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It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
As I write I'm sipping a glass of Californian red - a Robert Mondavi Woodbridge Cabernet Sauvignon 2005 to be precise.
It's fairly typical of the type of Californian wine readily available in the UK. Following the WineDudes request for some foreign thoughts on Californian wine the Woodbridge is 'research'. Not sure if the Wine Dude is going to utilise my barely coherant scribbles in a post or (update - he has) not but the crux of the article was that, while we can get hold of American wines in the UK most are the large brands (such as Gallo and this Mondavi) and the small quantities of boutique wines that many American wine bloggers rave about are never seen over here.
I hesitate to mention the ubiquitous Gallo in the same paragraph as Mondavi for both the Cabernet and this similar but slightly spicier Shiraz are very drinkable examples which offer more than a modicum of interest, something those massed Gallo brands never will.
Review0.3 Wine Tasting Note: Robert Mondavi Woodbridge Shiraz, 2006, California Stockists: Threshers and most supermarkets Price: £7.20 [More on Adegga / Snooth] Very similar in style to the Cabernet - sweetish full fruit, soft but evident tannins combine to make a highly drinkable fruity style of red. Broad flavours enveloping the blueberry/blackberry spectrum, not complicated but enhanced by some varietal spice. Not sure where Jancis Robinson gets the "very pinched and ungenerous" idea from as the wine appears fleshy, broad, lightly spiced and very drinkable. Alcohol 135%.
Aiming for a modicum of seasonal eating a dish of acorn squash with a tomato and cream minced lamb stuffing was paired with this red, the sweetness of the fruit playing nicely with the inherant sweetness of the squash and the stuffing. The softness held enough in the acidity and tannin stakes to counter the creamy richness.
Andrew BarrowScribblings Rating - 88/100 [3.5 out of 5]
Editors note: Starting today, we will be highlighting an Iberian wine, or winery, every Friday. It may cover a single one, a project or a winery. We’ll try, in most cases, to choose wines that are widely distributed, but this will not always be possible. Hope you enjoy.
About a year and half ago, I stumbled across a wine website that had a link to an Iberian winery blog. Clicking the link, I was taken to a page with about three posts and no comments enabled. At the time, there were approximately three other winery blogs out there, and I was excited to see another pop up. However, this “blog” didn’t allow comments. Thus, in my world, it wasn’t a blog. Long story short, earlier this month, I made contact with Andrew McCarthy through a friend, and was able to help him with a little Blogspot coding to remedy this problem. Today Castro Martin sits at the 8th place in our sidebar list of Iberian winery blogs, and I’m glad to have them there. I have loved Castro Martin’s wines for quite some time, and today, both Gabriella and I would like to recommend their great Albarino’s from the popular region of Rias Baixas.
Seriously, these are some nice wines: full of body and pure fruit, they are both complex and easy to understand. The Castro Martin Albarino is straightforward pure flesh fruit with some zesty acidity. It is a 2006, and if you noticed, we’re almost to the end of 2008; meaning that for it to have this kind of zestiness is a credit to the winemaker or the grape. I’ve been lectured by winemakers who work with Albariño that contrary to popular thought, it should be aged. In fact, I have yet to do it, but I have a standing invitation with Lusco to taste through some older vintages just to illustrate this exact point. This wine is still alive, full of vivacity, and I trust will last for another year or two.
The second wine we’re suggesting is the A2O, a wine that unfortunately is spelled with a tilde (~) over the 2; thus making brand awareness an issue since no one I know can type it. But that’s beside the point. This wine is full of stuffing and ready to go for a 5 year stay in my cellar, if we can stop ourselves from drinking it all up. Rich and layered flavors supported on a framework of acidity that is strong and yet supple. I want more, and you should too. Check this wine out!!
This family owned winery itself has a history that stretches back well before DO of Rias Baixas existed, and their website claims that they were the first to use stainless steel tanks for their wines. And current winemaker, Angela Martin is responsible for the production of award winning wines, such as the Acio de Ouro (no info) in 2000, for best Albariño. There’s even rumor that in 2001, Andrew McCarthy attended a wine tasting that appeared to have lasted a bit longer than was to be expected, eventually ending in a marriage!
