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Sour cherry aromas and pipe tobacco with a hint of chocolate but the wine is cold. Breath and warm it up; Palate--cherry with slight evergreen mid palate, nice! Fresh Sangiovese flavors; a mature wine with a touch of anise emerging. This is a nice wine; mature and tasty! It's a bit pricey at $22 but a nice treat. Raise a glass!
?You haven?t posted much recently?? Really, no way?I could only wish the reason behind this was holiday-making. Life is currently beyond hectic, recently going from consulting job back to teaching and onwards with a complicated move. Sometimes, I find that life (as in working, family events, consulting travel, etc.) can get in the way of reading an overpopulated Google Reader inbox and commenting on every blog and forum across e-creation. In fact and admittedly, I must say that I sort of prefer real life to this whole thing, though at any rate, I love to write, and I?m sort of pining for more precious time to write, whether on wine or a multitude of other subjects.
Pleasure aside, ?you know what time it is, it?s business time.? Who could possibly wait until early 2009 for more FOTC? At any rate, the intention of this post? I would like to see more artisan Godello imported and available in the North American market. This brilliant viño galego white, while being delicious and predominantly planted in the Valdeorras and Bierzo (yes, León) D.O.?s, is capable of conveying that the cool breezes, seascapes and gorgeous greenery of the region are all tangible in more ways than just through Albariño. I truly adore Rias Baixas Albariños, but I feel that little brother Godello needs some love too; and what better a time than now to try it out, since more regional producers than ever are beginning to invest serious attention in crafting these wines, with sights on the export markets in addition to the domestic one. I sort of find the idea of trying them side by side to be fun. Maybe find a nice Albariño (say a solid bottle of Códax or perhaps Pazo) to enjoy and compare alongside a crisp, complex Godello?goes without saying that some fresh seafood is in order here. Recommendations and notes upcoming?
I was glancing at the Winetastic archives the other day and realised that the blog will have existed for three years as of today. Happy birthday to us? The real question of course is which wine to open in celebration…
How do you keep up to date with the wine world these days? I’ve found out what works for me although I still suffer from information overload some times. My interests are as follows ?
current hot topics such as closures, global warming, harvest expectations and so on
recommendations on wines to try and buy
educational material especially anything that helps me towards my WSET Diploma
I’ve found the following sources really help me
Harpers magazine. I wish I could afford their annual subscription but it’s just too much. However I subscribe to their daily bulletins via Google’s reader and this really works for me. I see a couple of lines summarising news items when I’m on the computer at home or work and I can always click the link to go their web site if i wish to read more
an unusual source of news items is South African Wines. They send out regular emails which summarise the key stories from around the world by directing you towards the various publications, web sites, blogs etc which have something interesting and relevant
there is no substitute for a monthly magazine which is good for those train journeys commuting to work. Decanter and Wine and Spirit are my favourites. I was working in the US last summer and enjoyed Wine Spectator and thought about taking out a subscription but the cost including mailing back to the UK was prohibitive
I love reading other people’s blogs. People like Jamie Goode and Andrew Jefford talk about people they have met, wines they have drunk and places they have visited. The problem with blogs is that there are so many (and yes I have one also) that it’s possible to subscribe to too many of them using Google’s reader that information overload soon takes over.
Podcasts are great for car journeys if you put them on a CD or train journeys if you play them on your phone. I’ve learned a lot from some of the podcasts from Grape Radio
For bedtime reading or sitting in a chair (with a glass of something nice of course) there is no substitute for the hard stuff ie: books. You can’t go wrong with a copy of the Oxford Companion to Wine by your side. I also try to look up every wine I try in at least one reference book such as the World Atlas of Wine, Wine by the Label or Oz Clark’s pocket wine book. These often give the context for the wine leaving the label to give the detail (unless of course it’s French!).
I may occasionally suffer from information overload but I do learn a whole lot of interesting stuff about wine which vastly increases my enjoyment of the stuff.
