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Posted by 1 October 31: We 1 yesterday, just a few hours ahead of a rainstorm in the Paso Robles area. We'd originally scheduled the pick for today, but once we saw the forecast change, we moved the pick up one day. I'm really glad we did! When we got back to the winery on Thursday, we decided to wait to process the fruit on Friday.
Unfortunately, at my new job we have dial-up (effing historic) so the blogging thing will be very irregular. I promise to have a post tomorrow night though, so look out. As soon as I can get back to the regular schedule I will. Be patient my lambs....
On other accounts, the new job is great (obviously I'm not far enough in to have any probs...) and I am feeling very fulfilled. More deets tomorrow.
IN A DRAMATIC change of focus the Hardy Wine Company today announced that it was taking a great leap backwards - and changing its name. From the end of this month the Hardy Wine Company will be known as Constellation Wines Australia. This is an attempt to change the perception of the Hardys wine name from that of a corporate giant to, more simply, a regional winery 'known for quality and craftsmanship'
While this change is largely window-dressing, it is important. It marks a significant shift in thinking at Hardys. In recent years its super-premium portfolio has been sadly neglected, to the point where many premium wine drinkers (and wine media) today query whether the Jack Mann, Houghton Gladstones, Hardy's Tintara and Thomas Hardy super-premium labels still exist. The Hardy Wine Company has become known for good quality, cheap, non-region-specific fighting varietals. It has been at the forefront of the much maligned 'race to the bottom'.
And for a long time this strategy has been widely perceived as puzzling and myopic - like defecating in your own nest.
Hardy Wine Company President John Grant said today that ‘This is a pivotal time for our company as we embark on a range of activities to move our company to higher ground. From 31 March ... we aim to showcase to the world regional winemaking at its finest.
‘By drawing on Constellation’s global resources and tapping into our generational traditions, we aim to become Australia’s regional wine champion, recognised for our quality brands and winemaking excellence.’
‘Changing our company name provides greater freedom to shine the spotlight on the real heroes of our business - the outstanding regional wines. In particular, it allows the Hardys brand to return to being a winery, known for quality and craftsmanship, rather than being known as a corporation.’
‘We will be adding to our diverse regional offering and continuing our exploration of Australia’s premium wine regions’, he said, ‘as well as strengthening our front line staff, with additional personnel, tools, resources and training’.
Constellation Wines Australia brands include: Amberley, Banrock Station, Barossa Valley Estate, Bay of Fires, Berri Estates, Brookland Valley Estate, Chateau Reynella, Goundrey, Hardys, Houghton, Leasingham, Moondah Brook, Omni, Redman, Renmano, Stanley Wines, Starvedog Lane, Stonehaven, Tintara, Yarra Burn.
A weekend blow through to (NW's) place had us drinking through a few bottles from his "informed" cellar. (NW) of this blog, picked this up several years ago and laid it down. It comes from the St. Julien section of Bordeaux and is noted as a premier great growth year after year.
Even before raising the glass to my nose sweet fruit filled the air. Luden's wild cherry cough drops (a fond memory from kid-dom came to mind)
Nose is big cigar box aromas with touches of leather and of course cherries galore.
Palate--even at 13 years old, this wine still has some maturing to do with slightly chewy tannins, which lay out the cedar foundation with bright red fruit, plum. (NW) paid around $50 this when he purchased it but you won't be able to touch it for that now. Raise a glass for sure!
CSU chardonnay has gathered a fair deal of attention over the past couple of years, mostly due to the provision of extraordinary value. This release - from the Wagga Wagga Campus vineyards, as well as from vineyards in the Orange region - is another goodun’, if perhaps not quite up to the past couple of [...]
Time to clear a few things up here at Catavino.net. This past week, we have received some emails that need to be addressed, and we think the only place to do it is here on our site. Lately, we’ve been receiving some odd emails. Evidently, there is a rumor circulating that Catavino is a winery/bodega. You see, this week I’ve received at least 5 emails from different countries, including the USA, asking to represent our wines in restaurants, export markets and country wide in the case of Canada. Being a couple of wine writers without a winery, nor with any connection to the wine making process, I’m not sure where this idea has come from. I have to say we’re quite flattered, though a bit befuddled. Is there something on our site that leads people to think we make wine? Do other wine bloggers find themselves being solicited in such a way? Inquiring minds want to know!
