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This really tickles my funny bone. Deidre Woollard (luxist.com) writes:
We may all be cutting back, but at the the White House dinner Friday night for foreign leaders to discuss the global financial crisis, the meal was anything but spare.
The menu for around 24 global leaders gathered in the White House State Dining Room included, according to the AP, fruitwood-smoked quail? with quince gastrique; quinoa risotto?; thyme?-roasted rack of lamb?; tomato?, fennel? and eggplant? fondue?; a salad? course of endive?, baked Brie and walnuts?; and a pear torte. What's raising some eyebrows though is one of the wine selections, the Shafer Cabernet Hillside Select 2003, which runs for around $300 a bottle, if you can find it. This wine was served with the main course will more modest wines such as the Landmark Chardonnay Damaris Reserve? 2006 (around $40 a bottle, served with the appetizer) and the Chandon Étoile Rosé? sparkling wine? (about $30 a bottle, served with dessert) rounded out the rest of the meal.
The President pays for his own groceries in the White House but state dinners such as this one are paid for with taxpayer dollars. It is perhaps some comfort in this case? that at least two of those attending: President Bush and French President Nicolas Sarkozy are said to be teetotalers. Others in attendance included Australian Prime Minister Kevin Rudd; Canadian Prime Minister Stephen Harper; Chinese President Hu Jintao; German Chancellor Angela Merkel; and British Prime Minister Gordon Brown.
Tuscany is probably the Italian wine region that is best known among American drinkers. Hundreds of raffia-covered fiascos (you know what I'm talking about--the bottles that you use for candle holders when the wine is all gone) have entered hundreds of homes all over the country. (picture by dottorpeni)
But there's more to Tuscan wine than just Chianti. For the last two months of 2008 I'll be focusing on the wines from this region. Why two months? There's just too much good wine to spend only one month exploring.
Tuscany is a region that is known for more than wine, of course. Home to the great poet Dante, its also the region where Pisa's "leaning tower" is located. Pisa is not the only town in the region with stunning architecture, as any visitor to Florence, San Gimignano, or Siena knows. Rolling hills, groves of olive trees, fields of sunflowers and vines, and old houses dot the landscape as well, making Tuscany a feast for the eyes as well as the tastebuds. (photo by vigour)
And the grapes of Tuscany are just as diverse as the countryside where they're planted. There's Sangiovese, of course, but there's also rarer indigenous varieties like Toroldega, Vernaccia, and Canaiolo. And Tuscan vineyards have their fare share of international grapes in them like Merlot, Syrah, Cabernet Franc, Tempranillo, and Cabernet Sauvignon, too. Merlot and Cabernet Sauvignon are often blended with Sangiovese in the powerful red wines known as Super Tuscans that earn high scores from the wine magazines and command high prices in the wine shops. (photo by rayced)
Great wine demands great food, and as anyone who has been to Tuscany knows--these people can cook. Whether you're looking for a simple pasta dish with sauce made from butter and sage, a hearty soup thickened with bread and beans, grilled beef cooked to perfection as they do in Florence, or the small cookies made for dunking in your coffee or wine called cantucci, you can find a dish to suit you from among the region's traditional recipes. These dishes are perfect for winter temperatures and feeding large crowds at the holidays. Many of them are also either quick to prepare, or cook at low temperatures in the pot or oven so they are ideal for entertaining.
With so much to love about Tuscan food and wine, it seemed like the right moment to slow down and enjoy the end of the this year's wine journey through Italy. Those of you who have been following the series know that there are still regions I've not yet reached. So we'll pick up where we left off in January 2009 and continue to drink the wines from the remaining regions of Italy all through next year. (photo by davidanthonyporter)
I'll be back periodically over the next several weeks with tasting notes and food pairings for Tuscan wines. Yes, Chianti will be among them. So, too, will be Tuscan whites and a wine made with indigenous varieties. And the Tuscan wine theme will spill over into Serious Grape on Fridays as well, where I'll talk about Super Tuscans and compare the different levels of Chianti from the regular bottles to Chianti Classico and reserve wines. As always, I hope you will join in and share your Tuscan wine recommendations and experiences.
