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Social media is creating quite a long tail of industries - lots of software companies, consultants, new modes of public relations, etc, etc. Some of them focused on getting you into using social media, which is great, and many of them aspiring to help you “use” social media for your business. The latter point is what I find interesting.
I’ve spoken on the topic of social media before (with assistance from the self-proclaimed “Bonafide Marketing Genius” Marta Kagan - FYI, I’m glad she has the confidence in herself to tag herself that way b/c she’s one of the few I would actually agree with) and I think the biggest point from my talk and others that I’ve seen (like Marta’s deck) is that this all is an excercise in sociology. There are so many technologies that one could use, so many things that you could do, but in the end what is happening to the web is just another means of connecting, interacting, and getting to know people; not unlike joining a social club (like a sports team, a cultural center, or whatever). In fact, just as you have “different circles of friends” offline (work friends, drinking buddies, sports friends), you’ll develop the same thing online and your community will drive you to the tools.
That’s where the idea “use social media” sticks in my craw a little bit.
I’ve had this blog since 2004 and I’ve interacted with many many people thanks to it. It’s mainly an outlet for my thoughts, creativity, and passion (wine, technology, and marketing) and I’ve made a serious number of friends in the wine industry because of it. My goal was to do exactly that, get to know people in the wine industry. One of the major things its taught me though is that the only way to truly understand what this “social media” thing is all about is to get out and do it. BUT - do it with a genuine desire and understand that its a means to reach out to a community (blog in particular). Its not a sales tool and its not a PR tool for social media any more then going to a conference is a PR tool for you. What I mean is you can go to a conference, chat with people, network, find people that you can stay connected with. If you contribute to the conference (effectively contributing to the ‘community’ that the conference is bringing together) then you can get noticed and in that sense you get some good word-of-mouth publicity.
But here is how to think of “use social media” (Ugh!). Its a sociological, human based filter. Its not a broadcast engine like the “information super highway” or the “series of tubes”. Doesn’t matter what tool/site you use, first and foremost your community has to be on that site and/or using that tool. There is always a “critical mass” that needs to be achieved before the tool gets useful. Kind of like a party, its not really fun until there are a bunch of people you know there.
Once your community is there, interacting, chatting, whatever then the dynamics of what happens is facinating. Things start to get “useful” and the human filter is formed. It becomes a situation where the community is as close as a bunch of office mates even though they are all over the world. I literally consider the community I interact with on Twitter my “virtual office mates” and I genuinely like interacting with them. The reason is that you can contribute (chat, answer questions, and otherwise participate) just like you would any other office. In the case of Twitter, it becomes just like a hallway conversation in an office. You can ignore it for a while, pop your head in with a little bit of nothing to say, put out some information or useful tool to the community, or you can put out a serious question to the group and get some solid answers. Pretty much how you would for any office with cubilcles and hallways.
The best part of all this is that when the community reaches critical mass of people in a certain technology/tool who genuinely like to talk about a particular topic, forming an open community, thats when the best things come out. If you contribute something to that community that is truly useful, it will get passed on to everyone very quickly. People will decide if what you said is interesting, show their friends and, if its applicable, their friends may pass on the information to their other “open communities”. The network effect takes over and your information has just become “viral” (i.e. it will spread not only in the current ‘circle of friends’ but to other ‘circles of friends’). More importantly, the human filter took over and since that useful piece of information you generated is actually VERY useful, it will get passed on for a while (or very funny, or very interesting in some other way - the latest on Twitter was a streaming video of puppies, not useful, just very Zen).