Trust us, we would love to make a wine. In fact, we tried to once, but with mixed results. We will try again, and if you are a winery who wants to help us in this project, we’re all ears. We’d love to put out a Catavino Garnacha Blanca, or Catavino Touriga Nacional, but sadly, they don’t exist. However, we’ll be sure to scream it from the rooftops if we and when we do create a Catavino wine.
What we do do is work with wineries to use the internet more effectively. Currently, we have 4 clients, and we are interested in helping a few more, but we are getting picky. If you are, or you know, a winery that understands how the wine world is changing and that old ideas might not apply, give us a ring. My number is: +34 656 433 063, call me, llamame, liga-me, or send us an email: cvm@catavino.net, we’re listening!
So Now For Some Wine…But Let’s Not Talk About Iberia For A Moment
A completely biased and non-professional review is coming up. Why? Amy Lillard, and her blog, have been in my feed reader for almost as long as I’ve known what a feed is. Tom Wark has lauded them as one of the top winery blogs, and I have to agree with his approval. The level of frankness and honesty on this site is mind blowing and if you are a winery who wants to start a blog, you would not be doing poorly if you copied Amy’s model and style. Because of her writing, I felt like a close friend even before I had the chance to meet her at the EWBC 2008. The only element that was missing from our relationship was her wine. I wanted to try the wine but with its lack of distribution in Spain, I just had to wait. The winery and the blog’s name are La Gramiere.
Fortunately, the harvest did not keep Amy from visiting us in Logrono at the EWBC2008, giving me the chance to finally taste the wine behind the blog. Thus, this critique is tainted by the relationship I have with both her and her writing. Having followed the ups and downs for so long on her blog, I feel connected to what she is doing, and I feel like I hold a small stake in her adventure. This is proof as to why wineries should blog!
How is the wine? In one word, great! We miss French wine, seeing that Spain has none for sale, or at least very little. This is a wine after my own heart, a Rhone wine that is not from the Rhone (see full story here). It is full of the spice and terroir that I love, but with a lighter, less obvious way about it. After my first taste, where I was grateful that it didn’t suck (a fear I had considering my high expectations), I was quickly told that the wine was around 15%; something that both turned me off and at the same time surprised me. Similar to my notes on Monday, discussing how 100% new oak shouldn’t always be associated as a bad trait, you cannot say that high alcohol is always bad either. This wine is balanced and pleasant, and has a long life ahead of itself. I have to recommend it: number one, if you trust me and my palate, and number two, if you like to look at wine from new perspectives. This is a winner, not to mention organic. And if you ask Amy her thoughts on organic wine…well, let’s just say that you might want to pour a tall glass and grab a seat, because it will be awhile before she finishes.
Sorry that I can’t be more objective, but I feel that as I become closer to wineries who blog, the less I can allow myself not to be their cheerleaders. On the other hand if I try to separate myself from my love for this wine and look at it completely objectively, I still have to say I think it is a very well made, interesting wine. La Gramiere is making great wine, and they are telling the story as they do it. For me this is what wine should be about, good juice, good people, and lot’s of stories!
Dulka is one of the most famous wine producing families in the town of Sremski Karlovci, near Novi Sad in Vojvodina. They produce wine since 1920 and have won a handful of awards at the Novi Sad agricultural fair throughout the years. Apart from producing wine, this familiy also produces bermet and brandies of highest qualities.
They have just recently started growing Cabernet Sauvignon, and 2005 is their second vintage. However, this wine is quite rich in both aroma and taste, much richer and deeper than other pure Cabernets around. The color is dark ruby red, the nose rich, so reminiscent of forests and the flavours are those of forest fruit and chocolate. It’s a good wine, can be enjoyed on it’s own.
I think Frank is having an affair. He mutters her name constantly ? sometimes lovingly, sometimes not so much so. Her picture appears in books on the coffee table, on the dashboard in the truck, even pinned on the bathroom mirror with some unintelligible scribbles and notations below it. I know he sometimes even takes her to bed.
Like all relationships, there is a definite up and down cycle to his infatuation with this woman. As his WSET exam gets closer he finds her more frustrating. At other times, he finds her charming, witty, and distinctly sexy. But he relies on her totally and without reservation. ?I just can?t be without her,? he?ll sometimes confess.