It doesn?t seem like eight years has passed since we entered the new millennium in 2001, but it has. It was the beginning of a very difficult time; my wife Liz passed away in Feb 2001, the political process started to change and the world changed with it. September 11 showed up on the world?s doorstep, and many of us have been taking it one day at a time, hoping for better days to come.
As I was jogging this evening by the high school, a speaker announced over the stadium address system, that there were refreshments in the concession stand. He described the available items: candy, popcorn, hotdogs, and then he said three little words, ?for your pleasure.? It sounded like a throwback in time when things were so much simpler and in its uncomplicated message I thought back over the last 40 years and what some of our cinematic dreamers and Italian wine visionaries thought the world would be like in 2001. And while it sure wasn?t all that they projected in the movie, 2001: A Space Odyssey, it sure has been a heck of a trip. So, at this time I?d like to jump into the WABAC machine, back to 2001 and see what wines I would have predicted for the past, here in the safety of the future. Of course the wines are from the Italian trail, and beyond.
Ever since the time I attempted to simultaneously sell a Tuscan Novello and a Vernaccia di Serrapatrona, that would have been about this time in 1984, I have wondered why Italian wines chose me. Not just me, but for some of the hard stuff, I sure have had my share of those assignments. Driving around with a delivery van full of baby Sangiovese alongside a quirky, dry, foamy red wine made by a madman in the hills of the Marche. What was I thinking then? Even now it sounds bizarre. Don Quixote, only this time we weren?t looking for windmills. We were looking for space stations for these special travelers. And in honor of those two wines, in the 2001 of our little story here, we have an homage: Novello Di Ascoli, a modern wine about reincarbonation.
Chianti: 2001 was a little project that went beyond Chianti 2000. I?m not sure if people realize the first Italian in space was Sangiovese. A little known experiment resulted in growing and harvesting the grapes aboard the International space station. Limited release, only about 20 cases, hydroponically grown. It was intended to test the ideas of extra-terroirestrial winegrowing. It is an amazing red wine, without the pull of gravity and ratings. No, only the influence of the astro-agronomist-winemaker, an American of Italian descent. It challenges the limitations of the Italian wine trail that we terrestrials put on it. Buckminster Fuller said, ?Whatever nature lets you do is natural.? I wish all of you could have tried it with me. But alas, a quick trip to Washington D.C., some time ago, was the only opportunity any of us will have. But there will be more. Watch for a sparkling wine to come, made in zero gravity, called Zero-Zero. No dirt on their space-boots, but lots of ardent advances orbiting above us.
Down in the Cilento National Park, there is a colony of Italians who speak Esperanto. They escaped the area around Vesuvius many years ago and decided to leave behind their dialect. But they took their grapes with them and started making a red wine for the new millennium, to coalesce their past with their future. It is a cult wine on the islands around Naples and further south. I have only seen and had it once, from a private cellar in Panarea. The wine reminded me of the reds made by Galardi. I have heard people say they have traded two bottles of Le Pin for one bottle of ?Vulkano? Campania Ruga. I have tried both wines. I would say two bottles of Le Pin for one from the Esperantani?s is a fair deal.
About 11 years ago, in a place near Colfiorito, there was a terrible earthquake. When they got to digging out some of the buildings, rescue workers found a lab book from a vineyardist, describing a project code-named ?Il Grifi?. The project, like its name, had as its goal to combine three grapes to make a new wine. Here the vineyardist had been researching, via recombinant DNA, the creation of a wine that had as its parents, Sangiovese, Sagrantino and Montepulciano. And yes, for many years in Umbria and the Marche, winemakers have blended these grapes together to make various wines. William Sylvester, who starred in the Stanley Kubrick film, had made a film in Italy and was fascinated with this area and with wine. So he funded this little known experimentalist. Italy loves to resuscitate ancient things: statues, grapes, legends. In this case, as we headed back to 2001, we discovered that the wine had finally been made, in minute quantities. An amazing wine, combining the ephemeral verve of Sangiovese, the tannic and alcoholic power of the Sagrantino and the lubriciousness of the Montepulciano. Joy upon joy, an almost perfect wine in time for the new age. But alas, only one year was made and only 1113 bottles. They were mostly served at an autumn Sagra in Colfiorito for the special red potato named after the area, which makes the most wonderful base for the local gnocchi. The wine disappeared into memory, along with the best gnocchi I had ever had. The wine? Sangrapulciano.
