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There is a lot of talk these days about the globalization of wine. Some wine people are up all night tossing and turning, worried about that sometime in the distant future, all wines will taste? alike, assuming there could ever be such a thing as a "universal" taste.
Globalization of wine sets me off in another direction ? the amazing growth of international commerce in wine in this generation. Not that international wine trade is something new. The Greeks, as in many things, did a wonderful job 2,000 years ago planting vines and spreading wine culture. The Greek trade in wine was surprisingly extensive. There was a system of appellations to ensure the origin of the best wines so that customers of Greek wines knew where the wine came from. Large stores of wine traveled wherever Greek ships traveled ? and that was all over the known world. We even know from ancient records where the best wines came from. So, the Greeks developed the kind of Epicurean consciousness that is now also part of the modern wine mind.
I've always believed that this globalization, or internationalization of wine has caused great competition, which is always good for the development of wine and our wine industry.
...
One notable example ? the wines of Italy. Not so long ago, most United States wine consumers thought of Italian wines as the rather rough, thin inexpensive wines in straw flasks with the Chianti on the label. Now, what has happened in Italy has been phenomenal and not just in Tuscany. Today, a top level wine merchant will have well over 200 Italian red wines ranging from excellent Falesco wines under $10 to a line of highly regarded wines from Gaja, some of which command prices close to $300 a bottle.
Today, fine Italian wines are not restricted to the Northern districts. Excellent wines are being enjoyed from Sicily to Puglia, Campania and points south. Italian grape varietals? that in the past "got no respect" are now flourishing stars under new and expert hands ? Nero? d'Avola and Sagrantino are just two examples.
Impeccably maintained vineyards. A sprawling estate complete with world class dining, and stunning gardens. Tasting rooms that are bright and airy, and large enough for bus loads of visitors. This is an image that would not be out of place at a top flight California wine producer, or even a First Growth French Chateau, but I am describing Granmonte, one of Thailand's most impressive wine destinations.
Visooth Lohitnavy envisioned creating a grand estate among the jungle clad granite cliffs in the Asoke Valley of the Khao Yai region of Thailand, and he has made it all come to pass. With determination, and evidently no small sum of money, he has created a jewel where you least expect to find one.
Planted primarily to Syrah and Chenin Blanc with a few rows of Cabernet Sauvignon to experiment with, the vineyards of Granmonte are text book examples of modernity. Employing the Smart Vineyard System, data about the vineyards can be accessed from anywhere in the world.
This is especially important for the next generation of the Lohitnavy family as daughter Nikki studies enology in Australia while monitoring the family vineyards and sending her father regular directions for field adjustments based on real time data.
So just how well does all of this attention to detail pay off? I was quite impressed with their their efforts, but the even harder to impress International panel of judges at the 2008 Syrah du Monde blind tasted their Primavera Syrah and awarded it with a Silver Medal.
Tasting the wines of Granmonte is only half of the fun. Visiting the estate affords you the opportunity to enjoy the exquisite VinCotto restaurant. My tenderloin of Australian beet with French Foie Gras would have been amazing anywhere, but set among the lush tropical foliage of the Thai countryside it was a revelation. Keeping with the family theme, Visooth's wife Sakuna is responsible for the wide range of flavors the restaurant has to offer.
The delights of the restaurant are available to go at the tasting room, with a selection of Sakuna's sauces and preserves sold along side the fine selection of wines. Enjoy a sip of Chenin Blanc, then walk the grounds and admire the lotus pond before settling in for a fine meal at the restaurant and a bottle of their award winning Syrah.
Just two hours from Bangkok, Granmonte is well worth the trip. For more information on visiting Granmonte the next time you are in Thailand, or to learn more about the estate and its ever evolving plans, visit their web site at http://www.granmonte.com/. Tell them I sent you.
Tuscany is probably the Italian wine region that is best known among American drinkers. Hundreds of raffia-covered fiascos (you know what I'm talking about--the bottles that you use for candle holders when the wine is all gone) have entered hundreds of homes all over the country. (picture by dottorpeni)
But there's more to Tuscan wine than just Chianti. For the last two months of 2008 I'll be focusing on the wines from this region. Why two months? There's just too much good wine to spend only one month exploring.