Keeping a wine bottle sealed is probably the most important factor when it comes to maintaining a good wine.
A cork is essential, as it keeps oxygen out of the wine bottle. If a bottle of wine is not airtight then it may become oxidized and undrinkable
Traditionally, the only corks worth considering were those actually made of cork. Recently, however, many wine experts have recognized that cork may actually cause more problems than it solves.
Cork, due to its malleable nature may have imperfections; these can result in the seal of the bottle not being as airtight as it could be and the wine being spoilt. In an attempt to avoid this problem, modern cork manufacturers may treat the cork with a chemical called TVA. Unfortunately, this chemical can cause the wine to taste and smell a little damp and musty.
Having said this, cork is able to expand to fully fill the neck of the bottle, which therefore, still makes it the preferred option for special wines that need to be stored, over a long period of time.
Plastic corks are becoming increasing popular, of late. One of the main problems associated with traditional corks is that the wine becomes 'corked'. Plastic corks prevent this occurring. Great! I hear you say. However, there can be minor irritations with plastic corks. A plastic cork can sometimes be difficult to extract from the bottle and virtually impossible to fit back into a half drunk bottle.
Another recent development is the widespread use of screw-top bottles. Until recently, this type of seal was used for only the cheapest of wines. Wine producers across the globe are now recognizing the benefits that screw tops provide. This type of seal ensures that wine is kept fresh; there is no chance of the wine becoming 'corked' and the bottle can be easily resealed. In reality, the only reason that screw tops are not more popular is because of the ingrained snobbery associated with this method of sealing a bottle.
No matter which type of cork you choose, it is important that you are able to recognize whether the wine has been properly sealed or not. A useful test is to see whether the top of the cork is level with the top of the bottle; if it isn't, then that particular bottle of wine is probably best avoided.
If a traditional cork breaks when you are removing it - don't panic! Use a corkscrew to attempt to 'dig out' the remaining cork. If this fails, simply push the remains of the cork down into the bottle. Contrary to popular belief, this will not destroy the wine's flavor. You may have to fish out a few bits of cork, but the taste of the wine should remain unaffected. However, you'd be wise to finish the whole bottle, under these circumstances!
When choosing your wine, base your decision on the wine itself and not the type of cork. Resist the temptation to be a cork snob; a screw top bottle may just give you a pleasant surprise
About the author: Ever since Neil Best first pondered the question, Who made the first wine anyway? he's been recording his findings at Good Glug. Find about your favorite wine regions, wine recipes, and speciality wines along with how it's made and how best to store it for maximum enjoyment
Have an amazing evening and above all - drink some great wine and champagne!
2008 promises to be an exciting year for The Cru so stay tuned!
To begin with I will be releasing a new look Cru in the next two weeks - it's going to a lot easy to navigate around and hopefully it will make finding your favourite South African wine that much easier and more enjoyable!
Until then have a great evening and enjoy the chosen Pouza!
Schlepping in the West Village. Cold and windy but bright. Glamour and sensuality are well hidden today, layered away for winter. The same could be said for the heady, expansive displays of prosperity which ruled till just yesterday. Christopher Street, once the epicenter of gay commerical life, is half shuttered and empty. Many storefronts are bare except for rebtal signs in English and Spanish. Familiar coffee bars and eateries seem long gone. The same forlorn...
OK, so I’m trying to insure that the Wine Bloggers’ Conference in Sonoma has good, solid Wi-Fi access. I’ve spent a decade and a half in the networking industry and the last 8 years designing wireless products so when I setup a conference for 160+ BLOGGERS, i.e. many many laptops in the same room, I have my concerns because of the physical limitations of Wi-Fi.
So the hotel hooks me up with the contact information for their service provider (the Wi-Fi is outsourced which is typical for a hotel). I send him a message stating exactly my concerns and pointing out that I’ve setup many tradeshow demos as well as conference networks that got hammered by a techie conference. Here is the email that he sends back to me (understand, I am the hotel’s customer and I am selling out their hotel for this weekend and giving them untold exposure through media the whole weekend). Is it me or is this dude kinda of a douche?
