TagCloud:
Wine Ebooks:
| | The Complete Grape Growers Guide. |  | | A Complete Guide For Growing Grapes. Converts Very Well At A Reasonable Price! Growing Grapes And Making Wine Is A Very Popular Topic Right Now.
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| | Fool-Proof Wine Values. | | | Learn How To Easily Find Wines Of $50 Quality For $10 Or Less. Impress Friends With Your Expanded Wine Knowledge. Eliminate Your Dependence On Wine Salespeople. And Take The Hassle Out Of Buying Wine.
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| | Making Wine From Home. | | | A Fun And Very Informative Book On Home Wine Making. The De Facto Standard For All Home Wine Enthusiasts With Recipes, Advice And Tricks.
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Blogs & Sites:
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[05/26/2006, 11:36]
Wine Woot - One Week, One Wine | | | What am I doing around 1:00 am EST almost every night? Checking woot.com for the latest woot item, of course!
Being a computer/tech junkie, I am always finding random good deals on woot. Now, they have made my life complete, with Wine Woot.
 Every week they will be featuring a single deal on wine. Take it or leave it, but when they are out of stock, you are out of luck. If this turns out anything like the regular Woot.com, a good deal will be sold out in minutes. The wine deal they have up there right now looks pretty good: St. Supéry 2000 Cabernet Sauvignon / Merlot Sampler. Seeing as how these would fit the Cheap Wine Reviews rule of 15 bucks or less, I might give this wine a try. | | | |
[11/15/2008, 03:31]
WBW 51: Baked Goods | | Well it’s Wine Blogging Friday for me this month, but hopefully I can sneak into the summary. The theme for Wine Blogging Wednesday this month comes by way of Philly-based wine blogger Joe who goes by 1WineDude online. And it’s a complete departure from our basic formula of wine variety, region or something a bit quirky. In fact, he has challenged us to actually drink madeirized — or intentionally heated and/or oxidized — wines. This style of wine is found in Madeira, Australia?s Rutherglen Tokays and Sherry. But Joe was also mindful that these wines might not be available everywhere so he included all fortified wines including Porto for his “Baked Goods” theme.  I knew at some point there would be an occasion to write about Sherry, a wine I’ve had over the years but didn’t really get into until a visit in June of 2007 to El Puerto de Santa María in the so-called Sherry Triangle. As a guest of Osborne, I visited their winery and tasted Fino literally pulled from the solera. But the most surprising part of this visit was a dinner with only Sherry served. I knew the starter would be easy with a Fino or Amontillado and the dessert course would be matched with a sweet Sherry of some sort but the entree would be a challenge. That’s when I was introduced to Oloroso which was a revelation at the time. But the best wine that night was a sweet Sherry made from a very old solera and the Pedro Ximénez grape. I rated it a 99, the only wine I have ever rated that high.
But before I dig my notes out for that wine let me flash forward to this week when I was looking for a Sherry to review for this tasting. As someone now a bit more educated about Sherry, I know that Fino is best consumed before 6 months from it’s bottling date. Most every Sherry producer has some sort of bottling code that indicates the day and year of bottling. Many times these are cryptic with Roman numerals used for the year but Osborne uses a more understandable code. So while I am continually disappointed in the stores here in the Twin Cities where Fino is “fresh” at 9-10 months past bottling, I was surprised to see a bottle of Osborne Pedro Ximénez “1827″ on the shelf with a bottling date of June 23, 2007… just 5 days before my visit to the winery. For those not familiar with how Sherry is produced, a quick aside before my tasting notes. The production of Sherry is very old, in it’s current form since the the Moors ruled Spain some 1,200 years ago. Some, according to this piece in Wikipedia, track this style of wine back to the city of Shiraz in modern day Iran, literally the cradle of viticulture in antiquity. The production of Sherry starts with grapes grown in very chalky soils around Jerez, Spain from Palomino or Pedro Ximenez. In the latter case, the grapes are dried for two days before pressing and fermentation begins to concentrate their sugars. After primary fermentation, the wine is fortified with brandy to levels of alcohol determined by the style of the final wine. Fino or Amontillado are fortified to 15 degrees alcohol so that flor yeast can survive to complete the wine. Oloroso is fortified to 17-18 degrees alcohol to prevent the growth of flor and the wine is primarily shaped by oxidation in the solera. The solera is a system of large barrels between 3 and 9 in number usually stacked in a pyramid shape. This allows for the young wine to be introduced at the top of the solera to fill the lower barrels where the finished wine is drawn for bottling. Sherry is aged in barrel for a minimum of three years but this time in barrel is much longer for more highly prized and rare Sherries. Through reduction and oxidation the resulting wine gains complexity and since all the barrels are neutral, no aromas or flavors from the oak. This is a truly unique and old school style of wine that I hope more wine lovers will try. Tasting Notes:
Bodegas Osborne, Pedro Ximenez “1827″ Sherry ($21) - Mahogany in color with powerful aromas of fig, molasses, espresso, hazelnuts and some heat from the alcohol. Rich and sweet in the mouth with fig, maple syrup, cocoa and caramel flavors finishing very long with enough acidity that balances the luscious sweetness. Decadent, delicious and an excellent value at around $20 a bottle. Also very nice poured over vanilla ice cream as it’s own dessert. 17% ABV
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Rating: 4 out of 5 stars Bodegas Osborne, Pedro Ximenez “Viejo” Sherry ($100/sample tasted at the winery) - Almost black in color with very complex aromas of fig, dates, espresso, dark chocolate, molasses and a hint of baked orange. In the mouth, very rich and layered fig, caramel, baked orange, spice and nut flavors mingle with quite a bit of sweetness that is balanced by acidity. This wine has a finish that seems to go on forever. One of the most extraordinary tastings of my life and as close to a perfect wine I have ever encountered. Buy it, if you can afford it. 16% ABV
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Rating: 5 out of 5 stars Thanks to Joe, the 1WineDude, for getting me back into this style of wine. I’m going to continue to explore Sherry both here and on my podcast… and might even post those recordings made in Spain some 17 months ago. | | | |
[07/25/2008, 07:31]
How to become a wine writer | | | by Martin Field ?How did you become a wine writer?? It?s perhaps the most frequent question I?ve had from wine drinkers over the years. What they really mean is ?How could I go about becoming a wine writer?? In other words, they too would like a job they assume involves nothing more than the consumption of an endless round of free lunches and gratis wine samples. My life is nothing like that, I tell them. (I can lie like a politician when necessary.) The process My ticket on the gravy train was easy enough to obtain. The process really was as simple as follows and the dialogue is as accurate as memory will allow. | | | |
[12/14/2007, 20:35]
Dulka Cabernet Sauvignon 2005 | |  Dulka is one of the most famous wine producing families in the town of Sremski Karlovci, near Novi Sad in Vojvodina. They produce wine since 1920 and have won a handful of awards at the Novi Sad agricultural fair throughout the years. Apart from producing wine, this familiy also produces bermet and brandies of highest qualities.
They have just recently started growing Cabernet Sauvignon, and 2005 is their second vintage. However, this wine is quite rich in both aroma and taste, much richer and deeper than other pure Cabernets around. The color is dark ruby red, the nose rich, so reminiscent of forests and the flavours are those of forest fruit and chocolate. It’s a good wine, can be enjoyed on it’s own. Score: 8/10
Price: 540 RSD (?6.5)
Retailer: Rodi? MB, Airport City, Belgrade Technorati Tags: Wine, Serbian Wine, Vojvodina, Sremski Karlovci, Novi Sad, Bermet
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[07/02/2008, 20:15]
Au Jardin Les Amis - Singapore | | Au Jardin Les Amis (”The Friends, In the Garden”) is situated in the tranquil Singapore Botanic Gardens, on the second level of an 1920s home. We were seated on a glass enclosed balcony with a relaxing view of the gardens. It is a wonderful setting and was a great place to spend some time on my last day in Singapore. The service was attentive, professional and was invisible except when needed. The food was very good, it wasn’t innovative - but with clean, elegant and pleasing flavour profiles it was memorable for the taste and technique. I have read that this venue can have good and bad days, and I think this must have been a good day as everything seemed to go well. Like Iggy’s, the price was more than fair - the meal consisted of an amuse bouche, an entree, consommé, main course, dessert, les mignardises and coffee and cost $52 AUD (including 7% GST and a mandatory 10% service charge) per person plus wine. I guess when every corner of the city has wonderful (and cheap) food, you have to be fair to stay alive. The wine; The wine list is extensive and full of very special bottles, as well as being generally well above my budget! Donnhoff Oberhauser Leistenberg Riesling Kabinett 2006 (Nahe, Germany) - 8.5% alcohol -
Donnhoff is very quickly heading toward the top of my favourite Riesling producer list. This had aromas of sea salt, pears, tea leaves and mandarin. Delicate and long on the palate, there is some lovely fruit sweetness balanced by superb acidity. Lovely drinking now, but will age well over the next 10 years.