Tuscany is a region that is known for more than wine, of course. Home to the great poet Dante, its also the region where Pisa's "leaning tower" is located. Pisa is not the only town in the region with stunning architecture, as any visitor to Florence, San Gimignano, or Siena knows. Rolling hills, groves of olive trees, fields of sunflowers and vines, and old houses dot the landscape as well, making Tuscany a feast for the eyes as well as the tastebuds. (photo by vigour)
And the grapes of Tuscany are just as diverse as the countryside where they're planted. There's Sangiovese, of course, but there's also rarer indigenous varieties like Toroldega, Vernaccia, and Canaiolo. And Tuscan vineyards have their fare share of international grapes in them like Merlot, Syrah, Cabernet Franc, Tempranillo, and Cabernet Sauvignon, too. Merlot and Cabernet Sauvignon are often blended with Sangiovese in the powerful red wines known as Super Tuscans that earn high scores from the wine magazines and command high prices in the wine shops. (photo by rayced)
Great wine demands great food, and as anyone who has been to Tuscany knows--these people can cook. Whether you're looking for a simple pasta dish with sauce made from butter and sage, a hearty soup thickened with bread and beans, grilled beef cooked to perfection as they do in Florence, or the small cookies made for dunking in your coffee or wine called cantucci, you can find a dish to suit you from among the region's traditional recipes. These dishes are perfect for winter temperatures and feeding large crowds at the holidays. Many of them are also either quick to prepare, or cook at low temperatures in the pot or oven so they are ideal for entertaining.
With so much to love about Tuscan food and wine, it seemed like the right moment to slow down and enjoy the end of the this year's wine journey through Italy. Those of you who have been following the series know that there are still regions I've not yet reached. So we'll pick up where we left off in January 2009 and continue to drink the wines from the remaining regions of Italy all through next year. (photo by davidanthonyporter)
I'll be back periodically over the next several weeks with tasting notes and food pairings for Tuscan wines. Yes, Chianti will be among them. So, too, will be Tuscan whites and a wine made with indigenous varieties. And the Tuscan wine theme will spill over into Serious Grape on Fridays as well, where I'll talk about Super Tuscans and compare the different levels of Chianti from the regular bottles to Chianti Classico and reserve wines. As always, I hope you will join in and share your Tuscan wine recommendations and experiences.
It doesn?t seem like eight years has passed since we entered the new millennium in 2001, but it has. It was the beginning of a very difficult time; my wife Liz passed away in Feb 2001, the political process started to change and the world changed with it. September 11 showed up on the world?s doorstep, and many of us have been taking it one day at a time, hoping for better days to come.
As I was jogging this evening by the high school, a speaker announced over the stadium address system, that there were refreshments in the concession stand. He described the available items: candy, popcorn, hotdogs, and then he said three little words, ?for your pleasure.? It sounded like a throwback in time when things were so much simpler and in its uncomplicated message I thought back over the last 40 years and what some of our cinematic dreamers and Italian wine visionaries thought the world would be like in 2001. And while it sure wasn?t all that they projected in the movie, 2001: A Space Odyssey, it sure has been a heck of a trip. So, at this time I?d like to jump into the WABAC machine, back to 2001 and see what wines I would have predicted for the past, here in the safety of the future. Of course the wines are from the Italian trail, and beyond.
Ever since the time I attempted to simultaneously sell a Tuscan Novello and a Vernaccia di Serrapatrona, that would have been about this time in 1984, I have wondered why Italian wines chose me. Not just me, but for some of the hard stuff, I sure have had my share of those assignments. Driving around with a delivery van full of baby Sangiovese alongside a quirky, dry, foamy red wine made by a madman in the hills of the Marche. What was I thinking then? Even now it sounds bizarre. Don Quixote, only this time we weren?t looking for windmills. We were looking for space stations for these special travelers. And in honor of those two wines, in the 2001 of our little story here, we have an homage: Novello Di Ascoli, a modern wine about reincarbonation.
