Learn How To Easily Find Wines Of $50 Quality For $10 Or Less. Impress Friends With Your Expanded Wine Knowledge. Eliminate Your Dependence On Wine Salespeople. And Take The Hassle Out Of Buying Wine.
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Following our discussion of why there are so few tasty low priced wines from America, particularly compared to imports, I put the question to wine importer Bobby Kacher. Robert Kacher Selections is strong in bargains from Southwestern France; I highlighted the Tariquet Sauvignon (find this wine) in my book with wine recommendations, A Year of Wine, as one of 10 great wines under $10 (REDS from Patrick Campbell was also included).
Question: why there are so few good American wines under $10 while there are many more imports at that price point?
Bobby Kacher: A related question is why do so many American wineries make such expensive wines? So many American wineries have developed new, highly-allocated wines from very young vineyards that sell for $150 or more a bottle. They are trying to sell you the spin of romance and lifestyle. I visited a winery in California once and calculated just how much it cost to make the wine using expensive techniques–new barrels, farming technique, plant material, labor–and figured it was about $10 worth of wine they were selling for $300. Sure, the land was expensive and they spent millions on the winery that is a shrine to themselves so all that comes to play in their corporate profitability objectives.
It’s a strategy of luxury cuvees. Let’s just say you’re going to open a restaurant: Would you want to charge $10 for a main dish or $30? The food costs are similar but the profits may not be. Take rose: Domaine Ott decided years ago that they wanted to be the Rolls Royce of rose. I can assure you that they are not farmed any differently than my $10 roses. Sure, the way they are made, they can age for two or three years.
But I actually like to drink wine, not worship it. Do you think a farmer in the Cote Rotie wants to put a bottle of his $50 wine on the table every day? No, he is buying a $5 wine for drinking every day.
I went out to a restaurant with one of my producers who was visiting recently. The restaurant had his wine on the list and he was going to treat me. But he saw it was $150 a bottle and he realized that he couldn’t afford to buy his own wine! And maybe, just maybe, there were other people who couldn’t afford to buy it either.
I try to bring in a lot of wines under $20 with a lot around $15. (Because of the dollar’s weakness, that’s really where the $10 wines from a few years ago are now). To find those wines as an importer, you’re going to have to go to some crazy places on the back roads. And sell the principle that “why shouldn’t you have a wine that represents value to the consumer–maybe something that sells for $13?” Certainly if you have the equipment to make a $75 wine, then you can make a $13 wine.
Ultimately, many of my producers have lower costs than their New World counterparts. The vineyards were bought generations ago and have no debt. They don’t have five flat screen TVs in their home. They don’t have a 5,000 square foot home. They don’t have the “lifestyle” with pools, guest houses, guest kitchens and so on.
In that regard, Fred Franzia has some similarities to them since his family bought lots of their acreage decades ago when land prices were a lot lower.
I can't hold Thai food entirely responsible for making me uproot my life and move halfway around the world to Sydney, Australia. But it did play a role.
In Sydney, incredible Thai restaurants are as ubiquitous (and about as affordable) as burrito joints in San Francisco. But no matter how authentic the cooking, it's hard to beat paying 20 baht (about 50 cents) at a bustling Bangkok market for curry that's bursting with tangy lime; tempered by the salt of fish sauce and the caramel of palm sugar; and followed, ideally, by a bold aftershock of chili. I decided a long time ago that if I couldn't eat out that way every day, the next best thing was knowing how to make it.
Having cooked up many a dish of Tom Khai Kai, Mee Khrob, and Massaman Curry, I thought I was pretty well versed in the cuisine for a Western chef. But it wasn't until a culinary tour of Thailand, including an amazing cooking course in Chiang Mai, that I really felt like I "got it."
Whether fiery hot or comparatively mild, when it comes to Thai, harmony's the guiding principle. Overpowering spices are toned down by pungent fresh herbs, like lemongrass and galangal. Salty sauces are tempered with sugars and offset by acids, such as lime. Moreover, rather than being served in courses, a Thai meal is presented all at once, so diners can enjoy the juxtaposition of contrasting flavors.
Yet despite the apparent complexity of Thai food, many dishes are surprisingly easy to concoct. Much of the art lies more in the prep work than in employing tricky techniques. In fact, you'll often find that having the ingredients lined up and ready to go is half the battle.
Of course you can just go to a restaurant or buy ready-made curry pastes and sauces, but trust me, Thai is almost certainly easier to master than you realize. And if you can't afford to travel, cooking this marvelous cuisine is the next best thing to a trip to Thailand. Or Sydney.
Wine & Thai Food
When choosing a wine to accompany a Thai meal, the same thought should be given to equilibrium as it is in cooking Thai. Riesling and pinot noir are probably your two best bets for spicy hot dishes: a good rule of thumb being that the spicier the food, the sweeter the wine. For example, pair a slightly dry number with a tangy but mild lemongrass and coconut chicken soup. But use a more sugary vintage to tone down the fire of a curry.
The German Auslese style rieslings are excellent and reasonably priced. Two U.S. producers, Bonny Doon (whose Pacific Rim is marketed to serve with Asian cuisine) and Hogue, both make good, affordable rieslings. As for pinots, their delicate flavors, which can be smothered by heavy steak or barbecue, are enhanced by hot and spicy food.
Remember that spicy food exaggerates the tannin and natural bitterness in wine. The addition of salt and sour flavors will help counteract this effect, as they make the wine milder, fruitier and less bitter.
Thus, if you're drinking a merlot or cabernet sauvignon with duck in red curry, the addition of fish sauce to the curry - or salt to the duck - will help counteract the chilies. Similarly, the addition of lime juice to a green mango salad will offset the spiciness and pair nicely with a sauvignon blanc/semillon blend. For a moderately spicy, ginger-rich dish, a good gewurztraminer makes an excellent contrast.
Another thing to consider is the method of food preparation. Generally speaking, grilled or pan-roasted foods will be better matches with your wines than those that are deep-fried. For example, Kai Yang (chicken marinated in garlic, pepper and lemongrass, and then grilled) is delicious with a crisp white wine or a fruity red.
Tips and Tricks
Never cut kaffir lime leaves, as too much oil will come off on the knife and diminish the strength of the flavor. Tear them gently instead.
When kaffir zest is unavailable, substitute lemon peel rather than lime, as the latter is too bitter.
Ginger, in smaller quantities, can be used as a substitute for galangal (also known as ginza or laos powder).
When making large quantities of curry paste to store in the fridge or freezer, it's best to fry it first in oil, and then store both the oil and the paste. This helps retain better color and flavor. Dried chilies provide a better color in paste than fresh ones.
Always add lime juice after the heat has been turned off.
Mung beans should be stored in salt, not water, to keep them crunchy.
Don't fry garlic and shallots together, as the garlic will cook quicker and turn brown. Shallots soaked in water for 10 minutes won't make you cry when cutting them.
Use a tablespoon of coconut milk as a garnish for curries to provide an attractive color contrast.
To separate coconut cream from milk, refrigerate it for 10 minutes, then skim off the top.
Milk, cucumber or tomato will stop the burning sensation from chilies; water will amplify it.
When stir-frying, always preheat your wok at least five minutes, until it's smoking hot. Add your oil and wait 10 seconds before beginning to add meat and vegetables.
Although Thai people eschew appetizers in favor of eating a variety of dishes all at once (proving yet again that it's the harmony of opposing forces that define this cuisine), for us Western cheats, this makes a great appetizer that can serve as a prelude to a wide range of main courses.
4 cups pork spareribs cut into 1-inch pieces
Enough oil to deep fry
3 cups chicken stock or water
1/2 cup oil
1/2 cup chopped garlic with skin on
SAUCE
1/2 cup chopped garlic
1/4 cup roughly chopped coriander root and stem
1 t crushed white peppercorns
2 T oyster sauce
1 T light soy sauce*
1 T soy sauce
1/4 t sweet soy sauce
*You can easily cheat and just use 2 tablespoons of regular soy sauce. But try to get the sweet soy. In a pinch, just add a little palm or brown sugar instead.
Mix the spareribs together with all sauce ingredients, then put them in a pan along with the stock. Simmer 20 minutes. Drain the stock, and set the ribs aside.
Put 1/2 cup oil into a wok. When it's hot, add the unpeeled garlic, and cook on high heat until the garlic starts to turn brown. Lower the heat, and keep stirring until the garlic is crispy (about 2-3 minutes). Drain the oil, and put the garlic on some kitchen paper.
Put the oil for deep frying into a wok. When it's hot, fry the spareribs until golden brown (4-5 minutes), then drain.
To serve, put the ribs on a plate, and sprinkle with garlic.
If you can't get pandanus leaves or don't want to fry the chicken, this dish is also excellent when the marinated chicken is baked, covered, for about 30 minutes. If you do use leaves, be sure to remove them before serving, as they aren't edible.
1 cup chicken breast cut into 20 equal-sized pieces
20 pandanus leaves
4 T roasted sesame seeds
1 t ground black pepper
1 cup of oil
SAUCE
1 T light soy sauce
1 T tapioca flour
1 T sesame oil
Put chicken in a bowl, add sauce ingredients and mix well. Marinate at least 10 minutes. Then add the sesame seeds and pepper, and mix well.
