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[08/21/2008, 22:33]
Slovenia's Culinary Diversity and My Favorite Rebula | |  What with the Summer Games currently placing China and its regional cuisines in the limelight in terms of reflecting nearly a continent?s worth of complex, multi-ethnic influences, we should also consider other similarly impressive culinary miracles that geographically take up an infinitesimally tiny fraction the size of China?say Slovenia. In my understanding at least, Slovenia has always represented a fascinating crossroads within an impossibly modest amount of land. Many diverse and even warring influences have laced Slovene customs, viticulture and cuisine. Somehow though, like a cultural or culinary manifestation of the metaphysical concept in J.L. Borges? The Aleph, individual influences never amass into an incomprehensible amalgamation, but rather, remain clearly discernible.
Whether in its fairly recent history as a sovereign republic, under communism or seemingly serving as the geopolitical puck between Napoleon and the Habsburgs? shuffleboard match, Slovenia?s former overlords and neighbors include decidedly unique food cultures?Croats, Istrian Italians, Hungarians and Austrians, among others. Bearing all of this in mind and turning our thoughts to the central concern here on Enotheque, I would like to recommend this wine from the Gori?ka Brda region. Aside from being one of the wines I?ve been enjoying recently, I chose to post on it because I strongly feel that it?s indicative of the impressive quality-value dynamic that importers and retailers could benefit from should markets seem more receptive to the artisan wines of Slovenia.
Even if one is already familiar with the Colli Orientali of Friuli?s Ribolla Gialla, the Slovene version, Rebula, is more than worth trying. As a whole, Slovenia and the Gori?ka Brda produce white wines of impressive caliber, be it from more distinctly regional varieties or others introduced from abroad: Briski Tokaji, Teran, Chardonnay, Sauvignon Blanc, Sivi Pinot, Pinela, or Rebula for that matter. In terms of this one, vintner Matjaz Cetrtic farms Rebula on wide, terraced limestone vineyards, purposefully limiting yields to ensure lush, concentrated and nuanced wines. My notes follow for the 2004 Matjaz Cetrtic Ferdinand Rebula Brda:
Tasting Notes?
Appearance-wise, this wine is medium gold. The nose is clean and of medium intensity, with highly unusual though pleasantly different aromas of caramelized or burnt orange peel, citrus, flowers and minerals. Strange, delightful palate with just enough lemon acidity, hint of underripe green fruit flavors, minerality in the form of pebbles, as well as the aforementioned burnt orange peel flavor that leads into a nice finish. If in search of something wildly, completely different, I wouldn?t doubt to reach for more Slovene wines such as this Cetrtic Rebula.
As a closing note, should the unbelievable degree of complexity in tiny Slovenia?s food and wine heritages impress you and compel you towards further learning, visit the culinary section of what appears to be their official tourism portal on the web. | | | |
[12/24/2007, 03:00]
Christmas at the BC Wine Appreciation Society | |  The mood was festive, as it always is, at the BCWAS Christmas party and tasting. Plenty of sparkles and bling were in evidence as our usual gang of suspects gathered to check out a selection of Christmas offerings from around the province.
Naturally, there was sparkling wine to start the evening ? Steller?s Jay from Sumac Ridge and as you can see at the right, owner Harry McWatters himself was pouring. Wonderfully yeasty and a perfect complement to the freshly shucked oysters that were part of the smorgasbord of delectable nibbles. And Frank said he was going to be  late? snicker. So of course, I just had to check that particular pairing again on my own.
During the course of the evening the food seemed endless and conversations delightfully varied ? wandering from the newest VQA stores in everyone?s ?hood to the emerging trend of creating strata housing developments amid the vines of established wineries to which grape varietals are best suited to BC and how that varies between the Okanagan and Vancouver Islands. But always, we came back to the main event ? the wines themselves. Picking a favourite was, as expect, a tough call, but by the time Frank got there, it seemed pretty much narrowed down to two.