Dear Sirs-
There are a total of 19 APs interspersed throughout the hotel, not including extra devices occasionally set up by catering. Depending on the unit, they?ll support from 12-36 users on the wireless (multiple internals). This has been the design at the Flamingo since its initial design and installation, almost as if we knew what we were doing?
Please inform the users that the codes will be bound to the MAC address of the NIC they use at the time of connection and entry of the code. They cannot switch computers and use the same code. The time in contiguous and not broken up to when they are using the connection, ie: 3 hrs ? 9 hrs of 15 minute usage periods.
Also, be aware that the total bandwidth for the Hotel Guests use is 6mb/3mb. Therefore, this should not be a time for these ?HEAVY internet users? to download all the Richard Simmons or Jane Fonda videos as this type of abuse will naturally hinder the enjoyable experience that such a convention should foster, human dialogue and contact.
I hope that you enjoy your stay at the Flamingo and that all elements of your convention are a total success.
JJ
Maybe its me, I don’t know…
Updated: The hotel worked on the service provider to create a parallel network in the main conference area that will be supported by additional APs on non-adjacent channels and they committed to having staff on hand throughout the entire conference should this network shit the bed. I feel better about the chances of success.
So my big sister took me to see Madonna last night for my birthday. It's - ahem - a big one, and it's right around the corner. But I digress. Last night rocked, and here's why: Not long after we arrived at the Oakland arena, we stopped outside of our (nose bleed) section to fish out our tickets. As I reached for mine, a woman brushed by me and knocked my tall cup of water all over the floor right at the entrance to our section. Not wanting anyone to miss seeing Madonna on account of a broken neck, we called out for help from two hipster types standing nearby with "official-looking" passes around their necks. "We don't work for the venue" they shot back, and so we were on our own to mop up the mess until a kind woman who DID work for the venue showed up with a mop. As we made our way past these same two hipster-types on the way into our section, one of them followed us up to our seats and sat down right next to me.
Many people would be able to identify a bottle of wine that was truly faulty and, in a restaurant, ask for a replacement. But would you be able to tell what the fault was or what to blame for it? It is all to do with perception threshold. Different faults require different parts per thousand or even million to be perceived.
Some people are more sensitive to certain faults than others so while the host, who may taste the wine as it is brought to the table, is happily quaffing, one or more guests could be secretively retching into their napkins. Depending on how well you know your host and judging, diplomatically, how much of an ego dent your comments could produce, it might be worth discreetly asking people to have another careful sniff.
At a wine faults workshop this week, it was made clear that a fault is only a fault if the people drinking the wine consider it to be. For example the "fault" brett - produced from brettanomyces yeast acting on the phenolic acids of the grape - is a characteristic that some tasters love and some winemakers deliberately introduce. It can produce strong animal characteristics that enhance a wine's complexity and increases some people's pleasure.
Of course it is very important to get the balance right because the smallest increase tips a wine over from animal (yum) to bretty (yuck). And even in the lower doses some people adore the fragrant pong while others will recoil in horror at the filthy stench. Perception is all.
Then there is actual corkiness. Produced by TCA, TBA and TeCA it has various origins like the high levels of chlorine used to clean the winery and equipment, the breakdown of other cleaning agents by funghi in the winery - low ventilation and high humidity contibuting to high levels in the atmosphere.
The cork industry is keen to point out that it is not something inherently present in the corks more of a contamination at the winery. The plastic in alternative closure linings etc are equally susceptible to this contamination. With increased awareness, far higher standards of hygiene than ever before and alternative cleaning solutions available the problem should be getting better. However despite some high profile cases in California back in 2004, there are still many wineries taking the easy option and continuing bad practices.
At the other end is a sulfide problem that produces a tomato, truffle, cabbage, rubber character. This is reduction, the opposite of oxidation and the result of a complete seal which prevents any movement of oxygen into the wine. Unlike oxidation though, this can be corrected sometimes as simply as swirling the wine in the glass or decanting the bottle thereby allowing some air contact and dissipating the bad aromas.