Wrap each piece of chicken in a pandanus leaf, cutting off the ends if too long. The chicken can be stored in the refrigerator until ready to fry.
Put oil into pre-heated wok, and turn to medium heat. When oil is hot, add chicken pieces, frying until cooked through - about five minutes. Drain on kitchen paper and serve immediately (ideally with a sweet chili dipping sauce).
NAM JIM GAI
(Sweet Chili Dipping Sauce)
(serves 4)
This sauce makes a fantastic accompaniment to most Thai dishes and is added like salt and pepper. Once cooked this can be stored in a bottle for about one month at room temperature.
3/4 cup finely chopped coriander root
5 cups chopped pickled garlic
7 finely chopped big, red chilies
3 1/2 cups sugar
2 cups white radish, cut into thin strips
1 1/2 cups vinegar
1/4 t salt
Put all ingredients into a pan, and simmer on low heat about 20 minutes, until sauce is thick. Stir occasionally.
Recipes adapted from A Passion For Thai Cooking by Sompon and Elizabeth Nabnian.
Reader Dag from Norway (Oslo rep-re-sents!) poses a question about Eiswein:
"May I raise a question after a discussion we had in Luxembourg recently, about icewein.
Must be picked at minus 7 degrees and pressed while still frozen.
But, I was once told that there is also something else happening to the wine stock at minus 7. That some “elements†are withdrawn from the grape during this freezing process, which also contributes to the divine taste of eiswein. Therefore, real eiswein should/must be made this way ??
Have you heard about this process and which elements are withdrawn ??
Hope you have the answer.
Eager to hear from you.
Best regards from an eiswein lover in Norway."
Well, Dag. Allow me to first refer you to a fun article I wrote a few years ago called, "Ripeness or Ruin." It is my understanding that the divine taste of Eiswein is derived from the fact that the extract is devoid of most, if not all, water (since it's frozen). Thus the extract is fruit-essence goodness (sugars, -ols, etc.), which apparently ferments slower than typical must. Perhaps the combo of less/no water and slower fermentation adds to the otherworldly flavor of Eiswein.
A rosé by any other name is Leonardo. This little guy, who looks strikingly like his handsome dad, Giulio and beautiful mom, Stacy and sister Gia, is Leonardo Galli. He came into this world not long after Jan 1 of this year, but way before he was ?due.? At a little less than 2 pounds, little Leo, the young lion, roared into this world. On Mother?s Day weekend, he finally came home to live with his mom and dad and sister in San Antonio. Welcome to the world, Leo! We are so glad to see you, growing up so fast and healthy. I?m going to cry now.
But they?ll be tears of joy.
Somebody open up a bottle of Franciacorta Rosé, preferably Contadi Castaldi.
Good Times!
Little Leo with sister Gia and proud Papa
Leo the Warrior with Papa's wedding ring on his arm - long before he came home
Papa Giulio with a cold bottle of Maremma Rosé at Stout Vineyards in Blanco, Texas
Papa Giulio and sister Gia under the portico at Stout Vineyards in Blanco,Texas
Papa Giulio, sister Gia, Devin Broglie and IWG kicking back at Stout Vineyards in Blanco,Texas
Anyone who hasn't yet discovered Paso Robles wines is missing some of the most interesting and dynamic wines that California has to offer. And anyone who hasn't discovered Paso Robles, would do well to mosey on down there for their 27th Annual Wine Festival in a couple of weeks. Once a sleepy undiscovered little wine town, Paso has become the epicenter of a wine explosion in the last decade with wineries popping up like Spring crocuses every year. The limestone terroir of western Paso Robles in particular is producing some absolutely stunning Syrahs and other Rhone Varietals that every wine lover in California should know about.
The Wine Festival takes place over a (usually sunny) weekend in May. Starting off with events and dinners held at wineries around the area on Friday, the event culminates in a Grand Tasting in the town park on Saturday, which is certainly the highlight of the weekend and should be the goal for anyone looking to learn more about the area's wine.
At only a three hour drive from San Francisco, it makes for a very nice weekend trip should you feel inclined.
Paso Robles Wine Festival Grand Tasting Saturday May 16th, 1:00 PM to 5:00 PM Paso Robles Downtown City Park Paso Robles, CA 93447
Remember to wear something you don't mind spilling red wine on; drink lots of water; make sure you have a full stomach; and spit out the wine if you want to actually learn something and avoid a nasty headache the next day. And for this event, I also recommend sunscreen and a sun hat.
For those who have been around the wine blog-o-sphere for a few years, the Caveman's blog was a gem. Bill Z. offered world class wine knowledge with a down-to-earth attitude. Like many blogs (this one included) the Caveman posted less regularly, and then poof! it became frozen in time (kind of like Han Solo in Empire).
Well, my pal Bill, the Caveman, is back and writing for the Montreal Gazette. It's good to see his voice is being appreciated by those lucky folks in Quebec.
"It was my first evening back working the floor as a sommelier. I was invigorated after an exceptional week touring and tasting wine in France's Languedoc-Roussillon.
My second table that night was a couple from France, so I started going on and on about the place, even recommending to them one of my favourite wines from the region. They looked at me and said, "Yes, it's beautiful there, but we would never drink their wines."
Last month, while at the London International Wine Fair, we had brought a few bottles from Spain to share with our hosts. We always like to bring wines from our cellar, wherever we travel, knowing that we’ll magically find the need to open them among friends. This trip we opted for a California treat, S.Anderson’s 1999 Cabernet Sauvignon, a wine that I had bought many years ago on the advice of a nice Parker review. Having never tried it, we could only hope that a 10 year old Cali Cab would be a fun warm up to whatever wines were in store for us at the LIWF.
During dinner of our first night in London, we popped open the bottle, and despite its age, and rough ride in the belly of our British Airways flight, the wine showed beautifully. Paired with a roasted lambshank simply tied up with fresh rosemary, alongside roasted potatoes, the subtle delicate Cabernet flavors aged perfectly with a touch of oxidation on the nose and palate. It was a wine that gave each swallow a tinge of sweet regret as you longed for the flavors to linger on.
As the bottle slowly disappeared, the final drops savored, I felt sad thinking about the amount of people who drink wine immediately without holding onto it. We have no temperature controlled cellar here in Terrassa, but we do our best to keep the wine out of the sun, and as cool as we can. That said, many people would draw a rigid line and say that you should never store a wine in such conditions, and as a result, they never do. Sadly this means that many people miss out on the joys of a well aged wine. (Fickr phot by jenny downing)
Tonight, we’re grilling Paella on the grill and due to a head cold all of our wines will be aging a day or two longer. No need wasting some good juice on a congested head!
Recently, at a dinner with friends, one man's date turned to me and complained, "He's so boring. All he ever talks about is wine. All day long he talks about wine." I probably looked hurt, because I was just as engrossed in our discussion of Syrah as he was. Lorraine leaned toward me and whispered, "She's right, you know. We're all hopeless wine geeks. Look at us from an outsider's point of view."
A 300 year history permeates Vergelegen; one of South Africa's most prestigious, reknown and visited wineries in the Cape. The original homestead was built in 1700; originally a barren wilderness it was transformed into a vibrant farm with fruit orchards, orange groves, oak trees, vines, cattle and sheep. Passing through a succession of owners the estate was eventually purchased by Anglo American Farms in 1987. The last 21 years have seen a renaissance.
It is a wonderful spot for visitors; even if you have only a passing interest in wine - there's the oldest oak tree in Africa (a hollow Old English Oak believed to be 300 years old) and gardens aplenty (rose, herb, camellia, fynbos, hydrangea). The homestead is open to visitors and is full of classical Cape Dutch furniture and there are picnic areas too (although you don't bring your own food but buy pre-packed boxes at the estate) and, for posher-nosh, the Lady Philips Restaurant.
We were there for the wines though. A pouring of the Sauvignon Blanc was served alongside fresh oysters - to general acclaim of my compatriots, but not moi as I 'don't do' oysters. But my 'line fish' in the Lady Philips restaurant, later, was beautifully moist and accompanied the lightly oaked Vergelegen Chardonnay 2008 superbly [picture].
