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[11/12/2008, 07:36]
Are We Not Drawn Onward to New Era? * | |  So here we are again, the harvest is completed and the new wine is in the barrel. Once more the cycle begins anew, a sequence which we in the wine business live to develop and enjoy. Already we are hearing talk about the miraculous victory of the return, the gathering of the century, the harvest of hope. The bringing in of a new dawn, the hope of a new age.
And during the daytime I am like a priest in a confessional listening to folks in the wine business go over all the sins, not of their own, but of the others.
 Today in a little trattoria; a rather immense man, with an even larger ego, walks in and proceeds to sit in the table next to me and my lunch companion, an old pro who has seen it all. This large man is a small distributor and he knows not of the code of professional regard. All the wine in his beat up 30' by 70' stockroom is a small insignificant corner of a warehouse somewhere in the Midwest, forgotten by time or care. But as he has not trodden the path of the ancients, his malfeasance is to ignore the history of his trade and mock those who have paved the Via Appia so that he may pretend to be in the company of those who really give a crap.
But then again, he doesn?t dine regularly with Cicero and Seneca, so what can he know about where he is going? Like so many who think they must abjure their competition, I just laughed at his folly on my way out the door. I could pretend to be a bigger man than the whale. After all, what runs through my veins flowed through the Tiber, then and now. As we all have.
 Today I saw a group of college students as they were being taken on a tour of one of the big warehouses, in for a little recruitment into our multi-thousand year old trade. How I?d love to have five minutes with them. But since I haven?t been asked, wait, this is my wine blog, I can take five minutes. Or ten.
Dear new generation looking to come into our tiny little global wine village,
If you are looking to join up to make a lot of money, think again. If you are looking for a career, well maybe you could call it that. If you don?t know what to do with your life, but if you don?t do anything you?ll end up like a character in a Camus novel. And that would be distressing to a generation that has had so much landed right in front of you.
 If you are looking for a place to get a free drink on a Friday morning, you?ve come to the right place. But if you have alcoholic tendencies, this place could be worse than Gitmo for you.
If you want to travel all over the world, you missed that boat by about 20 years. Can't even make it up in coach.
So what is it that would draw you to this wine business? Not money, nor travel, nor an escape from some kind of existential ennui.
 Well, let me tell you. Because I was once there on the outside-looking in. I really didn?t know what to do with my life. I had graduated from a private university and the economy was in the tank. Gas prices were high, home values were crashing, the stock market was a mess and American cars were the pits. But I remember the times I?d drive up Highway 29 in Napa and think what a wonderful little place that was. Or I?d think about the grapes I had picked in Calabria and thought how special it was to sit in a cellar at night with a bunch of cousins who I didn?t understand and they surely didn?t understand me. But after a bottle or two of wine in that musty, balmy old place, a miracle occurred. We started understanding each other. Our global village was born there and to this day I have been under the influence of a power greater than anything I could ever imagine or take credit for creating. In a phrase, I found my place. I belonged. And that gave my life meaning. Greater than the $100 million bucks one of my sad relatives probably just lost. Greater than the fame my college friend Tony once had, a friend who can no longer find it in him to return a phone call from one of his friends before he became famous ( him, not his friend). I am having a Lou Gehrig moment, and I have it often in this crazy old wine business.
 Oh, one other thing ? find a specialty, be it Port or Bordeaux or naturally made wine or the wines of Campania, just find a way to be seen as having a special niche. And don?t forget to love all the other wines too, for they are all part of the same energy and deserve your respect and honor.
 Do that and your ?career? will take you anywhere you want to go. And before you know it, you will have been in it for some time and you?ll be walking down a corridor and pass by a group of young folks on the outside looking to get in. And then the large cycle will have made its rounds and you?ll be part of the elite group of folks, from Chaldea in 1000 B.C to Suvereto in 2008.
To answer the question which started this post ? Yes, we are drawn onward.
There?s something about all these old and familiar worn out faces.