I don’t need to recap the entire history and wine making, because the site (despite its silly pop-up windows and some distracting flash) provides some good information for your to peruse on your own time. Here’s a direct link to avoid the pop-up window.
Complaints? Well I have to say, I hate fake cork. If your going to opt out of the real cork, then please move to screw caps. Fake cork is annoying, ugly and at times, harder to open than the real stuff. Please just get on with it and move to a screwcap if you don’t want the cork. Otherwise, the wines are great and well worth seeking out. Not to mention, please leave a comment on their newly “open to comments” blog, where you can see what is happening in Galicia, Spain.
Fall is just around the corner and few wines are more enjoyable when the weather turns cool than Italy's Sangiovese wines. In the video below, Iron Chef Mario Batali and Joe Bastianich discuss how best to pair Sangiovese with food. Take a look:
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I have been traveling back and forth across the country for the last two weeks and have been working long days for months. In between flights and endless delays in airport waiting lounges, I try to make study time for my WSET exam coming up all too soon in a few days. After a grueling, four-city tour, tonight I feel justified in picking something special to celebrate a clean desk and being home. A bottle of Amarone is definitely appropriate. The bottle I decide on is an Amarone Negar 1961. Yes the vintage is right, 1961.
It was a great year for Italian wine in 1961 ? rain and sun in perfect balance. John Kennedy was president of the USA. The Berlin Wall was under construction. Maria Callas was 38 and at the height of her career. Sophia Loren was starring in El Cid, and I was all of nine years old.
The label is a little worn and torn. The fill level looks promising ? still mid neck ? although there is a little sediment. The cork seems to be okay ? solid and removes easily without crumbling. Should I decant and risk adding too much air? I pour a glass to see what has happened to this 40-something wine.
The color is amazing ? dark red, with a little orange and brick red on the rim. The nose is equally remarkable ? still lots of fruit left on the nose, black cherry with truffle, and a little sherry oxidization odors in the background. A few swirls of the glass and the oxidative aromas disappear.
The taste and finish on this wine is surprising, still full of black cherry, truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body. The acidity must be holding this wine together.
Now, there is a caveat to this story. We both love Amarone, so there is a built in basis here. But points and ratings have no relevance to this wine. It is, quite simply, a great wine. It is like the Callas aria playing on the stereo ? powerful yet filled with grace and finesse. It is an Amarone at its heights. Yes, 1961 was a good vintage year for Italian wines. I am going to lay down some bottles for the future. Susan?s Note:
This Amarone is a perfect example of why Frank and I both hate the point system. Is this a 98 or only a 97 point wine? After all, how do you define the difference of a single point? Or has this venerable liquid actually achieved the enviable position of 100 points despite its initial hint of oxidation? It is only two additional points after all.
And if we were to rate it as a 98, would that make it comparable to the 2004 Cabernet Blend IX Estate from Colgin Cellars that received a 98 point nod from Robert Parker? Hmmm, let?s see. A three-year old blend of 59% Cabernet Sauvignon, 22% Merlot, 13% Cabernet Franc, and 6% Petit Verdot from Napa Valley versus an Italian Amarone with almost half a century of love, care, and passion in its provenance. Somehow, the comparison just doesn?t work ? although I suppose one day, some scientist, somewhere in the world, will come up with a formula that proves you can actually make a meaningful comparison between apples and snow peas.
(Photo of Maria Callas dated 1960, only a year before this wine was produced.)
The best kinds of cheap wines are the kinds that have a rich story behind them. Well, The Tillerman White wine brought to you by the Hook & Ladder Winery certainly fits the bill. At first glance this wine label made no sense to me… Hook & Ladder? The Tillerman? After doing some research, I feel enlightened knowing the origins of this fine cheap wine, so I’ll share:
The owner of the family-run Hook & Ladder, Cecil De Loach used to be a firefighter! “Hook and Ladder” is just another name for a firetruck. And The Tillerman is guy who drives the back end of a firetruck. A firefighter and a wine-maker! What a life!
