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Just in time for Christmas, Sainsburys and Secret Sommelier have teamed up to produce a case of 12 Bordeaux with an accompanying podcast by Christopher Burr MW and Ewan Lacey.
Bordeaux, I think, can be the region most in need of explanation to the uninitiated, as its charms occasionally need to be coaxed out. In this world of immediacy, these wines lag behind in the crowd-pleasing stakes, especially when you venture down from the top drawer. But given a lead from someone knowledgeable, I think - unlike some wines which initially please but become repetitive and dull - they can become friends for life.
It would make a great present for someone and is a useful tool for a group of friends who don't go to a wine club but want to have fun with it at home.
Good for Sainsburys to seize the initiative and find quite an innovative approach to wine tasting. But why is the podcast an audio recording not a dvd? I haven't heard it yet but I would have thought there was quite a lot of opportunity for visuals here.
To make it even more appealing, they have included a prize draw to win a trip for two to the Bordeaux Wine School. That would be quite a fun trip, I imagine.
The case can be bought at www.sainsburys.co.uk/wine or buy the wines individually in-store. Many of these wines I have not tasted myself but I do know the "Taste the Difference" ones are very decent examples.
Often when you think of Napa and Sonoma, the big corporate winery showcases come to mind. Palatial wineries costing tens of millions of dollars surrounded by gardens that compete with Versailles and gourmet kitchens better equipped than three star Michelin restaurants. Yet some of California’s most exciting wines are not being made in such wine palaces.
Working in leased space, crammed in with other small producers sharing space and equipment, some young winemakers are making a dramatic new generation of California wines. Some of the most compelling wines I tasted during a visit to Sonoma last weekend were some bottlings of syrah produced by some low tech, but high passion winemakers. I say this is a new generation because these are not the huge raspberry fruit bomb syrahs with little varietal character you have come to expect from California. These are big wines, just as they should be, but layered in with all that fruit was real complexity as they exhibited that earthy, butcher shop character that defines the finest wines from this variety.
Morgon Peterson at Bedrock Wine Company is crafting some of the most fascinating American wines I’ve tasted in some time. He’s making a tremendous range of single vineyard syrahs and a dramatic sauvignon blanc/semillon blend. Neighbor Phillip Staehle is making some compelling wines under the Enkidu label. His Odyssey Russian River Syrah is proof positive that the best syrah is made in cooler climates than conventional wisdom has called for in the past.
In the picture above, Peterson presses wines using a muscle powered basket press. Yes, he really makes wine that way. There’s a growing group of young winemakers in California who are well educated not only on winemaking science, but on the traditions that made European wines the standard for greatness in the past. They are on the cutting edge of California winemaking not because of their use of the latest technologies, but by their return to the methods of the past. They are making textured, complex wines that don’t bury the characteristics of the variety under excess and manipulations, but that proudly and clearly show their California personality. For me, these wines were nothing short of exciting. As you might expect, very little wine is produced at wineries such as these. I’d suggest you get on the mailing list now.
Have an amazing evening and above all - drink some great wine and champagne!
2008 promises to be an exciting year for The Cru so stay tuned!
To begin with I will be releasing a new look Cru in the next two weeks - it's going to a lot easy to navigate around and hopefully it will make finding your favourite South African wine that much easier and more enjoyable!
Until then have a great evening and enjoy the chosen Pouza!
Rich and juicy, with a vibrant structure etching the peach and nectarine notes in relief. There's a nice mouthwatering finish, with a touch of mineral. Drink now through 2017. 2,000 cases made.
Prince Edward County (PEC), the most-talked about new wine region in Ontario, may be scoffed at as being too intemperate for vines to survive there, but wineries like Norm Hardie, the Grange, Rosehall Run and Long Dog are changing the...
I am on my way to visit the vineyards of Thailand. I have already learned about some of the many challenges they face, but now I will learn how they are overcoming them.
Growing grapes in the tropics takes a different approach than in the temperate climes. Vines do not get a chance to achieve dormancy, they grow vigorously all year round. This leads to the "Two Seasons, one Crop" approach, which means that there is only one harvest, even though there could conceivably be two. This increases the quality of the grapes, since the vine does not have to produce fruit twice.