This problem has been most associated with screwcaps which provide such an affective seal that all the positive benefits of cork permeability have been lost alongside the problems that can occur for freshness through excessive permeability.
New Zealand wineries have famously chosen to address this by slightly oxidising the wine before bottling in order to achieve balance once the wine is in bottle. As is often the case with the New World, they are quick to respond to problems and criticism.
However this is a dangerous and nervy solution and not always successful. Pascal Chatonnet, leading faults scientist, oenologist and consultant to wineries all over the world, argues that some of the essential character and originality is lost through this process and the overall quality and elegance is compromised, though this is not necessarily understood by the consumer as the original wine is not available to compare.
What is important to the cork industry is that while a consumer might recognise the wine is faulty, the only real language employed to describe or attribute the fault invokes cork. This is of major concern and is where the charm offensive needs to conentrate, for cork may not have played any part whatsoever.
For consumers the challenge to the industry as a whole is to find a closure with the correct level of permeability and which is kept free of contamination. It is in everybody's interests and with a more frank discussion opening up we can only hope that solutions won't be too far away.
With the holidays approaching, I thought I'd arrange my various cocktail recipes into one convenient collection. This is a set of twelve 3"x5" cards that you can cut out and put in the recipe box, stick in the liquor cabinet, or use as flash cards for training your kids to mix your evening cocktails.
While I didn't create these cocktail recipes, I did put a bit of effort into trying them out and then typesetting them in an attractive and easy-to-read format. With that in mind I've licensed it under a Creative Commons Attribution 3.0 Unported License, which means that you're free to use this file for personal or commercial use or modify it as long as you give me credit. You can even put that download link on your website or blog if you want to recommend cocktails to your readers. Have fun!
[07/05/2008, 06:07]
La Rioja ALta 95 gran reserva!!!!! this wine is killer I have been sitting on it for a little while, I have had several over the last two years, I think it has passed its apex but is still in peak time, very earthy mushroomy and meaty plus tobacco great nose and something you wont see around for long try it if you can.
Nov 17, 2008 1:21 pm US/Central DENVER A suspect is under arrest in what police said was a well-thought-out plan to steal expensive bottles of wine from Denver-area liquor stores and then sell them on the ...
[07/16/2008, 03:04]
Training Diageo Chile sponsors a program to train waiters and waitresses
This initiative, which comes from Diageo ? one of the most important multinationals in the elaboration and distribution of alcoholic drinks ? will take place in Santiago de Chile. It aims at unemployed young people with limited economic resources, who are trained for free in order to place them in the job market and prepare them for a profession linked to the field of gastronomy
In the year 2007, 17 youths were trained, who are already working in bars, hotels and pubs.
"We take care of finding places for our graduates to practice, and we also work with them. This year 30 people have already registered for the training program. We are focused on professionalizing the Bartender Career so that our graduates have an extra tool to acquire work proficiency in the tourism and entertainment industry. The challenge for the coming years is to get younger people to participate in this initiative, and that it be considered a social program supported by the state,? says Chistophe Beau, commercial manager of Diageo Chile.
The training program, which starts on July 14 and lasts 4 months, enables students to study English and learn about cocktails preparation and serving, customer service and conflict handling, hygiene and food manipulation; and they are specially instructed in the responsible intake of alcohol.
Unlike last year, INCAP Training has prepared a curricular mesh so that students can take courses on enology, drinks preparation and presentation, and techniques on how to handle bottles in a bar. Another difference with respect to last year is that the exigency level in English was raised. The requisites to have access to this training program include: being an unemployed young adult with limited economic resources and have the fourth secondary school year completed.
"This initiative give students the opportunity to improve their quality of life and have better opportunities in the job market,? says Hernán Larraín, commercial manager of INACAP Training.
