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Was this my first chef d'oeuvre? Not sure. But it was my most prescient, there's no question. See, this is what I did: I looked, I listened, I drew my own conclusions. Mark you, I'd never been to Montalcino, but Italy is really the same all over, no matter what they like to believe up north. Here's what I want to know. If little ole me could figure out what was going on in Brunellolandia,...
I like writing about imports but it always frustrates me how limited they are (in terms of availability) and generally how expensive. As a reviewer it can feel like I’m spending a lot of time writing for a very, very small number of people. When a box of affordable imports from Australian retailer Vintage Cellars came in though I jumped at it; this is more like it. Vintage Cellars has put a lot of time and energy into its quaffable import range in recent years and it shows. These wines are generally good, available and not expensive. Tasting through them was like a quick trip around the world. There are a couple of real bargains here.
If you need to educate yourself on the finer qualities of our fermented friend, check out this Wine Guide Video. You will discover all you need to know about foreign wine.
Speaking of "Fermented Friends", don't say I didn't warn you!
One of Oregon's better-known Pinot Gris producers, Ponzi Vineyards, will be hosting a wine event this Sunday, July 13 2008. Between 5:00 and 9:00 PM, Ponzi is offering wine, music and bocci ball --- that oh-so neglected game from our Italiano ancestral roots. The event takes place at Ponzi Vineyards' main estate lawn. There is no need to RSVP, but they ask that you leave any dogs at home, so there aren't any landmines left for the bocci players!
What with the Summer Games currently placing China and its regional cuisines in the limelight in terms of reflecting nearly a continent?s worth of complex, multi-ethnic influences, we should also consider other similarly impressive culinary miracles that geographically take up an infinitesimally tiny fraction the size of China?say Slovenia. In my understanding at least, Slovenia has always represented a fascinating crossroads within an impossibly modest amount of land. Many diverse and even warring influences have laced Slovene customs, viticulture and cuisine. Somehow though, like a cultural or culinary manifestation of the metaphysical concept in J.L. Borges? The Aleph, individual influences never amass into an incomprehensible amalgamation, but rather, remain clearly discernible.
Whether in its fairly recent history as a sovereign republic, under communism or seemingly serving as the geopolitical puck between Napoleon and the Habsburgs? shuffleboard match, Slovenia?s former overlords and neighbors include decidedly unique food cultures?Croats, Istrian Italians, Hungarians and Austrians, among others. Bearing all of this in mind and turning our thoughts to the central concern here on Enotheque, I would like to recommend this wine from the Gori?ka Brda region. Aside from being one of the wines I?ve been enjoying recently, I chose to post on it because I strongly feel that it?s indicative of the impressive quality-value dynamic that importers and retailers could benefit from should markets seem more receptive to the artisan wines of Slovenia.
Even if one is already familiar with the Colli Orientali of Friuli?sRibolla Gialla, the Slovene version, Rebula, is more than worth trying. As a whole, Slovenia and the Gori?ka Brda produce white wines of impressive caliber, be it from more distinctly regional varieties or others introduced from abroad: Briski Tokaji, Teran, Chardonnay, Sauvignon Blanc, Sivi Pinot, Pinela, or Rebula for that matter. In terms of this one, vintner Matjaz Cetrtic farms Rebula on wide, terraced limestone vineyards, purposefully limiting yields to ensure lush, concentrated and nuanced wines. My notes follow for the 2004 Matjaz Cetrtic Ferdinand Rebula Brda:
Tasting Notes?
Appearance-wise, this wine is medium gold. The nose is clean and of medium intensity, with highly unusual though pleasantly different aromas of caramelized or burnt orange peel, citrus, flowers and minerals. Strange, delightful palate with just enough lemon acidity, hint of underripe green fruit flavors, minerality in the form of pebbles, as well as the aforementioned burnt orange peel flavor that leads into a nice finish. If in search of something wildly, completely different, I wouldn?t doubt to reach for more Slovene wines such as this Cetrtic Rebula.
As a closing note, should the unbelievable degree of complexity in tiny Slovenia?s food and wine heritages impress you and compel you towards further learning, visit the culinary section of what appears to be their official tourism portal on the web.
Yesterday, at an event for the local farmers and winemakers, there were a few Texas wines at the tables. One particularly appealed, insofar as it corresponded with what I have been thinking about in terms of what American terroir is.