91/100 Bonneau Du Martray Corton Charlemagne Grand Cru 1992 (Burgundy, France) 375ml - 13% alcohol -
Golden straw coloured. Butter, sesame, toast and honey aromas on the nose. Rich and creamy mouthfeel, with enough acid to keep the palate from being flabby. Very good length and texture. Drink now and over the next couple of years.
91/100 The food; Prawn with Basil and Berry Foam with Apple juice
 Cougette blossom stuffed with crab meat
 Hon maguro with horseradish and roasted sesame dressing
 Vine ripened tomato consomme with basil
 Lightly smoked ocean trout with apple and fennel salad
 Roasted flank steak and braised oxtail in red wine with seasonal vegetables
 Kirsch parfait with cherry
 Lychee jelly with lychee sorbet
 Les mignardises with Coffee
 | | | |
[10/09/2008, 12:24]
Champagne corks, chaos and butterfly wings | | | by Martin Field I was reflecting one night, over an aged cognac, on chaos theory. Popularised by the notion that the gentle motion of a butterfly?s wings in, say, Noosa, may very well cause a typhoon in, say, the Philippines. Extraordinary, I thought, and hard to believe, but then again all things are possible. How does one separate theory from fact? I wondered. By scientific experimentation, I answered myself readily. So, just a moment ago, I popped the cork of a bottle of champagne. I do not take responsibility for the consequences of this action but, wherever you are in the world, I say to you: ?Do you notice a slight freshening of the breeze? Did the dogs just start to bark? ?Be very afraid!? | | | |
[11/10/2008, 07:23]
I Don't Understand San Francisco Wine Week | | Perhaps I'm just getting too old, but I can't for the life of me really understand what San Francisco Wine Week is all about. Here we are living in one of the greatest wine and food cities of the world. We're spoiled rotten when it comes to our wine and food. We expect, and regularly receive great local ingredients in our food, an incredible selection of wines from California and around the world, and completely take for granted the fact that we can bring a bottle of our favorite wine to any restaurant we like. If there was ever a large city in America that might have a week long celebration of wine, San Francisco would certainly be at the top of the list. And here we are beginning just that sort of celebration, except.... It seems completely, and utterly lame. As far as I can tell, San Francisco Wine Week is simply six nights of open bars in various venues around the city where you can taste as much wine as you want, no doubt to the soundtrack of thumping electronica. Come on people. That was the best you could come up with? Granted, this event is supposedly aimed at the young, urban, hip crowd of Millenials that make up the largest wine drinking population that America has ever seen. But I've got to believe that there's a better way to celebrate what the promoters rightly identified as one of the Bay Area's most defining cultures. And just to make sure I've exercised my complete curmudgeonly rights, let me just say that the web site and all the marketing material I've seen are horribly unhelpful at getting any sense of what these nightly events will be like. For instance, Wednesday night is the "Sommelier Party" hosted by sommelier Mark Bright. OK. So what does that mean? If you wanted to find out, say, the difference between that night and Tuesday night, which is the "Import Party" you would be shit out of luck, as they say. Nothing on the web site provides any indication of what is actually going on that night, or any other night, for that matter, other than "wine tastings." Hell, it's not even clear whether there will even be food at these things, except for "San Francisco restauratuers" being mentioned somewhere as some of the sponsors. And if you want to know what's going to be happening at the ultimate end of week party, the Red Gala, you'll find yourself similarly screwed, except, of course for the dress code, which is supremely, unhelpfully described as "red attire encouraged but not required." So would that be red t-shirts or red ball gowns? It's quite a shame that a city so steeped in wine and so populated with smart, talented hospitality folks couldn't come up with something better for the first Wine Week than this. As far as I can tell, we've got nothing educational, nothing uniquely Californian, and nothing really fun, except, perhaps if you're a young guy who knows a thing or two about wine and wants to go meet chicks that will be impressed with your knowledge. Sounds more like "party with alcoholics" than it does "celebrate wine culture." Of course, that may just be the target audience for this whole debacle. The saving grace of which may be that the entire week's events cost a mere $75 bucks. Which means, no matter how bad the event ends up being, a motivated barfly will at least be able to drink their money's worth if they go every night. With only 44 wineries participating, you might also be able to get through every single one over the course of the week. In fairness, it must be noted that some of the wineries pouring at the event are quite good. I'll leave it to the most adventurous of you readers to go check it out and look forward to happily being proved wrong. But I don't expect to be. San Francisco, you can do better than this. | | | |