So if you find an open community or want to know where there is critical mass already for a community you want to learn about (for instance - the wine community is embracing Twitter and Social Networks) on one of these tools the best way to “use social media” (I hate the term because it makes me feel like “use your friends”, but I guess there isn’t a better way to say it) is to contribute in significant ways. Add to the community but more importantly be YOURSELF. If people like you, they like you. If they don’t, guess what…they don’t. There isn’t alot of advice that can be given there that your parents should’ve taught you before Kindergarten. Thats the funny truth of this “social media” craze. The fundamental sociological point is that this is making friends. Because even if you contribute something that spreads from network to network like wildfire, when those people check you out and “follow you” on Twitter, or Facebook, or whatever, then they start to get to know you in a more personal way then anyone over 25 ever thought possible. If you’re obviously contributing to promote your business it will come across. If you genuinely approach this medium (regardless of technology) as “getting to know people” in the way you’ve always done then you’ll not only have that “viral hit” you won’t be an online “one hit wonder”, you’ll have friends who can help you when you’re down, connect you to others, help you build business, get emotionally invested in your brand…. i.e. you’ll be a part of a community and how you do that is something your Mom and Dad shoulda taught you.
FYI - if you’re doing it for a business/brand it doesn’t matter - if people don’t like your personality, they won’t like your brand. These things have a way of piercing the corporate PR veil. Want an example? Supposedly Cisco “gets” blogging. Read their blogs and you tell me what you think….
A recent stopover in LA had me dining with the one and only Dr. Conti. I can safely say that reports of his demise are greatly exaggerated, and that there are still a few jewels left in the cellar. Quite a few. We were joined by the Burghound, always on the scent of the best [...]
The growing sense of optimism over the 2008 vintage in Oregon has spilled over the edge of the fermenter into outright excitement. Veteran winemakers throughout the Willamette Valley are letting their enthusiasm for this vintage show now that almost all their fruit is harvested. Here are some comments on the 2008 vintage from some of Oregon’s most important winemakers.
Brian O’Donnell owner and winemaker of the one of Oregon’s finest estates Belle Pente describes 2008 this way, “In terms of my impression of the harvest, I’m really excited! We brought in 10 tons October 1st that is now done, and these are some of the most delicious young wines I’ve ever tasted! The chemistry on the stuff we picked later is a little bizarre, but with a few tweaks it should be fine….we’re planning to let fermentation run a little hotter than normal and do longer than normal post-fermentation maceration to try and “burn” some of the obvious fruitiness out of the wines to let the site characteristics show thru better. But frankly, I think we’ve got a tiger by the tail, and she’s wild and sassy and will take a lot of good (and lucky) winemaking decisions to get the best out of her.”
Few growers and winemakers have the depth of experience possessed by David Adelsheim one of the true founders and pioneers of the Oregon wine industry. About this vintage he comments, “Another weird year. Three weeks late, rain in July and August, and still we saw the beginnings of drought stress in some sites. We starting picking on Sep 29th and finished this past week on Oct 18th. A third of our Pinot noir was picked by Oct 3rd; during the next 10 days (which were damp) we picked only a few lots of white grapes; everything else was picked in the final six hectic days. And the quality is looking pretty grand. It will need to be – our crop levels were off by 30% compared to 2007”
Jerry Murray winemaker and vineyard manager of highly regarded Patton Valley Vineyards says of 2008, “The harvest has looked great. We pulled in the last of our fruit yesterday. Considering the way the season started out, late bud break and all, mother nature has given us exactly what we needed to not just to avoid a disaster but to really ripen fruit in a way that should make some amazing wines, true pinot. The chemistry of the grapes has been just about perfect, great acidity, moderate alcohol, great color and phenolic development. As a winemaker you hope for this sort of vintage every year but I would be surprised if you get more than a handful in a lifetime. All that is left is to see the quality through to bottle. It is very exciting.”
Top: Vines at the Belle Pente estate vineyard change color. Below: Harvest in Tony Soter’s Mineral Springs Vineyard
Beaujolais Nouveau Est Arrive! I bought the first bottle at our local store and am serving tonight with raclette of salmon and baby spinach with dill cream cheese.
The wine is purple--of course-- with a fairly big bouquet of sweet strawberry that is nearly perfumy. Palate is a little chewy with light strawberry flavors and a slightly steely finish.
