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I have been traveling in the past week with a dining partner who can not drink much. Rather than ordering a whole bottle, which would inevitably require leaving some behind so I could drive back to the hotel safely, I have been choosing several different wines by the glass over the course of the meals.
Chateau Petrogasm, I LOVE you. I want to pop several corks with you, and find myself in a compromising position in the morning. Yes, I’d even do the walk of shame for you, Chateau Petrogasm. My butt is firmly planted on the bandwagon. I’ll be your largest sycophantic follower. What in the heck is Chateau [...]
Posted by 1 October 31: We 1 yesterday, just a few hours ahead of a rainstorm in the Paso Robles area. We'd originally scheduled the pick for today, but once we saw the forecast change, we moved the pick up one day. I'm really glad we did! When we got back to the winery on Thursday, we decided to wait to process the fruit on Friday.
Domaine Daniel-Etienne Defaix Chablis Grand Cru Les Blanchots 1997 Oxidised, very tired. NR/100
Tyrrells Vat 1 Semillon 1999 So young! Appealing nose of lemon and quince. Structured palate with a great line of acid and very good length. Plenty of potential to improve and develop here. 92/100
Rousseau Gevrey-Chambertin Village 2002 Quite “new world” in style with cherry and strawberries on the nose. The palate is on the thin side, with the flavour slightly dilute. Decent, drinkable, but uninspiring. 86/100
Ksara “Cuvee du Troisieme Millenaire” 2004 From Lebanon, made from Petit Verdot, Cabernet Franc and Syrah. Interesting nose of Raspberry, herbs and spices, ceder, smoke and cherry. The palate is well structured and balanced, with medium intensity of flavour, a supple texture and good length. Will improve over the next 5 years. 89/100
Seppelt St Peters 2002 Spice, red berries, some vanilla and some hinted floral characters. Concentrated palate, quite bold and ripe without being overwhelming. Tannins are quite soft, I wonder if they’ll hold up. Good, but not nearly as good as a bottle a couple of years ago that was exceptional. Might just be in a bit of a awkward spot at the moment, I will leave the next bottle for 4-5 years before trying again. 89/100
Clonakilla Syrah 2006 Complex, bright nose of floral elements, five spice, chocolate and bacon fat aromas. The palate is charming and almost impossible not to love, great length and balance between oak, fruit and acid. World class and a brilliant wine. 95/100
Domenico Clerico Barolo Pajana 2001 Nose of tar, pine, roses and cherries. Required food to tame the tannin on the palate. The fruit on the palate is bold and serious without being too over the top. Very good now, but patience will be rewarded. 91/100
Dönnhoff Oberhäuser Brücke Riesling Auslese 2006 Honey and a touch of spice to the nose. The palate is not as sweet as I expected, quite refined, minerally and subtle. Tasty and easy to drink. 90/100
Inniskillin Vidal Sparkling Ice wine 2004 Unusual if nothing else! Peaches, nectarine, honey and pineapple aromas on the nose. The light spritz cut through the sweetness somewhat but it still finished sweet. I think I’d rather it without the bubbles but glad to have tried it. 88/100
Despite the kazillion posts of tastings these days, it's not something I get to do nearly as often as I like. Sure, I do a lot of in-store tastings where I pour a couple of my wines to innocent by-standers, but a full-on tasting with some sort of reason to it is somewhat rare. It's for that reason that I get so! stoked! when one comes along.
Betty's, one of my favorite restaurants in Buffalo, is looking to expand their wine program. I spoke with Carroll, the owner, a few weeks ago about a staff training to go through their entire list and explain the differences between grapes and styles and what foods to pair them with. This was a pretty monumental task; everything they have is by-the-glass, and they have about 20 or so wines to get through. This may not sound like a lot, but since the staff was bent on not spitting, you can see the potential for mayhem. Anyway, I was over there last night and the chef prepared nibbles to go with the tasting. Predictably, the room got exponentially louder as we made our way through, but hopefully it was a good exercise to taste them all side-by-side, if for no other reason than to taste how awesome Sauvignon Blanc and goat cheese are together.