[05/07/2008, 16:18]
Interview with Ed Lehrman of Vine Connections: First Installment | | 
Following the theme of my last post about Americans? increasing awareness of the quality wines that many artisan producers of Argentina are exporting, I?m pleased to post the first installment of my interview with Ed Lehrman of Vine Connections. Along with his business partner, Nick Ramkowsky, they formed a company that not only imports the wines of artisan Mendoza producers, but selectively forges meaningful, long term relationships with them. As Ed Lehrman explains in the interview, this type of involvement encompasses much more than shipping and distribution, extending into representation, consulting, label design and many other crucial aspects which in the end, bring American consumers the types of genuine artisan wines that multinationals couldn?t even conceive of delivering.
Based out of Sausalito, CA, Vine Connections has been at the forefront of the changing of the guard, in terms of tastes, that I described in my last post. Their portfolio includes excellent California, New Zealand and Japanese Saké producers, alongside the wines of star Mendoza winemakers Susana Balbo and Pedro Marchevsky, along with others to look out for, such as Mapema, Tikal and La Posta del Viñatero. If you really want to know what Argentines really like to have at the table and moreover, the breadth that Argentine wines are capable of achieving, I encourage you to explore the types of artisan producers that Vine Connections represents and whose work, over the coming years, will ultimately triumph over the characterless, corporate-backed South American wines saturating our shelves.
I would like to thank Ed Lehrman for taking the time to provide his in-depth responses concerning Vine Connections, its vision and inspiration. Our conversation unfolded over e-mail:
*What is the vision behind your company and what were some of the key experiences that led you and your business partner to get started?
- My partner, Nick Ramkowsky, and I have both been in the wine business since 1986 (we started very young), and we could have done any number of things together. Nick was a small California distributor at the time, and I had just sold my direct-to-consumer wine business where he had been one of my suppliers. A fateful trip together in May of 1999 launched us into the importing/national sale & marketing business. We spent about a week in Mendoza on that trip tasting wines from bottle, barrel, tanks?you name it?and we met some incredible winery owners and winemakers. By the end of the week, we were looking at each other and asking, ?How does the 5th largest wine producer in the world hide incredible wines like these from the US?? It seemed like this must be the opportunity of a lifetime for wine guys like us to lead the charge in introducing Argentine wine to the US, and in a way that they would be fully appreciated for their quality and authenticity, and not just their price. As an aside, of the first 12 wines we imported from Argentina, the LEAST EXPENSIVE wine was $22 retail! So in fact, Vine Connections was originally formed in order to be an Argentine wine importer.
*Compared to other importers, what is the depth of Vine Connection's involvement with the producers its represents? (in terms of consulting, marketing, other assistance, etc.)
- It is hard to speak about other importers, since some do quite a lot and some just taste and buy. As for us, we take the approach that we are the winery?s own sales & marketing department and they can use us for as little or as much as they need. That may mean writing back label copy, helping with label design, or determining whether a new blended wine is even a good idea to add to their portfolio.
For all of our wineries, we do the copywriting for all printed materials since we can communicate their stories in English more effectively, and along the same lines, we handle most press relations since we are here and readily available. And I guess the most valuable thing we do would be called ?consulting? since we offer our advice on many topics based on our 40 years of working in the U.S. wine biz.
*How does your company forge relationships with producers? In this vein, what is the process like for you when considering an addition to your portfolio? Do the producers come towards you in the way of trade events, do you travel to areas to scout, so to speak, or some combination thereof?