*Are We Not Drawn Onward to New Era? | | | |
[02/07/2008, 11:16]
Ponderings on Points, Amarones, and Arias | | I have been traveling back and forth across the country for the last two weeks and have been working long days for months. In between flights and endless delays in  airport waiting lounges, I try to make study time for my WSET exam coming up all too soon in a few days. After a grueling, four-city tour, tonight I feel justified in picking something special to celebrate a clean desk and being home. A bottle of Amarone is definitely appropriate. The bottle I decide on is an Amarone Negar 1961. Yes the vintage is right, 1961. It was a great year for Italian wine in 1961 ? rain and sun in perfect balance. John Kennedy was president of the USA. The Berlin Wall was under construction. Maria Callas was 38 and at the height of her career. Sophia Loren was starring in El Cid, and I was all of nine years old. The label is a little worn and torn. The fill level looks promising ? still mid neck ? although there is a little sediment. The cork seems to be okay ? solid and removes easily without crumbling. Should I decant and risk adding too much air? I pour a glass to see what has happened to this 40-something wine. The color is amazing ? dark red, with a little orange and brick red on the rim. The nose is equally remarkable ? still lots of fruit left on the nose, black cherry with truffle, and a little sherry oxidization odors in the background. A few swirls of the glass and the oxidative aromas disappear. The taste and finish on this wine is surprising, still full of black cherry,  truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body. The acidity must be holding this wine together. Now, there is a caveat to this story. We both love Amarone, so there is a built in basis here. But points and ratings have no relevance to this wine. It is, quite simply, a great wine. It is like the Callas aria playing on the stereo ? powerful yet filled with grace and finesse. It is an Amarone at its heights. Yes, 1961 was a good vintage year for Italian wines. I am going to lay down some bottles for the future.
Susan?s Note: This Amarone is a perfect example of why Frank and I both hate the point system. Is this a 98 or only a 97 point wine? After all, how do you define the difference of a single point? Or has this venerable liquid actually achieved the enviable position of 100 points despite its initial hint of oxidation? It is only two additional points after all. And if we were to rate it as a 98, would that make it comparable to the 2004 Cabernet Blend IX Estate from Colgin Cellars that received a 98 point nod from Robert Parker? Hmmm, let?s see. A three-year old blend of 59% Cabernet Sauvignon, 22% Merlot, 13% Cabernet Franc, and 6% Petit Verdot from Napa Valley versus an Italian Amarone with almost half a century of love, care, and passion in its provenance. Somehow, the comparison just doesn?t work ? although I suppose one day, some scientist, somewhere in the world, will come up with a formula that proves you can actually make a meaningful comparison between apples and snow peas. (Photo of Maria Callas dated 1960, only a year before this wine was produced.) | | | |
[11/20/2008, 08:10]
The Skeptic's Guide to Biodynamic Wine | | The average wine consumer has no idea what it means for a wine to be organic. And when it comes to Biodynamic wines, most wine drinkers have never even heard of them. But that doesn't matter, because an increasing number of the most sought-after, expensive wines in the world are biodynamically produced, which means that biodynamics is one of the most significant modern trends in global winemaking. The only problem (for those who care) is that biodynamic winemaking involves a maddening, paradoxical mixture of scientifically sound farming practices and utterly ridiculous new-age mysticism. If you want to know just how kooky it can get, you might be interested in a recent feature on biodynamic wine in SF Weekly, which dives into detail on the cow skulls stuffed with oak bark left in a hole; the red deer bladders filled with yarrow flowers buried in compost piles; the proscriptions to burn insects in the vineyards only during certain proper planetary alignment; and the claims that the moon should determine when you put your wine into new barrels. Of course, if you actually believe in biodynamics, you now hate my guts along with Joe Eskenazi, the author of the aforementioned article which is entitled Voodoo on the Vine. Joe's angle on biodynamic winemaking will draw criticism for focusing only on the strangest parts of an elaborate farming and winemaking methodology. His (and my) detractors would be justified in complaining at the sensationalism of a few practices, and a few predilections of the methods inventor, while many, even most biodynamic winemaking principles are the same as good old organic farming. But that is precisely the problem. Most biodynamic farming principles make sense because they are the same as scientifically grounded organic farming (e.g. don't use pesticides; let the sheep take care of the weeds and fertilize the soil; etc.). But