Review0.3 Wine Tasting Note: Vergelegen Sauvignon Blanc, 2008, Western Cape, South Africa. [More: Adegga / Snooth] 97% Sauvignon with the remainder being Semillon. Lovely crisp, frim fruit, fresh. Touches of fig, gooseberry and a pleasant leafy-ness (straw, green peppers, peas) Alcohol 13.5%. Andrew BarrowScribblings Rating - 88/100 [3.5 out of 5]
Review0.3 Wine Tasting Note: Vergelegen Chardonnay, 2008, Western Cape, South Africa. [More: Adegga / Snooth] Medium bodied by design, 60% in oak giving a subtle oak-complexity, not too heavy either (medium bodied). Pear, cream, apple flavours; a typicla Chardonnay. Andrew BarrowScribblings Rating - 88/100 [3.5 out of 5]
Review0.3 Wine Tasting Note: Vergelegen Reserve Sauvignon Blanc, 2008, Stellenbosch, South Africa [More on Adegga / Snooth] A single vineyard wine - the 2 hectare vinyard on the lower Schaapenberg. More complexity here with a little lees contact giving a creaminess to the flavour and a more rounded texture. Floral touches enliven the herbaceous palate. Minerals, peach stones and citrus play around too. Beautiful. Alcohol 14.5%. Andrew BarrowScribblings Rating - 92/100 [4 out of 5]
Review0.3 Wine Tasting Note: Vergelegen Cabernet Reserve, 2005, Stellenbosch, South Africa. Price: £9.99 [More on Adegga / Snooth] Cabernet dominates here (91%) with Cabernet Franc and Merlot splitting the remainder. Superb berry aroma - very, very Bordeaux-like. Savoury depths, touches of herbs. Firm palate, but smooth until the great burst of tannin led blackfruits hits the tastebuds. The grapes were selected from Vergelegen's Stonepine, Rondekop, Rooiland and Kopland Vineyards. Alcohol 14.5%. Age worthy; a 2004 was also sampled. Andrew BarrowScribblings Rating - 92/100 [4 out of 5]
Josh Hermsmeyer, the guy behind the must read Pinotblogger site, has issued a challenge to all wine bloggers and will reward the winner with a prize of up to $1,000 depending upon how many respond to his call. In a nutshell, he is asking us to answer two questions:
Why are you passionate about wine/what motivates you to blog about it?
Is it appropriate for a wine reviewer to prescribe the ways in which a wine should be made or is their job chiefly to review what?s in the bottle?
Times being what they are, I will attempt to answer these somewhat provocative questions and perhaps give you some more insight into what makes amateur wine writers tick. Or at least how I come at this craft.
So the first question is pretty straightforward. I blog and podcast about wine because I can and like to do so. Like a lot of wine bloggers, I was the guy everyone asked for wine tips so I found it easier to just write them down and record reviews. Now I just point people here for my picks as opposed to trying to remember them at will. My podcasting got me into blogging due to the same software being used (Wordpress). It was easy to blog so I did so soon after I started to podcast in late 2004. I got into podcasting after something clicked with me in September of 2004 when I first discovered the genre. At the time there was something like 25 podcasts but no one was doing anything about wine so Winecast was born. Over the years the podcast has ebbed and flowed but I still will be posting shows and continuing until I don’t find it enjoyable. So I guess I do this because I love wine and like sharing what little I know about it. I had much the same answer a couple years back but with a slightly different spin.
The second question is a bit more complicated. I think Josh is asking this in response to Robert Parker’s recent statements about wine bloggers (or shall I say “blobbers”?). Mr. Parker has long been accused of influencing winemaking styles in order to garner higher scores which many times leads to more demand and higher prices. The biggest beneficiaries of his ratings has been the classified growths of Bordeaux but some Cali cult wines and Aussie Shiraz has benefited, too. And I don’t blame any producers for making such changes in order to get the scores. It helps sell their wine but is also something that I hope we will get away from in the next decade as Mr. Parker retires and drinks down his cellar.
Wine writers of any level should tell the story of the wine they are reviewing and not dictate what that story should be. Sometimes this is a terroir story, sometimes it’s not. For a review to communicate the essence of the wine, as much context as possible is required. I’ve not delivered on this ideal as much as I would have liked in the past but hope to help invent the new language of wine reviews going forward. We’ll see.
In the meantime, I’ll keep trying new things to communicate how a wine moves me. Wine is a living being that is in constant change. Those of us who write about it should respect this and attempt to bring all the nuances displayed in the glass into our writing.
We all know Brown Brothers as Australian pioneers of the unusual grape variety - amongst the usual shelves of Chardonnay, Shiraz and Cabernet you'll find more esoteric bottlings of Vermentino, Tempranillo, Albarino and Sangiovese all from Brown Brothers.
New to their range is a Prosecco, the Italian sparkling wine (made from the grape of the same name). Plantings of this grape in Australia are miniscule. In fact, I wasn't aware there was any Prosecco grow outside of Italy until this sample arrived.
"This is the first release of the Brown Brothers Prosecco. The wine is part of our limited release range and will be available at Cellar Door and restaurants for this first release. The Prosecco is another example of Brown Brothers innovation and experimentation as we bring more and more styles of wine to our portfolio. The Prosecco has a pale gold colour with subtle green hues and a delicate nose displaying citrus, apple and pear characters. These characters follow through to the palate which is fresh and crisp with tight natural acidity from the cool climate fruit. Prosecco is made to drink young while at its light and delicate best."
Review0.3 Wine Tasting Note: Brown Brothers Prosecco, 2008, King Valley, Victoria, Australia. Available from Christopher Piper Wines £11.13 [More: Adegga / Snooth] Delicate fizz of the first order.. Lovely deep colour and firmer palate than an Italian version. Fresh, bubbly, apple, a litte citrus and flowery. A fine aperitif. Stylish packaging too. Alcohol 12%. Andrew BarrowScribblings Rating - 92/100 [4 out of 5]
Bisol is one of the largest Prosecco producers in Italy; but a producer that retains quality and finesse in its large range. Has it really been two years since I enjoyed the Bisol dinner at l'Ortolan? Some superb Prosecco and Food matches that evening. Just added to the Bisol range is a rosé: Review0.3 Wine Tasting Note: Bisol Jeio Rosé, NV, Veneto, Italy. Available from Bibendum Wines £10.01. [More: Adegga / Snooth] As with all decent rosés it is the colour that attracts; here its a firm rose colour with hints of orange. Delicate cherry and rose aromas and flavours and a great mass of refined bubbles. Light, fresh and delicate. Citrusy, a touch of sweetness countering the acidity. New to the UK. Alcohol 11.5%.
The Bisol was designed with food matching in mind; so recommended as an awesome match with shrimp, lobster, seafood in general and salami. For me though a vividly coloured Baked Beetroot Risotto made for a rather scrumptious match. Andrew BarrowScribblings Rating - 92/100 [4 out of 5]
UPDATE: Technically the Bisol is not a Prosecco; it is not made from the Prosecco grape but from a mix of Pinot Noir (95%) and Merlot (5%) which accounts for the colour! All the grapes are frm Bisol owned vieayrds and it is made in a similar way.
Italy Abroad recently posted details on Prosecco being bottled in Germany and the various DOCG/DOC labeling rules that now apply; if that is your bent.
I?m in Austin this week and enjoying the company of people who are really interested in wine, even Italian wine. Business here seems to be revving up and after a day with a producer from Montalcino, the reception has been, well, humbling.
I say this because we are just beginning to get into the 2004 Brunellos after what has seemed to be one of the longest years of selling a vintage. The vintage has been the 2003, which got hit by the perfect storm of a lesser than great vintage, the ?little problem? in Montalcino and the October 2008 world financial meltdown.
So the warehouses and shops and restaurants have an ample supply left of the 2003 Brunello. Pity, because today as we tasted the 2004 from Caparzo, I really felt sorry that a great vintage like the 2004 is suffering only because of the circumstances we have all found ourselves in.
What to do? Is the '03 Altesino Montosoli so terrible? Of course it isn?t, after all it is the sibling rival to Caparzo and Guido Orzalesi would tell anyone that the wine is sound and bonafide. By the times aren?t yet receptive. Or the ship has already sailed for the 2003. So, once again, what to do?
I would (and do) advise to simply take the hit and close them out. Now. Lesser wines are taking the hit. Dolcettos and Barberas are streaming through the wine bars having been discounted to ridiculously attractive levels, ones that even I would bite on. And I need no more wine in my closet.
In the case of the 2003 Brunellos if only to give the 2004 their time under the spotlight, even if it is only the life cycle of a drosophila.
Which leads me right into this question: Why is it the market seems to get so interested in Italian wine after it has been discounted to cost or below?
Really, three times in this month I have had wine buyers, somms and restaurant managers wax the glories of a particular wine or two. After the third one mentioned it, I started to wonder how wines like these got their legs so deep in the community. We?re talking Dolcetto and Barbera and from producers that are well known, Einaudi and Vietti. And let?s throw in the Fontodi Chianti Classico Riserva, too. I heard that one lately too, even though it probably is a residual memory serving only to try and diminish any of the legitimate attempts to sell Italian wine for what it is worth. More on this to come.
The Dolcetto. I saw it on a list Out West and thought, what the heck, seems like a good wine that someone bought and didn?t know what they had. It was lively. And then again, I saw it, in another fancy place. Ok, good, the wine buyers have sussed out a sleeper, and we all benefit from their acuity. Hoorah for us!
The Barbera. I started hearing about this little beauty from SB (somm-buddy) who comments on this site. I knew the place, went up to the estate in Castiglione Falletto back when the crust of the earth was cooling. I got it then, just stood up a bottle of their ?81 Nebbiolo to let the dust settle. Had first communion with Alfredo, OK? I get it.
And then the dirty little secret comes out. The wines were ?discounted?. Closed out. Disontinued. Disco?d. Why? Upon a little digging I hear that Remy Amerique, the importer for Vietti, is sandbagging their wine division. So these folks are possible soon without a home. No future? Time to disco? Sure seems like it.