I suspect that if Frank ever actually met her face to face and in person, he would give her the traditional European greeting ? three kisses on alternating cheeks ? right, left, right. He might even hug her.
Tonight Frank writes the vinticulture portion of his WSET Diploma exam. Perhaps when he?s done and the marks are tallied, he will close the Oxford Companion to Wine and Jancis Robinson will be forgotten for a short while. Perhaps. At least until it?s time for the next exam.
Plus, a dentist visit to look forward to; making Champagne the centerpiece, literally; a thief with good taste and bad planning; good news and bad for Michigan wine lovers
How do you keep up to date with the wine world these days? I’ve found out what works for me although I still suffer from information overload some times. My interests are as follows ?
current hot topics such as closures, global warming, harvest expectations and so on
recommendations on wines to try and buy
educational material especially anything that helps me towards my WSET Diploma
I’ve found the following sources really help me
Harpers magazine. I wish I could afford their annual subscription but it’s just too much. However I subscribe to their daily bulletins via Google’s reader and this really works for me. I see a couple of lines summarising news items when I’m on the computer at home or work and I can always click the link to go their web site if i wish to read more
an unusual source of news items is South African Wines. They send out regular emails which summarise the key stories from around the world by directing you towards the various publications, web sites, blogs etc which have something interesting and relevant
there is no substitute for a monthly magazine which is good for those train journeys commuting to work. Decanter and Wine and Spirit are my favourites. I was working in the US last summer and enjoyed Wine Spectator and thought about taking out a subscription but the cost including mailing back to the UK was prohibitive
I love reading other people’s blogs. People like Jamie Goode and Andrew Jefford talk about people they have met, wines they have drunk and places they have visited. The problem with blogs is that there are so many (and yes I have one also) that it’s possible to subscribe to too many of them using Google’s reader that information overload soon takes over.
Podcasts are great for car journeys if you put them on a CD or train journeys if you play them on your phone. I’ve learned a lot from some of the podcasts from Grape Radio
For bedtime reading or sitting in a chair (with a glass of something nice of course) there is no substitute for the hard stuff ie: books. You can’t go wrong with a copy of the Oxford Companion to Wine by your side. I also try to look up every wine I try in at least one reference book such as the World Atlas of Wine, Wine by the Label or Oz Clark’s pocket wine book. These often give the context for the wine leaving the label to give the detail (unless of course it’s French!).
I may occasionally suffer from information overload but I do learn a whole lot of interesting stuff about wine which vastly increases my enjoyment of the stuff.
If you've read many wine labels, especially those of wines that cost more than $25, you've almost certainly seen on that contains the phrase "fermented with wild yeasts" or "native yeast fermentation." This indication that the winemaker has not used a so-called "commercial" yeast is often a telltale clue as to the overall philosophy of the winemaker. Making wine without commercial yeasts can be more difficult, more unpredictable, and more risky than some are willing to accept. Those who do eschew commercial yeasts often do so because they are committed to making what they believe is a more natural wine, both for its lack of "intervention" by the winemaker, as well as because the yeasts that do end up driving the fermentation are believed to be from the vineyard and part of its ecology.
Without a doubt, making wine without commercial yeasts represents a more traditional method of making wine, but apparently the more we learn about yeasts and winemaking the less it seems that there actually is any such thing as a wild yeast fermentation.
A recent thread on the Mark Squires bulletin board addressed this very topic, and I highly encourage anyone who is interested in the subject to check it out. The discussion ranges across a number of different issues regarding yeasts, often getting quite technical, but the gist of it can be boiled down to a simple set of arguments.
First, it is clear that there are yeasts on the skins of the grapes out in the vineyards, and that when no commercial yeasts are added (and sometimes even when they are) some these yeasts can also be found working away in fermenting grapes in the winery.
However, it is also true that most of the time the yeasts that do the most work in fermenting the grapes in the winery are very different yeasts than are found in the vineyard. Which begs the question where, exactly, did they come from?
The answer, according to a lot of winemakers and researchers, is from within the winery itself. No matter how well a winery is sanitized, it tends to harbor all sorts of biological elements, including complex "cultures" of yeast that breed, mutate, and even evolve in the little ecosystem that is the winery.