then the whole system is undermined by the use of, and rationalization for, special preparations and actions that are not only bizarre in their conception, but explained by the worst kind of pseudo-scientific quasi-religious gobbledygook that you could possible imagine. You can't imagine how angry this makes me. You see, I love biodynamic wine. Some of my favorite wines in the world; some of the best wines I have ever tasted in my life; some of the wineries that seem to consistently make some of the highest quality wines I have ever experienced are produced biodynamically, and I don't believe this is a coincidence. This is what Joe Eskenazi did not include in his article, perhaps because he's not fully immersed in the world of wine. While he rightfully points out, with the appropriate level of cynicism, the fact that some wine producers are moving to make biodynamic wine because they think it will sell better, there are many more producers who have been making wine biodynamically for years, even decades without ever telling anyone about it, least of all the people who buy their wine. These winemakers are some of the smartest, most talented folks in the wine industry. The only reason they would possibly be producing wine biodynamically (which Eskenazi's article points out is much more labor, time, and cost intensive than any other farming method) must be that they believe they make better wine that way. There are two types of people in the world. Those who believe that while science is not perfect, it is the most powerful interpretation that we have found of the world around us, and those who believe that there are better explanations for what we observe in the natural world than science can provide. I am very much a member of the first group. There's a lot we don't know about the world yet, and there are a lot of really interesting interpretations about how things work, but the scientific method produces the most reliable interpretations of what is real and what is true that I know of. I (and pretty much everyone in a first world nation, whether they know it or not) trust my life to that fact nearly every moment of every single day. And that belief I hold is precisely the source of my unending frustration with biodynamic wine. I think it's good stuff. But I know it's not good for the reasons that the people who make it, and the people who tell them how to make it, say it is. The claims of the philosophy that underlies biodynamic wine growing, and the specific explanations for various prescriptions of the farming and winemaking process are just plain wrong. They can be proved wrong, in some cases simply with a calculator, but in all cases by rigorous scientific enquiry. Which is why I keep hoping that someone will come up with Biodynamics Lite™: a kinder, gentler form of biodynamic winemaking that throws out all the bullshit, and sticks to the things that science tells us will actually work. I plan on continuing to drink more and more biodynamic wine, and encourage everyone who loves wine to do so as well. I just hope there is a day when I don't have to roll my eyes a little every time I see the word on a wine label, or bite my fist as a winemaker proudly tells me that the reason I love his wine is due to the fact that he completely avoided the dueling vortices when he mixed his preparation of ground up quartz crystals. Read the full article in SF Weekly. My friend Jack at Fork & Bottle has the most complete list of biodynamic wine producers that I know of. | | | |
[07/26/2008, 10:53]
Mid-Week Dinner | | A few wines earlier this week at Atelier in Newtown. Vilmart C?ur de Cuvée 1997.
Light straw colour with a fine bead. Lemon, pear, brine and earth on the nose. There is subtle fruit sweetness balanced with excellent acidity on the palate. Long and intense, this is an excellent wine and one of the better 97s I’ve tasted.
92/100 Domaine Servin Les Blanchots 2000
Corked.
NR/100 Louis Michel et Fils Grenouilles 2000.
Behind the huge amount of sulfur was pear, marmalade and peaches. The palate is medium weight but very simple.
84/100 Bonneau du Martray Corton-Charlemagne 1999.
Nutty, pineapple, tropical fruit, lemon rind and subtle oak aromas. A ripe, expansive palate without being too overbearing. Acid is good enough to focus the palate. Long length.
91/100 Marquis d’Angerville Clos des Ducs 1999.
Earth, cherry, blood and chocolate aromas on the nose. Firm palate, with some sweet fruit in the background, the acid structure is a highlight. Powerful and very impressive. Starting to come around to drinking well.
92/100 Sylvie Esmonin Clos St. Jacques 2001
Rich, lifted nose of raspberry, cherry and a touch of earth and chocolate. The palate is more restrained than the nose but is still tightly wound and full of power. Good potential to improve from here.
91/100 Château de Beaucastel rouge 1990
A lot of complexity on the nose with smoke and smoked meats, cherry, spice, cedar and a fair bit of funky brett. Good intensity to the palate, but the brett affects the length of the finish. I would have rated this 2-3 points higher if the brett hadn’t affected the palate so much.
