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I saw this morning on Franco Ziliani's site that Gianni Brunelli died on Saturday. Brunelli, 61, made superb Brunellos that were really Brunello -- never jammy, never inky-purple, always beautifully structured and pure in their expression of Sangiovese. Proof of the pudding: they age well and do not fall apart after 8 or 10 years.Brunelli also founded the excellent Osteria Le Logge, a restaurant located not far from the Campo del Palio in Siena. I've...
As a spokesperson for the Wine Market Council I'm occasionally interviewed on all sorts of subjects, and this fall the queries turned - no doubt unsurprisingly - to the upcoming election. That's right, upcoming as in TOMORROW!!! (Sheesh, I've got to admit I'm pretty stressed about tomorrow, and am in fact contemplating something pretty dramatic if Obama doesn't get elected. Like maybe drowning my sorrows in oceans of White Zin.) No matter what tomorrow's outcome, you can get the goods on my election night food and wine suggestions in the article "Election Party Food and Wine" at SheKnows.com. It includes some interesting tidbits on wines Republicans prefer versus those Dems gravitate towards, along with pairings to spice up your election night viewing party. So even if the *%&! hits the fan come winner- (or loser-) time, at least you'll be well plied. Cheers to that.
Circle: No beginning and no end, and when you think you?ve come upon the conclusion you?re back at the start. Perhaps this describes Circle?s compositional work ethic more than anything. Circle is a west coast rock band, the west coast of Finland, that is. They live in a city called Pori, further north than the capital, Helsinki, and Stockholm, Sweden to the east. With a large student population, and its own jazz festival, Pori also is home to Finland?s most visible underground rock band, Circle. Their latest in a long line of innovative recordings, Hollywood, lists them as a "new exciting band from Finland." To most people, this is true enough, but to those paying attention, Circle has been making some of the most original modern rock music since the beginning of the ?90s. Formed by bassist/guitarist/vocalist/creative wildman Jussi Lehtisalo, the group has been on an endless journey of musical exploration since they began. Besides being consummate players, the band are avid music collectors and enthusiasts; hence, Circle music and records have many stylistic touchstones, most notably Krautrock, artrock, avant garde, prog, and cinematic post rock. Just when you think you?re getting a handle on them, though, you see they also have a deep love of heavy metal, particularly from the 1980s, all manner of punk rock, as well as Velvet-style droning and even country and folk music. (Their love of metal forged their now infamous tagline-NWOFHM. Get it?) Some have called them Finland?s mighty masters of metallic hypno drone rock. Whew!
In the USA, San Francisco-based record retailer Aquarius was one of the first to champion the band. They have noted: ?We'd always wondered why they weren't the latest post-rock big thing...well maybe it's 'cause they're so dang weird! Which, of course, we like. Bands that sing in their own made-up languages (a la Magma) and do other unashamedly "prog rock" and sometime metal things too are definitely cool with us. But does that get them signed to Thrill Jockey or Matador? No. Not yet anyway.?
Well, yeah, not yet, but fortunately for us there is the band?s own label, Ektro, run by Circle ringmaster Lehtisalo. It?s through Ektro (distributed by Southern in the US) that Hollywood will be released early in 2009. This hour-long album takes Circle fans on a different trip yet again. Back up a few years when Lehtisalo tracked down L.A. musician/producer Bruce Duff via the internet. Duff was the frontman of ?alternative metal? band Jesters of Destiny, who in the mid-to-late ?80s were signed to Metal Blade Records. Lehtisalo arranged through Duff to release an expanded version of Jesters of Destiny?s album Fun at the Funeral on Ektro. An email friendship followed, and soon enough Circle and Duff were exchanging DVD files across thousands of miles of oceans and began collaborating on recordings.
The first music to arise from this joint venture was an EP on Philly-based label No Quarter, entitled Earthworm. As reviewed in Collective Zine, ?Whoa. Shooting out the traps in totally manic mode, bass and drums locked down in their inexorable search for the ultimate groove whilst a raft of guitars and keyboards jazz away over the top. Actually, even they're in some way locked in to the relentless forward momentum Circle's rocket-powered Can worship summons up, and that's all before the vocals kick in. Simple and clear, endlessly melodious over the pleasing cacophony wailing away beneath. And that's just for openers.?
