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Chateau Petrogasm’s resident beer nut and co-founder, Andrew Stuart, will occasionally be posting reviews of beers both domestic and foreign. We encourage all fans of beer and of Chateau Petrogasm to do the same. A note on the review: Dogfish Head’s 90 Minute I.P.A. has been hailed as perhaps one of the best I.P.A.’s being made in the United States. Brewmaster Sam Caglione is also considered to be one of the most talented and influential Microbrewers working in the beer industry today. I would love to hear feedback on this review, particularly whether or not you find it to be a positive or negative review, and your own thoughts on this beer.

-AMS

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Mongrain Glass makes beautiful and fancy wine glasses. James Mongrain is the artist behind this beauty. The thing that impresses me most about James Mongrain is that he has worked with Dale Chihuly since the late 1990?s. Dale Chihuly is a world class glass artist.

I looked through the Mongrain Glass website at the pictures of fancy wine glasses. The white glass goblets were magnificent, as were the chartreuse and yellow. I looked further at the Solid Series and there were more fancy wine glasses in blue, pink and the prettiest black glass I?ve ever seen.

James Mongrain and Mongrain Glass have so many fancy wine glasses for sale. It is important to keep in mind that each of the pieces is handmade and one-of-a-kind. If you want to order any of the Mongrain Glass fancy wine glasses, you need to e-mail or call with your order.

Mongrain Glass has a series of fancy wine glasses called the Creature Series. These are so beautiful. The stems of the fancy wine glasses are creatures like swans and sea horses. There is one design in particular, that has a frosted look to it. There are even dainty flowers around the base of these fancy wine glasses.

The Modern Venetians line of Mongrain Glass fancy wine glasses are very sophisticated in appearance. The glass detail work brings lace to mind because of its intricacy. I would have a very hard time trying to choose which line of Morain Glass fancy wine glasses I wanted. I actually like them all.

In addition to fancy wine glasses, Morain Glass makes commissioned pieces of art. Some of the pieces pictured in the gallery on their website were very large. There are no prices listed on this website, but these look like they cost many thousands of dollars.

Fancy wine glasses really do seem to be a small part of what Morain Glass does in their studio. I found a picture of a piece of art entitle Vortex. Vortex is described as a 7-foot stainless-steel slice of sensuality. The foundation of this piece of art is set in steel and a collection of glass forms illuminate neon light from within. The union of glass and steel in this piece of art is somewhat of a contrast, both in form and idea. Glass and steel are two distinct elements that have been joined so intimately it?s as if they are one.

Hello All—I’ve taken a little break here, at least somewhat. We hosted our annual harvest party at Hilltop Ranch this past Saturday. The weather was wonderful, the band—“The Furry Chaps”—a fun, local bluegrass band kept us all entertained; all in all, quite good fun. We brought in the last load of grapes on October 10—a mix of Bordeaux varietals (Cabernet Franc, Petite Verdot, Malbec, Merlot) from Lockwood Oaks. I kept the Malbec separate for a possible small bottling next year, but all the others are a “field blend” in one of our bigger tanks and all of it is just now coming into the homestretch—in other words finishing primary fermentation. We have drained and pressed a few tanks of Pinot so far—as soon as I’m done with this entry, I will drain a tank—but will dedicate ourselves more to that task next week…...

Winemaker’s Dinner: Friday, November 7 at 7pm.

This is the salad we had for lunch today. Remember this salad from 2006?  It looks the same but there are slight differences.   The 2006 salad contained smoked salmon and telegraph cucumber. Fast forward to 2008 and I've used  lebanese cucumber with  feta cheese, both thinly sliced by mandoline and topped with smoked ocean trout.

There is no recipe. Just layer thinly sliced cucumber, then feta, top with smoked ocean trout, slivers of red onion, drizzle with olive oil, a squeeze of lemon juice, a few leaves of flat leave parsley, sprinkle of salt and a grinding of pepper.

Bryan insists I tell you he considers it the best salad he has eaten in his entire life.

Nov 17, 2008 1:21 pm US/Central DENVER A suspect is under arrest in what police said was a well-thought-out plan to steal expensive bottles of wine from Denver-area liquor stores and then sell them on the ...

Perhaps I'm just getting too old, but I can't for the life of me really understand what San Francisco Wine Week is all about.

Here we are living in one of the greatest wine and food cities of the world. We're spoiled rotten when it comes to our wine and food. We expect, and regularly receive great local ingredients in our food, an incredible selection of wines from California and around the world, and completely take for granted the fact that we can bring a bottle of our favorite wine to any restaurant we like.

If there was ever a large city in America that might have a week long celebration of wine, San Francisco would certainly be at the top of the list. And here we are beginning just that sort of celebration, except....

It seems completely, and utterly lame.

As far as I can tell, San Francisco Wine Week is simply six nights of open bars in various venues around the city where you can taste as much wine as you want, no doubt to the soundtrack of thumping electronica.

Come on people. That was the best you could come up with?

Granted, this event is supposedly aimed at the young, urban, hip crowd of Millenials that make up the largest wine drinking population that America has ever seen. But I've got to believe that there's a better way to celebrate what the promoters rightly identified as one of the Bay Area's most defining cultures.

And just to make sure I've exercised my complete curmudgeonly rights, let me just say that the web site and all the marketing material I've seen are horribly unhelpful at getting any sense of what these nightly events will be like. For instance, Wednesday night is the "Sommelier Party" hosted by sommelier Mark Bright.

OK. So what does that mean? If you wanted to find out, say, the difference between that night and Tuesday night, which is the "Import Party" you would be shit out of luck, as they say. Nothing on the web site provides any indication of what is actually going on that night, or any other night, for that matter, other than "wine tastings." Hell, it's not even clear whether there will even be food at these things, except for "San Francisco restauratuers" being mentioned somewhere as some of the sponsors.