This is pretty straight forward Nouveau although better than last years! I paid $9 for it a the super market. Look for other producers and also look for Beaujolais Villages Nouveau and give them a whirl. Let us know how you like them--or don't and raise a glass!
This is a premium Montenegrin red wine made from the indigenous Vranac grape. The Reserve is produced from particulary good years, in small quantities, aged in barrels for several years. It is also aged in bottles for one year before being released to the market.
This is a dry wine, with a pleasant fruity nose. However, the impressions are far lower than it’s price. If you want to experience the Vranac variety the Montenegrin way, go for a regular Planta?e Vranac or their Vranac Pro Corde. They are much cheaper and the experience is almost the same.
Wines of the Vranac variety are produced throughout the region, apart from Montenegro, you can find them in Macedonia, Serbia, Croatia and Herzegovina.
Dining in Thailand has been hit or miss for us. We are currently staying in a beach resort about 2 hours south of Bangkok, and it is not exactly cosmopolitan, despite this being the beach residence of the royal family (who probably don't get out to the local eateries much).
Before we left Bangkok we did have a fun meal at the impressive (and very expensive) Siam Paragon Mall. We ate at the Another Hound by Greyhound Cafe. The original Greyhound Cafe being at the Emporium Mall. It was a fun selection of updated versions of street food, with a passable wine list. Not cheap, but innovative and surprisingly good for a shopping mall.
Here in Hua Hin, the beach community that is our home for two more months, we have mostly visited local restaurants, which are a dime a dozen. Every few feet there is another establishment, ranging from a push cart to a 100 seat sit down restaurant. The quality of the food has nothing to do with how impressive the place looks, and we have found that even highly rated restaurants have constancy issues.
Thai food seems to be a fusion of neighboring India, China and Indonesian influences. At least as it is has been served to us, it seems to fail to live up to any of those origins. Some of the finest food I have ever had were in China, India and Indonesia, but don't judge those cuisines by their watered down American counterparts. To visit these lands is to be thrust into a culinary adventure.
France has long been my favorite destination for food, a bias no doubt propelled by the fact I have classic French chef training. On this year long trip I have made a point of cooking, no matter how meager our kitchen logistics may be, and my dinners almost always rival any restaurant's.
So it was with great expectation that we visited the Brasserie de Paris here in Hua Hin, Thailand. The modest restaurant is beach side with great views of the lighted fishing boats in the dark harbor. The food was good, and we enjoyed ourselves, but it was not our night for wine. The slim pickings on the wine list were pared down further by "finished" labels covering almost all of the red wine choices. Our first selection was greeted by a verbal "finished" and we had to settle for what would never have been my choice if only the list were fully available.
They had no Thai wines on their list, and after having tasted my first Thai offering, I am not altogether surprised.
Such is just one of the many problems with trying to run an upscale French restaurant at the beach, hours from the nearest city with its suppliers. For all of that we still managed to have a very nice savory style of Foie Gras (as opposed to the common practice of preparing it with a fruit sauce). Everything was perfectly nice, but the au gratin potatoes were especially memorable. Considering the challenges they faced, the Brasserie pulled of a feast that would be impossible for lesser restauranteurs.
We still have several months to explore, and even if we only eat out once a week or less, there is ample opportunity to find another gem, and when we do, you will read about it here.
Whether you always agree with him or not, there's little denying that Robert Parker, Jr. has had a tremendous influence on wine buying. The author and publisher of "The Wine Advocate" for over 25 years has won countless awards, including being appointed a "Chevalier dans l'Ordre de la Legion d'Honneur" in France. He created the now widely-used 100-point wine ranking system and has written extensively about wine industries around the world.
Parker's latest work is the exhaustive "Parker's Wine Buyer's Guide," a 1536-page catalog of the world's great, good, and average wines and comes out on October 7. Far from being dry and laborious, this tome is easy-to-read with lots of maps and regional wine information interspersed with winery and individual wine ratings and prices.