Designed as an aperitif the Farina Val de Reyes Vino Semi-Dulce is recommended with foie gras, pates and soft cheeses. Back in May of 2007 a bottle (of the previous vintage, 2004) was matched with delicious results with a Melon, Pecorino and Culatello Anti-Pasti.
A requirement for a wine to accompany Little Windfall Apple Tarts resulted in this being opened as a proper dessert wine.
Review0.3 Wine Tasting Note: Fariña Val de Reyes, 2005, Castilla y Leon, Spain [More: Adegga / Snooth]
The Botrytis effected Moscatel is really evident on the aroma with hints of orange, honey, pear and a heady honeysuckle edge. Is it the botrytis that gives that nice weight to the palate in addition to the sweetness? A good long spicy finish is clean and fresh from the citric acidity. Behind that spice is there a dimension not too dissimilar to that of autumn - well-kept apples, damp leaves, wild mushrooms and all? Alcohol 13%.
It is not a rich, sickly dessert wine being more fresh and lively than many. With the Little Windfall Apple Tarts it was rather scrummy with a lemon dimension matching the tarts lemon curd. With desserts you need the wine to be sweeter than the food; this match worked perfectly.
Andrew BarrowScribblings Rating - 90/100 [3.75 out of 5]
For those of you who haven’t been keeping up on our sappy stories from the European Wine Blogger’s Conference that took place in La Rioja last weekend, allow me to catch you up. For three days, Robert McIntosh, Ryan and I gathered together several wine bloggers from around the world to meet and chat about…yup, wine blogging.
However, what you, nor anyone else, has known up until today was that we didn’t have a location set for the keynote tasting / dinner until a few weeks before the event - I kid you not. Don’t get me wrong, we were looking! But try as we might, from June to August, getting anything planned and confirmed in Spain is impossible. So with literally days remaining, we used one of Robert’s many Rioja connections - also known as the golden enchufe - to get us a reservation at La Chata.
Now mind you, none of us had ever been there, but the restaurant came on good authority as a wonderful place that would actually seat all 40 bloggers. But get this, they wouldn’t only make room our entire crew, but they even had a separate area where we could host our wine tasting consisting of cases upon cases of wine! This, my friends, was a miracle, and a reservation based on complete faith, because for all we knew, it could have been a mess!
So what made La Chata such an incredible find?
The Perfect Feeling
The historic restaurant is nestled inside the old part of Logrono on a tiny Gothic style street called, Calle Carnicería, just a stones throw away from the Plaza del Mercado and the Catedral de La Redonda. Stepping through the door, you enter a small room holding a set of wooden stairs, a long hallway to the right of the stairs that lead to a white tiled kitchen, and a narrow wooden bar that sits about 6ft in front of an enormous stone oven. Built in 1821, this monster of an oven has seen more carcasses than I hope any of us will have seen in a lifetime, and was the first of its kind in Spain. Two stone ovens were later constructed in the Plaza del Mercado in the early 19th century, primarily for bread, but La Chata had already gained a reputation for creating the first of its kind.
Walking up the stairs, you enter a long cozy room with wooden floors, thick wooden tables and chairs, and cozy atmosphere that feels more appropriate for a large Sunday brunch with a Riojan family than a restaurant filled with foreigners. But strangely enough, that is exactly how they try to make you feel, like part of the family.
La Chata is owned and managed by the Belber family, a patient and loving group of people who were eagerly willing to not only endure my 1001 questions on cooking a suckling pig, but also handling a loud and passionate group of international wine bloggers who were ridiculously excited to experience a traditional Rioja meal. With grace and professionalism, they handled the most inquisitive and cautious among us with a humor, entertainment and kindness. For me, it was a feeling of complete acceptance regardless of whether or not I enjoyed the food. As stated by the chef and owner’s wife, Estela, “How cool that you all came from around the world to appreciate our food and culture. I appreciate that!”. So do we Estela, so do we!
Fourths Anyone?