Then there is the rain. This is a monsoon climate, and when it rains, it pours, for months. Wet leaves rot and this would not at all be a suitable time for producing fruit beneath a leafy canopy. And so, harvest takes place in the winter. We are not below the Equator, so harvesting in February and March means growing during the dark months. This has a direct effect on the amount of photosynthesis the vines can achieve.
High water tables in at least one of the vineyards we have visited so far, necessitate rather drastic soil management. A moisture barrier has to be placed 15 feet down, and then stones, in this case slate, is used to fill in the hole, greatly increasing the drainage potential of the vineyards. This keeps the water from rising too far, while allowing surface rains and irrigation to trickle down, nourishing the roots.
Heat is also a major concern, not only in the vineyard, but in the winery. I have tried some wine that tastes as if it may have been made in conditions that were inappropriately hot, but herein lies the rub. Was the wine damaged during production, or transportation and storage?
No matter how careful the wine producers are, the transportation and storage conditions, or more properly, the lack of them, spells disaster for much of the wine. Restaurants and stores often have no refrigeration for the wines, and even if they did, the truck the wine was delivered in may well not.
The heat is also problematic for making wines which contain residual sugar. Those I have visited with blame the heat for restarting fermentation in the bottle, or in many cases the "bag in a box" bladder. I personally think that better sterile filtering practices could make such wines possible, but I will learn more as I visit more wineries in the next few days.
Why the emphasis on wines with RS? The food. Spicy chiles are not easy to pair with wine, and while many producers insist their dry reds go well with the foods, I can't help but point out that I prefer slightly sweet whites with spicy food.
With many thanks to the Thai Wine Association who have invited me to tour their member wineries, I am off to explore and learn about the Thai wine industry. A full report will be coming to a blog near you next week.
Vermentino was the outstandiong variety at the recent AAVWS. Six of the seven Vermentinos were awarded medals. See more about vermentino Vermentino was one of four white varieties which will shape the Australian wine industry over the next decade see my take on these varieties here.
Love is in the air this month. For those of you looking for a way to dress up your Valentine?s Day, consider the object of your affection ?the one with the sparkling personality? as your inspiration.
Accordingly, pop open the sparkling wines and celebrate.
If Valentine?s Day is not your thing, there are plenty of other reasons to celebrate with bubbly this month, from Presidents? Day to any other day of the week, which ends in ?y.? Why? Because sparkling wines add a touch of festivity to any occasion and they taste too good to wait for a special event. And, even though you may not have a fondness for this Hallmark holiday, you always have your love of wines to keep you warm.
Sparkling wines, of which Champagne is most well-known, capitalize on harnessing the CO2 created during the fermentation process to provide the fizz we all know and love. This capture takes place during a secondary fermentation, which is coupled with allowing the spent yeasts to remain in the bottle throughout the ageing period. The yeasts impart the bready/toasty aromas and flavors that are characteristic of sparkling wines.
There are several ways to make a wine sparkle, the simplest, cheapest and short-lived being the injection method (aka pompe bicyclette), which injects CO2 into the wine. These man-made bubbles tend to be large and coarse on the palate.
Conversely, the traditional method, based upon Methode Champagnoise, provides a longer-lasting, smaller bead, which has more finesse in its mouthfeel. These traits stem from the labor-intensive process which includes an initial blending of still wines (assemblage) that is then bottled and capped, along with a yeast and sugar mixture (tirage), to facilitate a secondary fermentation. The wines are then left to age on the spent yeasts for a period of time as set by the appellation (in Champagne, this is a minimum of 15 months for non-vintage wines, while Cavas are generally aged for 9 months).
The sediment left behind must then be carefully shifted from the base of the bottle to the neck in a process known as riddling. The bottles are gently tilted and turned throughout a period of several weeks, forcing the sediment down into the mouth of the bottle. The necks are then immersed into a cold, briny solution, thereby freezing the sediment. The caps are removed and the frozen sediment is thrust out of the bottle and discarded (disgorgement). The remaining wine is topped off with a blend of wine and sugar/must (liqueur d?expedition), which impacts the resulting dryness or sweetness of the finished sparkling wine. The final step is the insertion of the cork, which is much denser that those used for still wines given that sparkling wines can be under up to 6 atmospheres of pressure (be careful where you point that thing).