"Parker's Wine Buyer's Guide" is being publishing in trade softcover, in hardcover, and as an e-book simultaneously. Shipping is an issue with a book this large, so the $24.99 ebook is a smart option. The softcover is currently $23 with Amazon.com and you can get free shipping with them for orders over $25. This book would make a good gift for anyone who enjoys wines and/or traveling throughout the world's wine regions.
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Port wines can seem like a challenging subject. There are all sorts of bottlings: vintage date, late-bottled vintage date, Colheitas, single Quintas, and still others know as ruby reserve, crusted, or white — and let?s not forget the various tawny Ports of 10, 20, 30 and 40 years of age. Why are there so many different bottlings, and where does one begin to explore all of these fortified wines? Thankfully, we had the opportunity to talk with Louisa Fry from the Port and Douro Wines Institute, an inter-professional council of growers and producers from this famous Portugese region.
Join us as we hear about the origins of Port, what it takes to get a vintage declared, and whether it’s called Port or Porto. We?ll also discuss the amazingly steep terraces of Portugal’s Douro region, and the varieties of grapes that are able to be blended into the final product. Of course, it wouldn’t be complete without hearing about the optimum time to drink Port.
For more info on the Wines of Portugal: www.ivdp.pt
I am on my way to visit the vineyards of Thailand. I have already learned about some of the many challenges they face, but now I will learn how they are overcoming them.
Growing grapes in the tropics takes a different approach than in the temperate climes. Vines do not get a chance to achieve dormancy, they grow vigorously all year round. This leads to the "Two Seasons, one Crop" approach, which means that there is only one harvest, even though there could conceivably be two. This increases the quality of the grapes, since the vine does not have to produce fruit twice.
Then there is the rain. This is a monsoon climate, and when it rains, it pours, for months. Wet leaves rot and this would not at all be a suitable time for producing fruit beneath a leafy canopy. And so, harvest takes place in the winter. We are not below the Equator, so harvesting in February and March means growing during the dark months. This has a direct effect on the amount of photosynthesis the vines can achieve.
High water tables in at least one of the vineyards we have visited so far, necessitate rather drastic soil management. A moisture barrier has to be placed 15 feet down, and then stones, in this case slate, is used to fill in the hole, greatly increasing the drainage potential of the vineyards. This keeps the water from rising too far, while allowing surface rains and irrigation to trickle down, nourishing the roots.
Heat is also a major concern, not only in the vineyard, but in the winery. I have tried some wine that tastes as if it may have been made in conditions that were inappropriately hot, but herein lies the rub. Was the wine damaged during production, or transportation and storage?
No matter how careful the wine producers are, the transportation and storage conditions, or more properly, the lack of them, spells disaster for much of the wine. Restaurants and stores often have no refrigeration for the wines, and even if they did, the truck the wine was delivered in may well not.
The heat is also problematic for making wines which contain residual sugar. Those I have visited with blame the heat for restarting fermentation in the bottle, or in many cases the "bag in a box" bladder. I personally think that better sterile filtering practices could make such wines possible, but I will learn more as I visit more wineries in the next few days.
Why the emphasis on wines with RS? The food. Spicy chiles are not easy to pair with wine, and while many producers insist their dry reds go well with the foods, I can't help but point out that I prefer slightly sweet whites with spicy food.
With many thanks to the Thai Wine Association who have invited me to tour their member wineries, I am off to explore and learn about the Thai wine industry. A full report will be coming to a blog near you next week.
Vern Fisher of the Monterey County Herald came by one day and photographed us as we processed Chardonnay and Pinot Noir on the same day. Click here to see and hear the slideshow he put together. By the way— I’d have to get my arm twisted to do both whites and reds simultaneously here, because, well, you’ll see why…..but sometimes I’m reminded that Mother Nature is stronger than me, hee hee. Anyway, I’ve long admired Vern’s photographs in the paper, and I think he was able to capture what we do here on a very busy day.