And as if the service and atmosphere wasn’t cozy and heart-warming enough, the food was quite good. Granted, the caveat being that the conversation and gales of laughter may have influenced my perception, making every dish seem incredible, but hey, take my impressions for what they’re worth. From what I remember, between Juan mistaking Ryan as my brother and Emidio training his child how to differentiate aromas from various wines, in the end, it all tasted good to me
Our meal began with four appetizers:
Ensalada Templada de Perdiz Escabechada con Endibias (Partridge Endive Salad)
Jamón Ibérico de Bellota (Traditional Cured Ham)
Espárragos Especiales de la Ribera (White Asparagus served with Sliced Tomatoes and Mayonnaise)
Revuelto de Boetus Edulis con su Cebolleta Fresca (Scrambled Eggs with Fresh Onion and Edulis Mushrooms)
Of these four, I’d like to call attention to the Revuelto de Boetus Edulis con su Pebolleta Fresca. Having only had Huevos Rotos (scrambled eggs with chorizo and a touch of vanilla) in Rioja, I was extrememly happy to have tried another version. The eggs held a perfect delicate, yet firm texture, while the mushrooms added that earthy flavor that paired beautifully with the 2007 Pazos de Lusco from Rias Baixas. I´m still dreaming about this dish today!
Once the plates were cleared, a large heaping pile of Cochinillo (suckling pig less than 6 months old) was placed on the table with a crisp skin to contrast its tender and juicy meat. This was paired with Escarola de la Tierra con su Aliño de Ajitos, a stiff and curly leafy green lettuce (similar to frise) in a light garlic dressing. The crisp green texture and spicy garlic flavor added that perfect touch to the slightly sweet meat.
In short, this restaurant is a must visit, a place I would highly suggest you go if you wish to experience a traditional Rioja meal in a cozy and quaint family run restaurant, where good service and a big smile are a normal part of the experience. Sigh, only a few months to go before we’re back again. I can’t wait!
The mood was festive, as it always is, at the BCWAS Christmas party and tasting. Plenty of sparkles and bling were in evidence as our usual gang of suspects gathered to check out a selection of Christmas offerings from around the province.
Naturally, there was sparkling wine to start the evening ? Steller?s Jay from Sumac Ridge and as you can see at the right, owner Harry McWatters himself was pouring. Wonderfully yeasty and a perfect complement to the freshly shucked oysters that were part of the smorgasbord of delectable nibbles. And Frank said he was going to be late? snicker. So of course, I just had to check that particular pairing again on my own.
During the course of the evening the food seemed endless and conversations delightfully varied ? wandering from the newest VQA stores in everyone?s ?hood to the emerging trend of creating strata housing developments amid the vines of established wineries to which grape varietals are best suited to BC and how that varies between the Okanagan and Vancouver Islands. But always, we came back to the main event ? the wines themselves. Picking a favourite was, as expect, a tough call, but by the time Frank got there, it seemed pretty much narrowed down to two.
From one of our favourite Gulf Island Wineries, Morning Bay, Keith (shown below with Francis, BCWAS' financial wizard) and Barbara had brought an unannounced bottle of their new release Bianco. Crisp and clean, with medium plus intensity of citrus with a hint of floral on the nose, Frank?s eyes took on that glint of appreciation when we went back to this one, and he was soon deep in conversation with Keith about the four strains of yeast used ? one for each of the grapes that make up this summer sipper blend: Schonberger, Gewurztraminer, Pinot Gris, and a touch of Riesling. All are vinified separately with the Riesling adding just a touch of orchard fruit. Made in a bone dry, Alsace style, Frank?s first thought was oysters or shellfish ? especially if you can?t find a Muscadet. At that point I didn?t have the heart to tell him about the earlier nibblies he?d missed.
A highlight of the evening, one that had attracted a huge amount of anticipation was the 2004 Nota Bene from Black Hills. Considered something of a cult wine among BC wine fans, this Bordeaux blend (43% Cabernet Sauvignon, 37% Merlot, 20% Cabernet Franc) is filled with black fruit plus a hint of cherry with cedar and pencil shavings. We agreed it was well balanced with fine-grained tannins.