From one of our favourite Gulf Island Wineries, Morning Bay, Keith (shown below with Francis, BCWAS' financial wizard) and Barbara had brought an unannounced bottle of their new release Bianco. Crisp and clean, with medium plus intensity of citrus with a hint of floral on the nose, Frank?s eyes took on that glint of appreciation when we went back to this one, and he was soon deep in conversation with Keith about the four strains of yeast used ? one for each of the grapes that make up this summer sipper blend: Schonberger, Gewurztraminer, Pinot Gris, and a touch of Riesling. All are vinified separately with the Riesling adding just a touch of orchard fruit. Made in a bone dry, Alsace style, Frank?s first thought was oysters or shellfish ? especially  if you can?t find a Muscadet. At that point I didn?t have the heart to tell him about the earlier nibblies he?d missed.
A highlight of the evening, one that had attracted a huge amount of anticipation was the 2004 Nota Bene from Black Hills. Considered something of a cult wine among BC wine fans, this Bordeaux blend (43% Cabernet Sauvignon, 37% Merlot, 20% Cabernet Franc) is filled with black fruit plus a hint of cherry with cedar and pencil shavings. We agreed it was well balanced with fine-grained tannins.
Unfortunately, if you?re thinking of nipping down to the store to grab a bottle or two, think again. This wine sells out year after year ? unless you?re on their list, you likely won?t find any unless you can snag a bottle at a local restaurant or visit their Okanagan winery for yourself. Admittedly it was quite delicious. Still, at $35 seemed a bit pricy and in many ways remains an example of one of the biggest issues many (both of us included) believe the BC wine industry in general needs to consider carefully as it continues its evolution onto the world stage ? how to be competitive in an increasingly savvy, discriminating marketplace.
PS: Happy Birthday to Leah. Thanks for pouring on your special day and you did a great job with the candle on your cupcake. | | | |
[10/20/2008, 07:16]
Wine Pics: Vintage Oregon 08 | | 
Barrel washing at Grand Cru 
Pump over at Grand Cru 
Washing bins at Soter Vineyards 
Pinot harvest at Soter Vineyards | | | |
[10/12/2008, 10:54]
Why Wine Isn't Art?and Why That Matters | | Brilliant article from the recent issue of Wine Spectator written by Matt Kramer (winespectator.com): Recently I found myself in one of those wine wrangles that, truth to tell, I usually try to avoid. (Check out any wine chat board on the Internet if you've got a taste? for this sort of thing.)
The wrangle was with, natch, a winemaker?, while at a social event. It involved the winemaker's assertion that "fine wine is art." I pointed out, as modestly as I could, that there's no denying that nature surely doesn't make wine on its own, let alone fine wine (vinegar? is more like it). I then went on to say that fine wine is, at best, a high craft both in the vineyard? and the cellar?.
Probably, if I had stopped there, the discussion would have proved amicable. But I took the matter one step further. (You're shocked, I know.) I submitted that saying that winemaking, and therefore its result, is "art" was self-aggrandizing. You can imagine how that was received.
Now, I admit that the self-aggrandizing bit was a low blow. Still, it's true. If winemakers can get you, me and, especially, their employers to see them as artists, you know what'll happen: Their salaries will rise, and producers, for their part, will start pricing wine as "art." And you know what that means.
So why isn't fine wine "art"? The answer is surprisingly simple. Art is creation; wine is amplification. The big? difference between an artist and a winemaker is that an artist starts with a blank sheet while a winemaker works with the exact opposite. A grape arrives at the winery? with all the parts included, a piñata stuffed with goodies, just waiting to be cracked open.
Is there a craft to doing that? You bet there is. But where an artist conceives of something out of the proverbial thin air, no winemaker anywhere in the world can do any such thing.
For example, when my wine heroine Lalou Bize-Leroy bought the former Domaine? Noëllat in Vosne-Romanée and transformed it into Domaine Leroy, she did not create her magnificent wines from scratch. It was all right there in the hallowed ground and old vines? of her newly acquired pieces of Richebourg and Romanée St.-Vivant. She didn't create something from nothing. Quite the opposite.