And Einaudi, are they without an importer? They still show up on the Empson site, so it doesn?t look like that is their fate. Overzealous buyer at the distrib? Perhaps, but I?m not sure. Maybe my Empson peeps reading might share some insight. The wine is real. Good. So, what happened?
How to get excited about Italian wine when it is not on close-out?
Look, for a generation now some of us have been carrying this donkey up the hill. The Italians always undervalued their wine, almost apologizing for it because of the price. A Chianti Classico Riserva selling for $7 when a 3rd growth was going for $12. And the Italian was contrite, ashamed, sorry. So the wine got discounted down to $3 and all of a sudden lots of buzz from a restaurant here, a wine shop there. It was rampant in the 1980?s with Rosso di Montalcino, the ?throw away? wine. The distribs had to buy the Rosso to get the Brunello and when it didn?t sell they?d schlep a bottle to Don Cazzu and make him an offer he couldn?t refuse. Great stuff, from Costanti to Il Poggione to San Restituta. I am not kidding. How many times I sat there with my bag of wine while Don Cazzu tells me what a great deal he got for the ?74 RdM for only $2 a bottle. And he was right! But it perpetuated the image of Italian wine value. A Rosso di Montalcino was only worth $2-3 a bottle because it wasn?t bought right in the first place and it surely was never sold right. And so the true value of the wine never made it into the hearts and minds of the wine buyers.
And now we stand here, once again, at the corner of Downturn and Summertime with Dolcetto and Barbera and 2003 Brunello and when will we ever get to the place where we can really rev it up on the Montalcino autostrada of life? I think our little vehicle needs some work on the engine, the little one that takes us up the hill, yes we can, I think we can, will we ever? Can we?
Deep breath. Close eyes. Relax. Maintenance light is flashing. Must consult the manual. Ad Occhi Chiusi.
Vinrock has been growing grapes in McLaren Vale for 30 years though traditionally most of the grapes have been sold to Tatachilla. They now make wine under their own name too. You need a subscription to The Wine Front to see this part of the post
Somewhere in the haze of polemic wine punditry, where every old idea can be given a fresh coat of paint and proffered as original thought, Napa got caught up in the overripe wine discussion, lumped in with the hegemony of “Parker’s Palate,” given “poster boy” status.
With my decidedly ‘New World’ palate, it’s a subject I find of interest, if for no other reason than to explore a categorical rebuke that can’t possibly be as tidy as others may make it seem.
Simply, in my worldview, there has to be striations in this “Parker’s Palate” category.
Surely, we’re not all tasting the same thing and throwing entire categories of wines into this bucket … entire categories like “Napa Cab,” for example.
Here’s my take: in the realm of New World wine styles, where 14% + alcohol and French new oak are de facto standards, most Napa Cabs, flagships for California wine, are unnecessarily painted with the black brush of ill repute, the Scarlet Letter of what’s wrong with the domestic wine scene, reactionary victims to the power of one man, caught up in the collateral wreckage.
Simply, I do not, have not, and will not buy into the notion that Napa Cabs, as a category, are overripe, unctuous, hedonistic fruit bombs.
Dare I say it, but I would go to the extent to say most Napa Cabs have an acid streak that makes them food-friendly, provided that food is a steak, ideally off a grill.
Now, this whistling in the wind on my part shouldn’t be an indicator that I don’t believe these offending candy-like wines exist – they do, I’ve tasted them. In fact, I find that many (not all) Australian Shiraz, Central Coast Rhone reds, Lodi Zins, and Argentinean Malbec’s fall into that grapey, oaked, viscous, vanillin, “what the hell do you eat with this” category.
Just not Napa Cab.
No, these are steakhouse wines. Foils for a porterhouse, or bone-in ribeye, but not foils for the quasi-Old World, draping themselves in food-friendliness; the anti-Parker contingent.
If anything, brush them with the acceptable “New World” brush, just not the “Parker’s Palate” brush that immediately polarizes …
Call them expense account, wood-paneled, ego-driven powerful wines, just don’t lump them into the Parker bucket of offensive wines.
Here are three good ones, all would be dandy with a grilled hunk of red meat … all have enough backbone and nuance to complement a memorable meal.
2004 Cornerstone Howell Mountain Cabernet Sauvignon
2002 Trefethen Oak Knoll District Cabernet Sauvignon
2006 Merryvale Starmont Napa Valley Cabernet Sauvignon
Brightwell Vineyard is a quintessentially English vineyard overlooking the Thames in South Oxfordshire; family owned and run the estate is small (14 acres) and still in an experimental stage with new plantings, grubbing up and so on on-going. Things must be going well as there are plans for extensive Pinot Noir plantings next year where the pig field currently stands. They do not, currently, make their wines on the estate although most of the equipment is now in place to do so in the future; but like so many other English wine estates they utilise another estates wine making facilities.
Six wines currently in the range - two blended whites Oxford Flint and Crispin, a single varietal Bacchus, a rosé Oxford Rose , a red Oxford Regatta and a sparkler. Given the climate and the generally accepted assumptions of English wine you might be surprised at the results of our tasting.
The bloggers involved - sadly four had to drop out at the very last minute - were Denise the Wine Sleuth, Jeanne Cooksister, Helen of Food Stories, Mark 'the beer guy' who writes at Pencil and Spoon and Niamh of Eat Like A Girl. Plus myself. All travelled out to Oxfordshire for a little English wine exploration as part of English Wine Week.
With the exception of Jeanne all were twittering on the day hence the use of tweet extracts in the report below. The tag #aeww (awesome English Wine Week) was used (when remembered) so you can read the full days events via that tag. More images and tweetie-bits are on Spittoon Extra and more aeww pictures on flickr.
The chef Pierre Schaedelin has sharpened the flavors, improved the desserts, and broadened the menu at Alain Ducasse?s Benoit ? though it?s still shadowed by mindless service.
Tequila. Whether it conjures images of swarthy, ammo-strapped banditos sidled up to the bar in a captive Mexican border town or fantasies of idyllic hours in hammocks on tropical vacations, the word tequila is perhaps the most evocative in the drinker's lexicon.
Tequila's siren song is mysterious and sexy, with a hypnotic off-key recklessness. She lures you in by seducing your mind, secure in the knowledge that your body - and taste buds - will have no choice but to follow.
While this exotic spirit has tempted drinkers around the world for centuries, few of us who make margaritas a staple of summertime understand or appreciate the journey tequila has taken from Mexico's highlands to the local supermarket shelf. It's not all blender drinks and body shots. Tequila has a long and increasingly turbulent history - one that's almost as complex as the spirit itself.
Once Upon A Time In Mexico...
The tale of tequila is at least as long as the history of Europeans in North America. The spirit's precursor, mezcal wine, was produced shortly after the Spaniards arrived in the New World in 1521. Unaccustomed to drinking plain water (which, in their European homeland was rife with bacteria and bugs, and often a one-way ticket to the plague pit), the Conquistadors were eager to create a new alcoholic beverage. They found the makings at hand in pulque, a nutrient-packed brew derived from the fermented sap of agave plants, which had been a staple of the native diet millennia before the arrival of these thirsty men. The Conquistadors set to work distilling pulque into a drink considerably more potent, and in less than a century they were cultivating local agave and turning pulque into mezcal wine for exportation back to the Old World. Fortunately for generations of drinkers that followed, the Conquistadors never did know how to leave an indigenous people's traditions well enough alone; mezcal wine eventually evolved into the treat we now call tequila.
Though the origin of the word itself remains a mystery, it's believed that tequila was named for the small town of Tequila in the Jalisco state of Mexico. The "Father of Tequila," Don Pedro Sanches de Tagle, Marquis of Altamira, saw the potential for this potent liquor and established the first tequila factory in his hacienda in 1600. Over the next hundred years, tequila was used for everything from generating taxes for public works to curing New World illnesses. It became so popular, in fact, that Spain's king began to worry about the competition tequila was causing, and in 1785 banned production of all spirits in Mexico in order to promote the importation of Spanish wines and spirits. Unwilling to give up their livelihood to a monarch an ocean away, makers of mezcal wines simply continued their trade in secret - at times literally baking agave underground - until the ban was lifted when King Ferdinand IV took the throne the following decade.
The tequila manufacturer who remains perhaps the most famous today, Jose Antonio Cuervo, was the first licensed manufacturer in Mexico in 1758. His family's Casa Cuervo proved very profitable, by the mid-19th century boasting fields of over three million agave plants. Cuervo was the first distiller to put tequila in bottles instead of barrels, selling the first in 1906. Though other tequila distillers rose to compete with Cuervo and continue to join the market today (perhaps the most notable being Sauza), pioneer Cuervo remains the world's largest tequila manufacturer.
Improvements in transportation during the 19th century helped take the fruits of Mexican distillers' tequila labor into North America and beyond. As its popularity increased beyond Mexico's borders, tequila also experienced a growing reputation within the country during the revolution of the early 1900s, when the drink became a symbol of national pride. Caught in a nationalistic fervor, Mexicans quickly cast aside imports in favor of home-grown products of all kinds. Before long, tequila became synonymous with hard-living, fearless gunslingers like Pancho Villa - heroes of the era. In America, the Mexican favorite experienced a surge in popularity during Prohibition, when thirsty drinkers were tempted by tequila smuggled across the border, and again during WWII, when hostilities made European imports scarce.