First the wine. Cabernet Sauvignon from the High Plains of the Texas Panhandle. High acid. Very High. Almost to the point of being volatile. Naturally. Tender tannins. Harry Waugh of Latour would have loooved it. A creamy, almost uncanny, balance. I talked to the winemaker about the wine and related an earlier tasting of grapes from the same vineyard, but made by a different winemaker. The earlier wine had been taken through Reverse Osmosis almost to the point of stripping certain fleshy parts of the wine out, making the acidity factor even more stark. The earlier winemaker told me he had done that (R.O.) because the wine naturally had this aspect of what some folks would recognize as volatile acidity and he tried to ?work it out.? It didn?t work for him and in the process he removed some of the buttresses that held the wine up, resulting in a wine that tasted as if it had had plastic surgery that had gone bad. Fortunately the second winemaker knew what the characteristic of the vineyard was and didn?t fight it, but rather let nature be. I don?t even like Cabernet for the most part, but this was a lovely drink.
Which is a very long introduction to something I have been talking about to wine folks across the country lately. This idea of American terroir.
It started with thoughts about California terroir (where I lived for half my life, growing up there) and feeling something in my environment before I knew the terms. In those many trips from Southern to Northern California going back to school and stopping in Templeton or Paso Robles, Gilroy or the many little vineyard plots along the way, I would taste a Zinfandel or a Charbono and note something that seemed oddly familiar. Something I couldn?t quite pinpoint. But it was concrete. Real.
I know there are critics who think "California wine" is big and bold and ripe and, well, immense. And other than those creeping levels of alcohol, I really am having a hard time understanding what their frame of reference is. Certainly not from growing up drinking the wines of Italy. Or France. Or Virginia, for that matter.
Yesterday, I also went into a natural foods café and ordered a glass of carrot and celery juice. As I was drinking it, I was really enjoying the earthiness of the carrots, the nervous edge of the celery. It was a perfect drink, and it had tons of terroir from the organically grown produce. A chap behind the counter said I should try it next time with a little apple juice. As I was walking outside in what seemed like a perfect California day (in Texas) I thought to myself, ?That would make it fruity.? I didn?t want more fruit. I enjoyed the balance of the fruit with the muddiness of the carrots and the salty-spicy green quality of the celery. It didn?t need to be manipulated with sugar from the apples to make it more pleasurable.
Take a handsome woman. Or man. Lets say someone from Croatia. Or Louisiana. In their natural state, some of us prefer that to a more enhanced look. Some like breasts that aren?t enormously out of proportion. Or lips that don?t look like that got into a fight with Sugar Ray Leonard. Muscles that look healthy, but not menacing. Many of us like wine like that.
A few weeks ago, while in the Maremma, I tasted fresh Merlot grape juice before it started fermenting. It was direct, fresh. The fruit was there but it wasn?t hulky. Maybe that it was pre-oak, pre-malolactic and pre-spinning cones, that attracted me to the promise of the wine to come. Just like the carrot-celery juice. It was standing there in front of you, pure and natural. Senza manovra.
I think California gets a bad rap. From folks who think they know what California wine is. And from winemakers who have mistaken their winemaking hats with their deity hats. I know when I talk to some of my winemaker friends like Robert Pellegrini, how they seethe when people try to reinvent "California wine", as if with one swipe of the sword it can all be commandeered. In the meantime, folks like him have their wines downgraded by the critics in favor of more voluptuous wines with a hedonistic bent. Pave paradise to put up a parking lot. And a tram.
I hear you, Bob. I too, remember the promise of California. And that seems to be a forgotten promise in today?s menagerie of players along the coast, from the numb and number corporate-crunching wine machines to the post-mid-life crisis wine lifestyle gazillionares.
Last February I went up to Stony Hill at the invitation of Peter McCrea. It was the Napa of my childhood, still as I remembered it in the beginning. The wines were a pleasant 12 ½%. There was no overpowering weight of wood. Acidity was healthy, bracing. The taste of the earth was present. That is how I see terroir in America.
And as America seems to be at a turning point, wouldn?t it be a great time for all of us to put down our preconceptions about what we think California wine is, or should be, and just ?let the sunshine in??
Wine & Spirits Magazine recently announced its Top 100 wineries in the world, and that included the first New York state winery to ever make this prestigious list ? a list that has an amazing 22-year history.
Fox Run Vineyards on Seneca Lake will be featured with the others on the list in the November issue of Wine & Spirits.