92/100 Dalla Valle Maya (Napa) 2000
Bold nose, with blueberry, chocolate, vanilla, autumn leaves and grassy characters from the Cabernet Franc. Very intense and youthful on the palate with good length and the ripeness is never out of balance. Primary, but surprisingly approachable and I think it will be at its best over the next 5 years.
93/100 Dr. Loosen Ürziger Wurzgarten Auslese 1995
Lemon, spice, floral notes and light honey aromas comprise the nose. The palate is excellent with light sweetness and refreshing acidity. Great balance and lingering length.
89/100 Claude Cazals Clos Cazals 1997.
Green apple, honey and pear on the nose. The palate is awkward, it is almost both bitterly acidic and broad at the same time. Good, but I had this two and a half years ago and much preferred it then.
87/100 | | | |
[08/30/2008, 21:24]
Drink for the Cure | | 
October is Breast Cancer Awareness Month and Fat Bastard wines are doing their part to cure this disease by donating 25 cents for every bottle sold in restaurants and retail stores, up to $75,000. This is the sixth year the company has run this program and to date, they have donated more than $250,000 to breast cancer research.
During October, Fat Bastard wines will be easy to spot on the shelf. They'll have a pink ribbon necker with an attached pin for consumers to wear. Fat Bastard's wine collection includes Chardonnay, Sauvignon Blanc, Rose, Pinot Noir, Shiraz, Merlot, and Cabernet Sauvignon.
(photo © istockphoto) See full article.
Related Entries:
You Don't Have to Be a Woman to Support Breast Cancer Reasearch. It's As Easy As Buying a Cake! - 06 September 2007 Think PINK During OCT Breast Cancer Awareness Month - 04 October 2007 Pink October: National Breast Cancer Awareness Month - 02 October 2007 Attention Women: Change the Statistic! - 09 October 2007
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[11/19/2006, 07:26]
What You Should Know Before Buying a Wine Rack | | For some people, the storage and acquisition of wine is more than just a hobby, it is an art.
Wine connoisseurs all know that the proper storage of wine is important to its final flavor. Once it is already bottled, wine will still mature and gain body and flavor. Proper care should be taken when handling wine, or else its potential for greatness will go to waste. To keep their wine well preserved, the discriminating connoisseur will choose a proper wine rack.
How to Buy a Wine Rack
The Build
Wine racks can be made of so many different materials and styles. You should consider which material and style fits your need and preference. You could have wood, glass, alloy, or metal racks. Some people try to choose materials that match their living rooms. There are a variety of styles of wine racks, find one that if convenient for you. The popular styles include counter top racks, diamond bins, cabinets and others.
The Essential Elements
A good wine rack will ensure that the following elements are strictly controlled. Light, humidity, temperature, stability. If you want to keep your wine well preserved and ready for ambush party, you need to make sure they are not exposed to light, moisture, extreme temperatures and shaking or vibration.
Cabinet wine racks are good at keeping wine bottles safe. They can emulate the conditions at a wine cellar best. These condition include moderate humidity, cool temperatures, and little light
We try to control the humidity so we can avoid getting the wine cork from accumulating moisture. This will lessen the chances that the wine will get contaminated or oxidized.
Keeping the correct humidity or appropriately moist environment will keep the wine cork damp, reducing the chances of contamination and/or oxidization. Warm conditions will accelerate wine aging. You have to keep this in mind when you consider which wine rack to choose.
Things to Remember
Don’t place wine cellars above or near refrigerators. Refrigerators generate heat and this heat could ruin you wine collection. Buying and installing a good wine rack would be useless if that happened.
Your rack has to be smooth enough that when the wine bottles are put and taken, they will not get scratched and damaged. Bottles and labels are also important parts of the overall value of wine.
A wine cellar is great but not necessary to store your wine in the correct environment. But since not everyone can afford a wine cellar or has space enough for one, you could opt for a wine rack instead. Wine racks function a lot like wine cellars, but they are smaller and are more accessible. They are also a lot cheaper and easier to install.