Legend has it that the drink tequila made famous, the margarita, was first mixed in Mexico or a nearby state sometime between 1930 and 1955. The cocktail made its way into gringo hands, and no lime or Mexican flag on a toothpick has been safe since.
Don't Call It Cactus
Though often confused, mezcal and tequila are not one and the same. Both are distilled from the agave plant, a succulent from the same family as the lily and the amaryllis, but only liquors made from the blue agave are called tequila. Contrary to popular belief, agave is not a cactus. Though agave shares a common habitat with many prickly cacti neighbors, it has a different life cycle, and there are 136 Mexican species in its own unique agave family.
The process of creating tequila begins when the blue agave plant ripens, usually eight to 12 years after planting. Because the plant must be ripe enough to have sufficient sugars for fermentation, a jimador first performs the crucial task of chopping leaves away from the plant's core to assess its ripeness. If the plant is deemed ready, the core - or piña - is cut away and taken to a distillery for roasting in furnaces called hornos. After roasting, the piñas are shredded, and the juices pressed out and placed in vats or fermenting tanks. Once in the vats, yeast is added to the juices to convert the sugars of the agave to alcohol. These agents are so vital to the process and to creating unique tastes in tequila that distillers keep very tight-lipped about their individual yeasts. The resulting juices then ferment 30 to 48 hours before undergoing distillation twice. The outcome is a rich, potent, colorless liquid between 70 and 110 proof. The color comes later, brought on by wooden barrel aging, or from the addition of caramel or wood essence. In the final step of processing, most tequila is filtered through cellulose filters or activated carbon before bottling.
Protecting a National Treasure
Mexicans are understandably proud and protective of their national alcoholic spirit, and between World Wars I and II, the Mexican government began efforts to closely monitor production and distribution of tequila. In 1944, the government decreed that any product called tequila had to be made by distilling agave in the state of Jalisco. Today, there are only five regions where tequila can be legally made; most are in the semi-arid plateaus and highlands of Jalisco and the adjoining states of Guanajuato, Michoacan and Nayarit, and
the northeastern state of Tamaulipas.
To help guarantee the quality of tequila, in 1978 the Normas Oficial Mexicana (NOM) was established, regulating all agricultural, industrial and commercial processes related to the spirit. Since then, the industry has continued to grow, with more than 50,000 hectares of agave under cultivation and more than 500 brands of tequila available today. To help control the burgeoning industry, the Tequila Regulatory Council (TRC) was founded in 1994 to oversee industry production, quality and standards.
The fundamental standard set by these oversight agencies categorizes tequila based on the percentage of blue agave juice it contains. Tequila 100 percent Agave must be made with solely blue agave juices and bottled in Mexico. Tequila or "ordinary tequila" must be made with at least 51 percent blue agave juices and may be exported in bulk for bottling in other countries according to the NOM standard.
Which tequilas are "best" is primarily a matter of individual taste. With increasing manufacturers pumping cash into spiffy packaging, sexy bottles and glossy ads, a more expensive tequila doesn't necessarily mean a better product. There are numerous quality tequilas available for $20-$50 USD. Most brands available for under $20 are usually mixto (not 100 percent agave) and are mass-produced for local markets. A good and tasty way to find a favorite is to sample a wide variety of brands in the different styles: Blanco for its young, rough edge and rich agave flavor; Reposado, which is sharp and peppery; and the woody, smooth Anejo. Trying to settle on a personal favorite is a good excuse to work one's way across the tequila shelf at the local bar, one bottle at a time.
Tequila's Uncertain Future
While tequila has a good-time reputation as the key ingredient of backyard fiestas and frat parties, there's a dark side to this South-of-the-Border libation. The popularity of Mexico's national treasure has, in some ways, caused tequila more harm than good. Growing demand has led to discontent among agave farmers who, in 1996, organized a protest against exploitation by some producers. Their blockade ultimately cost the industry millions, and the loss was passed on to consumers via price increases.
Another blow struck the tequila industry in 1997, when producer Don Jesus Lopez Roman was killed in a gangland-style execution outside his factory. Roman, whose Tequila San Matias distillery was founded in 1884, had become unpopular after taking a vocal stance in support of bottling all tequilas in Mexico and banning bulk exports to ensure content and quality. His murder remains unsolved.
If labor disputes and murder aren't enough, a recent plague of pests, diseases and impending shortage of agave has led to potential crisis. Faced with spiraling agave costs, several distillers have discontinued their low-end brands to concentrate on their premium, higher-priced tequilas. The buzz among bartenders is that as availability of blue agave declines, the price of tequila will rise and quality may not go along for the ride.
But those who love tequila for its unique, sultry taste and colorful history won't be dissuaded by these natural and man-made dramas. As the Conquistadors discovered, once you've been captivated by this ancient spirit, there's no turning back from tequila.
RECIPES
True aficionados say the only way to enjoy tequila is straight up, but these tasty recipes are definitely worth a shot.
1 1/2 oz. tequila
1 oz. Galliano
1 oz. Blue Curaçao
Cream
Shake tequila, Galliano and Curaçao with ice, and strain into cocktail glass. Float cream on top.
How to Drink Tequila
Leave lime-and-salt shooters to the chain restaurant happy hour and sip tequila slowly. This is a rich, complex liquor that deserves full sensory attention.
Serve tequila at room temperature (though those who like it icy can keep a bottle in the freezer).
Enjoy Tequila Blanco and Reposado from a traditional "caballito" glass; sniff the aromatic Anejo from a snifter.
Serve up Blanco and Reposado with a "sangrita" made of tomato and orange juice with salt and chili.
When drinking tequila on the town, ask your server to bring the bottle and pour it in your presence to be sure you get the gusto you deserve (and the brand you actually ordered).
What About That Worm?
Everyone's heard tales of folks who ate the worm in a bottle of tequila and were rendered temporarily able to glimpse into a parallel universe. Truth is, tequila worms and their supposed visionary properties are the stuff of Hollywood movies and high school urban legends. One will never see a worm in Mexican-bottled tequila, though some U.S. bottlers toss in a critter for novelty.
If you're really hankering for a worm with your booze, it's possible to find some types of mezcal that include a gusano or "butterfly caterpillar" in the bottle. Even this isn't a Mexican tradition. Those in the know say the addition of worms was a marketing ploy developed in the 1940s - the drinkers' equivalent of the toy prize in cereal boxes.
It's not a huge leap from veterinary medicine to winemaking, and that leap is made even shorter when you're enrolled at UC Davis which happens to be the top school in the nation for both. Dan Lee initially thought he wanted to work with animals, but a few courses as electives during his vet school tenure were enough to convince him to immediately enroll in the Enology program as soon as he finished his undergraduate degree.
While he still loves animals, Dan hasn't looked back, graduating and continuing on to become a winemaker for Jekel and Durney (now Heller Estate), all the while plotting to start Morgan Winery. In 1982 he and his wife Donna celebrated their inaugural vintage with the release of a Chardonnay and since then have been making a wide variety of high quality wines with fruit sourced from other vineyards, and starting in 1999, with fruit from their own vineyard, the "Double L."
With the maturation of their estate vineyard, Lee switched to focus exclusively on Monterey County fruit as well as to completely organic farming at the estate. Winemaker Gianni Abate also came aboard, fresh from a career as winemaker at some of the country's largest wine companies, including Bronco, Delicato, and Robert Mondavi Winery, allowing Lee to assume the title and responsibilities of "Winegrower."
After more than 25 years, the Morgan portfolio includes nearly 30 wines, including those produced under the second label "Lee Family Farm." Lee has been making this Metallico Chardonnay for the last 7 years, with fruit primarily from the Arroyo Seco appellation of Monterey County. The bulk of the grapes come from the winery's estate vineyards along with their neighbors, the Lucia Highlands Vineyard.
The grapes for this wine are crushed from whole clusters into stainless steel fermenters that are cooled to make sure the fermentation takes place slowly and in a controlled fashion. After the primary fermentation, the wine is racked into neutral, three-year-old oak barrels and is not put through a secondary malolactic fermentation (one of the chief sources of the buttery qualities of most California Chardonnays). It is aged for several months in these barrels on its fine lees (the yeasty sediments that fall to the bottom of the barrel) which are stirred to give the wine more body.
Unoaked Chardonnay is a wonderful invention as far as I am concerned. I think I had my first such wine in Australia about a decade ago, and fell in love with Chardonnay all over again. While it doesn't achieve the profundity of some of the great white Burgundies, unoaked Chardonnay from the New World preserves some of their most appealing characteristics: crisp, pure fruit coupled with a nice minerality, usually accompanied by great acidity. More versatile than their heavily-oaked brethren, these wines are yet more proof that anyone swearing off Chardonnay on principle is really missing the boat.
Tasting Notes: Light gold in the glass, this wine has a lively nose of crisp apples and unripe pears, with a hint of guava. In the mouth it is crystalline in quality, with restrained lemon curd, cold cream, green melon, and wet slate flavors that slide refreshingly across the palate. A hint of buttered sourdough toast creeps into the finish, which, like the rest of the wine can only be characterized as refreshing.