A similar process is used in the transfer method whereby the steps above remain the same with the exception that the sediment is removed in bulk and the wine is then filtered and bottled. Such wines will note that they have been fermented in the bottle, whereas the wines in the previous method are labeled as having been fermented in this bottle. An additional method involves the use of a tank in which the entire secondary fermentation, ageing and disgorgement takes place. While this is of course a much less expensive process than the other two, it is frequently used to produce wines that have a distinct freshness to them such as Astis from the Piedmont region in Italy.
The Champagne region in France has done a good job in marketing itself as a luxury product and this joined with increasing demand, limited supply and expensive processes has pushed up the price on these wines. Vintage sparklers (those produced entirely from grapes grown in a particularly great year) and prestige marquees (i.e. Crystal, Dom Perignon) command even higher prices. However, many sparkling wines from other regions in France (such as Burgundy and the Loire Valley) as well as well-made American, Italian (Asti and Prosecco), Germany (Sekt) and Spain (Cava) can offer the consumer a wonderful experience without the hefty price tag.
Celebrate Wine is pleased to be a part of a new wine-writing project called "Drink Local Wine." The site brings together wine journalists, sommeliers, bloggers, and other wine enthusiasts from 16 "non-west coast" states and Canada. The goal is to enforce the reality that North American wine is not just about California, Oregon, and Washington anymore.
At "Drink Local Wine," you'll find information about wines from Illinois, Maryland, Georgia, and Wisconsin...and, of course, my home state, Ohio. Be sure to take a look.
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Sitting in front of the computer preparing to sum up my experience at the European Wine Blogger Conference, I literally feel speechless. Are there words for my emotions, my feeling of warmth and excitement for what’s occurred, along with a touch of sadness and depression I’ve been feeling now that the conference is over? It’s like using an instant camera with the intention of capturing the breadth and beauty of the Grand Canyon. Unless you were there, feeling the hot canyon winds come across the 1,218,375 acres that dip down an average of 4,000 feet deep; smell the rich evergreen and sandalwood aromas in the air; or touch the blazing hot iron soils which kick up fine, red dust under your feet, pictures nor words can never fully describe your experience.
On one hand, I feel a warmth in my heart that has lasted for four days, and I expect it will last well into the future. To see 40+ people from all over the world come together and bond in literally, moments flat, was something we wish would happen among nations everyday. From Friday to Sunday, voices were always raised, bubbling with curiosity and excitement; because how often do you get to speak with someone who blogs in another language as to their perceptions, desires, hopes and fears about wine blogging? For me, not often enough. Instead, I am typically caught in a whirlpool of voices from my own culture, an incestuous conversation that circles around the same view point over and over again. But to have so many different ideas as to what wine blogging is, what we need to do to better our profession, how we can solve our problems, and where we can find solutions was beyond a breath of fresh air, was astonishing! And although we never came to any solid conclusions, we did solidify trust among us, breaking down both cultural and language barriers that hinder our communication to form a cohesive and passionate group willing to continue the conversation well into the future.
Just to give you an idea of the depth of conversation we were able to share, I had a great discussion during dinner on Saturday night with David Cray from Carleton University in Canada on how he can blog about his research on the structure and organization of wine bloggers, allowing us to see step-by-step what has worked and what hasn’t worked in his research. All six wine producers from Portugal, France, Germany and Italy chatted about how they are interested in both tasting and blogging about each others wines to emphasis the fact that even wineries drink other peoples wines. With Justine Keeling, a winery owner out of Tuscany, spoke of her genuine desire to have wineries speak honestly and openly about the daily experiences in the vineyards, rather than promoting only the positive events. Giampiero Nadali offered us some wonderful and innovative ideas on using hedonistic, rather than traditional, tasting notes. And Thomas Lippert offered up his insight on how wine bloggers can increase their credibility by separating themselves from spam and wine aggregators. Granted, this is only a tiny percent of the conversations that were dissected and debated, but it at least gives you a general notion of how receptive many people were in sharing their thoughts. We’ll be going into more detail in the coming days regarding many of these topics.
