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Posted by 1 November 2: We didn't touch the fermenters on Saturday because we don't take any 1 or 1 readings until the must has been allowed to soak for two days. We know that the juice will always extract more sugar and acid from the skins than what we would see right out of the crusher, so there's no need to fool ourselves by taking measurements early.
This cool combo of fine wines and classic jazz is one of Toronto?s premier events. Energy Savings Group Wine, Whisky & All That Jazz is set for Wed., June 20 at the Liberty Grand. Recapture the golden age of jazz...
Itching to try the latest flavor rage in wine coolers? It came to my attention recently that many people don?t know that wine coolers are simply flavored malt liquor. It surprises me even more that that info itself doesn?t seem to mean much to many people. What?s wrong with pina colada flavored malt liquor wine coolers? Well, nothing, unless you want to drink more than one or two. If you?re anything like me, more than one or two wine coolers will leave you with hangover symptoms later on that day or the next.
If you really want a strawberry daiquiri or pina colada, why not just buy the fixings to make those mixed drinks? Of course if you?re on a budget it?s probably better to just buy the wine coolers. But if you?re planning a big party or otherwise have a bigger drink budget, I strongly suggest making your own mixed drinks rather than buy a huge lot of wine coolers. Malt liquor is notorious for producing headaches and all the other hangover symptoms.
Mixed drinks don?t have to be all that expensive to make either. If you plan ahead a little you can decide on a few different mixed drinks to have on hand at your next party and save some money by using the same base liquor. For example, rum is a great liquor for fruity drinks. Pina coladas, daiquiris and many other drinks call for rum, so that?s a great standby as far as liquors for mixing go. And of course vodka is a good all round liquor that can make many types of less fruity drinks. So, a trip to the liquor store to purchase a bottle of vodka and a bottle of rum will yield all kinds of mixed drink options.
There are some excellent bartender and drink mixing websites out there that can help you make the most of your next mixed drinks occasion. There are even websites where you can input all the ingredients you have on hand and it will spit out a list of drinks that you can make. Webtender.com is just such a site. Go to http://www.webtender.com/cgi-bin/imbselect to input your available ingredients. Chances are you?ll be surprised to discover all the possible drink combinations using only the ingredients you have on hand.
A recent stopover in LA had me dining with the one and only Dr. Conti. I can safely say that reports of his demise are greatly exaggerated, and that there are still a few jewels left in the cellar. Quite a few. We were joined by the Burghound, always on the scent of the best [...]
I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
4. Do I have to mention the cheaper subscription rate for Decanter?
Again, lists really don't do any justice to the dozens and dozens of ideas that propel themselves electrically from my dendrites when it comes to how much fun a wine geek can have in London. For now though, I leave you with a warm, albeit brief goodbye, and a reassurance that I'll soon return for more on artisan wines and the people behind them.
Women Wine Writers on the Web has an interesting library of links to women's wine newsletters, blogs, books and more. Definitely a recommended stop. To find wines you're reading about at a shop near you, try WineSearcher. This free service will show you which stores have your target wine in stock, along with the price and ordering options. (A paid upgrade provides even more information.) Don't have the time to read wine blogs? But you'd like to stay on top of the hottest wine news? Wine Life Today features the hottest wine blog posts on the internet. Most of the referrals come from other wine bloggers, so when they toast an article, you know it's good stuff, and worth reading. Interestingly, it's always the oddball stuff that wine bloggers enjoy . . . so don't expect to find the usual wine reviews and commentary. Looking to upgrade your wine notes from lined school paper to something a little more . . . elegant and efficient? We recommend CellarTracker. This free online site lets you store your wine purchases, tasting notes, and more. Additional features let you see fellow members' tasting notes. And creator/owner Eric White is very open to feedback and suggestions.
Spring Mountain Vineyard is rich with history. After the sudden death of Tiburcio Parrott in the late 1800s, neither the house nor the 800 acres were used between 1896 and 1938.
Eventually the property was purchased by Mike Robbins in 1974. Robbins bought an old Victorian on St. Helena Highway near Deer Park Road and constructed a small winery which became Spring Mountain Vineyards. Soon Robbins outgrew this first location and discovered the wonderful Parrot estate.