INACAP, the Technological University of Chile, is a well-known Technical Training Organism (OTEC) that uses the benefits offered by the Chilean State to promote formation programs, with funds that come from 1% deductible from company taxes.
The Chilean Republic has become a main protagonist in the generation of social changes. This is achieved through encouraging the development and acquisition of new knowledge, in order to improve the quality of life.
by Martin Field Lunch was at Bilson?s in Sydney. Foster?s Group winemakers were hosting a roadshow for winewriters from all over. I?d asked for the vegetarian option at lunch and was dreading a glutinous risotto or an over-oreganoed, limp-wristed pasta. Should have trusted Bilson?s reputation, the chef presented as a main, one of their entrée items: Fricassee of Wild Mushrooms with Truffle and Poached Egg. Picture: a beautiful platescape of a perfectly poached egg surrounded by sautéed Shimeji mushrooms, King Brown mushrooms, chanterelles, oyster mushrooms, fresh black truffles. Anointing the egg is a ?salt? of marinated chanterelles, thinly sliced King Brown, black truffle slices and cepes. The accompanying sauce contains cepes, chanterelles and King Browns. Crowning the dish is a tiara of latte-hued foam made with madeira and mushroom cream. Not as complicated as it sounds but as delicious a course as ever I?ve been served. Went down very well with a goblet of Castello di Gabbiano Chianti Classico 2006.
Next up for Halloween Week here at BWR, a creepy cocktail... Given the sobriquet "Corpse Reviver", I'd suggest this as a fun apéritif for your Halloween party this year.
While looking around for more information on cocktails, I stumbled upon the excellent blog Oh Gosh! written by Jay in England. Since I lean more towards the classics I liked the sound of the Corpse Reviver #2 from the 1930 edition of The Savoy Cocktail Book by Harry Craddock.
The drink is equal parts gin, Lillet Blanc, Cointreau, and lemon juice (fresh squeezed only, please), with just a dash of pastis, absinthe, or other anise-flavored liqueur. Shake with ice and strain into a cocktail glass, garnish with a cherry if desired. It's meant as a restorative breakfast beverage, but in my opinion is much better as a refreshing afternoon cocktail. I'm just not a fan of drinking before the mail arrives. The flavors balance out well with each other, and the touch of pastis adds a sophisticated element to the drink.
Keep this in mind for next summer as a good "grown up lemonade", which reminds me of something my friend Paul and I used to make back in our novice drinking days. We'd combine generic artificial lemonade, 7-up, and vodka. We called it Limonov Sevenupski and in retrospect it was syrupy sweet, but that helped cover up the flavor of the sometimes prison-grade vodka used. (There was one called McPherson's or something that was made in Missouri and sold for about $15 a gallon.)
On a similar note, my high school physics teacher had a previous career as a C-130 pilot for the Navy. He used to fly supply missions to Antarctic science stations, and he taught us about a cocktail enjoyed down there that he called Absolute Zero. The recipe involved stealing pure grain alcohol from the lab and adding crystallized orange juice concentrate to make the Devil's own screwdriver. As he told the group of 11th graders, "You could get drunk off the fumes alone."
I grabbed this for $9 as it was a "Best Buy" in one of my wine mags. It is light garnet in color with fruity, nice bouquet of black cherry.
Palate--Lt. bodied with initial spice, licorice, some wood and a smoke finish. Sounds better than it really is. I didn't care for it as an example of Syrah. It's okay but if you want Syrah, be willing to pay about twice what I paid for this. Check out Santa Barbara Syrah's for nice drinking and raise a glass.
My parents' 25th anniversary is next week, and I thought it would be nice to give them a bottle of a 1983 vintage to mark the occasion. I've managed to find some online in my price range (less than $100), but I don't know what's aged well and what hasn't. There seems to be a lot of ports out there, but my parents aren't really into dessert wines. They aren't wine snobs by any means (my mom likes Yellow Tail, bleccchh), but I want to get them something that doesn't taste like vinegar.