The slideshow starts out at Chula Vina….the first photo is Henry Carrasco, owner of Chula Vina…the crew is shown harvesting the Chardonnay and Pinot that we subsequently are shown processing. Chula Vina is in Chualar Canyon, BTW, and it is one of my favorite beautiful places. Enjoy…
Looks like a piece of news slipped by me a couple of months ago. Every year I look forward to a report, which more than any other single piece of news, speaks the truth about the state of wine in America. Restaurant Wine magazine commissions and publishes a report every year on the top 100 wines and top 100 wine brands sold in restaurants around the country, from family diners to fine dining restaurants.
Based on the simple measure of how many cases of each wine were sold at these restaurants, we get a picture of the most important person in America when it comes to wine: the average American wine consumer.
And why is this person so important? Because they are the bread and butter of the wine industry. They are the fuel for the wine engine. They are the bottom 95%, so to speak, whose spending habits make (or break) the market and who make up the pool of wine drinkers from which true wine lovers slowly graduate to more expensive wines and esoteric habits like...reading wine blogs.
I like knowing what the rest of America drinks when it comes to wine. Here at Vinography, here in San Francisco, here in my group of friends, I live in a bubble of unreality when it comes to wine. In this bubble, $40 bottles of really good wine are a steal and most everyone I hang out with knows how to pronounce Viognier ("vee-own-yay"). But that doesn't represent wine drinking America any more than San Francisco represents the political tenor of the rest of the country.
This is what wine drinkers in America drink:
1 Kendall-Jackson Vintner's Reserve Chardonnay USA 2 Beringer Vineyards White Zinfandel USA 3 Cavit Pinot Grigio Italy 4 Sutter Home White Zinfandel USA 5 Inglenook Chablis USA 6 Ecco Domani Pinot Grigio Italy 7 Yellow Tail Chardonnay Australia 8 Copperidge Chardonnay USA 9 Yellow Tail Shiraz Australia 10 Franzia Winetaps Vintner Select White Zinfandel USA
Those are the top 10 wines consumed by Americans (by volume) in 2007.
And here are the top 10 wine brands sold in American restaurants in 2007:
1 Beringer Vineyards, Foster's Wine Estates Americas 2 Kendall-Jackson, USA, Kendall-Jackson Wine Estates 3 Franzia Winetaps, USA, The Wine Group 4 Yellow Tail, Australia, W.J. Deutsch & Sons, Ltd. 5 Sutter Home, USA, Trinchero Family Estates 6 Inglenook, USA, The Wine Group 7 Copperidge, USA, E. & J. Gallo Winery 8 Cavit, Italy, Palm Bay Imports 9 Woodbridge, USA, VineOne (Constellation) 10 Foxhorn Vineyards, USA, The Wine Group
For me and for the wine lovers that I hang out with (and no doubt the folks that read this blog) these are somewhat sobering lists, if only because for most of us, these are wines we generally don't, and wouldn't, consume given the choice. The average retail price of these wines is well below $8 per bottle, and the last time I asked you readers what you spend on average per bottle it was somewhere around $20.
And some of you probably didn't think that you were all that sophisticated when it came to wine, did you? Notice how the top 10 wines only includes a single red wine? If you're a Cabernet drinker you're a member of the wine elite. And I'm only partially kidding.
Here are some additional interesting facts about this year's list:
- White Zinfandel sales are down 15% - Chardonnay was more popular than Pinot Grigio for the first time - Pinot Noir sales were up (again) by 89% - Merlot sales were down (again) by 9% - Sauvignon Blanc and Sangiovese wines appeared for the first time on the top 100 list (bravo!)
So what to make of all this? I take a number of things away from this list every year. The first is appreciation for how lucky I am to be able to drink the quality of wine that I do regularly. The second is humility -- a reminder that while I may not choose to drink them, these wines, the companies that make them, and the people that drink them are what really make the wine world go 'round. And finally, I always finish my perusal of these numbers with hope. The amount of wine America drinks continues to go up, and slowly, but surely, the diversity of that wine continues to expand.
