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Laura Catena is hardly your average emergency room doc. The Argentine native - who came to the US with her professor dad to attend high school and wound up staying to attend Harvard for undergrad and then Stanford for medical school - "moonlights" from her job as an ER physician at UCSF by making wine, and on another continent at that. That's right, the married mother of three (yes, she has a nanny) successfully holds down TWO glamorous jobs and apparently has energy to burn, as I witnessed when I interviewed her in San Fran's homey Cole Valley several weeks ago. But besides her fascinating resume and seemingly boundless energy, I was most intrigued by Catena's commitment to making small batches of totally world-class wine from Mendoza's top low-yield, high-elevation vineyards. And though you may have heard more about her family's OTHER winery, Bodega Catena Zapata (considered by many the preeminent winery in all of Argentina), I predict her own label, Luca, has a bright future all its own.
Read on for an exclusive interview with Laura, including her ruminations on pursuing multiple careers, living on two continents, and generally being fabulous (okay, that last part is totally my conjecture, but I have to say she's impressive). Enjoy!
Google has implemented a feature for its Gmail intended to help prevent people who have been drinking from sending email messages they later wish they hadn?t.
While many people who have had occasion to wish for such a thing envisioned a Breathalyzer-type hardware solution, Mail Goggles uses math. Once the feature is enabled, the user must correctly answer five simple math questions within a specified time in order to send a message. By default the feature only is active late on weekend nights, but can be adjusted in user preferences.
More information about Mail Goggles is available on Google?s Gmail Blog .
Best Deal Magazines is currently offering "The Complete Idiot's Guide to Wine" as a downloadable version for free. The guide is currently off of print in bound form, but is loaded with good advice on how to select, taste, and collect wine. Although aimed at the beginning wine lover, there's sure to be something of interest to the experienced sipper also.
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Rutherford Ranch 2003 Cabernet Sauvignon $20-ish Wine label said: At Rutherford Ranch we work hard and we work smart to bring you the best values in Napa Valley wine. We strive to create wines with fresh aromas, rich flavors and a smooth balanced finish. Each wine expresses the honest flavor of grapes grown in the Napa Valley. WebWino & [...]
If you've read many wine labels, especially those of wines that cost more than $25, you've almost certainly seen on that contains the phrase "fermented with wild yeasts" or "native yeast fermentation." This indication that the winemaker has not used a so-called "commercial" yeast is often a telltale clue as to the overall philosophy of the winemaker. Making wine without commercial yeasts can be more difficult, more unpredictable, and more risky than some are willing to accept. Those who do eschew commercial yeasts often do so because they are committed to making what they believe is a more natural wine, both for its lack of "intervention" by the winemaker, as well as because the yeasts that do end up driving the fermentation are believed to be from the vineyard and part of its ecology.
Without a doubt, making wine without commercial yeasts represents a more traditional method of making wine, but apparently the more we learn about yeasts and winemaking the less it seems that there actually is any such thing as a wild yeast fermentation.
A recent thread on the Mark Squires bulletin board addressed this very topic, and I highly encourage anyone who is interested in the subject to check it out. The discussion ranges across a number of different issues regarding yeasts, often getting quite technical, but the gist of it can be boiled down to a simple set of arguments.
First, it is clear that there are yeasts on the skins of the grapes out in the vineyards, and that when no commercial yeasts are added (and sometimes even when they are) some these yeasts can also be found working away in fermenting grapes in the winery.
However, it is also true that most of the time the yeasts that do the most work in fermenting the grapes in the winery are very different yeasts than are found in the vineyard. Which begs the question where, exactly, did they come from?
The answer, according to a lot of winemakers and researchers, is from within the winery itself. No matter how well a winery is sanitized, it tends to harbor all sorts of biological elements, including complex "cultures" of yeast that breed, mutate, and even evolve in the little ecosystem that is the winery.
If the winery ever has used commercial yeasts, this local culture will most certainly include some of these commercial yeasts. And if it hasn't it will likely include yeasts that were brought into the facility on humans, pets, equipment, insects, and more.
All of which is a long-winded way of saying that the decision to not use commercial yeasts to ferment the wine doesn't really mean that what you're getting instead is some natural cocktail of yeasts that are specific to a vineyard. A native fermentation it may be, but the yeasts that are chowing down on the grapes are much more likely to be native to the winery building than they are the vineyard, and in many cases they may include commercial yeasts as well.