Believe it or not, ultraviolet light can affect and ruin wine. That’s the reason wine cellars are so dark and that’s why you have to keep your wine in a dark safe place. When you store your wine bottles, make sure they are stored sideways; this ensures that the wine is always in contact with the cork to keep it moist.
Once again we cannot express how important it is to maintain the right conditions for your wine to mature nicely. Your wine rack system has to maintain the right amount of humidity and temperature to keep your collection going. Bear in mind that wine is something you keep for a long time. Keep your wine racks pumping a temperature range of 55-60° F. Also make sure the humidity is in the 50% to 75% range. Adjust these settings according to the needs of your wine.
Start Planning for Your Wine Rack Now!
Well, now you have pretty much gotten everything in order. When a party comes crashing through, you can whip out the grade A wine and celebrate to your hearts content. Pour out the good times to the tune of the compliments and admiration your friends will throw your way all because of your fine wine rack.
About the author:
For more great wine rack info and advice check out: http://www.rack-hq.com
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[10/22/2008, 07:52]
Tahbilk Cabernet Sauvignon 2004 | | |  Tahbilk have being making wine down in central victoria since… well basically the dawn of time. I have no idea why it has taken so long for us to review what is one of the great bargains of the Australian wine world: Tahbilk Cabernet Sauvignon 2004.
This Cabernet smells of sweet dark berries, menthol and herbs growing in a pine forest. There is a bit of warmth up front on the palate, however this is carried by the fleshy yet tart dark fruits and mouthfilling and chewy tannins. Surprising length for a $15 wine, drinking well now. I was a little skeptical while drinking the first glass, however as we progressed through the bottle this wine really started to grow on me, a definite bargain at $15 for a Cabernet that has an excellent pedigree and mid-term cellaring potential to boot. Score: 90/100
Price: $15
Closure: Screwcap
Alcohol: 14.5%
Other Opinions: Tahbilk, Winorama
Would I buy this wine again?
Yes, time to pop a few in the cellar.  | | | |
[11/17/2008, 09:40]
Benito vs. the Beet: ???? | | There are not a lot of beet lovers in my family. I remember during a game of Trivial Pursuit with my grandfather Chuck the following question came up: "What vegetable goes by the scientific name Beta vulgaris?" Chuck gave the correct answer, with the explanation that no vegetable could be more vulgar than a beet. I enjoy red beets and go crazy over golden beets--in fact the only ingredients I dislike are those that are bland and flavorless (chickpeas, I'm looking at you). With colder nights, I thought that it would be fun to make a hearty pot of borscht, a soup that doesn't get a lot of respect thanks to lingering misconceptions from the Cold War. Borscht is boiled beets and sour milk, right? Just like the trope that Russian women are ugly, and we all know how that turned out.
 Like garam masala, BBQ, pasta sauce, and kimchi, there are as many conflicting recipes for borscht as there are grandmothers in the given culture. Arguments erupt, friendships split, cities go to war against each other on the soccer field. Somehow millions of different people each have the Perfect Version of Dish X, the One True Recipe Since Time Immemorial, and woe unto the heretics.
Without any relatives from the former Soviet Republics, I have no dog in the fight. So in looking at various recipes I decided to go with one attributed to the famous Russian ballet dancer and defector Rudolf Nureyev. Chuck roast, cabbage, carrots, beets, potatoes, tomatoes, assorted flavorings... I roasted the beets before shredding them into the soup, and I increased the amount of beef and tomatoes for additional flavor and body. When serving, be prepared to add two things: salt and acidity, the latter from lemon juice, white wine vinegar, or if you're like me, hot sauce. It's a deep, rich, savory soup, but that necessary punch is best moderated by the individual diners. Whatever you do, don't forget the dollop of sour cream in the middle, and if you have it on hand, a sprinkling of fresh dill.
Frankly I don't know if you can pair a wine with this--I just started eating the soup and the bowl was gone before I thought to try it with the wine. With the earthy peasant heritage beer might be better, but afterwards I relaxed with a glass of the 2007 Bodegas Naia Verdejo. $13, 13% abv, 100% Verdejo from the Rueda region of Spain. Big peach and spice cake aroma, with full-bodied apple and peach flavors. It's easy to get a little tired of fruit bombs with red wines, but luscious fruit flavors can be refreshing in whites. My pairing advice for this wine wouldn't include borscht, but I think it would be a perfect wine for assorted appetizers or a muffaletta: the touch of sweetness and fruit flavors make you crave ham and olives.