Off to a good start, the Trans-Atlantic team carried on with the goal of finishing a full-long player, and that?s Hollywood. Named for Duff?s hometown, will this L.A. meets Pori pairing play in Peoria? For starters, the band that has been known for lyrics created in their own made-up language (known as Meronian) ala Magma or Sigor Ros. Wiseass Duff chose to reduce everything to its lowest common denominator, otherwise known as English. The weighty, lengthy songs cover terrain from the Roundhouse to the Appalachians, and the eight songs also include a three-movement Requiem in all of its unashamed, unabashed prog rock glory and pretense.
As has always been the case, Circle has presented itself yet again as being unwilling or unable to sit still or to be predictable, but their desire to present the best work possible is always a part of their program. As if in a screening room, dim the lights, hit the projector, and take in Hollywood. Info stolen from; Circle
Yesterday would have been Liz and my 11th anniversary. On our third (and last) anniversary, in 2000, we were given a bottle and encouraged to put it away and drink in eight years. At that time the election hadn?t yet been decided, but what had been put in place in the next three months, by a power greater than any of us, was the downward spiral of my wife?s health and the last days of her life. We were cut off, never got a chance to drink that bottle of wine.
This weekend, while rooting among my wine closet I found that bottle of wine. It was an Italian wine, and it was red, and from a very good vintage. Now the issue isn?t whether the wine is ready to drink. I?m not sure I am.
The last eight years have been a time I would never had imagined in my life. I never planned to turn 50 as a widowed person. Jobs and friendships, loves and passions have all tried to make up for the giant crater in my own personal ground zero. And yes, we do rebuild, if ever so slowly, again.
So I will put that bottle of Italian wine back in its slot in the wine rack and maybe let it rest a little more.
Fall is just around the corner and few wines are more enjoyable when the weather turns cool than Italy's Sangiovese wines. In the video below, Iron Chef Mario Batali and Joe Bastianich discuss how best to pair Sangiovese with food. Take a look:
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October is National Breast Cancer Awareness Month (NBCAM). Started by First Lady Betty Ford, a breast cancer survivor herself, and her daughter Susan in 1985, NBCAM has made great strides both by increasing early detection of this disease and erasing the stigma that was once attached to it.
A number of pink ribbon products are promoted during October with a portion of the proceeds going to help eradicate breast cancer. One that's particularly attractive for wine lovers is this wine opener and wine glass set from The Wine Enthusiast. The set includes two Riedel Vinum Pink Rose Wine Glasses and the all-in-one lever style Pink Rabbit Corkscrew Kit. Fifteen percent of Riedel's proceeds are being donated to the Living Beyond Breast Cancer Foundation. Five percent of Metrokane's proceeds are being donated to the Memorial Sloan-Kettering Cancer Center.
To learn more about NBCAM and to download a variety of free material, visit the National Breast Cancer Awareness Month Web site.
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The best kinds of cheap wines are the kinds that have a rich story behind them. Well, The Tillerman White wine brought to you by the Hook & Ladder Winery certainly fits the bill. At first glance this wine label made no sense to me… Hook & Ladder? The Tillerman? After doing some research, I feel enlightened knowing the origins of this fine cheap wine, so I’ll share:
The owner of the family-run Hook & Ladder, Cecil De Loach used to be a firefighter! “Hook and Ladder” is just another name for a firetruck. And The Tillerman is guy who drives the back end of a firetruck. A firefighter and a wine-maker! What a life!