Congratulations to Scott Osborn at the entrie crew over at Fox Run on this monumental achievment!
As much as I love books and in particular books on wine, it is apparent I have too many of them. At last count there was over 70. Most have been idle and untouched for years, collecting dust and musty smells. Recently, I gathered the least loved, mainly the ones full of tasting notes and numbers (perhaps that is a lesson for writers of wine blogs too) and visited several second book merchants. I had low expectations which proved excessive. I had thought someone would at least offer $10 for my twenty books. In the end, no one was interested, the purveyors of trashy second hand novels said my books on wine were worthless. . . Of course this unsupported secondary market means that occasionally treasures at bargain prices can be found. In the image above (which are some of the books I kept), there are two such finds. A first edition of the World Atlas of Wine set me back 50 cents (Church fair in the rural town of Albany) and George Saintsbury's classic book was only two dollars.
For those interested in old wine books, in particular books full of tasting notes and numbers, I'd suggest visiting your local Good Samaritan store, I've heard that some new stock has just arrived.
First Press - the UK wine trade’s first fully-interactive Ezine, has just launched featuring an interview with JancisRobinson. First Press has been produced by Nicky Burston of World Wine Agencies. It has a lifestyle look and feel and is easy to download, or email directly to friends. Issue 1 of this new quarterly features wine celebrity interviews and podcasts, up-and-coming news and events and includes a prize draw for tickets to Old Trafford.
A combination cited as a classic food and wine combination is Munster cheese with Gewürztraminer. But how many people sit down to a meal of just cheese? What I'm after is a main meal dish.
Ruling out Gewurz with Chinese or Thai dishes (a combination I've never found remotely enjoyable) a recipe sent with a bottle of Espiritu de Chile Gewürztraminer sounded at once interesting, autumnal and tasty.
The wine itself is not hugely expensive (around a fiver) but works well as a mid-week slurp and did work deliciously well with the food - a Thai-Spiced Chicken Salad.
Review0.3 Wine Tasting Note: Espiritu de Chile Gewürztraminer, 2007, Central Valley, Chile. Price: £4.99 [More: Adegga / Snooth]
A pleasant nose - hints of violets, limes and roses with similar flavours on the palate only more focused and noticeable. Hints of sweetness balance the wine but this is not a full in-yer-face Gewurz some can verge on the soapy, almost violent in intensity and spicy sweetness. This does have a little of the rose and ginger coupled with a suspicion of strawberries but, as expected for a humbly priced wine, is quite gentle and more subtle.
With the food: Despite the generous dollop of Thai Chili Paste the salad is not overly spicy (in the heat-hot spectrum) it still has a decent level of background heat but not enough to dampen the taste buds and, in turn, ruin the wine. Pear and apple flavours appear in the wine leading to the question should the dish have a little sliced pear added for additional autumnal flavours (not terribly Thai I suppose. Mind you is Savoy cabbage?)
Andrew BarrowScribblings Rating - 86/100 [3.25 out of 5]
Duck pâté and Foie Gras (although I find this too rich a combination, especially if the wine is of the sweeter style) do work well with Gewurztraminer.
This weekend, we built a wine rack. When we first moved to Terrassa almost 3 years ago, we were regularly lacking in wine as a result of less income, less samples and less travel. Consequently, we never had a formal wine rack. But when you change any one of these factors, you end up with a lot more wine. Now imagine if you changed all three like we have?! We not only needed to figure out where to store it all, but also how to inventory it. I still have most of my cellar in Cellartracker, though I quit putting in my tasting notes. I like Snooth and Adegga as well, but they both need better cellar management for me to move to them exclusively. Since this past weekend we created the wine rack, maybe next weekend we’ll inventory the wine. Let’s see what happens.
As for building the wine rack, it actually turned out to be much easier than we expected. Odd note though: untreated, uncut, plain wood costs more than planed, beveled whole sheets of wood here in Terrassa. So instead of needing to sand and polish it, we simply bought nice sheets of solid, shelving wood and then cut it to fit. Yet, we still need another. So later today, I’m off to buy some more wood for wine rack number two!