Chianti: 2001 was a little project that went beyond Chianti 2000. I?m not sure if people realize the first Italian in space was Sangiovese. A little known experiment resulted in growing and harvesting the grapes aboard the International space station. Limited release, only about 20 cases, hydroponically grown. It was intended to test the ideas of extra-terroirestrial winegrowing. It is an amazing red wine, without the pull of gravity and ratings. No, only the influence of the astro-agronomist-winemaker, an American of Italian descent. It challenges the limitations of the Italian wine trail that we terrestrials put on it. Buckminster Fuller said, ?Whatever nature lets you do is natural.? I wish all of you could have tried it with me. But alas, a quick trip to Washington D.C., some time ago, was the only opportunity any of us will have. But there will be more. Watch for a sparkling wine to come, made in zero gravity, called Zero-Zero. No dirt on their space-boots, but lots of ardent advances orbiting above us.
Down in the Cilento National Park, there is a colony of Italians who speak Esperanto. They escaped the area around Vesuvius many years ago and decided to leave behind their dialect. But they took their grapes with them and started making a red wine for the new millennium, to coalesce their past with their future. It is a cult wine on the islands around Naples and further south. I have only seen and had it once, from a private cellar in Panarea. The wine reminded me of the reds made by Galardi. I have heard people say they have traded two bottles of Le Pin for one bottle of ?Vulkano? Campania Ruga. I have tried both wines. I would say two bottles of Le Pin for one from the Esperantani?s is a fair deal.
About 11 years ago, in a place near Colfiorito, there was a terrible earthquake. When they got to digging out some of the buildings, rescue workers found a lab book from a vineyardist, describing a project code-named ?Il Grifi?. The project, like its name, had as its goal to combine three grapes to make a new wine. Here the vineyardist had been researching, via recombinant DNA, the creation of a wine that had as its parents, Sangiovese, Sagrantino and Montepulciano. And yes, for many years in Umbria and the Marche, winemakers have blended these grapes together to make various wines. William Sylvester, who starred in the Stanley Kubrick film, had made a film in Italy and was fascinated with this area and with wine. So he funded this little known experimentalist. Italy loves to resuscitate ancient things: statues, grapes, legends. In this case, as we headed back to 2001, we discovered that the wine had finally been made, in minute quantities. An amazing wine, combining the ephemeral verve of Sangiovese, the tannic and alcoholic power of the Sagrantino and the lubriciousness of the Montepulciano. Joy upon joy, an almost perfect wine in time for the new age. But alas, only one year was made and only 1113 bottles. They were mostly served at an autumn Sagra in Colfiorito for the special red potato named after the area, which makes the most wonderful base for the local gnocchi. The wine disappeared into memory, along with the best gnocchi I had ever had. The wine? Sangrapulciano.
Two wines, Navicella and Passeggiata, were ?good soul? efforts to make right the promise to reach the moon before the end of the decade. In the Italian?s efforts, though, it managed to arrive about 30 years later. End of decade, end of century, end of millennium, hey it?s only time, no?
Navicella was the wine intended for the first course, something from the aquaculture tanks. Passeggiata was created for the second stage, more experimental than the first wine. It was a sci-fi way of twinning tradition (Navicella) with innovation (Passeggiata) and for those who experienced the wine, I've been told it was a magical. Again, this was eight years ago when the Italians were embracing the next big thing. Now we are earthbound again, arguing this time over tradition vs. innovation. There are a few of these wines available on the auction circuits. A large enological school in Northeastern Italy was in incubating site for these wines. The Lega Nord, and a then unknown party operative, put an end to it. That little known operative would someday, in the future, join with Berlusconi and attempt to influence events in a larger and more important wine producing region, with near cataclysmic results.
Out last find caused a little flap among the retro-futurists in the room. Paraspruzzi was proposed to bridge the workers in the fields, those who tromp through the primal slime in their waders, with the elevated shapers of fashion. Originally the marketers wanted to call it ?Chiaccerone?. Another on the board wanted to name it ?Lo Scroccone?. But it was felt that normal wine lovers wouldn?t know how to pronounce it. Not that Paraspruzzi is that easy, but it sounded like the celebrity photographers who were known to frequent all the ?in? places looking for those same nine beautiful people to snap up.