I sampled several bottles of The Tillerman White, and I am glad I did. Not being a fan of white blends with a lot of oak, I enjoyed everything about this wine. The peach/apricot aroma was the most prominent feature of this wine as it approached my nose. The wine was very dry, tasty, had an awesome finish. Just a perfect all-around table wine. For about 16 bucks or less, this Sonoma County wine is a steal. If you see it in your supermarket, snatch it up! I look forward to trying some of their many other varietals. This same vineyard, the Russian River Valley produces Chardonay, Gewurztraminer, White Zin, Pinot Noir, Zinfandel, Cabernet Sauvignon, and the “Third Alarm” Reserve Chardonnay. Oh, how I would love to visit the vineyard one day. Rating: 9/10 - Excellent! The only reason I’m not giving it 10 is because I promised my readers “cheap wines less than 15 dollars” and this wine retails for 16. Look around though, I’m sure you can find a good deal! Even if you can’t, it is worth the extra dollar.
Extra Info:Hook & Ladder - Founded in 2004 2027 Olivet Road Santa Rosa, CA 95401 phone: 707-546-5712
It's official. Millennials are a major force in wine. Why we needed a study to tell us this, I'm not sure. We millennials are hip, sophisticated and reliably swayed by marketing. Sigh. At least we have the good sense to like wine.
Quotable: "Connoisseur, n. A specialist who knows everything about something and nothing about anything else." - Ambrose Bierce, The Devil's Dictionary
Caberiffic: Delectus 2001 Napa Valley Cabernet Sauvignon Stanton Vineyard Oakville ($50). Tobacco, mushroom, black cherry, plum. Decant, my friends, decant.
Splurge worthy: Philip Togni Vineyard 2003 Napa Valley Cabernet Sauvignon (online prices vary widely, between $80 and $150). Blackberry, dusty chocolate, plum, great acid on the back end.
Rocket Science 2004 Proprietary Red $45 Wine Label says: “Son, your 21 years old. It’s time you learned the art of wine tasting.” “I already know how you taste wine,” replied the sure young man. “This wine has an inky, purple hue with a sensational purity, flavors of a blackberry liqueur with a creme de cassis intensity and [...]
Established in 2002 by Sam and Audrey Watt from what was an apple orchard, this small vineyard makes microscopic amounts of wine. We found this place mainly due to the attractive accommodations but the wines are something of a surprise bonus. The vineyard currently spans over 5 hectares with vine densities of 2600 vines per hectare. The soil here is predominantly clay from the Moutere area. What I would really like to highlight here is their 2007 SVSauvignon Blanc which is one of the best expressions of New Zealand SB I have had this trip and perhaps the top handful I have had from New Zealand. Ladies and Gentlemen, I'm not going to mince words here - if what you want is a light, tart and aromatic quaffing wine then this is not it. Sometimes, I am convinced that the British wine trade wants to box in New Zealand Sauvignon Blanc as aromatic, tart thin thirst quenchers to serve before the serious wines- bullocks. If that's what people think will sell then it becomes a self-fulfilling prophecy.
This starts with an explosion of intense aromatic fruity & zesty fireworks. It is then followed in the mouth by intensity, density & concentrated nectar with a lingering finish. This has character, guts and strength. The fruit were late picked (by hand) and yielded 2.5 ton/acre (quite amazingly low yields for this grape and the region). 92+ Points
In a tasting of her wines, Audrey Watt put the Sauvignon Blanc last as she was afraid it would dominate if it was first. In most other shops the SB is invariably first to taste. She also told me that the wine judges didn't know what to make of her Sauvignon Blanc - I can see why it's totally out of their comfort zone and hit the ball way outside the park.
The French wine appellation of Gigondas tends to get overshadowed by its flashy and better-known cousin, Chateauneuf du Pape. However, the smooth red wines of this Rhone Valley region have a charm and complexity all of their own. Like Chateauneuf, they are made with primarily Grenache grapes, but the similarity ends there as James Molesworth of "Wine Spectator" magazine illustrates in the video below:
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This one is not exactly a small winery and definitely a bit more flashy than many others. Woollaston Estates was formed in 2000 - with some creative passion. You can see that in the design of the winery building itself as well as the myriad pieces of art and sculptures around. This one is worth going to just to check out the architecture. While I cannot say that I was impressed with most of their offerings - one did stand out to me and that was their Pinot Noir. Vines are still young but there is a balance here which I find lacking in many others. This is one of the better Pinot if not the best I tried on this trip.