If the winery ever has used commercial yeasts, this local culture will most certainly include some of these commercial yeasts. And if it hasn't it will likely include yeasts that were brought into the facility on humans, pets, equipment, insects, and more.
All of which is a long-winded way of saying that the decision to not use commercial yeasts to ferment the wine doesn't really mean that what you're getting instead is some natural cocktail of yeasts that are specific to a vineyard. A native fermentation it may be, but the yeasts that are chowing down on the grapes are much more likely to be native to the winery building than they are the vineyard, and in many cases they may include commercial yeasts as well.
I'm certainly guilty of romanticizing native yeast fermentations as a writer. Along with the decision not to fine or filter the wine, this decision generally says something to me about the quality of the wine. The fact that winemaking yeasts aren't entirely wild doesn't necessarily undermine that meaning, but it certainly does call into question just how much justification there might be for prejudice against commercial yeasts as somehow "unnatural." Biodynamic winemaking, for instance, clearly proscribes use of commercial yeasts as yet another unnatural intervention in winemaking.
The process by which grapes ferment involves sometimes 80 or more different kinds of yeasts, the actions of which are affected by pH, temperature, sugar levels, and thousands of compounds in the grapes, not to mention anything we humans might do. We're still trying to figure out just exactly how it all comes together.
As intrigued and excited as I am about the degree to which science is gradually deepening its understanding of what wine is and how it comes to be, I also love the fact that it's so complex that we've still got a long way to go.
Mystery is a good thing. It means we need to keep drinking.
When you start building a cellar and amass any quantity of wine, you're bound to forget some of the bottles you've stashed away. Rediscovering them is like meeting up with an old friend.
So much to talk about, so many memories to rehash.
Last night, when the Chef brought up the Trapiche 2000 Malbec Oak Cask, it was a surprise. I'd forgotten about this bottle, which my friend Rachel gave to me years ago. Why I'd never thought to drink it, I don't know. The wine's not expensive - maybe $7-$10 - but I'm glad I held on to it. The aroma was powerful, with touches of violets, baked goods, cigar and cherries. The flavor itself was ripe with purple, stain-year-teeth fruit and spice. It started out weak in the middle of my mouth, but opened up beautifully and finished long. I'd put this wine up against any mid-priced, big California wine, and at the end of the day I'd have a few more dollars in my pocket.
It's been the case for me that these forgotten bottles tend to resurface at just the right time, for just the right meal, just the right occasion. This one - surprising, but still very promising - came as I'm preparing to make some job changes.
Some people have horoscopes, others magic eight balls. Me, I turn to my cellar. I'm taking this bottle as a good sign.
Mr Riggs is a brand that made a splash when it first appeared a few years ago but – as much sub-consciously as anything – I always thought it would hit and run pretty fast, and disappear after a few vintages. I say this even though the wines have generally been very good. And well packaged. And reasonably priced. Maybe it’s just me, but the brand name itself just seemed to have gimmick written all over it.
Or it did. Now it doesn't. It’s good to see that the brand is still alive and going strong. In terms of quality, the following wines are the strongest bunch I have seen under this label.
I have two real passions that I’ve spent the last few years trying to combine - technology and wine. This post is about technology. My technology passion goes back a long long way (in my life) to Commodore Vic20 to working in a computer software store all through High School to going to MIT for an Electrical Engineering degree. I just love to learn about it and having grown into my skin as somewhat of a geek I feel fine diving in and ripping things apart just to figure out how it works at its most basic level.
Anyway, one thing I’ve seen, particularly in the latest “craze” of social media, is the utter lack on innovation. There is a repetitive iteration (yes, that was on purpose) to sites and technology I see coming out all over tech but particularly in social media websites. People, particularly in wine, are confused as to which site to use, why? Because that are pretty much the same thing. Slight variations, but for the most part the same.
And yet, many of these sites call their releases “innovation”. Blech! Come on. Innovation is disruptive to the status quo. In my mind, disruptive makes things interesting. I’ve gotten involved in a few projects that I found interesting (i.e. I thought could be disruptive) and have tried to counsel these companies on how to highlight their innovations. I’m not going to blather on about them in this post, this is more of a post to highlight what is and isn’t innovation which is pretty simple - if you’ve created something with some defensible intellectual property then you’ve likely got an innovation. That means a NEW WAY of doing things. Not a re-swizzle of old technology.
