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The Wine Bloggers Conference (WBC) in Sonoma has come and gone. I’ve been toiling around with so many things to write about that I hardly know where to start. So I’m going to have to write a series of posts about different things.
First, there will be no “wrap-up” post. The concept of the WBC was to take our online conversations and meet face to face, as a community, to get a better understanding of the issues and each other. Then we need to talk more about the issues back online again. So I have always viewed the WBC as another element like our comments, tweets, forum posts, etc. We need to keep this conversation going and evolve the medium as a community. Its exciting when you think about it. Like I mentioned, technology has once again taken an industry status quo and turned it upside-down. The game has changed and we can influence how things pan out in the future. Already, as noted by Alice Feiring in her keynote speech at dinner on Saturday, there has never been a community of wine writers and now, if you felt the energy in the room at the conference, clearly there is. Guess what - thats new.
As a co-producer with so many new friends let me say a thanks and an apology.
First the apology:
While its necessary to get sponsors to pull something like this together on this scale and make sure we’re not just gathering in a park drinking from the water fountains, we tried very hard to make this a re-imagining of a wine conference. All bloggers welcome and the community is there to interact with each other first and foremost. We attempted to dedicate an entire morning to the Unconference - a free-flowing session with ad-hoc topics, no sponsors, no pitches, only bloggers. I personally communicated to everyone that we would have at least that much time to do something completely unscripted because thats what we as bloggers are about really - going off-script, something completely different. I took my time getting to the Unconference and when I arrived there was already a session about Wine2.0 and getting bloggers involved. So after all my talk of unscripted, unsponsored, hippy-blogger-love day, a brand ran a session anyway which changed the tenor of the Unconference. I didn’t take that lightly and I do apologize to the community for it. We hadn’t intended for there to be any corporate presence in that session and I should’ve paid a little closer attention to what was going on. I wanted to get that out because its been toiling in my head for days.
Now the thanks.
I’ve been getting alot of kudos, which I do appreciate and I do my best to say so even though I’m not the best at taking compliments, but really Allan Wright of Zephyr Adventures turned out to be the perfect partner to pull this off. I know a few of us had been kicking around the idea of a conference for a while but knowing what it takes to pull off a conference, my hesitation was basically I knew what I didn’t know and that was very daunting. Allan approached me in April and after talking over what he thought he could do for a conference like this it was pretty clear he had alot of experience and skills in areas I didn’t and THAT is what makes teams, companies, ideas, etc. work! The success we had was not only fast (April to October - 6 months) but we were able to take care of what we needed efficiently as if we worked together for a long time when in reality we were going basically “site unseen”. So MANY thanks to Allan, the perfect partner to making this come to fruition.
Next post…the anatomy of a conference - the snafus you DIDN’T see even if you thought it went smoothly!
Au Jardin Les Amis (”The Friends, In the Garden”) is situated in the tranquil Singapore Botanic Gardens, on the second level of an 1920s home. We were seated on a glass enclosed balcony with a relaxing view of the gardens. It is a wonderful setting and was a great place to spend some time on my last day in Singapore.
The service was attentive, professional and was invisible except when needed. The food was very good, it wasn’t innovative - but with clean, elegant and pleasing flavour profiles it was memorable for the taste and technique. I have read that this venue can have good and bad days, and I think this must have been a good day as everything seemed to go well.
Like Iggy’s, the price was more than fair - the meal consisted of an amuse bouche, an entree, consommé, main course, dessert, les mignardises and coffee and cost $52 AUD (including 7% GST and a mandatory 10% service charge) per person plus wine. I guess when every corner of the city has wonderful (and cheap) food, you have to be fair to stay alive.
The wine;
The wine list is extensive and full of very special bottles, as well as being generally well above my budget!