Looking at a design of their winery it seems to be designed around letting gravity lead the flow through the winemaking process . This can only mean it was designed around the careful handling of Pinot Noir. To me, you can taste a big difference in quality between the Pinot and their other wines. It was as if the other wines were intended for bulk sale in order to finance the winery and perfecting the Pinot.
2007 Nelson Pinot Noir. Black cherries, some depth might be due to clay soil with "good/smooth" tannins and a decent finish. 89 points
Following the theme of my last post about Americans? increasing awareness of the quality wines that many artisan producers of Argentina are exporting, I?m pleased to post the first installment of my interview with Ed Lehrman of Vine Connections. Along with his business partner, Nick Ramkowsky, they formed a company that not only imports the wines of artisan Mendoza producers, but selectively forges meaningful, long term relationships with them. As Ed Lehrman explains in the interview, this type of involvement encompasses much more than shipping and distribution, extending into representation, consulting, label design and many other crucial aspects which in the end, bring American consumers the types of genuine artisan wines that multinationals couldn?t even conceive of delivering.
Based out of Sausalito, CA, Vine Connections has been at the forefront of the changing of the guard, in terms of tastes, that I described in my last post. Their portfolio includes excellent California, New Zealand and Japanese Saké producers, alongside the wines of star Mendoza winemakers Susana Balbo and Pedro Marchevsky, along with others to look out for, such as Mapema, Tikal and La Posta del Viñatero. If you really want to know what Argentines really like to have at the table and moreover, the breadth that Argentine wines are capable of achieving, I encourage you to explore the types of artisan producers that Vine Connections represents and whose work, over the coming years, will ultimately triumph over the characterless, corporate-backed South American wines saturating our shelves.
I would like to thank Ed Lehrman for taking the time to provide his in-depth responses concerning Vine Connections, its vision and inspiration. Our conversation unfolded over e-mail:
*What is the vision behind your company and what were some of the key experiences that led you and your business partner to get started?
- My partner, Nick Ramkowsky, and I have both been in the wine business since 1986 (we started very young), and we could have done any number of things together. Nick was a small California distributor at the time, and I had just sold my direct-to-consumer wine business where he had been one of my suppliers. A fateful trip together in May of 1999 launched us into the importing/national sale & marketing business. We spent about a week in Mendoza on that trip tasting wines from bottle, barrel, tanks?you name it?and we met some incredible winery owners and winemakers. By the end of the week, we were looking at each other and asking, ?How does the 5th largest wine producer in the world hide incredible wines like these from the US?? It seemed like this must be the opportunity of a lifetime for wine guys like us to lead the charge in introducing Argentine wine to the US, and in a way that they would be fully appreciated for their quality and authenticity, and not just their price. As an aside, of the first 12 wines we imported from Argentina, the LEAST EXPENSIVE wine was $22 retail! So in fact, Vine Connections was originally formed in order to be an Argentine wine importer. *Compared to other importers, what is the depth of Vine Connection's involvement with the producers its represents? (in terms of consulting, marketing, other assistance, etc.)
- It is hard to speak about other importers, since some do quite a lot and some just taste and buy. As for us, we take the approach that we are the winery?s own sales & marketing department and they can use us for as little or as much as they need. That may mean writing back label copy, helping with label design, or determining whether a new blended wine is even a good idea to add to their portfolio.
For all of our wineries, we do the copywriting for all printed materials since we can communicate their stories in English more effectively, and along the same lines, we handle most press relations since we are here and readily available. And I guess the most valuable thing we do would be called ?consulting? since we offer our advice on many topics based on our 40 years of working in the U.S. wine biz. *How does your company forge relationships with producers? In this vein, what is the process like for you when considering an addition to your portfolio? Do the producers come towards you in the way of trade events, do you travel to areas to scout, so to speak, or some combination thereof?