Thanks to my friend Angela at Kirby Wines & Liquors for choosing the wine, though at the time I wasn't even thinking about borscht. I can stop by and ask for something like a "fun Spanish white" and she'll select a winner for me. I can't stress this enough: talk to the people at your local wine shop and find someone who works there with similar tastes to yours. Those folks have most likely tried a lot more wine (good and bad) than you, and can quickly find something you'll like in your price range. | | | |
[09/08/2008, 15:21]
Moving to the UK | | I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
4. Do I have to mention the cheaper subscription rate for Decanter?
Again, lists really don't do any justice to the dozens and dozens of ideas that propel themselves electrically from my dendrites when it comes to how much fun a wine geek can have in London. For now though, I leave you with a warm, albeit brief goodbye, and a reassurance that I'll soon return for more on artisan wines and the people behind them. | | | |
[02/11/2008, 09:28]
Sauternes and Barsac | | I helped out at a trade event in London devoted to Sauternes and Barsac the other week. Entitled ?Sweeties with Savouries? it set out to show how both Sauternes and Barsac can be drunk not only with the usual foie gras and desserts but also with all the courses of a complete meal. With courses ranging from roquefort crème brulee with figs (see picture) through roast Moroccan quail with sweet potato mash to blue cheese cheesecake, the food was absolutely wonderful.  Attendees were then asked to vote for which wine made the best match with which course. There was quite a lot of agreement about which of the 16 wines went with which of the 5 courses but there were also many individual opinions. As with wine tasting there is no definitive answer in the area of food and wine matching. Tasting through the 16 wines was an education in itself. Considering they were all the recently bottled 2005 vintage, there was a range of aromas from honey, peach, minerals and smoke to flavours on the palate of marmalade, peach, citrus and honey. There were also subtle but significant differences in the weight and texture on the palate. The differences can be understood when looking at the percentages of grapes with everything from 90% semillon and 10% sauvignon of the premier cru classe Chateau Clos Haut-Peyraguey through to the 70% semillon, 25% sauvignon and 5% muscadelle of Chateau d’Armajan des Ormes.  The aging process whilst broadly similar in length of between 18 and 24 months, varies according to the percentage of new barrels used. The key to good Sauternes and Barsac, apart from the terrroir, is the botrytis that is required to shrivel up the grapes and concentrate the sugar in the grapes. From talking to several of the producers the 2007 vintage was going to be a worry as the summer was cool. However the autumn was as hoped with cool misty mornings followed by sunny afternoons, the perfect environment for the ?mushroom? spores of botrytis cinerea to develop. There is a much history associated with the ownership of the chateau in Sauternes with many of them having been in the same family for generations. Check out the web site of Chateau Dudon if you want some history of a typical family owned Sauternes producing chateau. | | | |
[11/13/2007, 02:33]
Make Benefit Glorious Zinfandel | | | "Consumer Learnings for Make Benefit Glorious Zinfandel Future" Christian Miller, owner of Full Glass Research--a wine industry research firm--chose this title for an opinion study on Zinfandel as a joking reference to the movie Borat. (See the movie's wine episode here.) And it?s pretty appropriate, because depending on who you talk to, zinfandel means different things to different people. There?s an almost Babel-like confusion involved in the language of zinfandel. | | | |
[07/09/2008, 16:18]
Heightening One's Appreciation For The Genuine Article | |
Not to sound like a lush or anything?, but I love the booze. All aspects of it. Grape, honey, barley, corn, whatever. I like sitting down to a well-set table and a nice dinner with a fantastically-matched glass of wine to sip and savor, but I also enjoy gulping down a can of cheap beer after mowing the lawn. I?ve been doing single malt scotch tastings and keeping a whisky journal since 2002, but I also like sitting around a campfire and drinking rot-gut until I?m staggering and bleary-eyed.