Two wines, Navicella and Passeggiata, were ?good soul? efforts to make right the promise to reach the moon before the end of the decade. In the Italian?s efforts, though, it managed to arrive about 30 years later. End of decade, end of century, end of millennium, hey it?s only time, no?
Navicella was the wine intended for the first course, something from the aquaculture tanks. Passeggiata was created for the second stage, more experimental than the first wine. It was a sci-fi way of twinning tradition (Navicella) with innovation (Passeggiata) and for those who experienced the wine, I've been told it was a magical. Again, this was eight years ago when the Italians were embracing the next big thing. Now we are earthbound again, arguing this time over tradition vs. innovation. There are a few of these wines available on the auction circuits. A large enological school in Northeastern Italy was in incubating site for these wines. The Lega Nord, and a then unknown party operative, put an end to it. That little known operative would someday, in the future, join with Berlusconi and attempt to influence events in a larger and more important wine producing region, with near cataclysmic results.
Out last find caused a little flap among the retro-futurists in the room. Paraspruzzi was proposed to bridge the workers in the fields, those who tromp through the primal slime in their waders, with the elevated shapers of fashion. Originally the marketers wanted to call it ?Chiaccerone?. Another on the board wanted to name it ?Lo Scroccone?. But it was felt that normal wine lovers wouldn?t know how to pronounce it. Not that Paraspruzzi is that easy, but it sounded like the celebrity photographers who were known to frequent all the ?in? places looking for those same nine beautiful people to snap up.
This was actually one of the most successful of the wines; it had a run of three vintages. Later as it was being packaged to sell to one of the large Euro-spirit-lux corporations, there were a string of lawsuits. As it turned out, everyone spent more on lawyers than the plan could ever return in ten years, so the project was jettisoned. A real shame, because the wine had a bona fide grip on the cognoscenti of the Italian wine industry. The bloggers never found out about it, this was buried deep in Puglia under the cover of an ancient Masseria. The remaining wine fetches a pretty Euro.
There lies my time and space odyssey of 2001, following the wines of the future back to the past. Submitted for your pleasure.
The Prosecco DOC? di Conegliano-Valdobbiadene Consorzio? has applied to the Italian government for promotion to the higher DOCG? status.
At the same time, the basic IGT? (Indicazione Geografica Tipica?) level Prosecco grown in the lower plains will also have to go though stricter quality control, the DOC says.
Some IGTs will be elevated to to DOC (Denominazione di Origine Controllata?) while others will be demoted, losing the right to put 'Prosecco' on the label.
DOCG (Denominazione di Origine Controllata e Garantita?), established in 1963, is the highest legal category of Italian wines.
The Prosecco Consorzio has applied to the Ministry of Agriculture to allow promotion of the best Proseccos in 2009.
Speaking at the Consorzio tasting in London on Monday, Consorzio director Giancarlo Vettorello told decanter.com it was time 'to push ahead with our UK promotion as sales in UK are on the rise and Prosecco seems to be all the rage.'
There were 37 producers at this year's tasting, 12 more than last year.
Today the Prosecco DOC produces some 57m bottles of which 15m are exported worldwide. The currently imports 6% of total exports, the equivalent of 1m bottles exported in 2007.
A two tier qualification proposal for Brunello? I can't believe it's come down to this... talk about making a mountain out of a molehill. Richard Woodard (decanter.com) writes:
Italian winemaker? Angelo Gaja has said that Brunello should operate a two-tier system and allow other varieties other than Sangiovese.
As the Brunello grape blending furore continues, the veteran Piedmont producer - who also makes Brunello di Montalcino ? has suggested DOC? Brunello should move on and no longer demand the wine is made from 100% Sangiovese.
In an article published this month in Italian newspaper Libero and local Tuscan paper La Nazione, Gaja says that if indeed Brunello producers have been adding other grapes illegally to the wine, then those producers should have been lobbying to get the appellation? rules changed.