Dubbed the "first lady of wine" by one Robert Parker, Heidi Peterson Barrett makes damn good wine (think Screaming Eagle) in Napa, and now you can listen to her talk about how she decides what and when to harvest in this video just posted by one of her winery clients, Fantesca. Filmed on October 2, Heidi discusses not only Fantesca's harvest but that of the region as a whole, so it's a nice 3-minute primer on what's happening in the vineyards in and around Napa about this time. Personally, I was super lucky to meet Heidi earlier this year in Napa at a fantastic gathering of women in wine, and if you click the link to "read more" you can check out a pic of the two of us. Not my best pic - but then again, that hardly matters when one is so close to Ms. Hallowedness of Wine. Cheers!
Okay, it was actually a few days before Valentine?s. But clearly our uncharacteristically small group of Vancouver American Wine Society members who had gathered to compare a horizontal flight of ten 2002 Zinfandels were jumping into the spirit of romance.
Here they come in the order we tasted, and although it would be fun, we can take no credit for the final ?heartfelt? evaluations of the ten offerings ? each was delivered from an appointed, if sometimes reluctant, spokesperson at a different table.
Wine #1: Paso Robles Westside from Peachy Canyon Winery Thin, weak, and presenting surprisingly little fruit either on the nose or the palate. This wine is like a ghostly and somewhat disappointing lover. Neat tasting room though as seen at the right.
Wine #2: Alexander Valley Todd Brothers Ranch from Dashe Cellars Made with 4% Petit Syrah, the general consensus was that this wine was approaching ? or perhaps even past ? its prime. Tannins were still a bit coarse, and there was definite sediment. This wine was ranked as a dark and sultry, if a bit over the top lover. Wine #3: Sonoma Valley Rhinefarm Vineyard from Gundlach Bundschu Winery Softer and with a better balance than the previous one, most people agreed this wine showed coffee, chocolate, and mint overtones. The finish was longer, smoother like a well-oiled lover ? apparently appealing as this wine was ranked Number One of the evening.
Wine #4: Amador County Grandpere from Renwood Winery Made from old vines though from a newer winery (shown right), this wine was deemed somewhat austere. Oak on the nose but light in fruit, this wine ? according to the table?s spokesperson ? would not be finding its way onto her table nor into her bedroom even on Valentine?s Day.
Wine #5: Dry Creek Valley from Chateau Souverain Not offensive, merely flat and faded from time with not enough fruit remaining to be worth mentioning. This wine is one lover who simply doesn?t deliver ? even after midnight.
Wine #6: Dry Creek Valley from Foppiano Vineyards Although we knew this vineyard specializes in ?affordable,? this vintage was rather like stuffing your face full of penny candy in the general store. A fickle lover ? even on a one night stand, first he thought he loved her, then he didn?t, then he did.
Wine #7: Napa Valley from Napa Wine Company Like a chameleon, this wine exhibited the most dramatic amount of change of any poured this evening and garnered second favourite in the process. On the palate cedar, tobacco, and barnyard. In bed, an almost schizoid lover ? but definitely one you?d happily suggest a roll in the hay with.
Wine #8: Napa Valley Old Vines from Fife Vineyards Simple and somewhat nondescript but still comfortable, this wine is from old vines. Good for mindless quaffing on an open-air patio. A lover wearing nothing but flannel pajamas.
Wine #9: Napa Valley from Ravenswood Winery Although this wine didn?t open as much as many of us had expected, it was ?no wimpy wine.? Brawny and well structured, a few people found a hint of cream soda. This one is a somewhat reticent lover but definitely well built lover ? perhaps even a redhead. (Note: these guys have a really fun website and a terrific sense of humour. Here?s an excerpt: At Ravenswood, there?s no pinkie raising, Brie eating, wine spitting wimpiness. Oh no. At the home of No Wimpy Wines, you?ll get to taste mind blowing zinfandel, witty conversation with our behind-the-bar staff and, if you so choose, private or group tours of the winery aka Zinfomania Central.)