Oddly, despite these incredible feelings regarding the conference, I am also going through post conference depression (PCD). When I went to drop off our gigantic van filled to the hilt in leftover wine (no complaints, mind you), I literally broke down in tears in front of the Hertz attendant. Among a cloud of exhaustion and excitement, I felt an enormous sense of loss. I wanted my 40+ new friends back. I wanted to have the ability to call someone up and go out for a drink. I missed their kindness, their positive attitudes and the hours upon hours of belly aches I had from laughing nonstop. Look, I’m tearing up again!
I’ll stop before I get my cast wet, but please know that we couldn’t have done this without your belief in us and your willingness to come hundreds, if not thousands, of miles to La Rioja.
Saludos,
Gabriella Opaz
Here are a few pics from Ryan’s camera of what happened, enjoy!
This is another great wine from the WinEco winery (Podrum Radenkovi?) from Southern Serbia. It is a not-very-dry Chardonnay, without a strong nose, but with an exceptional balance of fruity and barrique aromas. It is easy going, with a full taste, definitely one of the wines to accompany your lighter meals. It’s barrique traces make it a great complement to slightly smoked fish or cheeses, but it’s also great on it’s own.
In general, Chardonnay is particularly suited for the barrique (oak aged) treatment. Chardonnay Barrique develops a pronounced cognac aroma and becomes a truly full-bodied wine - all hints of fruity flavours become very subdued.
Score 9/10 Price: 800 RSD (?10) Retailer: Super Vero
2003 Embriux Priorat de Vall Llach $35 Wine label said: Wrong language! The bottle is no help! Vineyard66 says: This another of my series of Spanish wines, as we will be there next year and I’m doing my homework. The web tells me that Embruix means “betwiching” in Spanish, but also that it is primarily Cabernet and Grenache blend [...]
It may sound obvious to put a girl in blue jeans in an ad for wine (like, helLO, this is an advertisement for youths, duh), and therefore not that interesting, but for some reason it works. Sacre Bleu's frankly young-looking model, along with product placement at the hip Miami music venue The Fillmore, support of charitable organization Rock the Cause and funny winemaking videos from French Gustave (it's always nice to have a Frenchie in the mix), put the brand at the top of the wine-marketing-to-Millennials heap. Haven't tasted the wine yet, but seeing as it's coming from France's promising Languedoc, my bet is it's not half bad.
Our reviews mark the 5th edition of the Wine Book Club, and the last meeting for 2008--because no one is going to post a review between Christmas and New Year's Eve, are they? So it's all the more fitting that we mark the end of 2008 and the end of the Bush administration with a book dedicated to helping us understand the complicated political journey that wine takes from grape to glass.
We had some Wine Book Club veterans and some first-timers, too. So here is a roundup of some of their thoughts.
First time Wine Book Club participant Jim Eastman from the blog Music and Wine praised Colman's accessible style, noting that "it managed to keep me engaged without fail through the whole book. Eastman's main criticism of the book was he felt it was a little too short to cover such a broad-ranging topic in so few pages. Jim wanted more--"A little extra depth and perspective" was the way he put it--which I can tell you from personal experience is the kind of criticism an author can live with. When a reader wants more, that's a good thing.
Another first time WBC participant, Frank Morgan from the blog Drink What YOU Like, described the book as "academic and thorough." Frank found the Colman's coverage of the topic "fascinating," and while he did sometimes get "lost in the details a couple of times," the book changed the way he "looked at a glass of wine." My favorite line in Frank's review was saved for the end: "My major takeaway from Wine Politics is an increased sense of appreciation for the small wine guy and the crap they go through just to produce and sell wine to me!"
Christianne from the blog Christianne Uncorked (also a first time WBC participant) found the book was "PACKED with information about wine, history, and politics," but she sometimes found that the organization left her feeling a bit "distracted." She particularly would have liked more of Colman's informal writing and less of the formal academic style.
Taste B from Smells Like Grape added her two cents on the book, saying that it was a "breath of fresh air" given the other books she's reading for an academic course at the moment. What she most enjoyed about the book was that is wasn't just a rehash of things she already knew about wine. Instead, Colman "weaves together many observable and oft discussed conditions in the wine industry with little-known catalysts to form some pretty stark revelations."
Wine Book Club veteran Kori from the Wine Peeps made it clear that this was not the book for you if you were looking for "basic wine information or for a recommendation on what bottle of wine to drink tonight." However, "a lot of information is packed into this relatively short 148-page read," and Kori found the message thought provoking. "If you really want to know why you can?t buy a bottle of wine you fell in love with on a recent trip to California and have it shipped to your home," Kori recommends you pick up this book and learn why.