After acquiring Parrott’s Miravalle estate, Robbins restored the Victorian residence and built a 17,000 square foot winery at the site of Tiburcio?s wine cave and small winery. Though his primary vineyard was in Rutherford on the Silverado Trail (now the site of Domaine Mumm), Robbins planted Cabernet Sauvignon and Sauvignon Blanc in 1980 on the land around Miravalle. Robbins’ Spring Mountain Chardonnay became highly prized by connoisseurs and was a ?cult? wine of the late 1960?s and 1970?s.
Once the site for the former TV show, Falcon’s Crest, Spring Mountain lives on, now comprising four separate vineyards totaling 245 acres in 130 blocks. The Miravalle, Chateau Chevalier, Streblow (Alba), and Draper (La Perla) vineyards are beautifully terraced, rising up the hillside from 400′ to 1600′ in elevation creating several microclimates. The “main house,” an 8,000 square foot Victorian was built in 1885 by Tiburcio Parrott. Featured during the aerial flyover in the opening credits of the TV show, the house is meticulously maintained both inside and out, and all of the original features of stained glass and molding have been kept.
Join us as we talk with Valli Ferrell, winemaker Jac Cole, and vineyard manager Ron Rosenbrand about the vineyards and this lovely estate. .
Treana Red 2004 $36.99 Wine Label says: Treana Winery is located in Paso Robles, at the center of California’s Central Coast. Having spent more than two decades developing vineyards in and around Paso Robles, the Treana Red blend reprewsnet grape varieties best suited to the region’s unique calcareous soils and distinctive climate. The Treana vineyards are [...]
Vern Fisher of the Monterey County Herald came by one day and photographed us as we processed Chardonnay and Pinot Noir on the same day. Click here to see and hear the slideshow he put together. By the way— I’d have to get my arm twisted to do both whites and reds simultaneously here, because, well, you’ll see why…..but sometimes I’m reminded that Mother Nature is stronger than me, hee hee. Anyway, I’ve long admired Vern’s photographs in the paper, and I think he was able to capture what we do here on a very busy day.
The slideshow starts out at Chula Vina….the first photo is Henry Carrasco, owner of Chula Vina…the crew is shown harvesting the Chardonnay and Pinot that we subsequently are shown processing. Chula Vina is in Chualar Canyon, BTW, and it is one of my favorite beautiful places. Enjoy…
Welcome to the 5th Edition of the Wine Book Club, the online book club for wine lovers who also like to read. I'm the host for this month's event, and for my theme I was inspired by the season. What better way to celebrate September and October than to read a book written by a genuine PhD (September is back to school month) about wine and politics (we are in the midst of an election)? This idea was even more appealing given that the author may be better known to those of you who read wine blogs as Dr. Vino, the award-winning wine blogger.
Colman's book compares the way that politics has shaped wine culture in France and America. One of the most striking things about the story he tells here is that, along with politics, there are two other "P"s that have played an equally active a role in determining what you drink: phylloxera, the louse that destroyed grape vines all over the world in the 1870s; and Robert Parker, the critic who began telling us what we should drink in the 1970s. Phylloxera, it turns out, led to such a collapse in the worldwide wine business that it opened the door to greater governmental control and intervention as people sought to limit fraud, graft, corruption, and lost income. And Parker helped people to wade through seas of indifferent wine with misleading labels at a time when Americans were still drinking like it was Prohibition and they'd rather mainline the hard stuff than drink a glass of wine with dinner. The ripples he sent out from his one-man business in Monkton, Maryland in the 1970s now threaten to engulf us in wave after wave of homogeneous wine made to please Parker's influential palate.
I consider myself reasonably knowledgeable about wine history, but I was surprised again and again by the nuggets of historical lore and sharp analysis that Colman includes here. Lately, I've been wondering why we don't buy wine in bulk here in the US like they do virtually everywhere else in the world. Turns out it's due to a combination of Prohibiton (and the resulting patchwork of legislation) and something called the Office of Price Administration that was established in World War II. Until then, wine was shipped in tanker trucks and on the rails to 1500 bottling facilities studded all over the country. And thus the enormous carbon footprint of wine began!
Colman's message is sobering, even though his book is a delight to read with its clear prose and fluid style. The bottom line is this: when money, egos, and bureaucracy collide--as they do in the wine business--it becomes almost impossible to do what is best for consumers, the environment, and the winemakers themselves. With everybody taking a cut in wine sales, from the bottle makers to the distributors to the retailers to the government, it really is astonishing that anyone bothers to make wine at all. And in case you're thinking the situation is better in France, let me assure you it isn't--it's just different.