Fine wine is not creation. It is refinement. If it were otherwise, then everybody would be "creating" Lafite Rothschild or La Tâche or any other wine masterpiece of singular, irreproducible expression and high price. Counterfeiting aside, I don't see anybody doing that, do you?
They don't because they can't. That's precisely why fine wine is not art. It comes from all the forces that create a particularity of site. Great winemakers?which is to say, expert practitioners of winecraft?tease what they can from the sites that are available to them by planting the right grapevines, growing them astutely, harvesting the fruit at an ideal moment (a problematic issue today given some winemakers' and critics' preferences for ever greater ripeness) and handling the fermented juice? in the cellar with deft control.
This is no small charge, and I, for one, do not seek to diminish it in any way. But art? Not a chance. The poet E.E. Cummings put his finger on it better than anyone else: "A world of made is not a world of born." Wine is no more a blank canvas than the Grand Canyon.
Why does this distinction matter? Because abstract though it is, if winemakers and, yes, wine lovers, see wine as art, then the essential connection between what a grape expresses from its site and what we expect is severed. If a winemaker is an "artist," then he or she, by artistic right, can and should modify the result to suit a personal vision separate from a "mere" expression of place.
However, if the finest winemaking is seen as a high craft, rather than art, the expectation changes subtly yet substantively. Where art presumes a blank slate upon which a personal vision necessarily is writ large, the notion of craft is more deferential. Like great parenting, it's a guardianship of something already largely complete. The goal is refinement and amplification of what's inherent. Think of what happens when parents do otherwise.
So it is with wine. All sorts of technological deconstruction and reconstruction now occurs in many wineries today, especially ones creating high-end?or at least high-priced?wines. They see themselves as artists and would like to convince you of same. If they can, well, you know how distorted the results can be?and who pays.
Matt Kramer has contributed regularly to Wine Spectator since 1985.
» Full Story (subscription required) It seems obvious on reflection but it remains an important distinction to make, especially given the widespread labeling of wine making as an art form, particularly in wine marketing circles. Tags: melgab, wine, art, refinement, wine making, south-africa, South Africa | | WorldWine Tags: melgab, wine, art, refinement, wine making, south-africa, South Africa, | | | |
[11/10/2008, 23:32]
Wrapping Up 2008 in Burgundy (Wine Spectator) | | | Posted by 1 Much to my horror, my recent trip to the United States and Canada revealed to me that some people have actually been reading this blog. While it was not a shock that people visit WineSpectator.com, the fact that anyone would labor through my heavy prose and factual notes was a total revelation. | | | |
[05/30/2008, 20:56]
More Food Reference Book Reviews | | Joanne has added the following reviews:
The Story of Tea A Cultural History and Drinking Guide by Mary Lou Heiss and Robert J. Heiss
Tea Aromas and Flavors Around the World by Lydia Gautie
Preserving Food Without Freezing or Canning by the Gardeners and Farmers of Terre Vivante
Fish Forever by Paul Johnson
Fine Waters by Michael Mascha | | | |
[09/12/2007, 20:57]
The Vineyard Owner | | 
For an in-depth look at starting up your very own vineyard, check out Vineyard Owner. It's still a work in progress, but it currently sports some nice articles on Disease and Pest Management, and Climate factors. | | | |
[04/28/2007, 16:15]
Wine, Whisky & All That Jazz | | | This cool combo of fine wines and classic jazz is one of Toronto?s premier events. Energy Savings Group Wine, Whisky & All That Jazz is set for Wed., June 20 at the Liberty Grand. Recapture the golden age of jazz... | | | |
[11/05/2008, 07:10]
For Your Pleasure | |  It doesn?t seem like eight years has passed since we entered the new millennium in 2001, but it has. It was the beginning of a very difficult time; my wife Liz passed away in Feb 2001, the political process started to change and the world changed with it. September 11 showed up on the world?s doorstep, and many of us have been taking it one day at a time, hoping for better days to come.
