only of the consuming public, but specially of merchants and distributors, places and foreigners who have opportunity to analyze in an alone place the variety of Argentine wines, produced both by big companies and by the warehouses called "boutique".
In the last years the Argentina realized a deep review of your position on the international market of wines and, thanks to the joint effort of the local butlers, the positioning of the mark is fortifying country in the different markets. Provided that your wines expire with all the requirements of quality and being relied on, likewise, by two varietales celebrated, the malbec and the torrontés, the Argentina marks a difference and manages to differ from other countries producers.
Wines and Warehouses 2006 foresees the accomplishment of business Rounds, where the local producers will be able to make concrete economic agreements with buyers of the whole world.
Exhibitors' list:
Alta Vista - Bodegas La Riojana Coop.- Aristides - Lariviere Iturbe - Atilio Avena - Lavaque - Babco - Los Haroldos - Balbo Luigi Bosca - Barale Biurrun - Luis Segundo Correa - Bgas. Kaufman - Lurton - Bodega Altus - Morsella - Bodega NQN - Navarro Correas - Bodegas Borbore - Nesman - Bodegas La Guarda - Norton - Bodegas Lopez - Pcia. de San Juan - Bodegas Mayol - Porvenir de los Andes - Cavas de Santos - PR Argentina - Chacras del Sol - Putruele Hnos. - Chandon - R. J Viñedos - Clos de los Siete - Revista Club del Vino - Club del Vino - Dante Robino - Roca - Crotta - Ruca Malen - Del Fin del Mundo - Saenz Briones - Domingo Hnos - Sua - Don Cristobal - Telteca Winery - EAS - Tempus Alba - EAV - Terrazas de los Andes - El Rosal - Tittareli - Eral Bravo - Toso - Familia Nofal - Trapiche - Fantelli - Trivento - Fecovita - Valentin Bianchi - Finca el Retiro - Viña El Cerno - Finca Flichman - Viñas del Baron - Finca Las Moras - Viñas del Golf - Fincas Andinas - Vinecol - Flia. Schroeder - Wine 5 - Flia. Zuccardi - Xumek - Freixenet - Honda - Guime - YPF - Humberto Canale
Wine Blogging Wednesday rolls around again with a theme from Russ, the Wine Hiker, of “Which wine, which wilderness.” Sounds pretty straightforward… which wine would you bring on a hike near where you live. The only problem is, I don’t hike.
It’s not that I don’t like hiking, I do, but rarely get on the trail these days here in Minnesota. I like walking and it is my exercise of choice but it’s usually done in my suburban neighborhood or around one of the many lakes in the Twin Cities. Rarely have I ventured up north to where the real action is here in the land of 10,000 lakes.
But this theme not only got me to think about where I might hike but also which wine I might take on the journey. Since I’m one to pack lightly, I chose a wine I could enjoy without a corkscrew. That left every wine made here in Minnesota behind but there were several choices left on the shelf. I also assumed I would bring simple water glasses or metal cups and not the usual Riedel stems on my hike so the choice should be something hearty. This got me thinking of the wines of Italy which are often consumed in humble glassware. Alas, I was not able to find a wine in screwcap or other non-corkscrew closure from Italy but my friends in California did not disappoint.
Tecnorati
Class occurs 10/19/2008, 11:30-01:00 pm 
The web site for 