Enough about housing. Next Monday, we’re off to judge wine blogs! It feels a bit odd to mention, after we realized at the EWBC that judging a wine blog is quite subjective once you get past the aggregators and plagiarizers. Once into the meat of the blogging world, where the hard work and effort is being spent, judging wine blogs is a bit of a silly endeavor. What’s good for you is not always what’s good for me. But none the less, we’ve been asked to judge Spanish and Catalan wine blogs this coming week in Reus, Spain, a short train ride from where we live. The grand prize is 3,000 euros, which seems a bit excessive and makes me wonder if we’ll see a lot of blogs that were “recently” launched. Oh well, anything to promote more social media in the Spanish wine world can’t be all that bad. We’ll keep you informed. DO Catalunya is hosting it, and while their website is a nightmare to look at, let’s hope this initiative leads to some good ideas.
In other news, we still want to talk to you about the wines we tasted at the EWBC2008; however, it may take some time. At the end of this month, we’ll be retasting several of the wines with an American Importer who will be staying with us for a few days. But remember, for our Keynote tasting, our intention was to select wines that we had either tasted before or that we respected. And on the night of the event, I tasted through the wines a few times; and while they all showed well, I didn’t take the time to write notes or analyze the wines. So this past Friday, I did analyze one of these wines, and I’m sad to say, it just pissed me off more than anything else. Dominio DosTares Leione 2005 - Prieto Picudo, is a wine that I have loved in the past. Now, maybe it’s as a result of the vintage, or maybe I’m drinking this too young since it does still have some stuffing to it, but I’m sorry, Oak is not a Fruit! This wine has so much going for it with the funky fruit notes and exotic touches of spice, but over it all sits a river of vanilla, syrup and sweet oak. I have a few bottles left to celler and taste again in the future, but even after 3 days being open, the wine is still bugging me. Note to Spain(rather wine makers everywhere): OAK is NOT a FRUIT. Just to be clear here are the aging and oak stats from the Dostares website (a well done website, that deserves mention!):
Pre-fermentation maceration: 3 days at 12ºC Alcoholic Fermentation: Duration: 12 days Temperature: 27ºC Malolactic Fermentation: in French, American and Hungarian oak
Ageing process in barrel: Capacity: 225 litres Age of barrel: New & second-fill. Type of oak: French, Hungarian and American Toasting level: Medium and medium+ Ageing time: 9 months
What stuns me is that I assumed this wine saw 100% new oak, and as you can see it is not. Now for contrast, we were just in Miguel Merino’s winery, who is using 100% new oak, (mixed barrels, American Staves, and French tops and bottoms). That is a lot of new wood, and a lot of American wood influence and yet his wines are perfumey, full of terroir and complex fruit, without the sickening vanilla oak sheen.
Too many factors go into winemaking to pinpoint anything specific as the problem, but in the end, 100% new oak is not always a bad thing, despite the bad reputation people give it. If you hear anyone ever say 100% new oak is evil, well tell ‘em to shove off, or at least explain what wine they are talking about. Sometimes they are right, sometimes their not, Almond Joy’s gots nutz, Mounds don’t…sorry…
Other than that, the weather here is starting to chill down a bit, which is nice and sad at the same time. I unfortunately, have not had enough sherry this year. Too busy? Not sure why that is an excuse, but it is somewhat true. Therefore, I’m making up for it with a steady intake of Osborne’s Fino Quinta and a new cheap Manzanilla I picked up a couple of days ago that is quite nice, Bodegas Barbadillo’s Muyfina. Full of honey notes, and light nuttiness, I really have to say this is a treat, and pairs great with a late afternoon siesta!
Christina Rowan of Washington DC thought quickly and calmly when a gunman crashed a backyard barbecue and held a gun to a 14-year-old girl's head. Moments later, the gunman left with a glass of wine and a smile. Read the whole story.
The French wine appellation of Gigondas tends to get overshadowed by its flashy and better-known cousin, Chateauneuf du Pape. However, the smooth red wines of this Rhone Valley region have a charm and complexity all of their own. Like Chateauneuf, they are made with primarily Grenache grapes, but the similarity ends there as James Molesworth of "Wine Spectator" magazine illustrates in the video below:
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Whether you always agree with him or not, there's little denying that Robert Parker, Jr. has had a tremendous influence on wine buying. The author and publisher of "The Wine Advocate" for over 25 years has won countless awards, including being appointed a "Chevalier dans l'Ordre de la Legion d'Honneur" in France. He created the now widely-used 100-point wine ranking system and has written extensively about wine industries around the world.