I'm certainly guilty of romanticizing native yeast fermentations as a writer. Along with the decision not to fine or filter the wine, this decision generally says something to me about the quality of the wine. The fact that winemaking yeasts aren't entirely wild doesn't necessarily undermine that meaning, but it certainly does call into question just how much justification there might be for prejudice against commercial yeasts as somehow "unnatural." Biodynamic winemaking, for instance, clearly proscribes use of commercial yeasts as yet another unnatural intervention in winemaking.
The process by which grapes ferment involves sometimes 80 or more different kinds of yeasts, the actions of which are affected by pH, temperature, sugar levels, and thousands of compounds in the grapes, not to mention anything we humans might do. We're still trying to figure out just exactly how it all comes together.
As intrigued and excited as I am about the degree to which science is gradually deepening its understanding of what wine is and how it comes to be, I also love the fact that it's so complex that we've still got a long way to go.
Mystery is a good thing. It means we need to keep drinking.
I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
4. Do I have to mention the cheaper subscription rate for Decanter?
Again, lists really don't do any justice to the dozens and dozens of ideas that propel themselves electrically from my dendrites when it comes to how much fun a wine geek can have in London. For now though, I leave you with a warm, albeit brief goodbye, and a reassurance that I'll soon return for more on artisan wines and the people behind them.
How could I omit the two intelligent value Godello picks? I chose these two because they convey distinct interpretations of the variety, in spite of the two D.O.?s not being terribly far apart. Taste them together to see the immense differences evident in each Godello within what would amount to a short bus ride from Bierzo to Valdeorras. It?s quite hard to argue that neighboring wine regions cultivating the same variety aren?t little miracles, with this sentiment growing even more potent for the wine lover within single vineyards with many producers, though that?s another topic altogether.
Enjoy this, one of many examples of all new things Spanish that will slowly become more prevalent in the U.S. market over the coming six months or so?Godello.
Before I forget, speaking of the next wave of imports from Spain, if you haven?t been paying attention to Telmo Rodríguez in the past few years, I would try his Godello and watch this video. Aside from being a fascinating Spanish entrepreneur, he exudes passion for well-crafted, regional wines. The video is eight minutes in length, though for some reason, it winds up being 3 and change. Nevertheless, listen to Mr. Rodríguez introducing his wines on a recent visit to Toronto?s Lifford Wine Agency. In essence, he is responsible for affordable little masterpieces from various Spanish D.O.?s. His progressive outlook in terms of production methods is matched by an ability to reinvigorate production of traditional varieties in the regions where he owns vineyards. This in turn, yields intelligent value wines from various Spanish D.O.?s that much like Susana Balbo?s wines in Argentina, seem to be produced in a manner which never sacrifices regional character for novelty or the wrong type of market's tastes. What with how things are going nowadays in the wine business, what a refreshing point of view!
Los vinos: 2007 Pilgrim Godello Bierzo D.O.
This wine is clean, pale straw and unassuming at first sight. The nose is vibrant, driven by wild flowers, citrus, treefruit and stone minerality. Complex mouthfeel, with a crisp, racy shot of acidity (pink grapefruit), alongside rich treefruit and distinctive mineral notes.
This wine is produced by Viñedos Agribergidum in Bierzo, located at the westernmost outpost of León bordering Galicia. The Godello vines are an average of 40 years old, with the variety purposely farmed to very low yields.
Imported by Beacon Wine Company. 2005 Gaba do Xil Godello Valdeorras D.O.
A really nice pale gold in the glass. The nose is clean and pronounced, with perfumey floral element, lush green pear, peaches, honeydew melon and touch of sweet spice. Complex but never overwhelming medium-bodied white with great balance of ripe fruit flavors and medium citrus acidity. Love the soft spice undertones that follow the lovely fruit into the aftertaste.
A big, full-bodied, expansively-flavored, traditionally made Gigondas is a blend of 60% Grenache, 20% Syrah, 10% Cinsault, and 10% Mourvedre. Abundant herbes of Provence, heady, peppery notes are accompanied by sweet kirsch liqueur, plum, and fig characteristics. Dense, medium-bodied, and ripe. Nice, pure, plum-cherry finish.