This Aussie (McClaren Vale) is an unexpected blend of Cabernet Sauvignon, Petite Verdot and Merlot presenting with a dark cherry pigmentation with bright red fruit aromas.
Steely palate with good structure, red fruit and a juicy core that is easy to drink and just a nice, fruity wine that is well made. I noted "Buy more" and $10, why not?
Chateau Petrogasm’s resident beer nut and co-founder, Andrew Stuart, will occasionally be posting reviews of beers both domestic and foreign. We encourage all fans of beer and of Chateau Petrogasm to do the same. A note on the review: Dogfish Head’s 90 Minute I.P.A. has been hailed as perhaps one of the best I.P.A.’s being made in the United States. Brewmaster Sam Caglione is also considered to be one of the most talented and influential Microbrewers working in the beer industry today. I would love to hear feedback on this review, particularly whether or not you find it to be a positive or negative review, and your own thoughts on this beer.
Usually when people give a bottle of wine as a gift, it’s in one of those pricier velvet-style gift bags that get lost before it can get reused, or those metallic ones. The folks at Random House are offering a new, unique alternative and, best of all, if won’t break the bank.
These Wine Lovers Gift Tags run $13 for a pack of 50, and come in various shapes and sizes and even include the ribbon for tying it to the wine bottle. They might just add a little bit of humorous conversation to the next party to boot.
As the summer turns up the heat and the sounds of BBQs, street festivals and music, sweet music waft through the air, the chiming of Mojito glasses can be heard. To celebrate this classic drink, Tidings has commissioned two recipes...
This is another dry red wine from the sunny ?emovsko valley near Podgorica, Montenegro. We’ve covered a few wines from the Planta?e winery in the past and this is probably the poorest of their wines, without much character. Enjoyable only with a meal.
The difference in perception of this wine and the Dulka Cabernet we just covered is quite huge - the wine makers from Fru?ka Gora do seem to know how to add some magic to their wines and add a special touch to it (OK, it costs twice as much, but is well worth it!).
Score: 5/10 Price: 240 RSD (?3) Retailer: Widely available in Serbia and Montenegro
by Martin Field The chief boffin in our R&D department is about to patent a design for an electronic menu. Basically, the E-menu (as she likes to call it) is designed to increase efficiency of ordering, to provide detailed information to diners, to minimise the unwanted attention of pushy waiters and sommeliers and thereby to reduce the number of floor staff. There are obvious cost savings related to this latter aim. The wi-fi menu can be permanently installed in dining tables, one at each setting or, as a less expensive alternative, can take the form of a menu folder to be handed out to individual guests.
Sainsburys Taste the Difference Sancerre 2004 £8.54 has a round, fruity, open nose with a touch of minerality and a clean freshness. The good, underlying fruit with its tantalising honeycomb edges was somewhat hidden by the very high acidity on the palate. So I thought perhaps what it needed was some cheese to round it out...
First up Organic Wensleydale. This crumbly white is more texture than flavour but did fill out the wine and brought forward the fruit -peachy aromatics. The lightness of the almost cottage cheese texture really complemented the delicacy of the wine. There was a hint of a salty tang too.
Then Woolsery, http://www.woolserycheese.co.uk , this is a medium hard goat's cheese from Dorset and is so tasty. It was the best in combination with the wine too. The slightly salty creaminess perfectly cut the acidity of the wine down to size. The cheese had a decent level of acidity to it as well. It was grassy and had a goaty note but was not overly pungent. Great stuff.
Next up Vintage Gouda, the label didn't give a year or age though - perhaps this is cheese parlance that someone can enlightenment me about? This had a wonderful flavour, nutty, earthy, hay aromas, very fruity in fact. It is a dense and creamy cheese which cancelled out the acidity in the wine altogether and made it seem almost flabby! Not quite right together.
Finally Doux de Montagne, very like a Spanish Manchego with its subtle flavour and rubbery texture. It tasted slightly soured too but in a good way. The wine overwhelmed this cheese though and it had very little impact when tasted together.