If you enjoy Colman's blog, you are in for a treat since this book is written in the same direct, engaging style as his blog posts. The book has great graphic features (like a comparison of how politics shapes French and American wine blog labels) and informative sidebars that offer the reader opportunities to pause and consider the issues from a fresh perspective.
I highly recommend this book, especially if you find yourself wondering why you don't know what grape is in a French bottle of wine, or why it is that an American wine is labeled "Cabernet Sauvignon" when 25% of the grapes in it are Syrah. The answer to both questions is simple. Wine Politics. After reading this book, you'll never think about the relationship between the two in the same way again.
Tyler Colman's Wine Politics: How Governments, Environmentalists, Mobsters, and Critics Influence the Wines We Drink was published by the University of California Press, who sent a copy of the book to me for review. It retails for $27.50, but you can buy it on Amazon.com for $18.15.
If you are participating in this month's online club, please leave comments and/or links to your own posts below. You can also leave links at the Wine Book Club site, or on our mirror site on Shelfari.
How could I omit the two intelligent value Godello picks? I chose these two because they convey distinct interpretations of the variety, in spite of the two D.O.?s not being terribly far apart. Taste them together to see the immense differences evident in each Godello within what would amount to a short bus ride from Bierzo to Valdeorras. It?s quite hard to argue that neighboring wine regions cultivating the same variety aren?t little miracles, with this sentiment growing even more potent for the wine lover within single vineyards with many producers, though that?s another topic altogether.
Enjoy this, one of many examples of all new things Spanish that will slowly become more prevalent in the U.S. market over the coming six months or so?Godello.
Before I forget, speaking of the next wave of imports from Spain, if you haven?t been paying attention to Telmo Rodríguez in the past few years, I would try his Godello and watch this video. Aside from being a fascinating Spanish entrepreneur, he exudes passion for well-crafted, regional wines. The video is eight minutes in length, though for some reason, it winds up being 3 and change. Nevertheless, listen to Mr. Rodríguez introducing his wines on a recent visit to Toronto?s Lifford Wine Agency. In essence, he is responsible for affordable little masterpieces from various Spanish D.O.?s. His progressive outlook in terms of production methods is matched by an ability to reinvigorate production of traditional varieties in the regions where he owns vineyards. This in turn, yields intelligent value wines from various Spanish D.O.?s that much like Susana Balbo?s wines in Argentina, seem to be produced in a manner which never sacrifices regional character for novelty or the wrong type of market's tastes. What with how things are going nowadays in the wine business, what a refreshing point of view!
Los vinos: 2007 Pilgrim Godello Bierzo D.O.
This wine is clean, pale straw and unassuming at first sight. The nose is vibrant, driven by wild flowers, citrus, treefruit and stone minerality. Complex mouthfeel, with a crisp, racy shot of acidity (pink grapefruit), alongside rich treefruit and distinctive mineral notes.
This wine is produced by Viñedos Agribergidum in Bierzo, located at the westernmost outpost of León bordering Galicia. The Godello vines are an average of 40 years old, with the variety purposely farmed to very low yields.
Imported by Beacon Wine Company. 2005 Gaba do Xil Godello Valdeorras D.O.
A really nice pale gold in the glass. The nose is clean and pronounced, with perfumey floral element, lush green pear, peaches, honeydew melon and touch of sweet spice. Complex but never overwhelming medium-bodied white with great balance of ripe fruit flavors and medium citrus acidity. Love the soft spice undertones that follow the lovely fruit into the aftertaste.
First--Ripasso is a specially made wine from Valpolicella created by fermenting young wine with the unpressed but drained skins and lees left over from making Amarone. Ripasso is made by a number of producers, often using their own variations of this basic method.This wine has a heavily pigmented hue like a Syrah with a deep black cherry presence.
Bouquet is brimming with ripe rich berries and light spice.
Palate--rich tannins with steel and minerals, forthright, juicy, fruit and very tasty.
This wine is voluptuous, velevty and plush; a pure wine. A bit pricey around $22 but well worth it! Raise a glass!
Prince Edward County (PEC), the most-talked about new wine region in Ontario, may be scoffed at as being too intemperate for vines to survive there, but wineries like Norm Hardie, the Grange, Rosehall Run and Long Dog are changing the...