Unfortunately, if you?re thinking of nipping down to the store to grab a bottle or two, think again. This wine sells out year after year ? unless you?re on their list, you likely won?t find any unless you can snag a bottle at a local restaurant or visit their Okanagan winery for yourself. Admittedly it was quite delicious. Still, at $35 seemed a bit pricy and in many ways remains an example of one of the biggest issues many (both of us included) believe the BC wine industry in general needs to consider carefully as it continues its evolution onto the world stage ? how to be competitive in an increasingly savvy, discriminating marketplace.
PS: Happy Birthday to Leah. Thanks for pouring on your special day and you did a great job with the candle on your cupcake.
Retief Goosen has started his own brand of wine, called Fine Wines by the Goose. The farm, interestingly enough called Ganzekraal is located in the Upper Langkloof, not far from Goosen's house in George. Winemaker Morne Jonker is very positive about the brand, with the flagship wine 'The Expression' being a 50% Shiraz - 50% Cabernet blend retailing for about R270 a bottle, with only 1 000 cases of the wine currently on the market.
Jonker describes the Expression as ?an elegant wine, well-balanced wine?.
?Our acids are high ? we don't over-tannin our wines with wood tannins ? and we use 20% new barrels, 80% second, third and fourth fills which gives it that nice classical feel. The wine, in fact, tastes older than what it is.?
Having been produced in the Langkloof ? a cool climate wine region where the average temperature is 17 degrees ? the ripening process is prolonged, resulting in smaller, more concentrated berries.
The Expression is distributed by NMK and Global Brands, and stocked by Caroline Fine Wines at the Cape Town Waterfront.
Brendan Barratt, a good friend of mine and the Assistant Editor of Compleat Golfer magazine(www.compleatgolfer.co.za) caught up with 'The Goose' at the recent SAA Open in Pearl Valley and asked him about his new range of wines.
How did you get into winemaking? Were you always interested in wine?
Well you know, I sort of really got into wine let's say 15 years ago, drinking wine with my wife ? she always liked the Chardonays, so I started drinking it and then I became more interested while travelling around the world. You just about eat in a restaurant every night when you play around the world so I just became interested in ordering different wines off the menu and started really getting interested in all the different flavours. About two years ago I said to a good friend of mine, Werner (Roux ? of Lagoon Bay Golf Estate), Let's get into the wine. And he said, 'Well, I know this guy who makes very good wines, just across the mountain here in George'. So we went to go see Morne (Jonker), and Morne was very interested in getting involved, and that's how we started the brand. So far it's been going fairly well and we have only really been running it now since May last year, and we know the wine is good.
How involved are you in terms of hand-on winemaking?
Well I am not there actually picking the grapes! That's for sure, but I am drinking it! But I have been on the farm a few times and we have invested a lot into the farm to upgrade and plant some more grapes. I was quite involved in the selection of the actual bottle itself and the labelling, they were pretty much my idea.
You're following in the footsteps of some fine winemaking golfers, Ernie, Arnie...
Well yeah, just about every second golfer now has a wine farm, isn't it? We are obviously big drinkers! But it's more of an interest than really a business thing and if it does happen to make it, it's great ? and so far it is doing well. And we know we've got a good brand.
Do have have any particular wine preferences?
I love this combination that Morne has made, the Cabernet-Shiraz and the Sauvignon Blanc we are bottling in February, so my wife is more of the white wine drinker. I like both, purely depending on what I am eating and how I feel.
In terms of marketing the brand, can we expect to see 'Goose Wines' on your shirt sleeve any time soon?
Well, I have Grey Goose, which is unfortunately a French-American vodka, but that's something I will definitely start looking at, doing some sort of branding somewhere on my golf bag. At the moment we have been doing quite a bit of marketing and we were at the wine show in London a few months ago, so we are slowly building up our customers. We are doing well, we are exporting a little bit to England, Ireland, Singapore and China. We are looking forward to the East, once we get China then it is going to be our biggest market for exporting.