As I was jogging this evening by the high school, a speaker announced over the stadium address system, that there were refreshments in the concession stand. He described the available items: candy, popcorn, hotdogs, and then he said three little words, ?for your pleasure.? It sounded like a throwback in time when things were so much simpler and in its uncomplicated message I thought back over the last 40 years and what some of our cinematic dreamers and Italian wine visionaries thought the world would be like in 2001. And while it sure wasn?t all that they projected in the movie, 2001: A Space Odyssey, it sure has been a heck of a trip. So, at this time I?d like to jump into the WABAC machine, back to 2001 and see what wines I would have predicted for the past, here in the safety of the future. Of course the wines are from the Italian trail, and beyond.
 Ever since the time I attempted to simultaneously sell a Tuscan Novello and a Vernaccia di Serrapatrona, that would have been about this time in 1984, I have wondered why Italian wines chose me. Not just me, but for some of the hard stuff, I sure have had my share of those assignments. Driving around with a delivery van full of baby Sangiovese alongside a quirky, dry, foamy red wine made by a madman in the hills of the Marche. What was I thinking then? Even now it sounds bizarre. Don Quixote, only this time we weren?t looking for windmills. We were looking for space stations for these special travelers. And in honor of those two wines, in the 2001 of our little story here, we have an homage: Novello Di Ascoli, a modern wine about reincarbonation.
 Chianti: 2001 was a little project that went beyond Chianti 2000. I?m not sure if people realize the first Italian in space was Sangiovese. A little known experiment resulted in growing and harvesting the grapes aboard the International space station. Limited release, only about 20 cases, hydroponically grown. It was intended to test the ideas of extra-terroirestrial winegrowing. It is an amazing red wine, without the pull of gravity and ratings. No, only the influence of the astro-agronomist-winemaker, an American of Italian descent. It challenges the limitations of the Italian wine trail that we terrestrials put on it. Buckminster Fuller said, ?Whatever nature lets you do is natural.? I wish all of you could have tried it with me. But alas, a quick trip to Washington D.C., some time ago, was the only opportunity any of us will have. But there will be more. Watch for a sparkling wine to come, made in zero gravity, called Zero-Zero. No dirt on their space-boots, but lots of ardent advances orbiting above us.
 Down in the Cilento National Park, there is a colony of Italians who speak Esperanto. They escaped the area around Vesuvius many years ago and decided to leave behind their dialect. But they took their grapes with them and started making a red wine for the new millennium, to coalesce their past with their future. It is a cult wine on the islands around Naples and further south. I have only seen and had it once, from a private cellar in Panarea. The wine reminded me of the reds made by Galardi. I have heard people say they have traded two bottles of Le Pin for one bottle of ?Vulkano? Campania Ruga. I have tried both wines. I would say two bottles of Le Pin for one from the Esperantani?s is a fair deal.
 About 11 years ago, in a place near Colfiorito, there was a terrible earthquake. When they got to digging out some of the buildings, rescue workers found a lab book from a vineyardist, describing a project code-named ?Il Grifi?. The project, like its name, had as its goal to combine three grapes to make a new wine. Here the vineyardist had been researching, via recombinant DNA, the creation of a wine that had as its parents, Sangiovese, Sagrantino and Montepulciano. And yes, for many years in Umbria and the Marche, winemakers have blended these grapes together to make various wines. William Sylvester, who starred in the Stanley Kubrick film, had made a film in Italy and was fascinated with this area and with wine. So he funded this little known experimentalist. Italy loves to resuscitate ancient things: statues, grapes, legends. In this case, as we headed back to 2001, we discovered that the wine had finally been made, in minute quantities. An amazing wine, combining the ephemeral verve of Sangiovese, the tannic and alcoholic power of the Sagrantino and the lubriciousness of the Montepulciano. Joy upon joy, an almost perfect wine in time for the new age. But alas, only one year was made and only 1113 bottles. They were mostly served at an autumn Sagra in Colfiorito for the special red potato named after the area, which makes the most wonderful base for the local gnocchi. The wine disappeared into memory, along with the best gnocchi I had ever had. The wine? Sangrapulciano.