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
What with the Summer Games currently placing China and its regional cuisines in the limelight in terms of reflecting nearly a continent?s worth of complex, multi-ethnic influences, we should also consider other similarly impressive culinary miracles that geographically take up an infinitesimally tiny fraction the size of China?say Slovenia. In my understanding at least, Slovenia has always represented a fascinating crossroads within an impossibly modest amount of land. Many diverse and even warring influences have laced Slovene customs, viticulture and cuisine. Somehow though, like a cultural or culinary manifestation of the metaphysical concept in J.L. Borges? The Aleph, individual influences never amass into an incomprehensible amalgamation, but rather, remain clearly discernible.
Whether in its fairly recent history as a sovereign republic, under communism or seemingly serving as the geopolitical puck between Napoleon and the Habsburgs? shuffleboard match, Slovenia?s former overlords and neighbors include decidedly unique food cultures?Croats, Istrian Italians, Hungarians and Austrians, among others. Bearing all of this in mind and turning our thoughts to the central concern here on Enotheque, I would like to recommend this wine from the Gori?ka Brda region. Aside from being one of the wines I?ve been enjoying recently, I chose to post on it because I strongly feel that it?s indicative of the impressive quality-value dynamic that importers and retailers could benefit from should markets seem more receptive to the artisan wines of Slovenia.
Even if one is already familiar with the Colli Orientali of Friuli?sRibolla Gialla, the Slovene version, Rebula, is more than worth trying. As a whole, Slovenia and the Gori?ka Brda produce white wines of impressive caliber, be it from more distinctly regional varieties or others introduced from abroad: Briski Tokaji, Teran, Chardonnay, Sauvignon Blanc, Sivi Pinot, Pinela, or Rebula for that matter. In terms of this one, vintner Matjaz Cetrtic farms Rebula on wide, terraced limestone vineyards, purposefully limiting yields to ensure lush, concentrated and nuanced wines. My notes follow for the 2004 Matjaz Cetrtic Ferdinand Rebula Brda:
Tasting Notes?
Appearance-wise, this wine is medium gold. The nose is clean and of medium intensity, with highly unusual though pleasantly different aromas of caramelized or burnt orange peel, citrus, flowers and minerals. Strange, delightful palate with just enough lemon acidity, hint of underripe green fruit flavors, minerality in the form of pebbles, as well as the aforementioned burnt orange peel flavor that leads into a nice finish. If in search of something wildly, completely different, I wouldn?t doubt to reach for more Slovene wines such as this Cetrtic Rebula.
As a closing note, should the unbelievable degree of complexity in tiny Slovenia?s food and wine heritages impress you and compel you towards further learning, visit the culinary section of what appears to be their official tourism portal on the web.
What with the Summer Games currently placing China and its regional cuisines in the limelight in terms of reflecting nearly a continent?s worth of complex, multi-ethnic influences, we should also consider other similarly impressive culinary miracles that geographically take up an infinitesimally tiny fraction the size of China?say Slovenia. In my understanding at least, Slovenia has always represented a fascinating crossroads within an impossibly modest amount of land. Many diverse and even warring influences have laced Slovene customs, viticulture and cuisine. Somehow though, like a cultural or culinary manifestation of the metaphysical concept in J.L. Borges? The Aleph, individual influences never amass into an incomprehensible amalgamation, but rather, remain clearly discernible.
Whether in its fairly recent history as a sovereign republic, under communism or seemingly serving as the geopolitical puck between Napoleon and the Habsburgs? shuffleboard match, Slovenia?s former overlords and neighbors include decidedly unique food cultures?Croats, Istrian Italians, Hungarians and Austrians, among others. Bearing all of this in mind and turning our thoughts to the central concern here on Enotheque, I would like to recommend this wine from the Gori?ka Brda region. Aside from being one of the wines I?ve been enjoying recently, I chose to post on it because I strongly feel that it?s indicative of the impressive quality-value dynamic that importers and retailers could benefit from should markets seem more receptive to the artisan wines of Slovenia.