To contact Morne - call : 082 653 6800 ; e-mail : morne@thegoosewines.com or for more information log onto www.thegoosewines.com
(Thanks must go to Brendan for providing The Cru with this exclusive interview with "The Goose" - let's hope we see him win another 'Major' soon!)
The average diner tends to be less than well-educated when it comes to pairing wine with their meals, or knowing how to serve it. To avoid turning ordering a glass of wine into a major ordeal, it's important to educate yourself about the wines available and the things you should or should not be doing to enjoy them.
Wow. I have just come back from visiting one small corner of the Thai wine making industry, and I am really quite impressed. With tropical grape growing changing all of the rules, these hearty mavens have managed to beat all the odds and produce world class wines in a monsoon climate.
To be fair, I was pretty impressed with India's efforts as well, so it shouldn't have come as much as a shock as it did. In India I didn't have a chance to tour the vineyards, an oversight I hope to correct in the not to distant future. Seeing the Thai vines in person was an enlightening experience.
I saw well tended row after row of primarily young vines which were already producing decent enough fruit to make outstanding wines. I also saw older vines that while only in their teens, were capable of churning out reserve quality grapes, year after year.
I also witnessed the heartbreak of a 30% loss of crop due to the unusually long rainy period that has yet to subside. The immature grapes were devastated by Powdery Mildew (Oidium) leaving behind fruitless vines and dashed hopes.
In the coming series of reports I will relate the tales of four commercial wineries, each with a slightly different approach to success. One who avails themselves of a little help from France, one who is creating a Grand Cru style estate, another who has found the balance between tourism and quality, and finally a large concern who's wine cooler business helps them afford to take chances on their premium wines.
I also found one producer who has yet to turn commercial, but his highly inventive nature has led him to experiment with ideas that push the envelope of vineyard management. While his vintages to date have only yielded enough wine for friends and family (a mere 1000 bottles) his wines were among the finest I have tasted in Thailand.
In no small part my trip was especially memorable for the company I kept. Not only the incredibly generous winery owners and staff, but by the presence of the hard working and eminently impressive Denis Gastin.
Denis is a wine writer from Australia who's tireless efforts on behalf of the Asian wine industry are an inspiration. Expect to see more about Asia on my web site in the coming months, as I elevate this continent's visibility to the status it deserves.
In the minds of many, not to mention my own, Asia is not a player in the world wine scene. This is simply wrong, and it is high time everyone knew about it.
CSU chardonnay has gathered a fair deal of attention over the past couple of years, mostly due to the provision of extraordinary value. This release - from the Wagga Wagga Campus vineyards, as well as from vineyards in the Orange region - is another goodun’, if perhaps not quite up to the past couple of [...]
Mr. Ramsay is not actually in residence at his latest London venture, the York & Albany, but the place has all his hallmarks: professionalism, attention to detail and tweaks of idiosyncrasy.
Although the Oregon Pinot Gris Harvest is a little later this year than vineyard managers would like, good weather has ensured that this year's crop should be outstanding. The rule in Oregon has been that the even years (2004, 2006, etc...) are better than the odd years (2005, 2007), and it look as though the grapes will prove that theory right again.
A virtually rain-free summer with warm temperatures has slowly given the vines enough heat units to produce healthy fruit. There has been a lack of extended periods of moisture, or any other destructive types of weather. Last year's harvest was noticeably unfavorable, with several weeks of bad weather in September and October.
The latest edition of Decanter (March) came out this week, and several articles caught my eye. The first was entitled Start Your Own Wine Cellar. As I’m often torn between buying bottles to drink and those I think I may like to keep for a special occasion, I was drawn to the profiles of the 3 different types of people for whom Decanter made recommendations. There was the couple who did not know much about wine, but wanted to learn and had £500 to get them going. At the other extreme was the couple who already drank a lot of good Bordeaux and had £5000 to spend. I found myself drawn to the example in the middle, someone who knows her grape varieties, but would not describe herself as a connoisseur. Decanter put together an interesting cellar at a cost of £1000 for her.