I sampled several bottles of The Tillerman White, and I am glad I did. Not being a fan of white blends with a lot of oak, I enjoyed everything about this wine. The peach/apricot aroma was the most prominent feature of this wine as it approached my nose. The wine was very dry, tasty, had an awesome finish. Just a perfect all-around table wine. For about 16 bucks or less, this Sonoma County wine is a steal. If you see it in your supermarket, snatch it up! I look forward to trying some of their many other varietals. This same vineyard, the Russian River Valley produces Chardonay, Gewurztraminer, White Zin, Pinot Noir, Zinfandel, Cabernet Sauvignon, and the “Third Alarm” Reserve Chardonnay. Oh, how I would love to visit the vineyard one day. Rating: 9/10 - Excellent! The only reason I’m not giving it 10 is because I promised my readers “cheap wines less than 15 dollars” and this wine retails for 16. Look around though, I’m sure you can find a good deal! Even if you can’t, it is worth the extra dollar.
Extra Info:Hook & Ladder - Founded in 2004 2027 Olivet Road Santa Rosa, CA 95401 phone: 707-546-5712
The latest edition of Decanter (March) came out this week, and several articles caught my eye. The first was entitled Start Your Own Wine Cellar. As I’m often torn between buying bottles to drink and those I think I may like to keep for a special occasion, I was drawn to the profiles of the 3 different types of people for whom Decanter made recommendations. There was the couple who did not know much about wine, but wanted to learn and had £500 to get them going. At the other extreme was the couple who already drank a lot of good Bordeaux and had £5000 to spend. I found myself drawn to the example in the middle, someone who knows her grape varieties, but would not describe herself as a connoisseur. Decanter put together an interesting cellar at a cost of £1000 for her.
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
I always peruse the Wines of the Month to see what recommendations I can pick up. These wines are available from stockists in the UK so I feel sorry for foreign readers who may be unable to source them. However I’m always a bit frustrated to read other reviews elsewhere in the magazine and see the dreaded ?N/A? next to them. Although I figure what’s the point in reviewing them if they aren’t available in the UK I have to keep reminding myself how international Decanter is. In this month’s issue 4 of the 9 letters are from non UK readers. I am sure this helps the editorial team keep an international focus which is good for all us readers.
The panel tastings this month are both French, 2005 St Emilions and 2005 cru bourgeois. I was stunned to see a great value 2005 cru bourgeois at £7.35. I must seek it out.
Next month’s edition features Italy and is out, according to the ad in the magazine, on February 6. Oops ? I think they forgot to change the date from last month’s edition as I’m sure they mean March 6th!
Our dinner at The Restaurant at Meadowood was lovely. The restaurant has a pleasant, relaxed décor which is still elegant. This casual elegance is reflected in the food from Chef Christopher Kostow. The meal was very enjoyable and we would happily return.
My parents' 25th anniversary is next week, and I thought it would be nice to give them a bottle of a 1983 vintage to mark the occasion. I've managed to find some online in my price range (less than $100), but I don't know what's aged well and what hasn't. There seems to be a lot of ports out there, but my parents aren't really into dessert wines. They aren't wine snobs by any means (my mom likes Yellow Tail, bleccchh), but I want to get them something that doesn't taste like vinegar.
As a fugitive of the cubicle nation I’ve learned a few interesting things. Some about myself and some about actually jumping ship and really trying to get things going. In fact, I don’t have much time today but this blog is an important part of my life and I don’t want it to go dark for too long.
So its about three months since I was officially “jumped” and the main thing I’ve learned is this - have your shit together, ducks in a row, and get ready because having little visibility into where the money is going to come from is a scary thing. Don’t let all these entrepreneurs tell you “oh yeah, just do it; shit or get off the pot; blah blah blah”. All crap. There is NOTHING impulsive about jumping ship and going it alone.