Parker's latest work is the exhaustive "Parker's Wine Buyer's Guide," a 1536-page catalog of the world's great, good, and average wines and comes out on October 7. Far from being dry and laborious, this tome is easy-to-read with lots of maps and regional wine information interspersed with winery and individual wine ratings and prices.
"Parker's Wine Buyer's Guide" is being publishing in trade softcover, in hardcover, and as an e-book simultaneously. Shipping is an issue with a book this large, so the $24.99 ebook is a smart option. The softcover is currently $23 with Amazon.com and you can get free shipping with them for orders over $25. This book would make a good gift for anyone who enjoys wines and/or traveling throughout the world's wine regions.
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The growing sense of optimism over the 2008 vintage in Oregon has spilled over the edge of the fermenter into outright excitement. Veteran winemakers throughout the Willamette Valley are letting their enthusiasm for this vintage show now that almost all their fruit is harvested. Here are some comments on the 2008 vintage from some of Oregon’s most important winemakers.
Brian O’Donnell owner and winemaker of the one of Oregon’s finest estates Belle Pente describes 2008 this way, “In terms of my impression of the harvest, I’m really excited! We brought in 10 tons October 1st that is now done, and these are some of the most delicious young wines I’ve ever tasted! The chemistry on the stuff we picked later is a little bizarre, but with a few tweaks it should be fine….we’re planning to let fermentation run a little hotter than normal and do longer than normal post-fermentation maceration to try and “burn” some of the obvious fruitiness out of the wines to let the site characteristics show thru better. But frankly, I think we’ve got a tiger by the tail, and she’s wild and sassy and will take a lot of good (and lucky) winemaking decisions to get the best out of her.”
Few growers and winemakers have the depth of experience possessed by David Adelsheim one of the true founders and pioneers of the Oregon wine industry. About this vintage he comments, “Another weird year. Three weeks late, rain in July and August, and still we saw the beginnings of drought stress in some sites. We starting picking on Sep 29th and finished this past week on Oct 18th. A third of our Pinot noir was picked by Oct 3rd; during the next 10 days (which were damp) we picked only a few lots of white grapes; everything else was picked in the final six hectic days. And the quality is looking pretty grand. It will need to be – our crop levels were off by 30% compared to 2007”
Jerry Murray winemaker and vineyard manager of highly regarded Patton Valley Vineyards says of 2008, “The harvest has looked great. We pulled in the last of our fruit yesterday. Considering the way the season started out, late bud break and all, mother nature has given us exactly what we needed to not just to avoid a disaster but to really ripen fruit in a way that should make some amazing wines, true pinot. The chemistry of the grapes has been just about perfect, great acidity, moderate alcohol, great color and phenolic development. As a winemaker you hope for this sort of vintage every year but I would be surprised if you get more than a handful in a lifetime. All that is left is to see the quality through to bottle. It is very exciting.”
Top: Vines at the Belle Pente estate vineyard change color. Below: Harvest in Tony Soter’s Mineral Springs Vineyard
…OUT? You’ve got to be OUT of your goddamn mind. Every Tuesday, I write a post for the Seattle Weekly entitled, “Ask The Bartender.” Apparently, I struck a nerve with this post: Ask The Bartender….Out? (Cringe) from Voracious, the Seattle Weekly food blog Those nerves apparently belong to some really over-sensitive men and the 5 female bartenders in [...]
Instead of traversing the familiar terrain of regions or grape varieties, I forge a new path by plotting a seasonal arc for wine consumption. This ties in to the way that I enjoy wine, by emphasizing the context of how, where, when (and with what and with whom) we drink wines, as well as linking to the trend of seasonal cooking that is so prevalent today among professional chefs and home cooks. I’m glad that this theme resonated with so many of you in our previous discussion.
The book has short essays and hundreds of wine recommendations across the twelve months of the year. There should be something for wine lovers of all levels, newbie to full-on wine geek. There’s also some information for all seasons about wine style, wine service and how to actually find good wines near you. And twelve wine travel sections help you even change your context for maximum wine enjoyment.
Alex Eben Meyer contributed the great illustrations. Check out his excellent portfolio at his site!