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
I always peruse the Wines of the Month to see what recommendations I can pick up. These wines are available from stockists in the UK so I feel sorry for foreign readers who may be unable to source them. However I’m always a bit frustrated to read other reviews elsewhere in the magazine and see the dreaded ?N/A? next to them. Although I figure what’s the point in reviewing them if they aren’t available in the UK I have to keep reminding myself how international Decanter is. In this month’s issue 4 of the 9 letters are from non UK readers. I am sure this helps the editorial team keep an international focus which is good for all us readers.
The panel tastings this month are both French, 2005 St Emilions and 2005 cru bourgeois. I was stunned to see a great value 2005 cru bourgeois at £7.35. I must seek it out.
Next month’s edition features Italy and is out, according to the ad in the magazine, on February 6. Oops ? I think they forgot to change the date from last month’s edition as I’m sure they mean March 6th!
When I first saw this link, I didn?t quite understand what they were talking about. But, never fear my friends, I did the research and am now perfectly prepared to tell you about the Dutty Wine Dance.
There is a Jamaican rapper who wrote a song entitled ?Dutty Wine?. To the best that I can decipher dutty should translate to dirty. The basis of the song is that he is poor and can only afford dutty wine that gets him very?.um?inebriated. Apparently it also gets the women he is with very drunk as well and this is the dance they do for him while drinking it.
The middle class is in an uproar. All their little girls are doing the 'Dutty Wine'. From left, right and centre, even disabled children, everybody is doing the 'Dutty Wine'.
Disabled children? Did they really go there?
Not wishing in any way to detract from the suggestive nature of the dance, I must point out that it is impossible to do it without long tresses. If you can't get your hair to swing round and round your head while you get down on all fours on the ground, you're not doing the 'Dutty Wine'. It requires supreme flexibility. Consequently, there's not a child who hasn't been stopped from doing it by a parent in the last few months
OK, why are CHILDREN in Jamaica doing this dance. I mean, it sure doesn?t sound like the hokey pokey to me.
The ones I feel sorry for are the disabled children. They don't have legs, so it's perfect for them. They can wine their little hearts out. But even when they do it, it's suggestive if not more so. All the adults hurriedly put a stop to it. Poor little children.
LOL! OMG, did I read that right? Why do they keep picking on the disabled kids? Are there just tons of disabled kids sitting around in Jamaica waiting to do a dance?
What?s worse is that I went on You Tube to see what it was all about and when I searched Dutty Wine I got like 50 million results. Here is one of the first ones I found but the most important question is ?How in the hell could a disabled child do this?
Social media is creating quite a long tail of industries - lots of software companies, consultants, new modes of public relations, etc, etc. Some of them focused on getting you into using social media, which is great, and many of them aspiring to help you “use” social media for your business. The latter point is what I find interesting.
I’ve spoken on the topic of social media before (with assistance from the self-proclaimed “Bonafide Marketing Genius” Marta Kagan - FYI, I’m glad she has the confidence in herself to tag herself that way b/c she’s one of the few I would actually agree with) and I think the biggest point from my talk and others that I’ve seen (like Marta’s deck) is that this all is an excercise in sociology. There are so many technologies that one could use, so many things that you could do, but in the end what is happening to the web is just another means of connecting, interacting, and getting to know people; not unlike joining a social club (like a sports team, a cultural center, or whatever). In fact, just as you have “different circles of friends” offline (work friends, drinking buddies, sports friends), you’ll develop the same thing online and your community will drive you to the tools.
That’s where the idea “use social media” sticks in my craw a little bit.
I’ve had this blog since 2004 and I’ve interacted with many many people thanks to it. It’s mainly an outlet for my thoughts, creativity, and passion (wine, technology, and marketing) and I’ve made a serious number of friends in the wine industry because of it. My goal was to do exactly that, get to know people in the wine industry. One of the major things its taught me though is that the only way to truly understand what this “social media” thing is all about is to get out and do it. BUT - do it with a genuine desire and understand that its a means to reach out to a community (blog in particular). Its not a sales tool and its not a PR tool for social media any more then going to a conference is a PR tool for you. What I mean is you can go to a conference, chat with people, network, find people that you can stay connected with. If you contribute to the conference (effectively contributing to the ‘community’ that the conference is bringing together) then you can get noticed and in that sense you get some good word-of-mouth publicity.