- We are very careful in this regard since our objective as an importer is to build brands and not just sell wine. That requires long-term relationships, so besides tasting backwards and forwards through a winery?s production, we spend as much as time as we can with the owners and the winemakers to see whether there is a good fit for working closely together. When we meet people who already think they know it all about winemaking, marketing, etc., we politely walk away no matter the wine quality. Our initial screen is the wines?they have to be particularly good since that is what we are known for importing. Then we start talking about their philosophies, their dreams, their business objectives, and where we should all eat dinner together (a meal with a potential supplier is always a good way to gain more insight).
This process means that while we have run into some wines that we like, we have sometimes been unwilling to take the winery on. The most common stumbling block for us seems to be that the winery lacks a strong winemaking philosophy, and often because they have abdicated this cornerstone to a consulting winemaker (and most often to foreign winemakers). As time has passed, we have pretty much settled into the idea of only representing wineries owned by Argentines and with Argentine winemakers since the winemaking vision is usually clearer and more grounded in expressing what makes Mendoza so special compared to other regions.
From the first moment that we meet a winery team, it usually takes about 18 months before we come to an agreement, do the ground work, and then start selling the wines in the U.S. It seems to work--we have never lost an Argentine winery and every brand that we represent has achieved a significant level of success.
I wish I could say that finding these producers followed a particular recipe, but in truth, all of our brands have come to us via different sources. The key is to have your radar on all the time so that the best ones don?t slip by accidentally.
*You represent Susana Balbo and Pedro Marchevsky's Dominio del Plata Winery?how did that relationship come about and how far back do you go?
- Well, if it weren?t for the ?dynamic duo? of Mendoza, we may never have been Argentine wine importers. We met them on our first trip to Mendoza in 1999, and they were so obviously talented and knowledgeable that they got us thinking a lot about the possibilities. We also formed a trusting relationship so quickly that it became obvious that we would work together, and together push forward a common vision of making Argentine wine part of the daily American fine wine conversation. That seems like an ominous task looking back now?we had no company yet and they were renting a very small winery at the time?but at the time it just seemed like destiny. | | | |
[10/28/2008, 02:46]
philippe charlopin 2006 gevrey chambertin | | | I rarely see a Philippe Charlopin, so it was a surprise (for me) to see this on the shelf of a French supermarket. Very tasty wine. 2006 Philippe Charlopin, Gevrey-Chambertin Medium-plus colour. Slightly murky nose with a little vanilla and a faint mushroom - slowly fills out with deep and impressive primary red/black fruit to [...] | | | |
[09/13/2007, 04:19]
Tait The Ball Buster 2005 | | | Tait The Ball Buster 2005 $15 Wine Label says: G’day Mates, I don’t know what aromas and flavors you’ll find when you try this wine - wine appreciation is so subjective and often too pretentious for my liking. I make my wines the way i like them - big, thick, juicy an deep in color. I wanted to [...] | | | |
[11/27/2008, 11:08]
Clos Clare Watervale Riesling 2008 | | | Clos Clare has changed hands and is now run by Tom and Sam Barry. Its riesling has long since been the estate?s strong point. You need a subscription to The Wine Front to see this part of the post | | | |
[10/15/2008, 23:41]
Lodi Wine Country 2nd Annual First Sip Weekend! | | Don't miss this opportunity to peek behind the cellar door and taste the wines of 2008  long before their release! Visit Lodi Wine Country for an amazing weekend of wine tasting, educational activities, chef demonstrations, barrel sampling, blending seminars, winemaking contests and food pairings! Meander from winery to winery to experience all that Lodi Wine Country has to offer! 40 Lodi wineries are poised to make this pre-holiday event memorable! Take the "First Sip" of Lodi's 2008 vintage wines straight from the barrel. Enjoy the fruits of our vintner's labor. Help to celebrate the end of another successful harvest! Take advantage of advance ticket prices! For $35 each, a ticket grants you two days featuring the best of Lodi Wine Country! Click here for Ticket link to make your purchase today! | | | |
[11/14/2008, 09:40]
2004 Night Owl Merlot | |  The other night I invited my brother John over for dinner and the chance to spend a bit of time shooting the breeze, swapping tales, and unwinding at the end of the week. I had a couple of buffalo filet steaks marinating for a few hours in a mixture of Worcestershire sauce, soy sauce, and Angostura bitters. I sliced up a few small blue potatoes and roasted them in butter and garlic, and prepped basic sides of mesclun mix and fresh berries. When John showed up, I threw the meat in the skillet and cooked it to a perfect medium rare. Anything longer and buffalo starts to get damned tough.