This was actually one of the most successful of the wines; it had a run of three vintages. Later as it was being packaged to sell to one of the large Euro-spirit-lux corporations, there were a string of lawsuits. As it turned out, everyone spent more on lawyers than the plan could ever return in ten years, so the project was jettisoned. A real shame, because the wine had a bona fide grip on the cognoscenti of the Italian wine industry. The bloggers never found out about it, this was buried deep in Puglia under the cover of an ancient Masseria. The remaining wine fetches a pretty Euro.
There lies my time and space odyssey of 2001, following the wines of the future back to the past. Submitted for your pleasure.
by Martin Field Readers familiar with Yarra Yering wines will be saddened to hear of the passing of winery founder, Dr Bailey Carrodus, after a short illness, on 19 September 2008. A personal reminiscence I knew Bailey fleetingly in the late '70s and early '80s. He was a loveable if sometimes irascible character with an incisive mind. His wines were highly individual and did not always suit the prevailing palates of the day. Despite the critics, Bailey created his own unmistakable style and gained a wide international market. Strange that we were friendly. When we first met, (I was brash) I shared my considered opinion that some of his '70s wines were a tad too acidic. I got the inimitable Carrodus look...
Feel the chill in the air, the earthy aromas of dried leaves and wet soil, the vibrant orange and red colors on the tip of the leaves like small dabs of paint radiating from the deep dark green background? Sigh, this is my favorite time of the year. I love to fill a thermos with hot tea, chocolate, or better yet, mulled wine; layer myself in flannel and fleece; and enjoy a day in the mountains basking in the warm heavy glow of the September sun. The brisk winds rustling the dry, cracking leaves is like music to my ears.
The magic of autumn brings a sense of warmth in my belly, as it calls for heavier and richer foods able to coat my stomach with a sense of fullness. Bright orange pumpkins and vibrant yellow and green squash begin their debut in homes across Spain, and when added with a touch of oil and garlic, how could anyone not be happy?!
Fall is also the time for the time of the harvest, when bodegas across Iberia kick into high gear to begin the grape picking process. Purple hands can be found across the peninsula, harvesting both red and white grapes with the most gentle of care, hoping to preserve every single ounce of flavor from the vineyard to the bottle.
And so far, I am happy to announce that the harvests in both Spain and Portugal are shaping up beautifully. Despite the hail storms that affected several areas throughout Ribera del Duero and La Mancha last year, whereby reducing the production of red grapes by 20% for some bodegas, the quality of the grapes themselves are being reported as outstanding! This decrease in production is also being seen as far east as Utiel Requena and as far west as the Alentejo in Portugal.
On the flipside, Rias Baixes, in northwest corner of Spain, is reporting to have an increase of 10% in their production as opposed to the previous year. According to Wines of Spain, the Regulating Council?s chairman, José Ramón Meiriño, expects “a 10 percent increase in estimated average yields in comparison to the 2007 harvest, which yielded a total of 5,355 kg/ha?. Interestingly, according to their last blog post in early August, Castro Martin didn’t expect the same results “At this moment we are probably about a month away from the start of the 2008 vintage, and (touch wood), it is looking like we might have a similar sized harvest to 2007, albeit that it is much to early to predict how the quality might compare.”
Just south of Rias Baixas, the famous Port producing region, the Douro, is also reporting an increase in production. According the the Oscar Quevedo, “The yield has been higher compared to last years? production and our estimate for the other vineyards is a productivity of almost 3.5 tns/hectare”.
Despite the highs and lows of production throughout Iberia, there appears to be one resounding message, the quality of 2008 should be incredible!
If you are a winemaker in Spain or Portugal, let us know how your vintage is shaping up! Additionally, check out, and add your reports and photos to, our international 2008 Wine Harvest Flickr group to see the progression of this years harvest!