But here is how to think of “use social media” (Ugh!). Its a sociological, human based filter. Its not a broadcast engine like the “information super highway” or the “series of tubes”. Doesn’t matter what tool/site you use, first and foremost your community has to be on that site and/or using that tool. There is always a “critical mass” that needs to be achieved before the tool gets useful. Kind of like a party, its not really fun until there are a bunch of people you know there.
Once your community is there, interacting, chatting, whatever then the dynamics of what happens is facinating. Things start to get “useful” and the human filter is formed. It becomes a situation where the community is as close as a bunch of office mates even though they are all over the world. I literally consider the community I interact with on Twitter my “virtual office mates” and I genuinely like interacting with them. The reason is that you can contribute (chat, answer questions, and otherwise participate) just like you would any other office. In the case of Twitter, it becomes just like a hallway conversation in an office. You can ignore it for a while, pop your head in with a little bit of nothing to say, put out some information or useful tool to the community, or you can put out a serious question to the group and get some solid answers. Pretty much how you would for any office with cubilcles and hallways.
The best part of all this is that when the community reaches critical mass of people in a certain technology/tool who genuinely like to talk about a particular topic, forming an open community, thats when the best things come out. If you contribute something to that community that is truly useful, it will get passed on to everyone very quickly. People will decide if what you said is interesting, show their friends and, if its applicable, their friends may pass on the information to their other “open communities”. The network effect takes over and your information has just become “viral” (i.e. it will spread not only in the current ‘circle of friends’ but to other ‘circles of friends’). More importantly, the human filter took over and since that useful piece of information you generated is actually VERY useful, it will get passed on for a while (or very funny, or very interesting in some other way - the latest on Twitter was a streaming video of puppies, not useful, just very Zen).
So if you find an open community or want to know where there is critical mass already for a community you want to learn about (for instance - the wine community is embracing Twitter and Social Networks) on one of these tools the best way to “use social media” (I hate the term because it makes me feel like “use your friends”, but I guess there isn’t a better way to say it) is to contribute in significant ways. Add to the community but more importantly be YOURSELF. If people like you, they like you. If they don’t, guess what…they don’t. There isn’t alot of advice that can be given there that your parents should’ve taught you before Kindergarten. Thats the funny truth of this “social media” craze. The fundamental sociological point is that this is making friends. Because even if you contribute something that spreads from network to network like wildfire, when those people check you out and “follow you” on Twitter, or Facebook, or whatever, then they start to get to know you in a more personal way then anyone over 25 ever thought possible. If you’re obviously contributing to promote your business it will come across. If you genuinely approach this medium (regardless of technology) as “getting to know people” in the way you’ve always done then you’ll not only have that “viral hit” you won’t be an online “one hit wonder”, you’ll have friends who can help you when you’re down, connect you to others, help you build business, get emotionally invested in your brand…. i.e. you’ll be a part of a community and how you do that is something your Mom and Dad shoulda taught you.
FYI - if you’re doing it for a business/brand it doesn’t matter - if people don’t like your personality, they won’t like your brand. These things have a way of piercing the corporate PR veil. Want an example? Supposedly Cisco “gets” blogging. Read their blogs and you tell me what you think….
It's a pretty sweet idea, and I never turn down dessert, so here goes:
1. Carne cruda. Preferably Piedmontese beef. Preferably eaten in Barolo. Preferably with shaved truffles on top. But what is it? Literally, it's finely chopped raw beef dressed in lemon juice, olive oil, salt and pepper. Principally, it's heaven.
2. Portillo's all-beef hot dog with everything (mustard, relish, onions, sliced tomato, kosher pickle and celery salt on a poppy seed bun). Mmmm. Sweet home, Chicago.
3. Rabbit rillette from Bouchon in Napa. Rillette is meat that's slow-cooked
Tecnorati
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