And if you want to know what's going to be happening at the ultimate end of week party, the Red Gala, you'll find yourself similarly screwed, except, of course for the dress code, which is supremely, unhelpfully described as "red attire encouraged but not required." So would that be red t-shirts or red ball gowns?

It's quite a shame that a city so steeped in wine and so populated with smart, talented hospitality folks couldn't come up with something better for the first Wine Week than this. As far as I can tell, we've got nothing educational, nothing uniquely Californian, and nothing really fun, except, perhaps if you're a young guy who knows a thing or two about wine and wants to go meet chicks that will be impressed with your knowledge. Sounds more like "party with alcoholics" than it does "celebrate wine culture."

Of course, that may just be the target audience for this whole debacle. The saving grace of which may be that the entire week's events cost a mere $75 bucks. Which means, no matter how bad the event ends up being, a motivated barfly will at least be able to drink their money's worth if they go every night. With only 44 wineries participating, you might also be able to get through every single one over the course of the week. In fairness, it must be noted that some of the wineries pouring at the event are quite good.

I'll leave it to the most adventurous of you readers to go check it out and look forward to happily being proved wrong. But I don't expect to be. San Francisco, you can do better than this.

Many people would be able to identify a bottle of wine that was truly faulty and, in a restaurant, ask for a replacement. But would you be able to tell what the fault was or what to blame for it? It is all to do with perception threshold. Different faults require different parts per thousand or even million to be perceived.

Some people are more sensitive to certain faults than others so while the host, who may taste the wine as it is brought to the table, is happily quaffing, one or more guests could be secretively retching into their napkins. Depending on how well you know your host and judging, diplomatically, how much of an ego dent your comments could produce, it might be worth discreetly asking people to have another careful sniff.

 At a wine faults workshop this week, it was made clear that a fault is only a fault if the people drinking the wine consider it to be. For example the "fault" brett - produced from brettanomyces yeast acting on the phenolic acids of the grape - is a characteristic that some tasters love and some winemakers deliberately introduce. It can produce strong animal characteristics that enhance a wine's complexity and increases some people's pleasure.

Of course it is very important to get the balance right because the smallest increase tips a wine over from animal (yum) to bretty (yuck).  And even in the lower doses some people adore the fragrant pong while others will recoil in horror at the filthy stench. Perception is all.

Then there is actual corkiness. Produced by TCA, TBA and TeCA it has various origins like the high levels of chlorine used to clean the winery and equipment, the breakdown of other cleaning agents by funghi in the winery - low ventilation and high humidity contibuting to high levels in the atmosphere.

The cork industry is keen to point out that it is not something inherently present in the corks more of a contamination at the winery. The plastic in alternative closure linings etc are equally susceptible to this contamination. With increased awareness, far higher standards of hygiene than ever before and alternative cleaning solutions available the problem should be getting better. However despite some high profile cases in California back in 2004, there are still many wineries taking the easy option and continuing bad practices.

At the other end is a sulfide problem that produces a tomato, truffle, cabbage, rubber character. This is reduction, the opposite of oxidation and the result of a complete seal which prevents any movement of oxygen into the wine. Unlike oxidation though, this can be corrected sometimes as simply as swirling the wine in the glass or decanting the bottle thereby allowing some air contact and dissipating the bad aromas.

This problem has been most associated with screwcaps which provide such an affective seal that all the positive benefits of cork permeability have been lost alongside the problems that can occur for freshness through excessive permeability.

New Zealand wineries have famously chosen to address this by slightly oxidising the wine before bottling in order to achieve balance once the wine is in bottle. As is often the case with the New World, they are quick to respond to problems and criticism.

However this is a dangerous and nervy solution and not always successful. Pascal Chatonnet, leading faults scientist, oenologist and consultant to wineries all over the world, argues that some of the essential character and originality is lost through this process and the overall quality and elegance is compromised, though this is not necessarily understood by the consumer as the original wine is not available to compare.

What is important to the cork industry is that while a consumer might recognise the wine is faulty, the only real language employed to describe or attribute the fault invokes cork. This is of major concern and is where the charm offensive needs to conentrate, for cork may not have played any part whatsoever.

For consumers the challenge to the industry as a whole is to find a closure with the correct level of permeability and which is kept free of contamination. It is in everybody's interests and with a more frank discussion opening up we can only hope that solutions won't be too far away.

As a big fan of New Zealand's Kim Crawford wines - I had the pleasure of pouring them at a number of my book launch events last fall - I was thrilled when the folks behind the wine asked me to create a series of custom party tips for their newly revamped website. Now, the tips are finally live, and I'd love to share them with all of you. There are party ideas for pairing wine with music (seriously!), creating your very own component tasting (for a funny explanation of component tasting, click here), and a whole new kind of brown bag tasting party. With the holidays upon us and more reasons than ever for staying IN this holiday season, I hope you'll check out my Hip Tips, invite over some friends and put them to good use. Check 'em out here!

Note: Illustration by Marcos Chin and courtesy of Kim Crawford.

Quite an unusual combination for the Balkans, since Syrah is fairly rare in the region. Skovin is probably trying to follow the world commercial trends with this Syrah Cabernet Sauvignon combination, and it’s not doing a bad job. Syrah brings in the spiciness and the earthy taste, which brings memories of those strong South African tastes of Syrah wines. Cabernet softeness it a bit, so overall it’s a nice wine, but distinctively dryer than the famous Australian Syraz-Cabernet’s.

Rating: 6/10
Price: 400 RSD (5 euro)
Retailer: Super Vero

Technorati Tags: Macedonian Wine, Skovin, Shiraz, Syrah, Syrah Cabernet