Richard the Passionate Foodie, another WBC veteran, recommends this well-written book to "those who are more passionate about wine, who enjoy learning about more than grape varieties and wine regions." While it may not appeal to the novice, Richard feels that wine lovers will appreciateColman's "measured and neutral stance" on his more controversial topics, where he presents arguments for both sides of troubling questions.
Thanks to Tyler Colman, our own Dr. Vino, for writing this excellent book which really did convince me that any drinkable wine produced in this country is a miracle, given the laws that stand in the way of winemakers and consumers. And thanks to all the participants this month.
The next edition of the book club will be announced in early December, and reviews will be due in late January--so stay tuned for another year of the Wine Book Club.
"Consumer Learnings for Make Benefit Glorious Zinfandel Future" Christian Miller, owner of Full Glass Research--a wine industry research firm--chose this title for an opinion study on Zinfandel as a joking reference to the movie Borat. (See the movie's wine episode here.) And it?s pretty appropriate, because depending on who you talk to, zinfandel means different things to different people. There?s an almost Babel-like confusion involved in the language of zinfandel.
'An onsite accident occurred at Wirra Wirra yesterday following the collapse of a fermenting tower at our winery in McLaren Vale. A number of fermenters, tanks and a presses have been damaged, resulting in some loss to our 2008 vintage.
'We are currently working closely with the authorities and SafeWork SA to assess the full extent of the damage.
'We’d like to extend our thanks to all the emergency services whose quick action and professionalism were outstanding. Our thoughts are with our young cellar hand who is currently in a serious, yet stable condition at Flinders Medical Centre. We are pleased to hear that he is making positive progress.
'While it is difficult to determine at this time the full extent of wine lost, it is significantly less than has been reported. Some of the wine in tank may still be salvageable, while offers of fruit from growers to offset the loss have been coming in thick and fast. Whilst the loss of wine is important to our business, clearly the safety and welfare of our staff is of greatest priority at this time.
'Workplace safety for all our staff is of paramount importance at Wirra Wirra, and we are thankful no more serious injuries were sustained.
'We’d also like to extend our thanks to the winemaking community of McLaren Vale and our neighbouring districts who have rallied round with offers of help and well wishes; we have been extremely touched by their support and generosity.
Trott produced the first vintage of Church Block back in 1972 “with a little help from his friends”. It looks like history will repeat itself in 2008.'
BREAKING NEWS: 3.13PM AEST March 6 2008
McLaren Vale winery, Wirra Wirra, earlier today suffered considerable damage to its winery when a number of 45,000 litre fermenters collapsed, causing damage to some tanks and presses, and a significant loss of vintage 2008 must and wine.
One cellar hand sustained minor injuries, however no serious injuries have been reported.
The winery has temporarily been shut down, and staff are working with officials to ascertain the full extent of the damage.
Wirra Wirra is unable to determine when the winery will be up and running again.
Red Barn Winery opened May of 2004. It is located four miles North of the city of Syracuse in Liverpool, NY. Open Thursday thru Sunday 12 noon to 6 P.M.
Paul Martin is the sole owner and winemaker with decades of experience. Old world (European) winemaking experience and new winemaking techniques are incorporated to produce great wines. N.Y. State grapes and fruits are used exclusively. The 3000 sq. ft. winery is built around a ?Turn of the Century? design. Tasting room # 1 is cozy, consisting of a fireplace, rocking chairs, couches and plank floors. Tasting room # 2is of the Western saloon style, high ceilings ( 25?), hand hewn beams, plank floors and antiques.
The Hearty Red is a very nie, solid, table red. Dry, with notes of cherry and vanilla. Nice!
It didn?t take long for a tribute album to surface following the death of Pink Floyd mastermind Syd Barrett. The groovy part is Like Black Holes in the Sky: The Tribute to Syd Barrett avoids gimmickry with an all-underground roster of metal, prog and sludge bands.