Based at the foot of the Dentelles de Montmirail , its vines rising up the south west facing slopes, the Domaine des Bosquets encompasses 26 hectares at the heart of the appellation of Gigondas. This is one of the wines produced by the Brechet family
Score: 9/10 Price: ?18 Retailer: Somewhere in Marseille
If you were to sit down to your last dinner and were offered one last bottle of wine from anywhere in the world - what would that wine be and why?
Additionally - if two sommeliers, namely Robert Parker and Hugh Johnson, approached your table to offer you advice - who's suggestions would you take most to heart?
I'd go with Johnson and signal Parker away from my table :)
This is another great wine from the WinEco winery (Podrum Radenkovi?) from Southern Serbia. It is a not-very-dry Chardonnay, without a strong nose, but with an exceptional balance of fruity and barrique aromas. It is easy going, with a full taste, definitely one of the wines to accompany your lighter meals. It’s barrique traces make it a great complement to slightly smoked fish or cheeses, but it’s also great on it’s own.
In general, Chardonnay is particularly suited for the barrique (oak aged) treatment. Chardonnay Barrique develops a pronounced cognac aroma and becomes a truly full-bodied wine - all hints of fruity flavours become very subdued.
Score 9/10 Price: 800 RSD (?10) Retailer: Super Vero
Red Barn Winery opened May of 2004. It is located four miles North of the city of Syracuse in Liverpool, NY. Open Thursday thru Sunday 12 noon to 6 P.M.
Paul Martin is the sole owner and winemaker with decades of experience. Old world (European) winemaking experience and new winemaking techniques are incorporated to produce great wines. N.Y. State grapes and fruits are used exclusively. The 3000 sq. ft. winery is built around a ?Turn of the Century? design. Tasting room # 1 is cozy, consisting of a fireplace, rocking chairs, couches and plank floors. Tasting room # 2is of the Western saloon style, high ceilings ( 25?), hand hewn beams, plank floors and antiques.
The Hearty Red is a very nie, solid, table red. Dry, with notes of cherry and vanilla. Nice!
Following the theme of my last post about Americans? increasing awareness of the quality wines that many artisan producers of Argentina are exporting, I?m pleased to post the first installment of my interview with Ed Lehrman of Vine Connections. Along with his business partner, Nick Ramkowsky, they formed a company that not only imports the wines of artisan Mendoza producers, but selectively forges meaningful, long term relationships with them. As Ed Lehrman explains in the interview, this type of involvement encompasses much more than shipping and distribution, extending into representation, consulting, label design and many other crucial aspects which in the end, bring American consumers the types of genuine artisan wines that multinationals couldn?t even conceive of delivering.
Based out of Sausalito, CA, Vine Connections has been at the forefront of the changing of the guard, in terms of tastes, that I described in my last post. Their portfolio includes excellent California, New Zealand and Japanese Saké producers, alongside the wines of star Mendoza winemakers Susana Balbo and Pedro Marchevsky, along with others to look out for, such as Mapema, Tikal and La Posta del Viñatero. If you really want to know what Argentines really like to have at the table and moreover, the breadth that Argentine wines are capable of achieving, I encourage you to explore the types of artisan producers that Vine Connections represents and whose work, over the coming years, will ultimately triumph over the characterless, corporate-backed South American wines saturating our shelves.
I would like to thank Ed Lehrman for taking the time to provide his in-depth responses concerning Vine Connections, its vision and inspiration. Our conversation unfolded over e-mail:
*What is the vision behind your company and what were some of the key experiences that led you and your business partner to get started?
- My partner, Nick Ramkowsky, and I have both been in the wine business since 1986 (we started very young), and we could have done any number of things together. Nick was a small California distributor at the time, and I had just sold my direct-to-consumer wine business where he had been one of my suppliers. A fateful trip together in May of 1999 launched us into the importing/national sale & marketing business. We spent about a week in Mendoza on that trip tasting wines from bottle, barrel, tanks?you name it?and we met some incredible winery owners and winemakers. By the end of the week, we were looking at each other and asking, ?How does the 5th largest wine producer in the world hide incredible wines like these from the US?? It seemed like this must be the opportunity of a lifetime for wine guys like us to lead the charge in introducing Argentine wine to the US, and in a way that they would be fully appreciated for their quality and authenticity, and not just their price. As an aside, of the first 12 wines we imported from Argentina, the LEAST EXPENSIVE wine was $22 retail! So in fact, Vine Connections was originally formed in order to be an Argentine wine importer. *Compared to other importers, what is the depth of Vine Connection's involvement with the producers its represents? (in terms of consulting, marketing, other assistance, etc.)