For those of you who haven’t been keeping up on our sappy stories from the European Wine Blogger’s Conference that took place in La Rioja last weekend, allow me to catch you up. For three days, Robert McIntosh, Ryan and I gathered together several wine bloggers from around the world to meet and chat about…yup, wine blogging.
However, what you, nor anyone else, has known up until today was that we didn’t have a location set for the keynote tasting / dinner until a few weeks before the event - I kid you not. Don’t get me wrong, we were looking! But try as we might, from June to August, getting anything planned and confirmed in Spain is impossible. So with literally days remaining, we used one of Robert’s many Rioja connections - also known as the golden enchufe - to get us a reservation at La Chata.
Now mind you, none of us had ever been there, but the restaurant came on good authority as a wonderful place that would actually seat all 40 bloggers. But get this, they wouldn’t only make room our entire crew, but they even had a separate area where we could host our wine tasting consisting of cases upon cases of wine! This, my friends, was a miracle, and a reservation based on complete faith, because for all we knew, it could have been a mess!
So what made La Chata such an incredible find?
The Perfect Feeling
The historic restaurant is nestled inside the old part of Logrono on a tiny Gothic style street called, Calle Carnicería, just a stones throw away from the Plaza del Mercado and the Catedral de La Redonda. Stepping through the door, you enter a small room holding a set of wooden stairs, a long hallway to the right of the stairs that lead to a white tiled kitchen, and a narrow wooden bar that sits about 6ft in front of an enormous stone oven. Built in 1821, this monster of an oven has seen more carcasses than I hope any of us will have seen in a lifetime, and was the first of its kind in Spain. Two stone ovens were later constructed in the Plaza del Mercado in the early 19th century, primarily for bread, but La Chata had already gained a reputation for creating the first of its kind.
Walking up the stairs, you enter a long cozy room with wooden floors, thick wooden tables and chairs, and cozy atmosphere that feels more appropriate for a large Sunday brunch with a Riojan family than a restaurant filled with foreigners. But strangely enough, that is exactly how they try to make you feel, like part of the family.
La Chata is owned and managed by the Belber family, a patient and loving group of people who were eagerly willing to not only endure my 1001 questions on cooking a suckling pig, but also handling a loud and passionate group of international wine bloggers who were ridiculously excited to experience a traditional Rioja meal. With grace and professionalism, they handled the most inquisitive and cautious among us with a humor, entertainment and kindness. For me, it was a feeling of complete acceptance regardless of whether or not I enjoyed the food. As stated by the chef and owner’s wife, Estela, “How cool that you all came from around the world to appreciate our food and culture. I appreciate that!”. So do we Estela, so do we!
Fourths Anyone?
And as if the service and atmosphere wasn’t cozy and heart-warming enough, the food was quite good. Granted, the caveat being that the conversation and gales of laughter may have influenced my perception, making every dish seem incredible, but hey, take my impressions for what they’re worth. From what I remember, between Juan mistaking Ryan as my brother and Emidio training his child how to differentiate aromas from various wines, in the end, it all tasted good to me
Our meal began with four appetizers:
Ensalada Templada de Perdiz Escabechada con Endibias (Partridge Endive Salad)
Jamón Ibérico de Bellota (Traditional Cured Ham)
Espárragos Especiales de la Ribera (White Asparagus served with Sliced Tomatoes and Mayonnaise)
Revuelto de Boetus Edulis con su Cebolleta Fresca (Scrambled Eggs with Fresh Onion and Edulis Mushrooms)
Of these four, I’d like to call attention to the Revuelto de Boetus Edulis con su Pebolleta Fresca. Having only had Huevos Rotos (scrambled eggs with chorizo and a touch of vanilla) in Rioja, I was extrememly happy to have tried another version. The eggs held a perfect delicate, yet firm texture, while the mushrooms added that earthy flavor that paired beautifully with the 2007 Pazos de Lusco from Rias Baixas. I´m still dreaming about this dish today!