Syd Barrett?s spacegrassy Piper at the Gates of Dawn is a building block for future stoner, doom and tech metal practitioners. As testimony to the Pink Floyd album?s pioneering spirit, Like Black Holes in the Sky: The Tribute to Syd Barrett hoists six Piper cuts in addition to seven of Barrett?s solo tunes, largely represented by The Madcap Laughs.
Instead of obvious candidates like Queens of the Stone Age on this thing, you get Jesu, Yakuza, Intronaut, Zodiak, Stinking Lizaveta, Unearthly Trance and Kylesa as well as the mighty Pentagram, all likely nominees to do Syd Barrett?s frequently off-kilter music justice.
Jarboe and Giant Squid capture the sheer lunacy of Barrett?s quizzical music on ?Late Night? and ?Octopus? respectively. Meanwhile, Voivod drummer Away leads his offshoot project Kosmos in a laser-dashed version of ?Vegetable Man,? one of the compilation?s coolest tracks.
Other highlights include Intronaut?s ?Arnold Layne? as well as the Piper songs like Yakuza?s ?Lucifer Sam,? Pentagram?s ?Flaming,? Kylesa?s ?Interstellar Overdrive? and Dredg?s faithfully trippy interpretation of ?Astronomy Domine,? a translucent gem that briefly made Voivod stars.
Appropriate Syd Barrett should be represented by fringe rock and metal bands whose mutual appreciation for where their sounds originate makes Like Black Holes in the Sky: The Tribute to Syd Barrett a rare tribute album with its heart in the right place.
The French wine appellation of Gigondas tends to get overshadowed by its flashy and better-known cousin, Chateauneuf du Pape. However, the smooth red wines of this Rhone Valley region have a charm and complexity all of their own. Like Chateauneuf, they are made with primarily Grenache grapes, but the similarity ends there as James Molesworth of "Wine Spectator" magazine illustrates in the video below:
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Sainsburys Taste the Difference Sancerre 2004 £8.54 has a round, fruity, open nose with a touch of minerality and a clean freshness. The good, underlying fruit with its tantalising honeycomb edges was somewhat hidden by the very high acidity on the palate. So I thought perhaps what it needed was some cheese to round it out...
First up Organic Wensleydale. This crumbly white is more texture than flavour but did fill out the wine and brought forward the fruit -peachy aromatics. The lightness of the almost cottage cheese texture really complemented the delicacy of the wine. There was a hint of a salty tang too.
Then Woolsery, http://www.woolserycheese.co.uk , this is a medium hard goat's cheese from Dorset and is so tasty. It was the best in combination with the wine too. The slightly salty creaminess perfectly cut the acidity of the wine down to size. The cheese had a decent level of acidity to it as well. It was grassy and had a goaty note but was not overly pungent. Great stuff.
Next up Vintage Gouda, the label didn't give a year or age though - perhaps this is cheese parlance that someone can enlightenment me about? This had a wonderful flavour, nutty, earthy, hay aromas, very fruity in fact. It is a dense and creamy cheese which cancelled out the acidity in the wine altogether and made it seem almost flabby! Not quite right together.
Finally Doux de Montagne, very like a Spanish Manchego with its subtle flavour and rubbery texture. It tasted slightly soured too but in a good way. The wine overwhelmed this cheese though and it had very little impact when tasted together.
The Wine Cask was sent this wine for review by the good folks at Sam's Club. It represents an embarkation to "Fair trade" products which purchases products from people who are committed to paying their workers in every step of the process a "fair wage."
This Malbec is from the Mendoza area of Argentina which is truly coming of age with respect to this grape. The 2005 vintage was a 90 point rated vintage according to the Wine Spectator. (The current issue of the Wine Spectator highlights Argentina and its forte with this grape.)
The wine is a hefty purple hue with room filling medium sweet aromas of dark berry jam and some pleasant aromas of a tinge of black licorice. This wine has plenty of life in it but is well integrated and drinking well right now. Palate is extracted with big dark fruit, some tarry notes and a touch of smokey or burnt wood--for the uninitiated, these are positives--and finishes with a lingering light plum ending. The reference price on this wine is $10 and for the price, this is a decent value so raise a glass and give it a swirl!
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the
Tecnorati
This is another great wine from the 
It may sound obvious to put a girl in blue jeans in an ad for wine (like, helLO, this is an advertisement for youths, duh), and therefore not that interesting, but for some reason it works. 