 The yellowish blob on top of the steak is a daub of homemade aioli, best described as French garlic mayonnaise. I used olive oil, egg yolks, a lot of garlic, and cayenne pepper to make mine. It solidifies in the refrigerator, but when topped on a hot steak it slowly melts into a lovely sauce. It's a bit different from béarnaise, but definitely gets the job done, and the oil-based topping helps compensate for the fully lean buffalo meat.
For the wine we popped open a bottle of Delicato's now defunct 2004 Night Owl Merlot from Monterey, California. $10, 14.5% abv. Some blackberry and cedar notes, but mostly just a pretty basic California table Merlot. While the wine was not spectacular, the food and conversation were great, and frankly there's nothing wrong with the wine taking a backstage to everything else once in a while. | | | |
[10/29/2008, 08:08]
The Corpse Reviver #2 Cocktail | | Next up for Halloween Week here at BWR, a creepy cocktail... Given the sobriquet "Corpse Reviver", I'd suggest this as a fun apéritif for your Halloween party this year.
 While looking around for more information on cocktails, I stumbled upon the excellent blog Oh Gosh! written by Jay in England. Since I lean more towards the classics I liked the sound of the Corpse Reviver #2 from the 1930 edition of The Savoy Cocktail Book by Harry Craddock.
The drink is equal parts gin, Lillet Blanc, Cointreau, and lemon juice (fresh squeezed only, please), with just a dash of pastis, absinthe, or other anise-flavored liqueur. Shake with ice and strain into a cocktail glass, garnish with a cherry if desired. It's meant as a restorative breakfast beverage, but in my opinion is much better as a refreshing afternoon cocktail. I'm just not a fan of drinking before the mail arrives. The flavors balance out well with each other, and the touch of pastis adds a sophisticated element to the drink.
Keep this in mind for next summer as a good "grown up lemonade", which reminds me of something my friend Paul and I used to make back in our novice drinking days. We'd combine generic artificial lemonade, 7-up, and vodka. We called it Limonov Sevenupski and in retrospect it was syrupy sweet, but that helped cover up the flavor of the sometimes prison-grade vodka used. (There was one called McPherson's or something that was made in Missouri and sold for about $15 a gallon.)
On a similar note, my high school physics teacher had a previous career as a C-130 pilot for the Navy. He used to fly supply missions to Antarctic science stations, and he taught us about a cocktail enjoyed down there that he called Absolute Zero. The recipe involved stealing pure grain alcohol from the lab and adding crystallized orange juice concentrate to make the Devil's own screwdriver. As he told the group of 11th graders, "You could get drunk off the fumes alone." | | | |
[11/19/2008, 17:28]
Tribute to Syd Barrett | | It didn?t take long for a tribute album to surface following the death of Pink Floyd mastermind Syd Barrett. The groovy part is Like Black Holes in the Sky: The Tribute to Syd Barrett avoids gimmickry with an all-underground roster of metal, prog and sludge bands.
Syd Barrett?s spacegrassy Piper at the Gates of Dawn is a building block for future stoner, doom and tech metal practitioners. As testimony to the Pink Floyd album?s pioneering spirit, Like Black Holes in the Sky: The Tribute to Syd Barrett hoists six Piper cuts in addition to seven of Barrett?s solo tunes, largely represented by The Madcap Laughs.
Instead of obvious candidates like Queens of the Stone Age on this thing, you get Jesu, Yakuza, Intronaut, Zodiak, Stinking Lizaveta, Unearthly Trance and Kylesa as well as the mighty Pentagram, all likely nominees to do Syd Barrett?s frequently off-kilter music justice.
Jarboe and Giant Squid capture the sheer lunacy of Barrett?s quizzical music on ?Late Night? and ?Octopus? respectively. Meanwhile, Voivod drummer Away leads his offshoot project Kosmos in a laser-dashed version of ?Vegetable Man,? one of the compilation?s coolest tracks.