- It is hard to speak about other importers, since some do quite a lot and some just taste and buy. As for us, we take the approach that we are the winery?s own sales & marketing department and they can use us for as little or as much as they need. That may mean writing back label copy, helping with label design, or determining whether a new blended wine is even a good idea to add to their portfolio.
For all of our wineries, we do the copywriting for all printed materials since we can communicate their stories in English more effectively, and along the same lines, we handle most press relations since we are here and readily available. And I guess the most valuable thing we do would be called ?consulting? since we offer our advice on many topics based on our 40 years of working in the U.S. wine biz. *How does your company forge relationships with producers? In this vein, what is the process like for you when considering an addition to your portfolio? Do the producers come towards you in the way of trade events, do you travel to areas to scout, so to speak, or some combination thereof?
- We are very careful in this regard since our objective as an importer is to build brands and not just sell wine. That requires long-term relationships, so besides tasting backwards and forwards through a winery?s production, we spend as much as time as we can with the owners and the winemakers to see whether there is a good fit for working closely together. When we meet people who already think they know it all about winemaking, marketing, etc., we politely walk away no matter the wine quality. Our initial screen is the wines?they have to be particularly good since that is what we are known for importing. Then we start talking about their philosophies, their dreams, their business objectives, and where we should all eat dinner together (a meal with a potential supplier is always a good way to gain more insight).
This process means that while we have run into some wines that we like, we have sometimes been unwilling to take the winery on. The most common stumbling block for us seems to be that the winery lacks a strong winemaking philosophy, and often because they have abdicated this cornerstone to a consulting winemaker (and most often to foreign winemakers). As time has passed, we have pretty much settled into the idea of only representing wineries owned by Argentines and with Argentine winemakers since the winemaking vision is usually clearer and more grounded in expressing what makes Mendoza so special compared to other regions.
From the first moment that we meet a winery team, it usually takes about 18 months before we come to an agreement, do the ground work, and then start selling the wines in the U.S. It seems to work--we have never lost an Argentine winery and every brand that we represent has achieved a significant level of success.
I wish I could say that finding these producers followed a particular recipe, but in truth, all of our brands have come to us via different sources. The key is to have your radar on all the time so that the best ones don?t slip by accidentally.
*You represent Susana Balbo and Pedro Marchevsky's Dominio del Plata Winery?how did that relationship come about and how far back do you go?
- Well, if it weren?t for the ?dynamic duo? of Mendoza, we may never have been Argentine wine importers. We met them on our first trip to Mendoza in 1999, and they were so obviously talented and knowledgeable that they got us thinking a lot about the possibilities. We also formed a trusting relationship so quickly that it became obvious that we would work together, and together push forward a common vision of making Argentine wine part of the daily American fine wine conversation. That seems like an ominous task looking back now?we had no company yet and they were renting a very small winery at the time?but at the time it just seemed like destiny.
*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.
*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?
- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:
1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.
2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.
3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.
*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?
- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.
- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.
*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?
- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so.
As a spokesperson for the Wine Market Council I'm occasionally interviewed on all sorts of subjects, and this fall the queries turned - no doubt unsurprisingly - to the upcoming election. That's right, upcoming as in TOMORROW!!! (Sheesh, I've got to admit I'm pretty stressed about tomorrow, and am in fact contemplating something pretty dramatic if Obama doesn't get elected. Like maybe drowning my sorrows in oceans of White Zin.) No matter what tomorrow's outcome, you can get the goods on my election night food and wine suggestions in the article "Election Party Food and Wine" at SheKnows.com. It includes some interesting tidbits on wines Republicans prefer versus those Dems gravitate towards, along with pairings to spice up your election night viewing party. So even if the *%&! hits the fan come winner- (or loser-) time, at least you'll be well plied. Cheers to that.
Posted by 1 Much to my horror, my recent trip to the United States and Canada revealed to me that some people have actually been reading this blog. While it was not a shock that people visit WineSpectator.com, the fact that anyone would labor through my heavy prose and factual notes was a total revelation.
Ribolla Gialla is one of those varieties that most people have never heard of, never mind tasted.