 Two wines, Navicella and Passeggiata, were ?good soul? efforts to make right the promise to reach the moon before the end of the decade. In the Italian?s efforts, though, it managed to arrive about 30 years later. End of decade, end of century, end of millennium, hey it?s only time, no?
 Navicella was the wine intended for the first course, something from the aquaculture tanks. Passeggiata was created for the second stage, more experimental than the first wine. It was a sci-fi way of twinning tradition (Navicella) with innovation (Passeggiata) and for those who experienced the wine, I've been told it was a magical. Again, this was eight years ago when the Italians were embracing the next big thing. Now we are earthbound again, arguing this time over tradition vs. innovation. There are a few of these wines available on the auction circuits. A large enological school in Northeastern Italy was in incubating site for these wines. The Lega Nord, and a then unknown party operative, put an end to it. That little known operative would someday, in the future, join with Berlusconi and attempt to influence events in a larger and more important wine producing region, with near cataclysmic results.
 Out last find caused a little flap among the retro-futurists in the room. Paraspruzzi was proposed to bridge the workers in the fields, those who tromp through the primal slime in their waders, with the elevated shapers of fashion. Originally the marketers wanted to call it ?Chiaccerone?. Another on the board wanted to name it ?Lo Scroccone?. But it was felt that normal wine lovers wouldn?t know how to pronounce it. Not that Paraspruzzi is that easy, but it sounded like the celebrity photographers who were known to frequent all the ?in? places looking for those same nine beautiful people to snap up.
This was actually one of the most successful of the wines; it had a run of three vintages. Later as it was being packaged to sell to one of the large Euro-spirit-lux corporations, there were a string of lawsuits. As it turned out, everyone spent more on lawyers than the plan could ever return in ten years, so the project was jettisoned. A real shame, because the wine had a bona fide grip on the cognoscenti of the Italian wine industry. The bloggers never found out about it, this was buried deep in Puglia under the cover of an ancient Masseria. The remaining wine fetches a pretty Euro.
There lies my time and space odyssey of 2001, following the wines of the future back to the past. Submitted for your pleasure.
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[12/14/2007, 20:35]
Dulka Cabernet Sauvignon 2005 | |  Dulka is one of the most famous wine producing families in the town of Sremski Karlovci, near Novi Sad in Vojvodina. They produce wine since 1920 and have won a handful of awards at the Novi Sad agricultural fair throughout the years. Apart from producing wine, this familiy also produces bermet and brandies of highest qualities.
They have just recently started growing Cabernet Sauvignon, and 2005 is their second vintage. However, this wine is quite rich in both aroma and taste, much richer and deeper than other pure Cabernets around. The color is dark ruby red, the nose rich, so reminiscent of forests and the flavours are those of forest fruit and chocolate. It’s a good wine, can be enjoyed on it’s own. Score: 8/10
Price: 540 RSD (?6.5)
Retailer: Rodi? MB, Airport City, Belgrade Technorati Tags: Wine, Serbian Wine, Vojvodina, Sremski Karlovci, Novi Sad, Bermet
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[11/25/2006, 07:54]
What is Corked Wine? | | Keeping a wine bottle sealed is probably the most important factor when it comes to maintaining a good wine.
A cork is essential, as it keeps oxygen out of the wine bottle. If a bottle of wine is not airtight then it may become oxidized and undrinkable
Traditionally, the only corks worth considering were those actually made of cork. Recently, however, many wine experts have recognized that cork may actually cause more problems than it solves.
Cork, due to its malleable nature may have imperfections; these can result in the seal of the bottle not being as airtight as it could be and the wine being spoilt. In an attempt to avoid this problem, modern cork manufacturers may treat the cork with a chemical called TVA. Unfortunately, this chemical can cause the wine to taste and smell a little damp and musty.
Having said this, cork is able to expand to fully fill the neck of the bottle, which therefore, still makes it the preferred option for special wines that need to be stored, over a long period of time.