If you’re part of the cubicle nation you’ve most likely gotten extremely good at your job and that gives you confidence to “give it a try”. Recognize this - while you may be a genius in your field, you do NOT know everything you should to go it alone. Go into it with your eyes open and allow yourself to “know what you don’t know”. Business development, marketing, networking, tech services, administrative assistant, bookkeeper, customer support, legal secretary, etc…
Its not that you CAN’T do all this stuff, but just know that you’ll need to plan some time where you don’t have money (or assume you don’t) figure out how you’ll pull that off - assuming no income - and then when you’re OK with that you can go for it. Because what will happen is things will take longer then you think and you need to make sure you’re not rushed into bad decisions for your business just because of the uneasy feeling that “no visibility” gives you. In fact, you want to figure out everything I mentioned in the previous paragraph as a way to give yourself visibility into your business and the more visibility you have the better you’ll feel about the jump.
Next - you can’t get away from politics. Now granted, there are no office politics unless you want to count arguments over why the dogs haven’t been walked in a week and the potential of withholding of certain marital obligations as politics. But the politics that I’m talking about are around meeting new people, making a name for yourself, and building your business. I’m not big on politics and generally as a consultant, even early in building the business, I tell it like it is, turn down business that while I’m perfectly capable of doing the work, it doesn’t add to my “portfolio” if you will. Its a tricky thing breaking into new markets and its clear that there are “circles” everywhere you go. I’ve always known that and I’ve been ready for it. But its more important to understand that going into it then I would’ve thought before making the leap. So I think its important to communicate that out - You are not getting away from politics by escaping from the cubicle nation; you are just dealing with a different type of politics. So “how to gain friends and influence people” is still an important skill!!
OK, I have to run but I think I’ll be doing more and more around communicating my Cubicle Nation Fugitive experiences as they seem to be coming fast and furious and they are actually interesting as I learn from this.
I rarely see a Philippe Charlopin, so it was a surprise (for me) to see this on the shelf of a French supermarket. Very tasty wine. 2006 Philippe Charlopin, Gevrey-Chambertin Medium-plus colour. Slightly murky nose with a little vanilla and a faint mushroom - slowly fills out with deep and impressive primary red/black fruit to [...]
I hate sweet reds. Let me say that again so there's no mistaking it...I hate sweet reds.
However, this year, at the Desmond, I found something special - a sweet red I could drink. I thought it was actually drinkable. I thought it was really quite great.
The wine was Thousand Islands Winery Saint Lawrence Red. Saint Lawrence Red is a blend of carefully selected French Hybrid grapes. Great for burgers or chili, great for turkey for those who don't like dry reds, this was an excellent wine. Dark fruit. Solid alcohol. Very, very nice.
The Thousand Islands Winery is located in Jefferson County, New York. It is the most northern winery in New York State. The winery is located on a farm that was built in 1836. The farm was later owned and operated by Captain Massey and his wife Ida in the 1930's. Captain Massey was a famous Riverboat Captain. He owned a huge Great Lake Vessel that he eventually sold to the Department of Defence for the war effort during World War II.
Steve and Erika Conaway purchased the Farm in December 2002. Upon Steve's retirement from the military, they decided to create a winery in Alexandria Bay, NY.
Congrats to winery owner Steve Conaway and all the folks at Thousand Islands Winery.
The best kinds of cheap wines are the kinds that have a rich story behind them. Well, The Tillerman White wine brought to you by the Hook & Ladder Winery certainly fits the bill. At first glance this wine label made no sense to me… Hook & Ladder? The Tillerman? After doing some research, I feel enlightened knowing the origins of this fine cheap wine, so I’ll share:
The owner of the family-run Hook & Ladder, Cecil De Loach used to be a firefighter! “Hook and Ladder” is just another name for a firetruck. And The Tillerman is guy who drives the back end of a firetruck. A firefighter and a wine-maker! What a life!