Even if one is already familiar with the Colli Orientali of Friuli?sRibolla Gialla, the Slovene version, Rebula, is more than worth trying. As a whole, Slovenia and the Gori?ka Brda produce white wines of impressive caliber, be it from more distinctly regional varieties or others introduced from abroad: Briski Tokaji, Teran, Chardonnay, Sauvignon Blanc, Sivi Pinot, Pinela, or Rebula for that matter. In terms of this one, vintner Matjaz Cetrtic farms Rebula on wide, terraced limestone vineyards, purposefully limiting yields to ensure lush, concentrated and nuanced wines. My notes follow for the 2004 Matjaz Cetrtic Ferdinand Rebula Brda:
Tasting Notes?
Appearance-wise, this wine is medium gold. The nose is clean and of medium intensity, with highly unusual though pleasantly different aromas of caramelized or burnt orange peel, citrus, flowers and minerals. Strange, delightful palate with just enough lemon acidity, hint of underripe green fruit flavors, minerality in the form of pebbles, as well as the aforementioned burnt orange peel flavor that leads into a nice finish. If in search of something wildly, completely different, I wouldn?t doubt to reach for more Slovene wines such as this Cetrtic Rebula.
As a closing note, should the unbelievable degree of complexity in tiny Slovenia?s food and wine heritages impress you and compel you towards further learning, visit the culinary section of what appears to be their official tourism portal on the web.
This merry band of merchants, flying the flag for small, artisanal wineries with distinctive, regional wines came to Fulham last week to give both press and public a chance to see what they have to offer.
The lower and upper ends of the wine market are well served by supermarkets and the "establishment" but there is increasing demand for wine between these extremes. The best value for quality of wines with integrity and interest. These merchants are really passionate about their lists and usually have personal relationships built up with the producers so they have fairly extensive knowledge of the vineyards, wineries and vintages.
Some of the listings are inevitably idiosyncratic and not all the wines will be to everyone's taste but these are dedicated people who will help you find treasures you will come back for again and again.
Jim Monks from Decanter Wines is a private collector who started by bringing in pallets for his own cellar, his approach is unashamedly personal (all the wines are aged in his cellar until he feels they are ready to drink and only then offered to the public) and any commercial success is second to his goal of providing himself with the kind of wine he wants to drink. Luckily, his taste seems to be shared and his wines show very well.
Also showing was Nick Dobson a self-proclaimed "niche player" with some outstanding and unusual wines from Switzerland, Austria and Germany. With these countries slowly garnering a following for their wines it is worth knowing where to track down some great examples.
Also well-represented were Amordivino, Italian importers; The Big Red Wine Company showing mainly the Southern Rhone on this occasion; Abbe Arrous whose "Cyrcée, Collioure 2002" was the outstanding wine of the day for me; and Leon Stolarski with a wonderfully diverse selection of regional French wine.
The full list of tasting notes will be put up on this site but have a look at their website and sign up to their free monthly newsletter asdw.org.uk it is always going to be worth finding something a little bit different and a little bit special.
Tecnorati
It doesn?t seem like eight years has passed since we entered the new millennium in 2001, but it has. It was the beginning of a very difficult time; my wife Liz passed away in Feb 2001, the political process started to change and the world changed with it. September 11 showed up on the world?s doorstep, and many of us have been taking it one day at a time, hoping for better days to come.
Ever since the time I attempted to simultaneously sell a Tuscan Novello and a Vernaccia di Serrapatrona, that would have been about this time in 1984, I have wondered why Italian wines chose me. Not just me, but for some of the hard stuff, I sure have had my share of those assignments. Driving around with a delivery van full of baby Sangiovese alongside a quirky, dry, foamy red wine made by a madman in the hills of the Marche. What was I thinking then? Even now it sounds bizarre. Don Quixote, only this time we weren?t looking for windmills. We were looking for space stations for these special travelers. And in honor of those two wines, in the 2001 of our little story here, we have an homage: Novello Di Ascoli, a modern wine about 
Chianti: 2001 was a little project that went beyond Chianti 2000. I?m not sure if people realize the first Italian in space was Sangiovese. A little known experiment resulted in growing and harvesting the grapes aboard the International space station. Limited release, only about 20 cases, hydroponically grown. It was intended to test the ideas of extra-terroirestrial winegrowing. It is an amazing red wine, without the pull of gravity and ratings. No, only the influence of the astro-agronomist-winemaker, an American of Italian descent. It challenges the limitations of the Italian wine trail that we terrestrials put on it. Buckminster Fuller said, ?Whatever nature lets you do is natural.? I wish all of you could have tried it with me. But alas, a quick trip to Washington D.C., some time ago, was the only opportunity any of us will have. But there will be more. Watch for a sparkling wine to come, made in zero gravity, called Zero-Zero. No dirt on their space-boots, but lots of ardent advances orbiting above us.