Plastic corks are becoming increasing popular, of late. One of the main problems associated with traditional corks is that the wine becomes 'corked'. Plastic corks prevent this occurring. Great! I hear you say. However, there can be minor irritations with plastic corks. A plastic cork can sometimes be difficult to extract from the bottle and virtually impossible to fit back into a half drunk bottle.
Another recent development is the widespread use of screw-top bottles. Until recently, this type of seal was used for only the cheapest of wines. Wine producers across the globe are now recognizing the benefits that screw tops provide. This type of seal ensures that wine is kept fresh; there is no chance of the wine becoming 'corked' and the bottle can be easily resealed. In reality, the only reason that screw tops are not more popular is because of the ingrained snobbery associated with this method of sealing a bottle.
No matter which type of cork you choose, it is important that you are able to recognize whether the wine has been properly sealed or not. A useful test is to see whether the top of the cork is level with the top of the bottle; if it isn't, then that particular bottle of wine is probably best avoided.
If a traditional cork breaks when you are removing it - don't panic! Use a corkscrew to attempt to 'dig out' the remaining cork. If this fails, simply push the remains of the cork down into the bottle. Contrary to popular belief, this will not destroy the wine's flavor. You may have to fish out a few bits of cork, but the taste of the wine should remain unaffected. However, you'd be wise to finish the whole bottle, under these circumstances!
When choosing your wine, base your decision on the wine itself and not the type of cork. Resist the temptation to be a cork snob; a screw top bottle may just give you a pleasant surprise
About the author:
Ever since Neil Best first pondered the question, Who made the first wine anyway? he's been recording his findings at Good Glug. Find about your favorite wine regions, wine recipes, and speciality wines along with how it's made and how best to store it for maximum enjoyment
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[09/22/2008, 05:25]
India: So who is drinking what? | | There is definitely wine in India, but who exactly is drinking it? I have tasted pretty much all of the local, at least grape, wine I can find, which was pretty easy, as that is a population of about three producers. I ran across fruit wines being sold up in the foothills of the Himalayans, but I didn't have a chance to try it, and I don't usually count it as wine, at least for the scope of this blog.
The most amazing thing about wine, at least this far from Delhi (I am up north in the large city of Chandigarh) is people's perceptions of it. They, at least the locals I have met, do not know exactly what wine is. They assume it is a sort of whiskey, and a high priced one at that.
When I had a chance to share wine with them they were delighted with the taste, although to be fair I started them off with a slightly sweet white. This is a beginner wine for many people, and it was well received here, and went nicely with the local foods.
People here drink whiskey, and they drink it with nibbles before a meal. Drinking wine with the dinner was not something they had ever thought of doing. In fact drinking wine at all was something they had not thought of doing.
Almost every block there is a store that sells liquor and beer, and while the signs say they have wine, none actually do. Only a few stores carry wine at all, and their selection is very small.
That is not surprising given that most of the people in India I have met have no idea what wine is. The few restaurants that have wine listed have "both kinds" red and white, and nothing more descriptive than that.
The wines made in India are not bad, but they are very expensive. In a country where a hair cut cost $1.50 a $12 bottle of wine is an investment that few consider worth the risk.
It is changing. The ultra rich are drinking the big name labels, as they always do. The middle classes are ordering Dominos pizzas in their Levi jeans over their cell phones, and sooner or later they are going to start equating wine with their lifestyles.
Once India gets a taste for wine, watch out, there is a huge potential market here, if you are very, very patient, or very, very proactive. | | | |
[04/23/2008, 07:01]
Some quick notes | | Domaine Weinbach Schlossberg Grand Cru Cuvee St.Catherine Riesling 2004 (375mL)
Peaches, pears, orange peel and marmalade on the nose. A rich, viscous and weighty palate with excellent texture and length. Bold, but balanced.
92/100 Domaine Fourrier Les Goulots 1er Gevery-Chambertin 2003
A nose of red berries, candy, violets, chocolate and cinnamon. Touch of stalk to the medium bodied palate. Decent length and structure. Nice.