I sampled several bottles of The Tillerman White, and I am glad I did. Not being a fan of white blends with a lot of oak, I enjoyed everything about this wine. The peach/apricot aroma was the most prominent feature of this wine as it approached my nose. The wine was very dry, tasty, had an awesome finish. Just a perfect all-around table wine. For about 16 bucks or less, this Sonoma County wine is a steal. If you see it in your supermarket, snatch it up! I look forward to trying some of their many other varietals. This same vineyard, the Russian River Valley produces Chardonay, Gewurztraminer, White Zin, Pinot Noir, Zinfandel, Cabernet Sauvignon, and the “Third Alarm” Reserve Chardonnay. Oh, how I would love to visit the vineyard one day. Rating: 9/10 - Excellent! The only reason I’m not giving it 10 is because I promised my readers “cheap wines less than 15 dollars” and this wine retails for 16. Look around though, I’m sure you can find a good deal! Even if you can’t, it is worth the extra dollar.
Extra Info:Hook & Ladder - Founded in 2004 2027 Olivet Road Santa Rosa, CA 95401 phone: 707-546-5712
Review0.3A recurring event - a wine that ranks as 'just fine' by itself is raised in ones estimation when coupled with food. This nicely weighty white from Spain is another such example where a succesful match brings added pleasure to a meal.
A light simple nose - a touch of herbs, a smidge of yeast and a layer of lemon. More activity on the palate though with a gentle lemony start giving way to a sherbet, grapefruity palate and a tang of acidity. Pleasant enough and very drinkable but seldom is Malvasia ever going to knock yer socks into a cocked-hat (or something). Unoaked. Alcohol 12.5%.
Its clean, fresh crispness was a joy though with some crispy Calamari rings dunked in mayonnaise. While the squid wasn't the best - it was frozen rather than fresh and certainly not as good as the mammoth sized rings myself and Douglas devoured with passion at a local Italian last week - but the wine worked wonders. When they say 'good with seafood' this partnership is what they have in mind.
Andrew BarrowScribblings Rating - 90/100 [3.75 out of 5]
By way of proving that I don't just make these food and wine matches up, a picture of the very same calamari. And yes, they were cold by the time I had finished taking pictures!
An amazing dinner at Tetsuya’s last weekend to celebrate a friend’s birthday, I’ll let the tasting notes and the pictures of the wine then food tell the story.
1981 Krug This is a wine that I have always wanted to try (being my birth year) and I was very lucky to get the chance on this night. Golden coloured, with a lazy, meandering bead. Powerful ginger, spice, earth, toffee, creme brulee and cedar aromas on the nose. Incredibly deep flavour and complexity, with fresh acidity sweeping over the palate into a long and memorable finish. Kept improving the longer I left it. 97/100
1982 Krug A year and a half ago I had this wine from the same source and it looked a touch awkward (while still being excellent), but tonight it was much improved. Light gold colour with straw highlights, an insanely fine bead - probably the finest I’ve ever seen. Aromas of almond, coffee, black truffles, vanilla and ginger came to the fore as the wine warmed up in the glass. The palate is vibrant, with great acidity laid over complex flavours. Still developing, another 5 years and I think it will be close to maturity. 95/100
1990 Domaine Zind-Humbrecht Hengst Gewürztraminer Vendange Tardive Golden coloured, this wine possessed an ever shifting, evolving nose of spices, honey, lychee, pineapple and rose petals. The palate possesses an astonishing balance between weight and refreshment. Rich, complex, deep and softly sweet, but with superb acidity, focus and purity of fruit. None of the oily or warm alcohol characters I often get from this grape and region. Close to the best Alsatian wine I’ve ever had. 96/100
1965 Lindemans Bin 3110 Hunter River “Burgundy” (classic release) This is one of the legends of Hunter Valley and Australian wine. Still deeply purple coloured, fading slightly to red at the rim. The nose is intoxicating and layered with notes of earth, tobacco, liquorice, leather, blackberries and five spice. The palate is so composed and well balanced. Harmony reigns among the various elements right up to the long finish. Very different in style to some other great old Australian wines I’ve tried, but superb in its own right and very representative of the Hunter Valley. 97/100