Food Pairing: I had this wine with a crab, tomato, and watercress terrine, and while most Chardonnays would have been a little heavy for the dish, this wine was a great match.
Did I say normal service would be resumed? Well Friday evening’s bottle didn’t quite go to plan – it was horribly corked… (I hope tomorrow’s Mazis fares better!) a a corking corton
Last month was a bit of a whirlwind in terms of work, and I never got myself organized for the next stop in my tour of Italian wine regions. This month I'm back on track, and pointed in the direction of Trentino-Alto Adige. (photo by bobferdon)
Tucked up against Austria, this wine region is known for its snowy ski resorts, craggy peaks, and its belief that bread and wine is the stuff of life. One of the region's proverbs is Pane e vino fanno un bel bambino or "bread and wine make a beautiful baby." The area's dedication to wine is all the more remarkable given the fact that only 15 % of the land is arable, and vineyards often are planted in terraced vineyards on mountain slopes.
Viticulturally, Trentino-Alto Adige has been influenced by Austrian, French, and German traditions as well as Italian. The region's winemakers make racy whites from varieties like Pinot Bianco, Riesling, Traminer, Sylvaner, and Gruner Veltliner, for example. And if you're looking for a red from Trentino-Alto Adige, expect to see bottlings of Cabernet Franc, Cabernet Sauvignon, and Merlot as well as Sangiovese and Schiava. (photo by John Shave)
As the wine goes, so goes the food. In the northern part of the region (Alto Adige) the food has a Germanic flavor and the people are predominantly German speaking--so lots of sausage, cabbage, and dumplings are eaten with hearty reds and acidic whites. In the south, around the city of Trent where Italian is the most common language, polenta and pasta are popular foods, often served with mushrooms.
Have you had many wines from Trentino-Alto Adige? If so, what are your recommendations? Check back here for mine over the next few weeks.
Rutherford Ranch 2003 Cabernet Sauvignon $20-ish Wine label said: At Rutherford Ranch we work hard and we work smart to bring you the best values in Napa Valley wine. We strive to create wines with fresh aromas, rich flavors and a smooth balanced finish. Each wine expresses the honest flavor of grapes grown in the Napa Valley. WebWino & [...]
Tait The Ball Buster 2005 $15 Wine Label says: G’day Mates, I don’t know what aromas and flavors you’ll find when you try this wine - wine appreciation is so subjective and often too pretentious for my liking. I make my wines the way i like them - big, thick, juicy an deep in color. I wanted to [...]
Kopaonik is the largest Serbian ski resort. It is a popular place for domestic skiers and is becoming increasingly popular with foreign visitors. Although “Kopaonik” is actually a large mountain, the term usually refers to the area around the “Grand” hotel and the apartment complex “Sun?ani Vrhovi”. The area is small but contains quite a few hotels and private houses. It’s self contained, with shops, banks, a post office, etc. Apart from the restaurants in hotels, there are a few good restaurants around. In this article I’ll write about the restaurants I’ve visited this year, it might help you make the right choice (I didn’t have any tips at all…).
Etno club “Sunce”
This restaurant is located at the end of a quiet cool-de-sac, in the woods, a 5 minute walk from the Grand hotel. It looks very small from the outside, but it’s quite a spacious place. The atmosphere is great, fairly traditional, with two open fire places, a mixture of smaller and larger tables, a nice blend of loudness and privacy. The music wasn’t great, but that’s the easiest thing to change . The food was excellent and so was the service. They offer mainly Serbian dishes, if you’re not sure what to choose from the menu, the waiters will help you with their recommendations, you can trust them. The wine list includes wines from some of the better Serbian cellars, such as Radovanovi? and Aleksandrovi? (Topola). Go for Aleksandrovi?’s red or white Triumph, they are some of the best wines Serbia has to offer. Overall, it’s a great place, I’ll be back.
Food quality 5/5 Atmosphere 5/5 Service: 5/5 Price 3/5 (moderate, but excellent value) Wine list 3/5 (Radovanovi?, Aleksandrovi?)
Na?a ku?a
This place reminds me of modern pubs-restaurants in Ireland. It has a large bar area in the center, with large tables around, a couple of two seater tables in the corner for some extra privacy and a cosy open fire in the front. Both the interior of the restaurant and the furniture are made of light coloured wood, and there are stripes of small red lights throughout. There’s also a big video beam that mainly shows snow scenes during the day. It is a place frequented by the younger crowd and is open quite late into the nigth (until 3am). They have a small but well-chosen menu (which is also extremely well designed) and it’s obvious they put a lot of effort to make it a bit different from other restaurants in the vicinty. The chef is excellent, and the food is great, so give “Na?a Ku?a” a try if you get tired from the Serbian cousine and are looking for some European tastes. It is one of the more expensive restaurants, with a full dinner for two with a bottle of wine and a dessert producing a bill of around 50 euros. The wine choice is not great, but they do have a few wines apart from the regular choice, we recommend the wines from the Terra Lazarica range.
Food quality 5/5 Atmosphere 4/5 (nice mix of modern and traditional, younger crowd) Service: 4/5 Price 2/5 (expensive) Wine list 2/5
Etno ku?a Studenica
If you’re on a lower budget looking for good quality Serbian food you should visit the etno restaurant Studenica. Pick one of the two tables on the far left to avoid looking at the interior of the kitchen and to avoid the local crowd on the right side. The place is clean, the food was great and the waiter was top-notch, but the problem with this place is that it has too much light, it is visited by the local crowd and generally the level of privacy is quite low.
Food quality 4/5 Atmosphere 2/5 Service: 4/5 Price 4/5 (relatively cheap, good value) Wine list 1/5
Zvrk
This is a very popular restaurant located at the center of ski activities (the “baby slope”, ski lifts Karaman Greben and Pan?i?ev Vrh), just besides the Grand hotel. The restaurant has two levels, the upper one being more packed and colorful, the lower one containing a large center-located open fire place. This fire creates a very tempting smell outside the restaurant, which is the main reason you probably won’t resist getting into it. In general, it’s not a bad place, but there are much better choices around…
Food quality: 2/5 Atmosphere: 4/5 Service: 3/5 Price: 3/5 Wine list: 1/5 (just the very basic Serbian wines)
This week has been the most important in the British wine trade calendar, especially for those members of the Circle of Wine Writers. The three day London International Wine Fair with its accompanying flurry of parties, private tastings and get-togethers was held at Excel in London and the Circle of Wine Writers held their annual dinner and a pre-dinner Wine and Charcuterie Tasting last Monday.
Just one day at the London show for me but plenty of wines tasted and lovely people met, one after show party (a Bisol Prosecco Aperitivo tasting at the Wine Theatre, Southwark) and of course the Circle's dinner and tasting. Sorry the pictures are not that great - low light being the main culprit.
Then the Circle Dinner. Here we have Fiona Beckett (matchingfoodandwine) on the right and Gabriella of Catavino on the left over looking a particularily fine chunk of aged Gouda.
Stephen Colbert has a hilarious send-up of the dog food vs paté research paper we recently discussed. Check it out! (and see what he puts in his mouth–ack!)
In further canine wine news, also check out “Learning to sniff out corked wine” in the current issue of Food & Wine. Inspired in part by a grudge against a beagle from Customs and Border Protection, Ray Isle engages in a competition with a Sonoma winery dog (no dog food consumed by either party).
Scott Wilson, a practical-joking, golf-loving college buddy of mine, was an unlikely cooking teacher. Scott had no apparent interest in the culinary arts. He was, however, putting himself through business school by preparing Caesar salads tableside at a swish restaurant. One Saturday, in my quest to live beyond my means and impress a dinner date, I woke him up at two in the afternoon and begged for a tutorial. The heady aroma, pungent dressing and built-in theatrics had hooked me instantly. Twenty years, hundreds of salads and several truckloads of romaine lettuce later, I've fine-tuned the ingredients and learned to articulate the nuances that'll make or break a Caesar.
I'm so obsessed with the ritual that I carry my well-worn salad bowl with me in a snare drum case when I take my show on the road. Pool sharks travel with their own cues; the concept is the same (and it doesn't hurt that flight attendants mistake me for a drummer).
Most Caesar aficionados know where to find the best salad and are usually willing to trek miles across town to satisfy their craving. But few ever attempt to make one from scratch. Contrary to what anyone in a chef's hat might want you to believe, there are no secret ingredients or difficult techniques.
However, a quintessential Caesar requires the harmonic convergence of several high-quality ingredients and some focus. In order to demystify the process, and make you the mac daddy of garlicky greens, I've isolated the most essential components.
Since the recipe was published in my first book, The Surreal Gourmet: real food for pretend chefs, I've received dozens of letters from readers who've mastered the dressing and been deified by their friends. The ultimate compliment came from a waitress in Toronto who took me aside and whispered, "Every time I make your Caesar salad for a date, I get laid." I should be so lucky.