Donnhoff Oberhauser Leistenberg Riesling Kabinett 2006 (Nahe, Germany) - 8.5% alcohol - Donnhoff is very quickly heading toward the top of my favourite Riesling producer list. This had aromas of sea salt, pears, tea leaves and mandarin. Delicate and long on the palate, there is some lovely fruit sweetness balanced by superb acidity. Lovely drinking now, but will age well over the next 10 years. 91/100
Bonneau Du Martray Corton Charlemagne Grand Cru 1992 (Burgundy, France) 375ml - 13% alcohol - Golden straw coloured. Butter, sesame, toast and honey aromas on the nose. Rich and creamy mouthfeel, with enough acid to keep the palate from being flabby. Very good length and texture. Drink now and over the next couple of years. 91/100
The food;
Prawn with Basil and Berry Foam with Apple juice
Cougette blossom stuffed with crab meat
Hon maguro with horseradish and roasted sesame dressing
Vine ripened tomato consomme with basil
Lightly smoked ocean trout with apple and fennel salad
Roasted flank steak and braised oxtail in red wine with seasonal vegetables
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
Our reviews mark the 5th edition of the Wine Book Club, and the last meeting for 2008--because no one is going to post a review between Christmas and New Year's Eve, are they? So it's all the more fitting that we mark the end of 2008 and the end of the Bush administration with a book dedicated to helping us understand the complicated political journey that wine takes from grape to glass.
We had some Wine Book Club veterans and some first-timers, too. So here is a roundup of some of their thoughts.
First time Wine Book Club participant Jim Eastman from the blog Music and Wine praised Colman's accessible style, noting that "it managed to keep me engaged without fail through the whole book. Eastman's main criticism of the book was he felt it was a little too short to cover such a broad-ranging topic in so few pages. Jim wanted more--"A little extra depth and perspective" was the way he put it--which I can tell you from personal experience is the kind of criticism an author can live with. When a reader wants more, that's a good thing.
Another first time WBC participant, Frank Morgan from the blog Drink What YOU Like, described the book as "academic and thorough." Frank found the Colman's coverage of the topic "fascinating," and while he did sometimes get "lost in the details a couple of times," the book changed the way he "looked at a glass of wine." My favorite line in Frank's review was saved for the end: "My major takeaway from Wine Politics is an increased sense of appreciation for the small wine guy and the crap they go through just to produce and sell wine to me!"
Christianne from the blog Christianne Uncorked (also a first time WBC participant) found the book was "PACKED with information about wine, history, and politics," but she sometimes found that the organization left her feeling a bit "distracted." She particularly would have liked more of Colman's informal writing and less of the formal academic style.
Taste B from Smells Like Grape added her two cents on the book, saying that it was a "breath of fresh air" given the other books she's reading for an academic course at the moment. What she most enjoyed about the book was that is wasn't just a rehash of things she already knew about wine. Instead, Colman "weaves together many observable and oft discussed conditions in the wine industry with little-known catalysts to form some pretty stark revelations."
Wine Book Club veteran Kori from the Wine Peeps made it clear that this was not the book for you if you were looking for "basic wine information or for a recommendation on what bottle of wine to drink tonight." However, "a lot of information is packed into this relatively short 148-page read," and Kori found the message thought provoking. "If you really want to know why you can?t buy a bottle of wine you fell in love with on a recent trip to California and have it shipped to your home," Kori recommends you pick up this book and learn why.
Richard the Passionate Foodie, another WBC veteran, recommends this well-written book to "those who are more passionate about wine, who enjoy learning about more than grape varieties and wine regions." While it may not appeal to the novice, Richard feels that wine lovers will appreciateColman's "measured and neutral stance" on his more controversial topics, where he presents arguments for both sides of troubling questions.
Thanks to Tyler Colman, our own Dr. Vino, for writing this excellent book which really did convince me that any drinkable wine produced in this country is a miracle, given the laws that stand in the way of winemakers and consumers. And thanks to all the participants this month.
The next edition of the book club will be announced in early December, and reviews will be due in late January--so stay tuned for another year of the Wine Book Club.
Rocket Science 2004 Proprietary Red $45 Wine Label says: “Son, your 21 years old. It’s time you learned the art of wine tasting.” “I already know how you taste wine,” replied the sure young man. “This wine has an inky, purple hue with a sensational purity, flavors of a blackberry liqueur with a creme de cassis intensity and [...]
Wine started flowing through taps in dozens of homes during an Italian grape festival in Marino, south of Rome.
At the heart of the town's famous Sagra dell'Uva??, or Grape Festival, is the moment when sparkling white wine flows from the fountains in the main square.
But this year locals and tourists had to make do with water, as bad plumbing meant the wine supply was switched by mistake to local homes.
...
"But this year," Mr Palozzi said, "Due to a technical error, instead of connecting wine to the fountains, we accidentally channelled it into some local homes.
"Apparently the people living around the square who got the wine coming out of their taps were very surprised, they thought that it might be some kind of present from the local council! It only lasted three minutes, we corrected it straight away."