It's been grown in the Friuli region of Italy since the 13th century, and experts believe that it is related to the red wine grape Schioppettino. Ribolla Gialla isn't grown in very many places in Europe, and it's grown in even fewer places here in the US.
You can count the US vineyards where Ribolla Gialla is planted on the index finger of one hand. Only one vineyard grows Ribolla Gialla and it's Vare Vineyards in the Napa Valley. George and Elsa Vare fell in love with Northern Italian and Slovenian grapes and wine and decided to dedicate their winemaking efforts to seeing how the varieties would fare over on this side of the world. In addition to Ribolla Gialla the Vares grow Pinot Blanc, Pinot Grigio, Tocai Friulano, and Sauvignon Blanc. They produce limited quantities of wine from small yields, and bottle it exclusively in 500ml and 1.5L bottles. And the wine is good--good enough that the famous French Laundry bought nearly all of their 2004 vintage for sale in the restaurant.
The 2005 Ribolla Gialla is sold out at the winery--but you can still get your hands on some of it if you are interested in trying it from Wine Q. (sample; $24.99/500ml, WineQ) This good QPR wine was deliciously different. When it was cold from the fridge I could have sworn it was very fresh Fino Sherry because of its dry nutty and citrus aromas and flavors. As it warmed up in the glass, however, the wine became heavier in the mouth, more acidic, and full of lemon oil aromas and flavors. There was a sensation of creaminess as well, which made it reminiscent of tangy lemon curd. This wine is made for shellfish and fish dishes, although it would also be a great match for appetizers or tapas.
Don't be afraid to try a new variety if you get the chance. You could be in for a deliciously different surprise.
Beaujolais Nouveau Est Arrive! I bought the first bottle at our local store and am serving tonight with raclette of salmon and baby spinach with dill cream cheese.
The wine is purple--of course-- with a fairly big bouquet of sweet strawberry that is nearly perfumy. Palate is a little chewy with light strawberry flavors and a slightly steely finish.
This is pretty straight forward Nouveau although better than last years! I paid $9 for it a the super market. Look for other producers and also look for Beaujolais Villages Nouveau and give them a whirl. Let us know how you like them--or don't and raise a glass!
This is a second review of this wine sent to us by Stilletto Entertainment: Big peary nose with an under layer of vanilla cream and something that I don't have a descriptor for.
Palate is lively with nice acidity and clean flavors of citrus and minerals and a fruity, pear finish. This is a nice, clean wine that will pair well with buttery, rich foods. Raise a glass and thanks Stilletto!
(Consistent notes with first review although I liked this wine even more the second time around. Why? Probably because this time of year sub-clinical colds are ubiquitous and can dull the palate or it could be as simple as the nice catch-all bail out phrase; bottle variation. Either way--raise a glass!)
I’m sure there has been plenty said about the impending Obama presidency but I’m going to say my $.02.
Its really hard to describe what this means to me, to many many people for that matter. Its not the end all be all, but its a milestone that seemed impossible two years ago. Barack Obama, a black American, taking the head of the most powerful office in the free world. Its not coincidence that the world looked at this as an instantaneous moral and morale boost - we just, as a collective nation - looked past everything and did what the majority of citizens (majority by popular vote) thought would be best for this country and that happen to mean putting a minority into the oval office.
A country that can do that should be able to speak rationally with other cultures and religious states, shouldn’t it? Should be able to be open to listening to all sides of a debate and making a good decision shouldn’t it? Clearly should be able to give the minority voice of other nations the ear they want when all they want is an ear to listen to them to restore their dignity, shouldn’t it?
Thats called hope. Instantaneous, street credentialed hope. For that I’m incredibly pumped for this country. I don’t feel like cringing when I think about my president going and speaking to other nations. I don’t have that feeling that I have a loud, obnoxious friend with me in a fancy restaurant who I love dearly but I just know he/she’s doesn’t belong in an environment that people want to be civilized and not sloppy drunk. That is all gone today.
For me personally, I guess even expecting him to win I wasn’t expecting alot of feelings I had to bubble to the surface. My father is my hero and he taught me basically if you’re at a disadvantage, well then too bad, you just have to work harder than the others. Energy you waste complaining could be energy that could be putting you ahead. Something I took to heart never complaining about the disadvantages of being black in America because I’m pretty confident in my abilities. But even so, there is a bit of an unspoken limit to what could be accomplished. Or at least there was one. That hit me yesterday. How can there be a limit? Even with people trying to hold you back or not giving you the same chance, Obama is the president, anything can happen. Truly.