We found a semi precious gem in the middle of Budapest. Onyx Restaurant not only served us a meal on a par with any we have ever had, they managed to do it at a cost that was surprising affordable, amidst a city that is surprisingly not.
Located just a few steps away from the tourist trap district of the Vaci strolling mall, the Onyx is a blend of old and new both in decor and cuisine. Contrasting the staid furnishings a group of LCD monitors displayed vibrant and ever changing abstract images, sort of like a soft focus fractal. I found the effect soothing and a perfect counterpoint to the near stuffy ambiance.
The service was white gloved and attentive, and the staff was knowledgeable and more than eager to share their passion for their craft. I was especially delighted by the wide variety of remarkable local wines available by the glass. As always wine details are saved for readers of the newsletter .
You on the other hand get a look at the seven courses we delighted in.
Leg of Veal Carpaccio with Foie Gras on a Roast Red Bell dressing A savory treat for foie gras. The flavors were great, although the carpaccio was a bit tough. It was thankfully chopped into strips making it easier to enjoy.
Hungarian Grey Cow Goulash Consomme A delightful twist on the ubiquitous Goulash Soup of Budapest. Fragrant and perfectly spiced.
Salmon Steak with Jelly, Sweet Potato Cakes with Puy Lentils, and a Cannoli stuffed with Sugar Peas and Radish Curry with Bean chips
Visually stunning, so much so that I am adding a rare photograph. Each of these tastes are completely different from the other, but moving from one to the next was an exploration in flavors.
Elderberry Sorbet Sweet, but not too. The ideal refreshment.
Roast Suckling Pig, with Chitterling Ravioli and Beets with Parsley Root Froth and Mini Black Pudding on Leek Bed Like most Americans Black Pudding (also known as blood sausage) is not a taste I am used to. None the less it was rich and flavorful and went well with the tenderloin and cheek of roast pork. The ravioli and beets gave a respite from the rest of the rich flavors.
Goat Cheese with a Pistachio crust and Dried Sour Cherry Jam This local goat cheese was as smooth and creamy as any I ever had. It was quite remarkable and perfect after the rich pork dish.
Tainori Chocolate Cake with a taste of 1995 Royal Tokaji Aszu Essencia Royal Tokaji Essencia is the wine made just from the dried botrysized grapes and is one of the most rare and understandably expensive wines in the world. It is no wonder then that they literally give you a single spoonful of this luscious quaff to accompany the sinfully delicious chocolate cake.
In a city where a continental breakfast start at $20 and goes way up, this 7 course delight, complete with wines that I chose to match ran us only $150 a person. There are few restaurants or experiences I have ever more heartfelty recommended than the Onyx in Budapest.
*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.
*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?
- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:
1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.
2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.
3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.
*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?
- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.
- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.
*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?
- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so.
Thanks for the 94 comments sharing your favorite season for maximum wine enjoyment! I’m glad that the idea of changing your wine consumption with the seasons resonates so well with you since that’s the subject of my next book, A Year of Wine: Perfect Pairings, Great Buys, and What to Sip for Each Season, due out very soon from Simon Spotlight Entertainment, an imprint of Simon & Schuster.
I assigned each commenter a number and generated three winners at random.org, the site that fills all my random integer needs. Three winners were selected to win a signed copy of A Year of Wine and they are:
Jim Boyce in Beijing, Wendy in Brazil, and Aletta in I’m not sure where!
Come on down! As for the rest of you, click through and check out the book’s page on Amazon and see what the blurbs have to say from wine importer and author Kermit Lynch, wine authors David Lynch and Eric Arnold, and starting right fielder for the New York Yankees, Bobby Abreu. Who knows, maybe you’ll want to preorder now? At their discounted price of $16 and change for this hardback book, it’s less than a mere glass of wine at many NYC wine bars!