2006 Muga Roija Blanco $12.99 Wine label said: Nothing much… it’s barrel fermented and imported by Jorge Ordonez. Whoopdeedoo. Vineyard66 says: As I am still researching Spanish wines, I’ve noticed that my good friend Bill from California has been spouting off about Muga Roija. Of course, he was speaking about the red wines the area is famous for. I [...]
Recently I opened a bottle of Rosemount Estate Show Reserve Shiraz 2002 which was sadly corked. The next day I followed this up with the producer via their website, which led me up submit my request about replacement of corked wine via their online email form.
Flash forward a couple of weeks and I realised I had not received a response and the offending bottle had long since vanished, presumably down the sink. I called up the customer service line explaining the situation, and to cut a short story shorter, a replacement bottle from the current vintage is on its way - bravo Rosemount.
BearBoat 2005 Pinot NoirSebeka Cabernet Pinotage 2006 $15.99 - BearBoat Pinot Noir $6.99 - Sebeka Cabernet Pinotage WebWino says: Even though I’ve been slacking off with my Vino Keeno site, I most certainly have not been slacking off in the drinking department. However I haven’t been taking notes, so these two get lumped together because they both deserve mention, [...]
One of Oregon's better-known Pinot Gris producers, Ponzi Vineyards, will be hosting a wine event this Sunday, July 13 2008. Between 5:00 and 9:00 PM, Ponzi is offering wine, music and bocci ball --- that oh-so neglected game from our Italiano ancestral roots. The event takes place at Ponzi Vineyards' main estate lawn. There is no need to RSVP, but they ask that you leave any dogs at home, so there aren't any landmines left for the bocci players!
It is home to over one third of all vines planted in France. Yet, how the Languedoc adjusts to world glut in grapes will have a profound effect on its future. Once responsible for massive amounts of low quality grapes, growers in the France's south have had to make a choice as competition from other countries have made this a less viable business.
Faced with the option of simply pulling out vines, a new generation of winemakers have chosen to make higher quality wines. While lower yields have improved the wines, putting more emphasis on more marketable grapes like Syrah and Grenache have no doubt made them more attractive to today's varietal conscious consumer. However, this second decision has come at a price.
The Carignan grape, indigenous to the south, has suffered as many growers have switched to Syrah and Grenache. Carignan can do wonderful things if given the opportunity, adding color, structure, depth, as well as dark cooked fruits, licorice and earthy aromas. However, since it is often relegated to the more fertile plateaus where it over produces, it can become rather innocuous.
At a recent tasting of Languedoc wines, the bottles that had appreciable levels of well-grown carignan were the ones that stood out. If you place a value on the importance of regional ?distinctiveness,' look for those Languedoc wines with higher percentages of this grape. Coteaux du Languedoc 2001, Mas Jullien One of my favourite producers is Olivier Jullien. His estate, Mas Jullien, is spread out over 15 acres around the village of Jonquiers, just north of the Mediterrean coast and the city of Montpellier. I have already reviewed his Mas Jullien Blanc, a six grapes blend that includes Grenache Blanc, Viogner and Chenin Blanc, and to my taste is one of the most distinctive and interesting whites in France that requires years of cellaring to reach it's apogee.
His red, a blend of Carignan, Syrah and Mourvedre, is no less interesting. Like many carignan based wines, it requires a couple of years of cellaring to iron out some of the rougher edges, but it rewards patience like few wines from the region. This was my fourth bottle (I still have two left).
Drunk to the tune of a big juicy steak.
Deep purple in both color and style. Like Richie Blackmore's guitar playing, Jullien combines virtuosity with power, beauty without being very pretty. It smells and tastes of dark plums, marinated in licorice and sweet spices. Rich and concentrated, the tannins melted away to a dense, powerful and harmonious finish. This is not the new dulcimer Blackmore, but the Richie of Old.
Zak Riles is a songwriter and multi-instrumentalist in the Important band Grails. His creative contributions to the group are immeasurable and can be heard clearly on this self titled debut solo outing. In fact some of the pieces on this solo record have been reinterpreted into Grails favorites. Like his band Grails, Zak Riles solo work is an elaborate mansion built of inspiration but with so much strength and originality that it stands firmly on its own. On these rocky shores come crashing waves of Sandy Bull, Mogolar, Deuter, Popol Vuh and the Ventures while Persian breeze drifts by wafting the melodies of Hossein Alizadeh. Essential listening for followers of Important Records who favor the likes of Grails & James Blackshaw. Info stolen from; Important Records
Dark and winey, but polished. There's a good beam of blackberry and black currant fruit that's reticent for now, with loam, tar and coffee-laced tannins at the fore. Should open up nicely with modest cellaring. Best from 2009 through 2014. 1,550 cases imported.