Other highlights include Intronaut?s ?Arnold Layne? as well as the Piper songs like Yakuza?s ?Lucifer Sam,? Pentagram?s ?Flaming,? Kylesa?s ?Interstellar Overdrive? and Dredg?s faithfully trippy interpretation of ?Astronomy Domine,? a translucent gem that briefly made Voivod stars.
Appropriate Syd Barrett should be represented by fringe rock and metal bands whose mutual appreciation for where their sounds originate makes Like Black Holes in the Sky: The Tribute to Syd Barrett a rare tribute album with its heart in the right place.
Links;
VA - Like Black Holes In The Sky: Tribute to Syd Barrett
Dwell Records @ MySpace
Dwell Records
Tom Denney (artwork)
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[11/17/2008, 01:54]
Yes yes, I AM Strappo | | | A bunch of us went to the workshop of the new Sondheim musical drama at the Public Theatre. ("The Roadshow".) Most of our group liked it though they didn't love it. I was rolling my eyes after the first three minutes -- typical Sondheim, blah blah. Some of the actors were terrific but the material struck me as -- what? Archetypal? Is that a nice word for cliche? I'm accused of not loving the theatre... | | | |
[11/28/2008, 23:39]
Neu Direction Malbec 2005 wine review by (PB) | | 
The Wine Cask was sent this wine for review by the good folks at Sam's Club. It represents an embarkation to "Fair trade" products which purchases products from people who are committed to paying their workers in every step of the process a "fair wage."
This Malbec is from the Mendoza area of Argentina which is truly coming of age with respect to this grape. The 2005 vintage was a 90 point rated vintage according to the Wine Spectator. (The current issue of the Wine Spectator highlights Argentina and its forte with this grape.)
The wine is a hefty purple hue with room filling medium sweet aromas of dark berry jam and some pleasant aromas of a tinge of black licorice. This wine has plenty of life in it but is well integrated and drinking well right now. Palate is extracted with big dark fruit, some tarry notes and a touch of smokey or burnt wood--for the uninitiated, these are positives--and finishes with a lingering light plum ending. The reference price on this wine is $10 and for the price, this is a decent value so raise a glass and give it a swirl! | | | |
[11/19/2008, 15:10]
San Felice Il Grigio Chianti Classico Riserva 2004, Tuscany, Italy | |  Its a struggle drinking Chianti without food; insufferable punishment on the taste buds in fact. That sharp, acidic, slightly earthy finish is how the wine is supposed to taste but it's a struggle to consume more than a glass. Rasping if you are subjected to a poor quality bottle. Add food and it's like drinking a different wine. But, I hear the masses yell, that is what Chianti is designed for - drinking with food. It is like a television without an aerial; you can use it but it just doesn't work very well. You know you are missing out on the bigger picture. Two bottles of this rather decent Chianti have been consumed over the last few days. A Sunday roast of beef and Yorkshires was fine. Further complexity was revealed in the flavour but there remained something lacking. What the roast lacked was the sweet acidity of tomatoes to balance. Step forward a superbly thrown together lasagne. Combining mince beef, plenty of fresh parsley, a splash of red and a tin of chopped Italian tomatoes the wine shone like a beacon . The wines refreshing acidity makes it all the more drinkable. (I'm also thinking lamb would have been a better match, over beef, with the wines acidity cutting through the inherent fat beautifully).
Review0.3
 Wine Tasting Note: San Felice Il Grigio Chianti Classico Riserva, 2004, Tuscany, Italy
Stockist: Everywine £257 for 12, Italian Wine Society £15.19 £182.28 for 12 [More on Adegga / Snooth] A richness of dark cherry fruit leads into a twist of acidic bitterness on the finish. Smooth and robust with hints of leather and mixed herbs. but shines with food. Shown to both Slavonian and French oak barrels which adds complexity. 100% Sangiovese. Alcohol 13%.
Andrew BarrowScribblings Rating - 90/100 [3.75 out of 5]
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reduce the risk of lung cancer in men, particularly in smokers, according to research published in the October issue of Cancer Epidemiology, Biomarkers & Prevention.