1) the bowl
Most restaurants, and many home cooks, commit their first faux pas by selecting the wrong tool for the job. By using a blender or food processor to mix the dressing, they whip the yolk, giving the dressing an undesirable mayonnaise-like texture. The definitive salad begins with a large unfinished wooden bowl (i.e., not coated with a shiny lacquer). The rough interior wall of the bowl provides the perfect surface for blending ingredients. The best bowls are usually bored out of one solid slab of Vermont maple. (Martha would probably chop down the tree and chisel it out herself. But we have better ways to spend our time.)
2) the grind
Once the aforementioned bowl's in hand, facilitating the successful marriage of the ingredients becomes an intensely physical activity worthy of Olympic designation. Use the back of a soup spoon and a healthy amount of pressure to grind the ingredients one at a time in a repetitive circular motion against the entire interior wall of the bowl. It should take approximately 20 seconds for each new ingredient to blend with the existing ingredients and form a smooth paste.
3) the garlic
Accept no substitute. Use only fresh garlic. When buying garlic, look for a firm bulb. As it gets older and moves past its prime, the bulb loses firmness and green sprouts appear in each clove. At all costs, avoid dried, powdered garlic, the runt of the garlic family. And be wary of elephant garlic, a much blander version of the regular-size bulb.
4) the lettuce
Pret-a-manger designer salad greens may be gracing fashionable plates everywhere, but Romaine remains the accessory of choice for Caesars because it wears the heavy dressing so well. If you must substitute, use another hearty lettuce. After washing the lettuce, use a lettuce spinner or towel to remove all water. For maximum crispness, return the lettuce to the refrigerator until just before serving. If you're preparing the lettuce several hours in advance, you can avoid browning edges by cutting the leaves with a sharp knife instead of tearing them.
5) the cheese
This is probably the single most important element of a great Caesar. Imported Italian Parmigiano-Reggiano is produced exclusively in a small region of northern Italy. Its distinctive taste and grainy texture are unmistakable. Cheesemakers from this region adhere to a stringent code of rules regarding what the cows are fed and how long the cheese is aged (at least two years). A food writer at The Los Angeles Times wrote, "Once you get a taste of the real stuff -- crumbly, earthy and rich as wine -- there's no turning back: Everything else is sawdust." After you've added Parmigiano-Reggiano to your cooking repertoire, you'll be forced to adopt guerilla defense tactics to protect the ungrated cheese. Roaming dinner guests tend to circle the wedge like hungry sharks and will devour it the second you turn to spin-dry the lettuce.
6) the anchovy
Don't be intimidated by the sight and taste of anchovies. When blended along with the other ingredients into a paste, the distinctive anchovy taste is unidentifiable. So why use it? Because along with the garlic and Dijon mustard, the anchovy provides the essence of the Caesar dressing, which all of the remaining ingredients serve to enhance. Modern technology has graced us with fish in a tube. Anchovy paste blends well and provides the perfect solution to the old problem of using one anchovy and tossing out the rest of the school.
7) the croutons
Nothing's more anticlimactic than topping a finely tuned Caesar with store-bought croutons that were destined for turkey stuffing. Homemade croutons, cut from any leftover thickly sliced bread, are the hidden jewels of the salad (see recipe below). "Gourmet-style" croutons made by cottage industry suppliers are a suitable replacement if you have more money than time.
8) the legacy
A great Caesar salad should knock you off your chair, then smack you again as you struggle to regain your senses. I can appreciate the fact that not everyone likes to wrestle with a salad, but that's why man created bottled dressing. If you elect to leave out the garlic or use the ingredients sparingly, please don't let anyone know it's my recipe.
3 thick slices of slightly stale sourdough or rustic country-style bread cut into 3/4-inch cubes
3 T olive oil
1) Preheat oven to 350 degrees Fahrenheit.
2) Place bread cubes in a large bowl and add olive oil. Toss and squish the bread like a sponge until the oil is evenly absorbed.
3) Place croutons on a baking sheet or aluminum foil and bake in the oven for 20 minutes, or until golden brown. Try not to forget about them in the oven as I often do.
1/4 t salt
1 t coarsely ground black pepper
3 garlic cloves, minced
2 anchovies (or 1 t anchovy paste)
2 t Dijon mustard (the real stuff, not the dried stuff)
1 egg yolk, coddled*
1 1/2 T freshly squeezed lemon juice
1 t Worcestershire sauce
1/4 cup safflower oil, or olive oil
1 1/2 t red wine vinegar
1 large head romaine lettuce, outer leaves discarded, remaining leaves washed and thoroughly dried. If lettuce looks anorexic or is in need of a serious trim, buy two heads
1 1/2 cups croutons (see recipe that follows)
1/2 cup grated imported Italian Parmegiano-Reggiano
* When I cook for others, the fear of a class-action lawsuit drives me to coddle. Place the eggs, in their shell, in boiling water 40 seconds. Remove, run under cold water 15 seconds to stop the cooking process, then use as directed.
1) Add salt and pepper to the salad bowl (this creates a sandpaper-like base that'll make the next steps easier). Using the back of a soup spoon, grind garlic against the wall of the bowl until it becomes a paste. Then add anchovies, and once again use the back of the spoon to grind it into a paste. Follow the same procedure, adding the Dijon, egg yolk, lemon juice and Worcestershire sauce one at a time. Make sure that each ingredient is blended into a smooth paste with the previous ingredients before proceeding.
2) Add oil and vinegar. Blend well.
3) Tear or slice lettuce leaves into bite-sized pieces and add to the salad bowl. Toss thoroughly with dressing.
4) Add croutons and cheese, toss again, then serve immediately.
A 64-page softcover pocket guide that you can keep handy. Offers everything you've ever wanted to know about wine from A-to-Z. Learn about wine-production regions along with their maps major grape varietals storing pairing serving and selecting the perfect wine glass. Softcover 64-pages. Size: 8-'H x 3-'W
The Wine Bottle Glass Funnel is perfect for those instances when have a little wine left over in your decanter or even in your glass. The thinness of this glass funnel allows you to insert the funnel right into any bottle. Then easily and cleanly you can pour the wine back into the bottle for a later date.
The elegance of the Wine Enthusiast lead-free crystal 'U' Decanter enhances your wine experience with an inner dome to increase the oxygenation of fine wines. The finger-hold punt ensures controlled pouring every time. Gift Boxed. Recommend to hand wash. Size: 10-3/4'H 46 oz.
As Seen on Ellens 12 Days of Giveaways & Good Morning America The pocket-size electronic talking Wine Master offers a sleek and slim design easy control panel and over 10 000 wine and spirits reviews ratings and suggested retail prices at your fingertips. The newest version of the Wine Master is the most essential wine tool you can own. Bring along with you to wine shops and restaurants and never make another wine buying mistake again. Requires 2-AAA batteries (not included). Over 10 000 wine and spirits reviews ratings (100 pt. scale) and suggested retail prices from Wine Enthusiast Magazine Food and wine pairing guide Digital display screen with back-light and compressed text functions Talking navigation with on/off Type Varietal Winery or Vintage search option Handsome non-zipper black case Wine Master is a mighty wizard that gives you mastery over the most serious wine shop clerks and sommeliers. Brushed aluminum with chrome accents. The Wine Enthusiast 2008 Wine Buying Guide is also available. Size: 4-3/4'H x 3'W NOTE: The information included in the Wine Master is based on the reviews and ratings conducted by The Wine Enthusiast Magazine. For the 2008 edition we added 10 425 reviews. Therefore if you look at a review of a 2002 Caymus in 2007 and in 2008 the review will be the same. Since we cannot review all the wines produced in a year some wines may not appear with a newer year review which does not mean that the wine is discontinued but just that particular vintage (year) was not reviewed.
Always know 'whose glass is whose' with these wine cellar-themed charms! Set of 6 cast metal charms are finished in antique silver and dangle from 3 strands of glass-faceted beads. Magnetic closures make sure the these mini-medallions stay secure around the base of each guests' wine glass. Set of 6 charms includes a wine bottle corkscrew grapes wine glass chiller bucket and cheese wedge.
You needn't interrupt your enjoyment of the wine now to fuss with pumps and dispensers. Deliberately low tech our Wine For Later Set eschews pumps spray cans nitrogen gas canisters and complicated dispenser systems for the graceful time-honored process of decanting. When you uncork a bottle simply pour off the wine you wish to save for later using an elegant glass funnel. Top off either the 1/2 bottle or the 1/4-bottle decanter and seal it with our airtight glass stopper. Since no air comes in contact with your wine it remains unoxidized and unspoiled. Adorn the decanter with our ornate silverplated grape-cluster cork pin for easy identification. Only from The Wine Enthusiast. Gift-boxed 6-piece set includes: 2 Wine For Later glass decanters 1/2 bottle size and 1/4 bottle size. 2 airtight glass stoppers. A beautiful glass funnel. A silverplated cork pin.
Choose the right wine every time! From the editors of Wine Enthusiast Magazine comes the most current comprehensive and informative wine buying guide on the market. Based on tastings by a distinguished in-house panel this wine buying guide features qualitative ratings reviews and prices for more than 50 000 wines. Plus tips on when each wine is best enjoyed. Also includes expert advice on tasting and storing vintage wine charts and Top 10 lists. 990 pages. Softcover.