Once the plates were cleared, a large heaping pile of Cochinillo (suckling pig less than 6 months old) was placed on the table with a crisp skin to contrast its tender and juicy meat. This was paired with Escarola de la Tierra con su Aliño de Ajitos, a stiff and curly leafy green lettuce (similar to frise) in a light garlic dressing. The crisp green texture and spicy garlic flavor added that perfect touch to the slightly sweet meat.
In short, this restaurant is a must visit, a place I would highly suggest you go if you wish to experience a traditional Rioja meal in a cozy and quaint family run restaurant, where good service and a big smile are a normal part of the experience. Sigh, only a few months to go before we’re back again. I can’t wait!
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
‘Twas the night before Conference, when all through the house Not a creature was stirring, not even a computer mouse;
The nametags were hung by their lanyards with care, In hopes they’d be worn when they bloggers arrived there;
Each and every wine geek were nestled all snug in their beds, While visions of black-cherries and licorice danced in their sweet heads;
While I sat panicking over every tiny detail, Ryan smiled proudly regarding the conference’s grand scale;…
Yeah, not going to happen! Our creative juices are completely dehydrated. The conference is now on cruise control, and barring any strange twists, we should be enjoying a fine Participant tasting on Friday night. Still a bit nervous? Of course! Seeing that this is our conference, or rather, this is the first international wine bloggers conference ever, we just hope all the wine bloggers behave themselves!
So for now a few pointers too things we think you should look at.
Another winery sent to the sidebar
This time it’s Port wine, and damn fine port wine at that, Quevedo. A few months ago, we started working with this small winery and we’re proud of the results. Located in the Douro Valley, right next to some of the most historic wineries in the region, this is a young winery with old roots. We’re holding back a bit on the details, because they’ve done a superb job telling their story at this point. So, please check them out and say hello from us!
Thank you Sponsors
We don’t do advertising on Catavino, but we did need sponsors to help us put together the EWBC conference. Therefore, we’d like to offer a sincere thank you for their generous support. It’s companies like these that support new technologies at the early stages that will continue to succeed. Thank you: Dinastia Vivanco, La Rioja Tourismo, Raimat, Casa de la Ermita, Heredade Esporao, Amorim and all of the wineries who donated wines for our various tastings!
Wine Recommendation
In an effort to catch up on some sample tastings, we had an impromptu BBQ party on the roof this past Sunday afternoon. Seriously fun time with lots of friends, who as a result of summer schedules, have been strangers to us for what seems like months. Our brined, bone in pork loin was the main attraction, which continually amazes us as to how juicy pork can be on the grill when brined correctly. Grilled vegetables, couscous, Ryan’s famous black beans and a couple of melons rounded out the meal. As for wine, we offered a bunch of tasters, some better than others. I will say though a Cava from Utiel-Requena winery Sybarus. This little wine is a knock out, with great toasted notes, intense honey and lot’s of lemon notes.
So Gabriella and I just want to say sorry for the short post. We’ll be around, and trying to get an update up on Friday or Saturday though we make no promises.
Tecnorati
It doesn?t seem like eight years has passed since we entered the new millennium in 2001, but it has. It was the beginning of a very difficult time; my wife Liz passed away in Feb 2001, the political process started to change and the world changed with it. September 11 showed up on the world?s doorstep, and many of us have been taking it one day at a time, hoping for better days to come.
Ever since the time I attempted to simultaneously sell a Tuscan Novello and a Vernaccia di Serrapatrona, that would have been about this time in 1984, I have wondered why Italian wines chose me. Not just me, but for some of the hard stuff, I sure have had my share of those assignments. Driving around with a delivery van full of baby Sangiovese alongside a quirky, dry, foamy red wine made by a madman in the hills of the Marche. What was I thinking then? Even now it sounds bizarre. Don Quixote, only this time we weren?t looking for windmills. We were looking for space stations for these special travelers. And in honor of those two wines, in the 2001 of our little story here, we have an homage: Novello Di Ascoli, a modern wine about 
Chianti: 2001 was a little project that went beyond Chianti 2000. I?m not sure if people realize the first Italian in space was Sangiovese. A little known experiment resulted in growing and harvesting the grapes aboard the International space station. Limited release, only about 20 cases, hydroponically grown. It was intended to test the ideas of extra-terroirestrial winegrowing. It is an amazing red wine, without the pull of gravity and ratings. No, only the influence of the astro-agronomist-winemaker, an American of Italian descent. It challenges the limitations of the Italian wine trail that we terrestrials put on it. Buckminster Fuller said, ?Whatever nature lets you do is natural.? I wish all of you could have tried it with me. But alas, a quick trip to Washington D.C., some time ago, was the only opportunity any of us will have. But there will be more. Watch for a sparkling wine to come, made in zero gravity, called Zero-Zero. No dirt on their space-boots, but lots of ardent advances orbiting above us.