In 1980, Barbara and Jim Richards were living in Midland, Texas, and began thinking about a second home. They had an interest in wine and started looking for some property in the Napa Valley to build a home and plant a small vineyard. They realized their dream in 1983 when they found a property located five miles west of St. Helena and over 2,000 feet above the Valley floor near the top of Spring Mountain. Vineyard exposure is generally east with many variations, and the soils are derived from the Sonoma volcanics and from Franciscan sandstone. Total acreage is 20 acres with 15 acres planted.
In 1985, after clearing, ripping, and terracing about ten acres, they planted 3,555 bench graft Merlot vines, and 945 Cabernet Sauvignon vines. By 1987, the Richards? recognized their previous absentee landlord role was insufficient to monitor the vines. So, Barbara came to manage things from January through harvest, while Jim would come to help when he could get away from his business as a petroleum geologist. Their first small harvest was sold to Conn Creek Winery. In 1988, they planted another 2,300 Merlot vines in their last five acres of vineyard.
The early ?90s were momentous for the Richards?. By 1993, Barb and Jim had moved into their new home in the vineyard, and Pride Mountain Winery released a 1991 Merlot, made from their grapes blended with Pride?s Cabernet Sauvignon fruit. The Richards? agreed to sell their grapes to the Prides beginning in 1994 and their wine maker, Bob Foley, agreed to make wine from part of the grapes into Paloma Merlot for the Richards? new label, debuting their Merlot-based blend in 1996. Also, Barb and Jim decided to plant a block of Syrah to see how it would do, and by 1996, they started making the wine commercially as well. Unfortunately, they?ve since pulled up the small Syrah vineyard, and replanted with Cabernet Sauvignon.
In 2000, the Richard?s finally decided to construct their own winery on the property. A few years later, their son Sheldon joined them in the business, and to this date the Richards? Paloma Merlot still stands as one of the enduring benchmarks of the variety in California, and indeed the world.
Join us as we talk with Barbara Richards about Paloma ? their early years, and what it was like to basically become pioneers on Spring Mountain, and well as Merlot?s place in Napa Valley.
Restaurant & Institutions magazine profiles 10 emerging restaurant chains to watch in a recent article, and first on their list is Indianapolis-based Yat?s.
Yat?s already made the transition to ?Indianapolis-based? when it opened its satellite locations in West Lafayette and Chicago?s Loop. The company plans to open nine more of its Cajun-Creole restaurants in Chicago, which would bring its total number of locations to 15.
Yat?s was founded in 2001 by Joe Vuskovich, who previously ran multiunit restaurants in New Orleans then operated a wholesale food company. The restaurants cater to young urban professionals and students with flavorful entrées priced in the $4.50 - $6.50 range.
Apparently I don’t get out much. Until recently, I didn’t know that some restaurants charge as much as $250 per bottle for their corkage fee. Excuse me, but that is insane. As Lettie Teague in Food and Wine magazine asked recently, “What could you get for $250 that you couldn’t for, say, $25?”
The average cost of corkage around the country is about $25, which is infinitely more reasonable, but even those establishments that have reasonable corkage fees, they, perhaps surprisingly, come with their own set of rules. One of the more popular restaurants in San Francisco, Michael Mina, for example, has a two-bottle limit with their $35 per bottle fee, and the bottles that you bring can’t be something that they have on the house list. That certainly makes sense, and if you’re planning on bringing your own bottle of wine to your next dinner reservation, it’s a good idea to call ahead to inquire as to the restaurant’s fee and their own individual rules. You know, “know before you go,” and all that.
In her recent Corkage article, Lettie shared seven cheap corkage spots for your drinking pleasure:
Where to Go
Metro Marche, New York City ($10). This bus-station brasserie has good food and cheap corkage. 625 Eighth Avenue, 212-239-1010
Sip Sak, New York City ($13). Great Turkish food and a low corkage fee. 928 Second Avenue, 212-583-1900
Dehlia Lounge, Seattle ($15). Corkage here is just $15, as it is at all of Tom Douglas’s restaurants. 2001 Fourth Avenue, 206-682-4142
Market, St. Helena, California ($15). Corkage is free on Tuesday nights at this friendly diner. 1347 Main Street, 707-963-3799
Charlie Palmer Steak, Washington, DC ($25). If you bring an American wine, the corkage is free; otherwise, it’s $25. 101 Constiutution Avenue NW, 202-547-8100
Naha, Chicago ($25). There are lots of great corkage spots in Chicago, but this restaurant also has terrific food. 500 North Clark Street, 312-321-6242
Michael Mina, San Francisco ($35). This top restaurant has a great wine list and a fair corkage fee as well. 335 Powell Street, 415-397-9222.