Pair your wine with top chef recipes! A memorable meal starts with the wine! Find over 80 delectable recipes organized by wine style. This first cookbook by the editors of Wine Enthusiast Magazine guides you in selecting the right recipe for your wine. Includes recipes from top chefs such as Bobby Flay and Rick Bayless along with expert wine pairing tips. Whether you're serving a light aromatic white or a big powerful red you'll choose the right dish here! 256 pages with full color photography. Hardcover. Take A Look Inside At Sample Recipes.
The Riedel Syrah Decanter is a great wine decanter to use everyday. It's perfect for Syrah or any other red wine. Crafted in Germany of lead-free crystal the Syrah decanter holds 49-ounces and stands 9-5/8' tall. Add to your wine decanter collection or give as a gift any season. Size: 9-5/8'H 49-3/8 oz.
Make wine your next party theme! Consider this your personal party planner! Step-by-step instructions and essentials make hosting a wine tasting easy. Includes 100 wine tasting sheets 6 cloth blind wine tasting bottle bags with embroidered letters A through F 6 wine tasting masts Wine Enthusiast Magazine vintage chart corkscrew and a 15% Off Coupon for Wine Enthusiast glassware. Sip save enjoy!
The Wine Clip uses principles of magnetics to improve the taste of wine as it is being poured out of the bottle. The effect is instantaneous and has been found by many wine professionals to result in a genuine improvement in flavor and mouth-feel especially when used on red wines. Using magnets to treat fluids water fuel wine etc. - is not a new idea and the technology has been applied successfully in many industries. What causes the effect has been the subject of some debate but it is generally thought that passing a conductive fluid through a properly designed magnetic field has an effect on the polar molecules in the fluid. In wine it is believed that the large polymerized tannins in wine that normally result in a high degree of astringency are broken up or otherwise affected resulting in a less astringent softer flavor. The Wine Clip may also accelerate aeration by drawing higher concentrations of oxygen to the wine as it is being poured. In contrast with most gases oxygen is highly magnetically susceptible and is attracted to a magnetic field. This would explain testimony from wine experts that The Wine Clip instantly produces the benefits of time consuming aeration. Lifetime warranty.
Learn how to host a tasting party! Host a great wine tasting party with this complete new essential wine tasting kit. Created by the editors of the prestigious Wine Enthusiast Magazine you'll find all the how-to's and essentials of hosting over 30 wine tastings. Kit includes: Wine Enthusiast Magazine Pocket Guide to Wine plus 2006 Vintage Chart 2 tasting checklist notepads 6 bottle bags 6 bottle stoppers 24 bottle tags a blank wine journal 2 wine label removers and a coupon for two free issues of Wine Enthusiast Magazine . Size: 6'H x 9'W x 3-'D
Luigi Bormioli Esperienze Wine Decanter is a complete innovation in the field of wine appreciation. Designed by Federico DeMajo the lead-free crystal wine decanter is a combination of technical skills and creative artistry. Made in Italy the interior base of the decanter is designed with ripples; tiered concentric circles that facilitate rapid wine oxygenation as the wine is poured into the decanter and flows down over them for an excellent wine tasting experiences. Dishwasher safe. Size: 9-1/4'H 88 oz.
Love your wine? Show your metal! Serve it with the help of this animated bottle holder handcrafted from recycled steel copper and wood. German artist Guenter Scholtz skillfully bends welds brushes and carves these materials to bring this whimsical wine taster to life a discriminating gent leaning on a wine rack fitted with a wine barrel. Holds most standard size wine bottles. Comes with a Certificate of Authenticity. No two Scholtz pieces are exactly alike. 12'H x 6'W x 5'D
A One-of-a-Kind GiftFor the wine lover that has everything a fun gift theyre sure to cherish. Weve matted and framed our Wine Enthusiast Magazine cover with your choice of tiles (Man Woman Wine Enthusiast or Chateau of the Year). Theres a careful 7 1/4' x 7' cut-out in the cover so you can slide in a photograph of your favorite wine enthusiast. Every wine lover on your list should have one. You can purchase it as a special package with a one year subscription to Wine Enthusiast Magazine and SAVE $16.95 off the regular subscription price. Size: 14'H x 11'W Framed Print
An elegant arc turns serving into ceremony. Geometrically designed Parabola wine decanter offers a unique shape to a classic wine accessory. This stunning mouth-blown wine decanter is visually exhilarating and optimally functional. Made of 24% lead crystal the Parabola decanter offers a unique handle and spout holding a full standard-sized bottle of wine and provides flawless aeration. Size: 10-1/2'H 56 oz. NOTE: Please use the recommended Decanter cleaning balls when cleaning the Parabola decanter.
Make the hippest wine bar in town yours! Three wines any time no waiting! This professional wine preserve and wine serve system keeps 3 opened wine bottles fresh for weeks and primed for pouringright at home! Spigots serve as both stoppers and dispensers of argon gas. Argon prevents wine from oxidizing and spoiling over time. Non-electric and compact. Black with stainless steel trim. Accommodates most standard-size wine bottles. Non-electric and compact. Black with stainless steel trim. The argon gas cartridges are hidden in a compartment underneath your wine bottles. The system includes two argon cartridges which will power 12 to 15 wine bottles each. Size: 11-1/2'H x 10-1/2'W x 5'D
Attract more wine loversglass by glass! Increase your bar or restaurant sales by offering a wider selection of premium wines 'on tap'. This professional preserve-and-serve system keeps 5 opened wine bottles fresh for weeks and primed for pouring. Spigots serve as bottle stoppers. With each pour argon gas is dispensed into each bottle to blanket the wine's surface from oxygen and prevent it oxidizing and spoiling over time. Wine Saver PRO's commercial grade quality is ideal for restaurants hotels bars and wineries or for any wine lover that enjoys serving wine. Wine Saver HOME also makes the ultimate addition to any home wine cellar. Accommodates most standard-size wine bottles. Non-electric and compact. Black with stainless steel trim. The argon gas cartridges are hidden in a compartment underneath your wine bottles. Available here and sold seperately argon cartridges will power 12 to 15 wine bottles each.
Inspired by furniture pieces originally found in Bordeaux and used by the regions expert wine makers for tasting sessions of their Grand Cru wines. Special guests wine merchants or the wine makers themselves would taste some of the finest vintages at the very foot of elegant furniture pieces such as this. EuroCaves contemporary version has been designed to accommodate the needs of todays wine connoisseur. The Elite Wine Buffet is ideal for entertaining and can be placed in any room. The ample display shelves are ideal for storing glasses displaying decanters keeping reference books and storing spirits. The storage drawers can hold other accessories such as corkscrews label savers tasting albums and much more. The Elite Wine Buffet can hold a maximum of up to 20 bottles. Sold seperately the wine cellar space can accommodate a EuroCave Performance 83. Size: 56-5/16'H x 54-5/16'W x 29-9/16'D. Light assembly required.
Tecnorati
Following our discussion of why there are so few tasty low priced wines from America, particularly compared to imports, I put the question to wine importer Bobby Kacher. 
A rosé by any other name is Leonardo. This little guy, who looks strikingly like his handsome dad, 
Last month, while at the 
I would (and do) advise to simply take the hit and close them out. Now. Lesser wines are taking the hit. Dolcettos and Barberas are streaming through the wine bars having been discounted to ridiculously attractive levels, ones that even I would bite on. And I need no more wine in my closet.
The Barbera. I started hearing about this little beauty from SB (somm-buddy) who comments on this site. I knew the place, went up to the estate in Castiglione Falletto back when the crust of the earth was cooling. I got it then, just stood up a bottle of their ?81 Nebbiolo to let the dust settle. Had first communion with Alfredo, OK? I get it.
Look, for a generation now some of us have been carrying this donkey up the hill. The Italians always undervalued their wine, almost apologizing for it because of the price. A Chianti Classico Riserva selling for $7 when a 3rd growth was going for $12. And the Italian was contrite, ashamed, sorry. So the wine got discounted down to $3 and all of a sudden lots of buzz from a restaurant here, a wine shop there. It was rampant in the 1980?s with Rosso di Montalcino, the ?throw away? wine. The distribs had to buy the Rosso to get the Brunello and when it didn?t sell they?d schlep a bottle to Don Cazzu and make him an offer he couldn?t refuse. Great stuff, from Costanti to Il Poggione to San Restituta. I am not kidding. How many times I sat there with my bag of wine while Don Cazzu tells me what a great deal he got for the ?74 RdM for only $2 a bottle. And he was right! But it perpetuated the image of Italian wine value. A Rosso di Montalcino was only worth $2-3 a bottle because it wasn?t bought right in the first place and it surely was never sold right. And so the true value of the wine never made it into the hearts and minds of the wine buyers.
. The food was excellent and so was the service. They offer mainly Serbian dishes, if you’re not sure what to choose from the menu, the waiters will help you with their recommendations, you can trust them. The wine list includes wines from some of the better Serbian cellars, such as Radovanovi? and Aleksandrovi? (Topola). Go for Aleksandrovi?’s red or white Triumph, they are some of the best wines Serbia has to offer. Overall, it’s a great place, I’ll be back.