Down in the Cilento National Park, there is a colony of Italians who speak Esperanto. They escaped the area around Vesuvius many years ago and decided to leave behind their dialect. But they took their grapes with them and started making a red wine for the new millennium, to coalesce their past with their future. It is a cult wine on the islands around Naples and further south. I have only seen and had it once, from a private cellar in Panarea. The wine reminded me of the reds made by Galardi. I have heard people say they have traded two bottles of Le Pin for one bottle of ?Vulkano? Campania Ruga. I have tried both wines. I would say two bottles of Le Pin for one from the Esperantani?s is a fair deal.
About 11 years ago, in a place near Colfiorito, there was a terrible earthquake. When they got to digging out some of the buildings, rescue workers found a lab book from a vineyardist, describing a project code-named ?Il Grifi?. The project, like its name, had as its goal to combine three grapes to make a new wine. Here the vineyardist had been researching, via recombinant DNA, the creation of a wine that had as its parents, Sangiovese, Sagrantino and Montepulciano. And yes, for many years in Umbria and the Marche, winemakers have blended these grapes together to make various wines. William Sylvester, who starred in the Stanley Kubrick film, had made a film in Italy and was fascinated with this area and with wine. So he funded this little known experimentalist. Italy loves to resuscitate ancient things: statues, grapes, legends. In this case, as we headed back to 2001, we discovered that the wine had finally been made, in minute quantities. An amazing wine, combining the ephemeral verve of Sangiovese, the tannic and alcoholic power of the Sagrantino and the lubriciousness of the Montepulciano. Joy upon joy, an almost perfect wine in time for the new age. But alas, only one year was made and only 1113 bottles. They were mostly served at an autumn Sagra in Colfiorito for the special red potato named after the area, which makes the most wonderful base for the local gnocchi. The wine disappeared into memory, along with the best gnocchi I had ever had. The wine? Sangrapulciano.
Two wines, Navicella and Passeggiata, were ?good soul? efforts to make right the promise to reach the moon before the end of the decade. In the Italian?s efforts, though, it managed to arrive about 30 years later. End of decade, end of century, end of millennium, hey it?s only time, no?
Navicella was the wine intended for the first course, something from the aquaculture tanks. Passeggiata was created for the second stage, more experimental than the first wine. It was a sci-fi way of twinning tradition (Navicella) with innovation (Passeggiata) and for those who experienced the wine, I've been told it was a magical. Again, this was eight years ago when the Italians were embracing the next big thing. Now we are earthbound again, arguing this time over tradition vs. innovation. There are a few of these wines available on the auction circuits. A large enological school in Northeastern Italy was in incubating site for these wines. The Lega Nord, and a then unknown party operative, put an end to it. That little known operative would someday, in the future, join with Berlusconi and attempt to influence events in a larger and more important wine producing region, with near cataclysmic results.
Out last find caused a little flap among the retro-futurists in the room. Paraspruzzi was proposed to bridge the workers in the fields, those who tromp through the primal slime in their waders, with the elevated shapers of fashion. Originally the marketers wanted to call it ?Chiaccerone?. Another on the board wanted to name it ?Lo Scroccone?. But it was felt that normal wine lovers wouldn?t know how to pronounce it. Not that Paraspruzzi is that easy, but it sounded like the celebrity photographers who were known to frequent all the ?in? places looking for those same nine beautiful people to snap up.