Wine #10: Napa Valley from Rutherford Ranch Controversy swirled around this wine as it became clear there was an almost unbelievable amount of bottle variation between each of the three that were poured. Some felt theirs was corked, others said ?no, it?s just the style.? Was it a Madame wearing pancake make up and a feather boa or a great lover who hadn?t showered for a week? Few could agree.
How could I omit the two intelligent value Godello picks? I chose these two because they convey distinct interpretations of the variety, in spite of the two D.O.?s not being terribly far apart. Taste them together to see the immense differences evident in each Godello within what would amount to a short bus ride from Bierzo to Valdeorras. It?s quite hard to argue that neighboring wine regions cultivating the same variety aren?t little miracles, with this sentiment growing even more potent for the wine lover within single vineyards with many producers, though that?s another topic altogether.
Enjoy this, one of many examples of all new things Spanish that will slowly become more prevalent in the U.S. market over the coming six months or so?Godello.
Before I forget, speaking of the next wave of imports from Spain, if you haven?t been paying attention to Telmo Rodríguez in the past few years, I would try his Godello and watch this video. Aside from being a fascinating Spanish entrepreneur, he exudes passion for well-crafted, regional wines. The video is eight minutes in length, though for some reason, it winds up being 3 and change. Nevertheless, listen to Mr. Rodríguez introducing his wines on a recent visit to Toronto?s Lifford Wine Agency. In essence, he is responsible for affordable little masterpieces from various Spanish D.O.?s. His progressive outlook in terms of production methods is matched by an ability to reinvigorate production of traditional varieties in the regions where he owns vineyards. This in turn, yields intelligent value wines from various Spanish D.O.?s that much like Susana Balbo?s wines in Argentina, seem to be produced in a manner which never sacrifices regional character for novelty or the wrong type of market's tastes. What with how things are going nowadays in the wine business, what a refreshing point of view!
Los vinos: 2007 Pilgrim Godello Bierzo D.O.
This wine is clean, pale straw and unassuming at first sight. The nose is vibrant, driven by wild flowers, citrus, treefruit and stone minerality. Complex mouthfeel, with a crisp, racy shot of acidity (pink grapefruit), alongside rich treefruit and distinctive mineral notes.
This wine is produced by Viñedos Agribergidum in Bierzo, located at the westernmost outpost of León bordering Galicia. The Godello vines are an average of 40 years old, with the variety purposely farmed to very low yields.
Imported by Beacon Wine Company. 2005 Gaba do Xil Godello Valdeorras D.O.
A really nice pale gold in the glass. The nose is clean and pronounced, with perfumey floral element, lush green pear, peaches, honeydew melon and touch of sweet spice. Complex but never overwhelming medium-bodied white with great balance of ripe fruit flavors and medium citrus acidity. Love the soft spice undertones that follow the lovely fruit into the aftertaste.
I think Frank is having an affair. He mutters her name constantly ? sometimes lovingly, sometimes not so much so. Her picture appears in books on the coffee table, on the dashboard in the truck, even pinned on the bathroom mirror with some unintelligible scribbles and notations below it. I know he sometimes even takes her to bed.
Like all relationships, there is a definite up and down cycle to his infatuation with this woman. As his WSET exam gets closer he finds her more frustrating. At other times, he finds her charming, witty, and distinctly sexy. But he relies on her totally and without reservation. ?I just can?t be without her,? he?ll sometimes confess.
I suspect that if Frank ever actually met her face to face and in person, he would give her the traditional European greeting ? three kisses on alternating cheeks ? right, left, right. He might even hug her.
Tonight Frank writes the vinticulture portion of his WSET Diploma exam. Perhaps when he?s done and the marks are tallied, he will close the Oxford Companion to Wine and Jancis Robinson will be forgotten for a short while. Perhaps. At least until it?s time for the next exam.
There's still plenty of fire left in the belly of old gnarly Grenache vines in Calatayud, Spain. These old vines manifest their destiny in Garnacha de Fuego 2007, imported by Jorge Ordoñez, and sold here in Tennessee for well under $10, and in some areas of the country nearer to $5.