- We are very careful in this regard since our objective as an importer is to build brands and not just sell wine. That requires long-term relationships, so besides tasting backwards and forwards through a winery?s production, we spend as much as time as we can with the owners and the winemakers to see whether there is a good fit for working closely together. When we meet people who already think they know it all about winemaking, marketing, etc., we politely walk away no matter the wine quality. Our initial screen is the wines?they have to be particularly good since that is what we are known for importing. Then we start talking about their philosophies, their dreams, their business objectives, and where we should all eat dinner together (a meal with a potential supplier is always a good way to gain more insight).
This process means that while we have run into some wines that we like, we have sometimes been unwilling to take the winery on. The most common stumbling block for us seems to be that the winery lacks a strong winemaking philosophy, and often because they have abdicated this cornerstone to a consulting winemaker (and most often to foreign winemakers). As time has passed, we have pretty much settled into the idea of only representing wineries owned by Argentines and with Argentine winemakers since the winemaking vision is usually clearer and more grounded in expressing what makes Mendoza so special compared to other regions.
From the first moment that we meet a winery team, it usually takes about 18 months before we come to an agreement, do the ground work, and then start selling the wines in the U.S. It seems to work--we have never lost an Argentine winery and every brand that we represent has achieved a significant level of success.
I wish I could say that finding these producers followed a particular recipe, but in truth, all of our brands have come to us via different sources. The key is to have your radar on all the time so that the best ones don?t slip by accidentally.
*You represent Susana Balbo and Pedro Marchevsky's Dominio del Plata Winery?how did that relationship come about and how far back do you go?
- Well, if it weren?t for the ?dynamic duo? of Mendoza, we may never have been Argentine wine importers. We met them on our first trip to Mendoza in 1999, and they were so obviously talented and knowledgeable that they got us thinking a lot about the possibilities. We also formed a trusting relationship so quickly that it became obvious that we would work together, and together push forward a common vision of making Argentine wine part of the daily American fine wine conversation. That seems like an ominous task looking back now?we had no company yet and they were renting a very small winery at the time?but at the time it just seemed like destiny.
As much as I love books and in particular books on wine, it is apparent I have too many of them. At last count there was over 70. Most have been idle and untouched for years, collecting dust and musty smells. Recently, I gathered the least loved, mainly the ones full of tasting notes and numbers (perhaps that is a lesson for writers of wine blogs too) and visited several second book merchants. I had low expectations which proved excessive. I had thought someone would at least offer $10 for my twenty books. In the end, no one was interested, the purveyors of trashy second hand novels said my books on wine were worthless. . . Of course this unsupported secondary market means that occasionally treasures at bargain prices can be found. In the image above (which are some of the books I kept), there are two such finds. A first edition of the World Atlas of Wine set me back 50 cents (Church fair in the rural town of Albany) and George Saintsbury's classic book was only two dollars.
For those interested in old wine books, in particular books full of tasting notes and numbers, I'd suggest visiting your local Good Samaritan store, I've heard that some new stock has just arrived.
OK, so there’s alot of hub-bub about that the Wine Spectator expose that happened by blogger Robin Goldstein. And first let me say a couple things. Bloggers are extraordinarily important to the world and this is just the latest example of some good citizen journalism. Bravo to Robin for the work on setting up this sting. Nice, ethical, and well executed.
As a marketing professional for a decade and a half I’ll say this though - what did you think the award was? Wine Spectator is a “for profit” private entity that has what, 100 employees? I’ve dealt with many many awards for the rediculous number of products and companies I’ve launched and I’ll tell you this, whenever there is a for-profit entity involved then you’re going to pay-to-play. And if you pay-to-play then you’re probably getting an award! There are several technology related firms that have pay for entry, then I win the award, then they call me back and pitch me Ad space, and then tell me to be involved in the award ceremony I have the great opportunity to present my product/company at a high profile industry show…for yet another fee.