1953 Domaine J. Faiveley Nuits-Saint-Georges 1er Cru Les Saint-Georges Very lightly coloured. The nose on this wine was one of the most unique I have ever seen, along with cherry, earth and spices there was a beguiling character that I followed for some time, in the end only being able to describe it as akin to tropical fruit! The palate has superb definition and the structure that has allowed it to live to this age is still clearly evident. If there is one shortcoming, it is that the fruit is a touch thin, but otherwise the balance is very good - it seems that those famous Faiveley tannins do eventually integrate (it just takes 55 years! ). 94/100
1990 Domaine Leroy Clos de Vougeot This wine is a strong argument in favour of the excellent reputation of this fine estate. A bold, brooding nose of cherry, strawberry, liquorice, black tea, game and forest floor. There is a richness to the palate, but it is finely textured and exists alongside the structural elegance of the wine rather than pushing the palate around and dominating. Drank well tonight, but will continue to improve over the next 10 years. 95/100
1966 Château Palmer (Margaux) Youthful in colour. A nose that has both primary and secondary characters wound together with raspberry, cedar, tobacco, cinnamon, violets and graphite. The palate is velvet smooth, this is an absolute pleasure to drink. The elements of the palate are resolved in full and work together in harmony. Classic top-shelf Bordeaux. 96/100
1975 Château Lafleur (Pomerol) Corked A few were brave enough to taste this and proclaimed that underneath the taint it was exceptional, but I was not willing to try. NR/100
1990 Gaja Barbaresco Sori Tilden (Piedmont) Deeply coloured. One of the most complex, haunting and evocative noses I have ever had the privilege to experience - there were aromas of blackberry, rose petals, anise, pine, smoke, plum and layers more - with every sniff there was something new uncovered. There is a wonderful intensity to the palate, it is as though all the elements have been magnified but somehow remain in balance with a wave of pure fruit, striking acidity and the finest of tannin. On a night of legendary wines, this wine somehow rose above and was my favourite wine of the evening. I don’t give out 100 point scores often (4 wines so far) … and I’m not going to for this, but I really feel like I could, it is so very tempting. 99/100
1982 Penfolds Grange A nose of blackberry, cedar, liquorice, vanilla, red and black currant. Youthful and very fresh with bold and bursting with flavour, but maintains its balance across the long length of the palate. Drinking beautifully well now. Consistent with the previous bottle I tasted a year prior, one of my favourite Granges. 95/100
1990 Lindemans Sesquicentenary Release Coonawarra Cabernet Sauvignon (magnum) 91% Cabernet Sauvignon, 9% Shiraz. An aroma of tomato leaf dominates the nose, behind it are some notes of raspberry, blackberry and a touch of briar. The texture of the palate is good with elegant primary fruit characters and good balance. Drinking well now but will develop and improve over the next 10 years. Was not shamed among some of the great wines from around the world. 91/100
1928 Marc Brédif Vouvray A dazzling light straw-golden in colour. The aromas were surprisingly fresh - lots of pear, apple, honey, blueberry, ginger, oats and cloves. Amazing acidity and depth still present on the palate. It actually got better after an hour in the glass, taking on extra weight of flavour. This wasn’t showing any signs of falling apart, maybe good bottles will live forever! 94/100
1981 Jakob Gerhardt Niersteiner Frauenkirchner Bouvier and Traminer TBA (Austria) Deeply coloured, almost like a tokay, but with strands of gold. Deep scents of apricot, marmalade, honey and apples. Great depth on the palate, with strong sweetness and a viscous mouth-feel balanced by very good acidity. Great persistence. Drink now. 93/100
1968 d’Oliveira Reserva Boal Madeira (Portugal) Nutty, burnt toast, caramel, banana and a very familiar medicinal aroma from my childhood (possibly amoxicillin). There is a bitterness to the palate and the alcohol stands out. It is very long and intense, but I couldn’t really get into this. 86/100
Tecnorati
airport waiting lounges, I try to make study time for my 
truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body. The acidity must be holding this wine together.
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
).
A few were brave enough to taste this and proclaimed that underneath the taint it was exceptional, but I was not willing to try.