There are times I drink simply because it tastes good, and times I drink because I want to get stupid. Sometimes both. Well, a little while ago, I was watching Star Trek: The Next Generation re-runs. There?s a great episode where Picard goes home to France for the first time in years. His brother, Robear, is still running the family vineyard. They sit down to the evening meal, and Robear uncorks a bottle of the family wine.
Jean-Luc: Is this the forty-six?
Robear: *tsk* The forty-seven. You?ve been drinking too much of that? what?s it called? Synthahol? Spoiled your palette.
Jean-Luc: On the contrary, I think it heightens one?s appreciation for the genuine article.
(For the non-Trekkies in the room, synthahol is a substitute for alcohol that does not impair judgment like alcohol does.)
Heightens one?s appreciation for the genuine article. I love that line, and it got me thinking? Would I drink wine, beer and whisky if it was non-alcoholic?
All things considered, is it the taste, the buzz, or both??
What about you? If beer, wine and spirits contained no alcohol, would you still have that glass of fantastic wine with dinner, that ice-cold beer after moving the lawn, or that treasured dram of 15-year-old whisky?
Me? I?d probably stop drinking whisky, because even though I dearly love exploring the subtle nuances of different single malts, spending that kind of money on a non-alcoholic drink would be silly. I?d still drink wine and meads, since finding a good match can really enhance a meal, irregardless of alcohol content. Complimenting a strip steak or a plate of fine cheeses with a can of Diet Coke or a glass of cranberry juice just wouldn?t cut it.
I?m not sure about beer. I?m not much of a beer drinker anyway, so I?d probably stop altogether if it was all non-alcoholic. I went through a phase when I was drinking non-alcoholic beer because it was thirst-quenching, but it got a bit expensive. An ice cold Fresca would do the trick after mowing the lawn, I guess.
Anyhow, what about you?? Comment is invited.
Cross-posted to my own journal,  wine, in_vino_veritas, tasting_notes, singlemalt, mead_lovers, and bourbonites. | | | |
[11/11/2008, 16:35]
One Glass a Time: Sweet! (Wine Spectator) | | | I have been traveling in the past week with a dining partner who can not drink much. Rather than ordering a whole bottle, which would inevitably require leaving some behind so I could drive back to the hotel safely, I have been choosing several different wines by the glass over the course of the meals. | | | |
[04/23/2007, 07:12]
La Paulee, Part Two | | | It was time for the main event, and there must have been four or five hundred giddy people gathered in downtown Manhattan. One or two of dozens of Burgundy’s elite winemakers sat at each table in anticipation of this Bacchanalian orgy. The long, army-style lunch room seating had to have about forty people per table, [...] | | | |
[11/12/2008, 18:20]
Pisco Doesn?t Always Have To Be So Sour | | | The Pisco Sour is one drink that comes and goes and almost has its day in the sun… Why do people like it so much? It’s the egg white, stupid. Some where back in the 80’s bartenders stopped using egg whites in their sours, but they had bigger problem with the pre-made bottles of sour [...] | | | |
[11/20/2008, 07:45]
Thailand: Winemaking in the Tropics - Alcidini Winery | | Some of my favorite Syrah/Shiraz I tasted in Thailand came from a winery that is not yet a winery. Produced in a well maintained, temperature controlled room not much bigger than a large walk-in closet, these wines were carefully handcrafted with low tech, off the shelf equipment that wasn't even really made for wine making.
Such is the ingenuity of Supot Krijpipudh, the one man tour de force of what someday will become Alcidini Winery. At 20 acres of mostly Shiraz, with a few rows of Muscat Blau thrown in, the vineyards are not huge, but they are thriving under the careful scrutiny of one of the most innovative wine personalities I have ever met.
Supot is an engineer, and his penchant for experimentation shows not only in his superb wines, but in his careful attention to detail in the vineyard. His vines were the only ones I saw that use the Lyre system of trellising in Thailand. A system advocated by Richard Smart, the Australian who revolutionized vineyard management.
Geneva Double Curtain (GDC) is a more common system, and Supot has not abandoned it either. Instead he is using GDC on the bottom half of his vines. This odd combination of trellising is due to one of his more unusual experiments. Supot is hoping to grow two grape varieties on the same trunk. Shiraz on the top, Muscat on the bottom.
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