Every year TigullioVino.it, Italy?s foremost wine portal, organizes a wine Meeting, a table-top event bringing together over one hundred winemakers hand picked from Italy and Europe. This year?s edition, with some influence from yours truly, is called Terroir Vino, and was held at the magnificent Palazzo Ducale in Genova. The Palazzo Ducale, photo by Luca Risso Terroir Vino is the brainchild of my friend, web entrepreneur Fil Ronco. Participants are invited after selection in a blind tasting by TigullioVino teams, and so you get a wide spectrum of styles and sizes of winery, from the ?all natural? vigneron with less than 4 hectares, to large quality producers like Lungarotti. Half the day is reserved for wine professionals (press, restaurant owners, importers), and starting mid-afternoon the event is open to the public for a nominal fee. The setting under the gold leaf carved ceilings of the doge?s palace, the perfect organization and the friendly atmosphere made this Terroir Vino day a big success. It was good to see lots of blogging and newsgroup friends, including Joan Gómez Pallarès, Terry Hughes, Luca Risso, Giampiero Nadali, Schigi, Filippo Cintolesi, Franco Solari, Fiorenzo Sartore, Mirco Mariotti, Gianpaolo Paglia, even Slow Food friends Enrico Sala and Maurizio Fava. All in all 1500 people attended.
This is yet another inexpensive wine from the famed 2005 Bordeaux harvest. It was mere $12 sporting a nice garnet hue with gentle cherry and light spice bouquet. The palate is really steely and a bit tart with shallow flavors as well as being a bit tannic. I breathed this wine an our before tasting. Overall it is an unimpressive wine. And yet again, before you think--"Well for Pete's sake, you paid $12 for it; what do you expect?"
I have found some super bargains in this range of the 05 Bordeaux running around a 50/50 split between stellar value and so so wine. So keep searching and buying up those cheap 05's. There are values out there and the even "not so super ones are not "bad;" they're just what you would expect for the price. So Raise a glass!
London?s Pombagira have unleashed a monster. This is a double CD, over 90mins of slow, heavy, crushing doom with some intense stories to tell. A bit like France?s Monarch but without the female vocals. Only 4 tracks are presented here and it is best to be wickedly stoned and/or patient otherwise you will not understand or enjoy this musical art form. I like the way the band has cool unique intros and endings to their songs. No real guitar solos are presented here but some pretty dirty, nasty twisted guitar at times lies underneath the corpse of the DOOM riff? Doom on! .Info stolen from; Lowcut.dk
For most, announcing your arrival on the scene with a double CD would be an act of arrogance akin to striding into a job interview wearing a crown and cape, scoffingly rapping your prospective employers across the knuckles with a jewel-encrusted sceptre. Just as well, then, that London?s Pombagira are actually pretty good, combining the slothful, drawn-out gait of early Corrupted with the lysergic rasp and stumble of Dopethrone-era Electric Wizard, somehow managing to be both relatively easy-going and heavy as all fuck in the process. Opener ?Castdown Earthbound? sets the mood for what?s to follow in exemplary fashion, driven by a repetitious, downtuned Jus Oborn groove before fizzling downward into a moping, Om-ish mantra and back again into the good ol? riffs n? roars, a pattern ? or at least a variation thereupon ? that?s largely followed over the album?s two-disc duration, give or take the occasional hushed ?Llenandose De Gusanos? piano motif or creepy child-voiced sample. .Info stolen from; Collective-Zine
How pretty is this? Not only pretty pink but tasty also.
A Thermomix recently found it's way to my kitchen. A little snippet on David Lebovitz and I was off googling Thermomix. A couple of emails, a phone call and suddenly Eva was demonstrating and cooking us lunch on the Thermomix machine.
The Thermomix replaces a myriad of kitchen appliances which is perfect for those of us who have downsized to an apartment with a smaller kitchen and less cupboard space.
You can read all about my new best friend over at the Thermomix site. I'd rather talk about the wonderful Blood Orange Sorbet I made today. This is how quick and easy it is to make sorbet in a Thermomix.
1. Place sugar in bowl and mill for 10 seconds on speed 9 2. Add the fruit followed by 1 tray of ice and egg white. Slowly turn speed dial to 10. 3. Add the remaining ice after 20 seconds and continue on speed 10 for 40 seconds. 4. Serve immediately or place in freezer until ready to serve.
If you haven't tried blood orange you must. The taste is very different to a conventional orange.
My previous sorbet recipe made the conventional way can be found here.
Recently, at a dinner with friends, one man's date turned to me and complained, "He's so boring. All he ever talks about is wine. All day long he talks about wine." I probably looked hurt, because I was just as engrossed in our discussion of Syrah as he was. Lorraine leaned toward me and whispered, "She's right, you know. We're all hopeless wine geeks. Look at us from an outsider's point of view."
Tecnorati
Vern Fisher of the Monterey County Herald came by one day and photographed us as we processed Chardonnay and Pinot Noir on the same day. Click 