Unfortunately, far too often folks in Marketing (I guess my current field, technically) walk around touting innovation and what this does is create a high noise floor for real innovation. One very innovative company that I worked with, Cruvee, went through some intensive messaging sessions with me and are going through some re-designs to reinforce that messaging. But why did they have to do that and why did they have to call me and ask for my help? Because the sheer number of “social media” sites that lack innovation in the tiny tiny area of “Wine” made it actually challenging to highlight what they do differently, and believe me, they are taking a very different approach and actually introducing some new concepts. But that seems to be the exception rather than the rule.
I think this is in part due to a diluted engineering discipline called “agile development“, which I’ve written about before. I say “diluted” because the interpretation of the interpretation of the interpretation of the original discipline has made people think that pumping out any old crap and then adding features will eventually allow you to hit the one thing that people need (or somehow early adopters will just start using it for what they need). That is a horrible assumption. That is called “luck” and its no replacement for hard, smart, innovative work. If you know the story of YouTube you might disagree with me. If so, then “good luck”, you’re gonna need it.
If you agree with me then what’s the cure? Easy, proper Product Management - think about what you’re doing, the audience you’re attracting, what their actual problem is, and have a directed effort. What a Product Management discpline is all about is INCREASING YOUR CHANCES OF SUCCESS. You can count on luck, or you can do the work. I guess it depends on how much time you have and how long you can go without a salary.
On the plus side, investors that I know just ask me “who’s got something innovative?” or “what do you think of this company?” and I can keep being employed to separate the wheat from the chaff.
Finish of mixed berries, licorice, earth, and spice
Look for some classic Brunello character in this wine, with rich cherry and spice layers set on an earthy, chewy backbone. Also, expect to pay about $60, which is now a very typical price for a non-riserva Brunello.
While this wine is showing some nice complexity of flavor, I recommend you continue to cellar it for several more years. If you're at home and want to drink it now, simply decant it, let it sit, and sip it closer to room temperature than you might with other wines.
Advertising on the Women Wine Critics Board ABOUT US This blog is compiled and edited by Mary Baker, co-owner of Dover Canyon Winery in Paso Robles, California. Mary has considerable experience in the California wine industry, and the blog is open to all writers who are passionate about wine. It is updated at least three times per month with guest articles and wine news. OUR READERSHIP The Women Wine Critics Board attracts an audience interested in fine wine, wine-related travel and wine appreciation experiences. As of June 2007, the number of unique visitors coming to the site on a monthly...
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
Released from the shackles of winter we are now free to enjoy a nice chilled glass of Rosé in the sun, and what better way to kick off this season than with the Turkey Flat Rosé 2008.
A hat-trick of strawberries: colour, aroma and flavour, howzat? Crisp and refreshing with some strawberry and raspberry fruit up front, a drying acid backbone and some nice minerality on the finish.
I always find it hard to score Rosé wines, however on a warm day in the sunshine I would drink this one over most full bodied red wines, so take the score in that context.
Score: 90/100 Price: $19 Closure: Screwcap Alcohol: 13% Would I buy this wine again? Yes, it is reasonably priced.
Another Thanksgiving day is quickly upon us. Below is a re-post by (NW) that is helpful as you navigate the vast choices upon you for this festive day of food and reflection.
With all the gloom and doom in the news one might think there isn't much for which to be thankful. That couldn't be further from the truth. My nation and the indeed the world have been through challenging times; even despairing times and yet, acknowledged or not, understood or not, we manage--by God's grace to come out on the other side smelling like a rose (or a Sauternes if you prefer.)
We of the WCB hope that whatever country you are in, (I know Thanksgiving Day is uniquely American) whatever your situation, you will be able to raise a glass with a thankful heart to the God who is there. (PB)
Tecnorati
Dulka is one of the most famous wine producing families in the town of Sremski Karlovci, near Novi Sad in Vojvodina. They produce wine since 1920 and have won a handful of awards at the Novi Sad agricultural fair throughout the years. Apart from producing wine, this familiy also produces 
Released from the shackles of winter we are now free to enjoy a nice chilled glass of Rosé in the sun, and what better way to kick off this season than with the Turkey Flat Rosé 2008.