88/100 P&C Bonnefond Cote Rotie 2001
Licorice, dark chocolate, raspberry and coffee aromas. A juicy, ripe palate with the elements of the wine well integrated. Very good.
90/100 Taylors Vintage Port 1977 (375mL)
Vanilla, jasmine tea, licorice and cedar. Palate is smooth and of medium length, but doesn’t have the complexity or depth I expected. A bit of a let down as it is meant to be amazing.
88/100 | | | |
[09/26/2008, 11:48]
Gaja: relax Brunello rules on Sangiovese | | A two tier qualification proposal for Brunello? I can't believe it's come down to this... talk about making a mountain out of a molehill. Richard Woodard (decanter.com) writes: Italian winemaker? Angelo Gaja has said that Brunello should operate a two-tier system and allow other varieties other than Sangiovese.
As the Brunello grape blending furore continues, the veteran Piedmont producer - who also makes Brunello di Montalcino ? has suggested DOC? Brunello should move on and no longer demand the wine is made from 100% Sangiovese.
In an article published this month in Italian newspaper Libero and local Tuscan paper La Nazione, Gaja says that if indeed Brunello producers have been adding other grapes illegally to the wine, then those producers should have been lobbying to get the appellation? rules changed.
» Full Story Tags: melgab, wine, brunello, montalcino, appellation, italy, south-africa, South Africa | | WorldWine Tags: melgab, wine, brunello, montalcino, appellation, italy, south-africa, South Africa, | | | |
[08/27/2008, 17:10]
Pre-Conference Butterflies and a Thank You | |  ‘Twas the night before Conference, when all through the house
Not a creature was stirring, not even a computer mouse;
The nametags were hung by their lanyards with care,
In hopes they’d be worn when they bloggers arrived there; Each and every wine geek were nestled all snug in their beds,
While visions of black-cherries and licorice danced in their sweet heads; While I sat panicking over every tiny detail,
Ryan smiled proudly regarding the conference’s grand scale;… Yeah, not going to happen! Our creative juices are completely dehydrated. The conference is now on cruise control, and barring any strange twists, we should be enjoying a fine Participant tasting on Friday night. Still a bit nervous? Of course! Seeing that this is our conference, or rather, this is the first international wine bloggers conference ever, we just hope all the wine bloggers behave themselves!  So for now a few pointers too things we think you should look at. Another winery sent to the sidebar This time it’s Port wine, and damn fine port wine at that, Quevedo. A few months ago, we started working with this small winery and we’re proud of the results. Located in the Douro Valley, right next to some of the most historic wineries in the region, this is a young winery with old roots. We’re holding back a bit on the details, because they’ve done a superb job telling their story at this point. So, please check them out and say hello from us! Thank you Sponsors We don’t do advertising on Catavino, but we did need sponsors to help us put together the EWBC conference. Therefore, we’d like to offer a sincere thank you for their generous support. It’s companies like these that support new technologies at the early stages that will continue to succeed. Thank you: Dinastia Vivanco, La Rioja Tourismo, Raimat, Casa de la Ermita, Heredade Esporao, Amorim and all of the wineries who donated wines for our various tastings! Wine Recommendation In an effort to catch up on some sample tastings, we had an impromptu BBQ party on the roof this past Sunday afternoon. Seriously fun time with lots of friends, who as a result of summer schedules, have been strangers to us for what seems like months. Our brined, bone in pork loin was the main attraction, which continually amazes us as to how juicy pork can be on the grill when brined correctly. Grilled vegetables, couscous, Ryan’s famous black beans and a couple of melons rounded out the meal. As for wine, we offered a bunch of tasters, some better than others. I will say though a Cava from Utiel-Requena winery Sybarus. This little wine is a knock out, with great toasted notes, intense honey and lot’s of lemon notes. So Gabriella and I just want to say sorry for the short post. We’ll be around, and trying to get an update up on Friday or Saturday though we make no promises. Cheers, Ryan and Gabriella Opaz Similar Posts: |
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