This is one of those outstanding inexpensive red wines that make you wonder why some wines cost so much. Unencumbered by wood aging, it's so very pure and drinkable, yet unlike similarly priced junk wine, the wine equivalent to junk food, it's genuine. There isn't a hint of manipulation evident.
True to form for a fresh Grenache, you get a plethora of raspberry character, perhaps even some "Now-Or-Later" cherry mixed in. There's also some white pepper spice to be sure, and a mouth full of rocks. The body is light-to-medium, and the combination of youth (wine) and age (vine) come through in the somewhat rustic, lasting finish.
The vines harvested for this wine go back to the days when Franco took power and when Picasso painted Guernica. On a political hiatus for decades, these sage vines are now just coming into their own. Therefore I'm raising a glass, to remember those people who suffered before, and to be enlightened with the wisdom to help alleviate future suffering. The planting of these vines was a bit before my time, but not really that long ago in the evolutionary big picture. History is changing fast, and as was said, "those who cannot learn from history are doomed to repeat it." Garnacha de Fuego kindles the mind, makes you think, doesn't cost a lot, and it even goes great with fried green tomatoes.
In 1964 the Beatles released Meet the Beatles in the United States, the first Ford Mustang was produced, Lyndon Johnson defeated Barry Goldwater for President and the grapes for the 1964 Gran Reserva Rioja of FaustinoI were harvested. They made 219,500 bottles and I drank one last night. I can?t help but be struck by history when I taste older wines. By the way, I just turned nine a month before they picked these grapes, which means I?m becoming part of history too.
To experience these wines is to touch a piece of history as no one makes wines in the same way anymore. Too much science has entered both the winery and vineyard and that?s a good thing. The great thing about an old Rioja Grand Reserva is that they were only produced from the best vintages and from the best wines, which means that you won?t find the faults you often see in older wines from lesser years and pedigrees. A wine like this lets you reach out to winemakers of the past and be touched by the way they thought.
The 64 Faustino Gran Reserva shows not a trace of cassis, raspberries, new oak or alcohol. Part of that is its age, but I?m willing to bet it never showed any of those things. Years in barrels (old) and bottle before release assured there was no baby fat on this wine when it was deemed ready for sale. The winery did the maturing for you.
The most striking thing about such wines are the aromatics. It is almost (almost) anti-climatic to taste them. The other is the finish, which is long and haunting. They are wines that invite you to think. Think about not only the way they taste and smell, but about the people and times in which they were born.
There is no such thing as great young wine. Very good, very enjoyable ones yes, but great ones no. Young wines only have the potential to be great. Drinking young wine all the time deadens the palate making it only sensitive to power and fruit. In today?s hedonistic market driven by immediate pleasures most of the greatest wines are consumed before they actually become great. It?s a terrible waste as today?s wines could be the best ever made and, in addition, never have there been so many wonderful wines designed to be drunk young. More often then not, these ?lesser? wines are more pleasurable to drink in their youth than more distinguished and pricy bottles.
For every wine there is a season, connoisseurs should be able to pick the proper season to drink wines made to age. Now we give potentially great, age-worthy (age-necessary) wines points at birth and that defines them forever. It is more important how a Bordeaux or Barolo tastes at two than how it tastes at twelve. That is obviously half-ass backwards. There are wonderful wines for drinking young and grand wines that don?t achieve their regal stature for years. Trying to make those wines ready to drink upon release denies their true potential. It is silly to think that a wine can become instantly profound. Like the people that make them, few wines become become complex as adolescents.
It would be depressing to think you achieved your intellectual peak at thirteen. Why do the same thing to the world?s finest wines.
Tecnorati
This is a premium Montenegrin red wine made from the indigenous Vranac grape. The Reserve is produced from particulary good years, in small quantities, aged in barrels for several years. It is also aged in bottles for one year before being released to the market.
Vern Fisher of the Monterey County Herald came by one day and photographed us as we processed Chardonnay and Pinot Noir on the same day. Click 