update: On side note for the history books. In the late 1990s, what I call “Bubble Days” of tech, pay-to-play got ridiculous. There were analyst firms that would take EQUITY in a startup and then write a positive report. Subsequently, these firms would go public and thanks to the Tech Bubble some people got very rich for their “award” or “positive outlook”…nuts…
This Wine Spectator debacle is nothing new or unexpected. They’re leveraging their brand, which has the power today to make a $20 wine into a $100 wine overnight, to make more money. What is unexpected is the fact that they were complete IDIOTS about it and obviously do zero vetting not a very thorough job vetting applicants. Dumb dumb dumb. But I’m not surprised the award is the way it is. Not at all actually. Maybe thats part of the marketer’s secret code or something but thats how these things go. If this didn’t happen (the dumb non-vetting move being exposed), who wouldn’t pay $250 for this “Excellence” award, hence “profit” opportunity. Look, even now, if you have a real restaurant whats to stop you from fudging the wine list? The sting was a totally fake place, but what stops you from doing this again? Pay-to-play, thats how it works. Its a revenue generator for the company, thats all.
Now, I do want to point out something in stark contrast. The “American Wine Blogger Awards“. Whenever they come around everyone gets in Tom Wark’s grill about “who are you to judge me” and “what makes you think this award is valid at all”, and so on. I mean he gets HEAVY criticism. Well guess what - its decided on by people submitting nominations, then the finalists are chosen by a panel and voted on by the people again. Oh yeah, and it FREE. In fact, when I offered to sponsor the AWBAs Tom turned that down. So even though its not perfect I view it kind of like how I view the American Democracy - its not perfect and sometimes its not fair (just look at my tax bill every f’in year), but its about the best you’re gonna get!
The much-promised, overly hyped Riesling Review has now arrived (brought to you by Mylanta)
Jill, Yulia, P-Cat, and myself (Jay) converged at Boozer Headquarters (my place) last Wednesday for the Riesling blind tasting. P-Cat's writing a column for a local newspaper and needed to taste through a bunch so we decided to make it A Thing. We each got a bottle from a different geographic locale, figuring the areas that needed representation were Germany, Alsace, Austria, New York, and Australia (don't blame me for the last one, ok?)
AND, since we live the malt liquor lifestyle, we tasted them blind, each bottle wrapped lovingly in two layers of plastic bags. Ghetto super star, that is what we are.
Here are my rather lame notes:
Wine #1: Apricot, honeysuckle, rose petals on the nose; palate is lime, tangerine - stones, touch of cream, but thin.
Wine #2: SULPHER! Yikes, burned my nose hairs. V pale in glass. Diesel, swampy nose. Palate of bitter green orange, lemon zest, pink grapefruit. Long finish due to acidity.
Wine #3: Light, aromatic greens - fresh, sweet grass, white flowers, honeydew. Melon-apricot palate with stone minerality and balanced acidity. Yum.
Wine #5: Swamp water. Grape-lemon pucker candy. Sour Patch kids. Yuck. We no like.
Results:
1: Paul Blanck 05 from Alsace (score 1 for me!)
2: Grosset 05 from Australia (upset of the CENTURY, folks!)
3: Domaine Wachau 06 from Austria (amazing value - our favorite, hands down, at only $12.99)
4: Fritz Haag 05 Kabinett from Germany (which we all guessed because of the residual - oops, sorry, forgot it was supposed to be a dry Riesling tasting..)
5: Red Newt Cellars 06 Reserve from NY State (surprising only in that is sucked so badly for the money - tasting like bad NYState wine, so I guessed this one immedately...)
It was interesting too in that every wine except the Red Newt was screw cap. Go figure.
Still not a huge fan of Riesling, especially since I tasted all these the night before some serious food poisoning that had me leaving pieces of myself roadside throughout the state for the next two days and I can't help but link the two incedents.
After weeks of fiddling around with game, organ meats and arguing in Spanish about whether or not the package contains gizzards and hearts, I felt like taking things back to basics. Roasted chicken with creamed spinach, cornbread, and macaroni and cheese, the sides coming from Fresh Market.
I used the "Stretch's Chicken" recipe from the latest issue of Saveur, which involves putting a hard cheese/herb paste on a cut-up chicken and browning the parts in a cast-iron skillet before roasting it all at high temperature in the oven. For simplicity and because it's my favorite for this kind of cooking, I just used a pack of leg/thigh quarters. Defat the pan and deglaze with red wine vinegar and you've got a tangy sauce to go with the chicken. It's ridiculously simple but really flavorful.