Down in the Cilento National Park, there is a colony of Italians who speak Esperanto. They escaped the area around Vesuvius many years ago and decided to leave behind their dialect. But they took their grapes with them and started making a red wine for the new millennium, to coalesce their past with their future. It is a cult wine on the islands around Naples and further south. I have only seen and had it once, from a private cellar in Panarea. The wine reminded me of the reds made by Galardi. I have heard people say they have traded two bottles of Le Pin for one bottle of ?Vulkano? Campania Ruga. I have tried both wines. I would say two bottles of Le Pin for one from the Esperantani?s is a fair deal.
About 11 years ago, in a place near Colfiorito, there was a terrible earthquake. When they got to digging out some of the buildings, rescue workers found a lab book from a vineyardist, describing a project code-named ?Il Grifi?. The project, like its name, had as its goal to combine three grapes to make a new wine. Here the vineyardist had been researching, via recombinant DNA, the creation of a wine that had as its parents, Sangiovese, Sagrantino and Montepulciano. And yes, for many years in Umbria and the Marche, winemakers have blended these grapes together to make various wines. William Sylvester, who starred in the Stanley Kubrick film, had made a film in Italy and was fascinated with this area and with wine. So he funded this little known experimentalist. Italy loves to resuscitate ancient things: statues, grapes, legends. In this case, as we headed back to 2001, we discovered that the wine had finally been made, in minute quantities. An amazing wine, combining the ephemeral verve of Sangiovese, the tannic and alcoholic power of the Sagrantino and the lubriciousness of the Montepulciano. Joy upon joy, an almost perfect wine in time for the new age. But alas, only one year was made and only 1113 bottles. They were mostly served at an autumn Sagra in Colfiorito for the special red potato named after the area, which makes the most wonderful base for the local gnocchi. The wine disappeared into memory, along with the best gnocchi I had ever had. The wine? Sangrapulciano.
Two wines, Navicella and Passeggiata, were ?good soul? efforts to make right the promise to reach the moon before the end of the decade. In the Italian?s efforts, though, it managed to arrive about 30 years later. End of decade, end of century, end of millennium, hey it?s only time, no?
Navicella was the wine intended for the first course, something from the aquaculture tanks. Passeggiata was created for the second stage, more experimental than the first wine. It was a sci-fi way of twinning tradition (Navicella) with innovation (Passeggiata) and for those who experienced the wine, I've been told it was a magical. Again, this was eight years ago when the Italians were embracing the next big thing. Now we are earthbound again, arguing this time over tradition vs. innovation. There are a few of these wines available on the auction circuits. A large enological school in Northeastern Italy was in incubating site for these wines. The Lega Nord, and a then unknown party operative, put an end to it. That little known operative would someday, in the future, join with Berlusconi and attempt to influence events in a larger and more important wine producing region, with near cataclysmic results.
Out last find caused a little flap among the retro-futurists in the room. Paraspruzzi was proposed to bridge the workers in the fields, those who tromp through the primal slime in their waders, with the elevated shapers of fashion. Originally the marketers wanted to call it ?Chiaccerone?. Another on the board wanted to name it ?Lo Scroccone?. But it was felt that normal wine lovers wouldn?t know how to pronounce it. Not that Paraspruzzi is that easy, but it sounded like the celebrity photographers who were known to frequent all the ?in? places looking for those same nine beautiful people to snap up.