Thinking about the people who died just on the faith that this day would come if they marched, took beatings in non-violent protest, and even lost their lives so that I could see this day and my kids would be in a different world. Lost their LIVES on faith in this country’s ability to adjust and the hope that their efforts would make this time possible…that hit me yesterday.
My kids…I hugged my daughter (she’s been sick). And I did cry a little. She doesn’t have to know that limit. She’ll never know that limit. I’ve always thought racism was so ignorant that it was comical; something just ripe for satire. I truly appreciated things like The Chappelle Show and Wayans Brothers productions (like Hollywood Shuffle) because they used comedy to highlight the absurdity of racism. I love that. But the racism takes on a whole new level of rediculousness when the leader of the most powerful nation in the world is a black man. My daughter is 3 years old. I have a sincere hope that could come true now - that she really won’t understand how people could be seriously racist. That hit me yesterday too.
I think thats how I look at it. The people that I struggle with now will be long dead and buried by the time my girls are my age. And while it feels good for me now to see all this worldwide credibility restored and faith in our own democracy’s ability to adjust restored, its really when I think about the things my daughters will never know is when I can find the energy and enthusiasm for life. I often think about how technology will change things, in fact I think about it constantly. Think about how my daughters will never wake up at 6am on a Saturday to watch their favorite Saturday Morning cartoon because they can just pull it up. In fact, my 3 year old has a hard time understanding why if “Dora” can play in her room, why can’t she continue watching it downstairs on the TV (yeah, DirecTV DVR, why the f*** not?).
Today I can think about more significant things that I didn’t really think about because I didn’t see this happening and I didn’t know when it would. Not knowing that limit or perception of limit. Dealing with racism (as its clearly not gone) but having a very different perspective as the racism shouldn’t be a limit on what she can do anymore than any other corporate political situation. No more excuses - yes, “the man” might be holding you back but YOU are the only one limiting yourself because being black isn’t even an excuse for not being the f***ing President of the United States anymore!!
No more excuses for not achieving.
To me personally, it inspires me further to understand the wine industry because the lack of minorities (not women obviously) still puzzles me. I mean, I get the demographic thing and the “snooty” thing but thats changing with social media, folks like Gary V, new generations coming in, etc…yet for some reason this industry is simply monochromatic.
Found this on the clearance rack for $8. I just drank some with dinner. First glass, with a pasta & tomato sauce: started bland and finished odd. Second glass I drank without accompaniment; worse - actually gagged on the last swallow. In the morning I'll pour the rest down the drain.
Instead of traversing the familiar terrain of regions or grape varieties, I forge a new path by plotting a seasonal arc for wine consumption. This ties in to the way that I enjoy wine, by emphasizing the context of how, where, when (and with what and with whom) we drink wines, as well as linking to the trend of seasonal cooking that is so p
Tecnorati
Laura Catena is hardly your average emergency room doc. The Argentine native - who came to the US with her professor dad to attend high school and wound up staying to attend Harvard for undergrad and then Stanford for medical school - "moonlights" from her job as an ER physician at UCSF by making wine, and on another continent at that. That's right, the married mother of three (yes, she has a nanny) successfully holds down TWO glamorous jobs and apparently has energy to burn, as I witnessed when I interviewed her in San Fran's homey Cole Valley several weeks ago. But besides her fascinating resume and seemingly boundless energy, I was most intrigued by Catena's commitment to making small batches of totally world-class wine from Mendoza's top low-yield, high-elevation vineyards. And though you may have heard more about her family's OTHER winery, 
Google has implemented a feature for its Gmail intended to help prevent people who have been drinking from sending email messages they later wish they hadn?t. 
A big, full-bodied, expansively-flavored, traditionally made Gigondas is a blend of 60% Grenache, 20% Syrah, 10% Cinsault, and 10% Mourvedre. Abundant herbes of Provence, heady, peppery notes are accompanied by sweet kirsch liqueur, plum, and fig characteristics. Dense, medium-bodied, and ripe. Nice, pure, plum-cherry finish.
This is another great wine from the 
As a spokesperson for the 