And a total of thirteen sommeliers lent their thoughts to the volume. They include: Richard Betts (The Little Nell, Aspen, CO); Shayn Bjornholm MS (Washington Wine Commission); Thomas Carter (Blue Hill Stone Barns, Pocantico Hills, NY); Belinda Chang (The Modern, NYC); Christie Dufault (Quince, SF); Erik Liedholm (Seastar, Seattle); Rajat Parr (Michael Mina Group, SF); Shelley Lindgren (A16 restaurant, SF); Roger Morlock (Park Avenue Seasons, NY); Virginia Philip, MS (The Breakers, Palm Beach); Tysan Pierce (The Herbfarm, Woodinville, WA); Juliette Pope (Gramercy Tavern, NYC).
So check out the book’s page over at Amazon (or Barnes and Noble or Powell’s if you prefer) and see what Kermit Lynch, Eric Arnold, David Lynch, and Bobby Abreu had to say on the back cover. Or ask for the hardcover at your local bookstore and check it out in print. And if you do get it, let us know what you think of it here!
A big, full-bodied, expansively-flavored, traditionally made Gigondas is a blend of 60% Grenache, 20% Syrah, 10% Cinsault, and 10% Mourvedre. Abundant herbes of Provence, heady, peppery notes are accompanied by sweet kirsch liqueur, plum, and fig characteristics. Dense, medium-bodied, and ripe. Nice, pure, plum-cherry finish.
Based at the foot of the Dentelles de Montmirail , its vines rising up the south west facing slopes, the Domaine des Bosquets encompasses 26 hectares at the heart of the appellation of Gigondas. This is one of the wines produced by the Brechet family
Score: 9/10 Price: ?18 Retailer: Somewhere in Marseille
Tecnorati
Yesterday, at an event for the local farmers and winemakers, there were a few Texas wines at the tables. One particularly appealed, insofar as it corresponded with what I have been thinking about in terms of what American terroir is.
It started with thoughts about California terroir (where I lived for half my life, growing up there) and feeling something in my environment before I knew the terms. In those many trips from Southern to Northern California going back to school and stopping in Templeton or Paso Robles, Gilroy or the many little vineyard plots along the way, I would taste a Zinfandel or a Charbono and note something that seemed oddly familiar. Something I couldn?t quite pinpoint. But it was concrete. Real.
I know there are critics who think "California wine" is big and bold and ripe and, well, immense. And other than those creeping levels of alcohol, I really am having a hard time understanding what their frame of reference is. Certainly not from growing up drinking the wines of Italy. Or France. Or Virginia, for that matter.
Yesterday, I also went into a natural foods café and ordered a glass of carrot and celery juice. As I was drinking it, I was really enjoying the earthiness of the carrots, the nervous edge of the celery. It was a perfect drink, and it had tons of terroir from the organically grown produce. A chap behind the counter said I should try it next time with a little apple juice. As I was walking outside in what seemed like a perfect California day (in Texas) I thought to myself, ?That would make it fruity.? I didn?t want more fruit. I enjoyed the balance of the fruit with the muddiness of the carrots and the salty-spicy green quality of the celery. It didn?t need to be manipulated with sugar from the apples to make it more pleasurable.
Take a handsome woman. Or man. Lets say someone from Croatia. Or Louisiana. In their natural state, some of us prefer that to a more enhanced look. Some like breasts that aren?t enormously out of proportion. Or lips that don?t look like that got into a fight with Sugar Ray Leonard. Muscles that look healthy, but not menacing. Many of us like wine like that.
I think California gets a bad rap. From folks who think they know what California wine is. And from winemakers who have mistaken their winemaking hats with their deity hats. I know when I talk to some of my winemaker friends like Robert Pellegrini, how they seethe when people try to reinvent "California wine", as if with one swipe of the sword it can all be commandeered. In the meantime, folks like him have their wines downgraded by the critics in favor of more voluptuous wines with a hedonistic bent. Pave paradise to put up a parking lot. And a tram.
I hear you, Bob. I too, remember the promise of California. And that seems to be a forgotten promise in today?s menagerie of players along the coast, from the numb and number corporate-crunching wine machines to the post-mid-life crisis wine lifestyle gazillionares.
And as America seems to be at a turning point, wouldn?t it be a great time for all of us to put down our preconceptions about what we think California wine is, or should be, and just ?let the sunshine in??
A big, full-bodied, expansively-flavored, traditionally made Gigondas is a blend of 60% Grenache, 20% Syrah, 10% Cinsault, and 10% Mourvedre. Abundant herbes of Provence, heady, peppery notes are accompanied by sweet kirsch liqueur, plum, and fig characteristics. Dense, medium-bodied, and ripe. Nice, pure, plum-cherry finish.