For an in-depth look at starting up your very own vineyard, check out Vineyard Owner. It's still a work in progress, but it currently sports some nice articles on Disease and Pest Management, and Climate factors.
How could I omit the two intelligent value Godello picks? I chose these two because they convey distinct interpretations of the variety, in spite of the two D.O.?s not being terribly far apart. Taste them together to see the immense differences evident in each Godello within what would amount to a short bus ride from Bierzo to Valdeorras. It?s quite hard to argue that neighboring wine regions cultivating the same variety aren?t little miracles, with this sentiment growing even more potent for the wine lover within single vineyards with many producers, though that?s another topic altogether.
Enjoy this, one of many examples of all new things Spanish that will slowly become more prevalent in the U.S. market over the coming six months or so?Godello.
Before I forget, speaking of the next wave of imports from Spain, if you haven?t been paying attention to Telmo Rodríguez in the past few years, I would try his Godello and watch this video. Aside from being a fascinating Spanish entrepreneur, he exudes passion for well-crafted, regional wines. The video is eight minutes in length, though for some reason, it winds up being 3 and change. Nevertheless, listen to Mr. Rodríguez introducing his wines on a recent visit to Toronto?s Lifford Wine Agency. In essence, he is responsible for affordable little masterpieces from various Spanish D.O.?s. His progressive outlook in terms of production methods is matched by an ability to reinvigorate production of traditional varieties in the regions where he owns vineyards. This in turn, yields intelligent value wines from various Spanish D.O.?s that much like Susana Balbo?s wines in Argentina, seem to be produced in a manner which never sacrifices regional character for novelty or the wrong type of market's tastes. What with how things are going nowadays in the wine business, what a refreshing point of view!
Los vinos: 2007 Pilgrim Godello Bierzo D.O.
This wine is clean, pale straw and unassuming at first sight. The nose is vibrant, driven by wild flowers, citrus, treefruit and stone minerality. Complex mouthfeel, with a crisp, racy shot of acidity (pink grapefruit), alongside rich treefruit and distinctive mineral notes.
This wine is produced by Viñedos Agribergidum in Bierzo, located at the westernmost outpost of León bordering Galicia. The Godello vines are an average of 40 years old, with the variety purposely farmed to very low yields.
Imported by Beacon Wine Company. 2005 Gaba do Xil Godello Valdeorras D.O.
A really nice pale gold in the glass. The nose is clean and pronounced, with perfumey floral element, lush green pear, peaches, honeydew melon and touch of sweet spice. Complex but never overwhelming medium-bodied white with great balance of ripe fruit flavors and medium citrus acidity. Love the soft spice undertones that follow the lovely fruit into the aftertaste.
Reason for Reviewing: Bianchi 2004 Cabernet Sauvignon is one of...
[07/19/2006, 06:16]
The Argentinians consumed in May 2,55 liters for inhabitant Better results that in April the producers of wine obtained on the internal Argentine market. In agreement to statistical information delivered by the INV (Vitivinicultura's National Institute) of Argentina, the consumption of wine for inhabitant reached in May the quantity of 2,55 liters, relying on the general population of the country.
If one was counting only the major ones of 18 years, this number would rise up to 3,84 liters. This indicates an increase of 7,66 per cent with regard to the same month of the year 2005.
While, the wines liberated to the consumption in this May, always according to numbers delivered by the INV, added the 967.503 hl., that represents an increase of 8,9 % with regard to the same month of the year 2005 and 12,79 more % with regard to last month April.
The origin of these wines they were in the main from the province of Mendoza, followed by the province of San Juan.
This increase is justified by the campaign of advertising that is realized at present in the Argentina to increase the internal consumption.
Tecnorati
Apparently I don’t get out much. Until recently, I didn’t know that some restaurants charge as much as $250 per bottle for their corkage fee. Excuse me, but that is insane. As Lettie Teague in 