For the wine I took a gamble with the 2002 Botromagno Gravina from the bootheel of Italy in Puglia. $15, 12% abv, 60% Greco, 40% Malvasia. I'm not sure how long this wine was supposed to age, but it's become amazing over the years. There are rich aromas of dates and golden raisins as well as violets. Flavors of dried apricots with a foundation of lemony acidity round out the package, and it's got a beautiful amber hue to it.
Looking at this plate, you could easily find the ingredients in a TV dinner or cafeteria lunch menu. Just put a little love and attention in the preparation and find the right wine to make it special. And, of course, eat it at the table surrounded by friends.
Time to clear a few things up here at Catavino.net. This past week, we have received some emails that need to be addressed, and we think the only place to do it is here on our site. Lately, we’ve been receiving some odd emails. Evidently, there is a rumor circulating that Catavino is a winery/bodega. You see, this week I’ve received at least 5 emails from different countries, including the USA, asking to represent our wines in restaurants, export markets and country wide in the case of Canada. Being a couple of wine writers without a winery, nor with any connection to the wine making process, I’m not sure where this idea has come from. I have to say we’re quite flattered, though a bit befuddled. Is there something on our site that leads people to think we make wine? Do other wine bloggers find themselves being solicited in such a way? Inquiring minds want to know!
Trust us, we would love to make a wine. In fact, we tried to once, but with mixed results. We will try again, and if you are a winery who wants to help us in this project, we’re all ears. We’d love to put out a Catavino Garnacha Blanca, or Catavino Touriga Nacional, but sadly, they don’t exist. However, we’ll be sure to scream it from the rooftops if we and when we do create a Catavino wine.
What we do do is work with wineries to use the internet more effectively. Currently, we have 4 clients, and we are interested in helping a few more, but we are getting picky. If you are, or you know, a winery that understands how the wine world is changing and that old ideas might not apply, give us a ring. My number is: +34 656 433 063, call me, llamame, liga-me, or send us an email: cvm@catavino.net, we’re listening!
So Now For Some Wine…But Let’s Not Talk About Iberia For A Moment
A completely biased and non-professional review is coming up. Why? Amy Lillard, and her blog, have been in my feed reader for almost as long as I’ve known what a feed is. Tom Wark has lauded them as one of the top winery blogs, and I have to agree with his approval. The level of frankness and honesty on this site is mind blowing and if you are a winery who wants to start a blog, you would not be doing poorly if you copied Amy’s model and style. Because of her writing, I felt like a close friend even before I had the chance to meet her at the EWBC 2008. The only element that was missing from our relationship was her wine. I wanted to try the wine but with its lack of distribution in Spain, I just had to wait. The winery and the blog’s name are La Gramiere.
Fortunately, the harvest did not keep Amy from visiting us in Logrono at the EWBC2008, giving me the chance to finally taste the wine behind the blog. Thus, this critique is tainted by the relationship I have with both her and her writing. Having followed the ups and downs for so long on her blog, I feel connected to what she is doing, and I feel like I hold a small stake in her adventure. This is proof as to why wineries should blog!
How is the wine? In one word, great! We miss French wine, seeing that Spain has none for sale, or at least very little. This is a wine after my own heart, a Rhone wine that is not from the Rhone (see full story here). It is full of the spice and terroir that I love, but with a lighter, less obvious way about it. After my first taste, where I was grateful that it didn’t suck (a fear I had considering my high expectations), I was quickly told that the wine was around 15%; something that both turned me off and at the same time surprised me. Similar to my notes on Monday, discussing how 100% new oak shouldn’t always be associated as a bad trait, you cannot say that high alcohol is always bad either. This wine is balanced and pleasant, and has a long life ahead of itself. I have to recommend it: number one, if you trust me and my palate, and number two, if you like to look at wine from new perspectives. This is a winner, not to mention organic. And if you ask Amy her thoughts on organic wine…well, let’s just say that you might want to pour a tall glass and grab a seat, because it will be awhile before she fi
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