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Bordeaux may have lost Carménère to the Phylloxera blight of the mid-19th century, but not to worry ? Chile has plenty. By happy coincidence, Chilean growers had brought in root stock from France 20 years before the pest accidentally imported from North America decimated the vineyards of Europe, and the grapes of Bordeaux thrived in their new, warmer, home. (Phylloxera, thankfully, hasn?t made the trip across the equator.)
Malbec flourished in Argentina , where it has become that country?s signature grape. Similarly, Carménère has become the grape most closely identified with Chile, although that is a quite recent development. It wasn?t until the mid-1990s that Jean-Michel Boursiquot , a French ampelographer (a botanist who specializes in grape identification), determined that the grape the Chileans had brought over 150 years earlier wasn?t Merlot, as they had thought, but Carménère, the ancient grape of Bordeaux. Following Boursiquot?s discovery, Chile officially recognized the grape as a distinct variety in 1998, and it is now grown primarily in the Rapel and Maipo Valleys.
Terra Andina gives its Carménère?s domain of origin as the larger Valle Central region, which encompasses the subregions of Rapel, Maipo, Curicó and Maule Valleys. It is quite purple in color, with vivid aromas of dark berries on the nose. The wine is medium- to full-bodied, and it tastes as though someone figured out a way to cross plums and blueberries. It?s delicious, easy to drink, and at under $9 (I paid $6.99) quite affordable. The ?07 vintage comes bottled both with corks and screwcaps ? pick up a few cases of the screwcaps and you?ll have a stock of easy-to-serve, crowd-pleasing party wine that your guests will rave about!
Red Barn Winery opened May of 2004. It is located four miles North of the city of Syracuse in Liverpool, NY. Open Thursday thru Sunday 12 noon to 6 P.M.
Paul Martin is the sole owner and winemaker with decades of experience. Old world (European) winemaking experience and new winemaking techniques are incorporated to produce great wines. N.Y. State grapes and fruits are used exclusively. The 3000 sq. ft. winery is built around a ?Turn of the Century? design. Tasting room # 1 is cozy, consisting of a fireplace, rocking chairs, couches and plank floors. Tasting room # 2is of the Western saloon style, high ceilings ( 25?), hand hewn beams, plank floors and antiques.
The Hearty Red is a very nie, solid, table red. Dry, with notes of cherry and vanilla. Nice!
This central coast California Cab has a black cherry color with some intensity with dark berry and black cherry aromas with ripe plumb.
Palate--spice front with integrated flavors and tasty dark berry fruit with mocha and dark chocolate. I grabbed this because it was a new label at one of my main wine haunts. At the $10 price point it was tasty and pleasant. Raise a glass.
Château Palmer derives its English name from Charles Palmer (1777-1851), a former Mayor of the spa town of Bath and Member of Parliament, who rose to the rank of General during the Napoleonic period. A gentleman, officer, and aide-de-camp of the Prince of Wales, Charles Palmer apparently fell under the spell of Bordeaux as well as the charms of a beautiful widow, Marie de Gascq, who convinced him to buy her Château de Gascq estate. From 1816 to 1831, Palmer bought additional land and buildings in the communes of Cantenac, Issan, and Margaux, and by 1830 the property covered 163 hectares, including 82 hectares of vines. Ultimately, the good life did him in financially, and he was forced to sell his magnificent Médoc estate. Purchased in 1853, brothers Isaac and Emile Péreire and their descendents had the château built in 1856, and thereafter battled oidium and phylloxera, survived the Franco-Prussian war, and made it through the First World War, only to succumb to the economic crisis of the 1930s which forced them in turn to also sell the estate. Château Palmer was purchased by several families of Bordeaux, English, and Dutch extraction (the Sichel, Mähler-Besse, Ginestet, and Miailhe families) in 1938, and continues to be owned by its descendants.
Château Palmer’s terroir dates from the Quaternary period, when gravel slowly accumulated on the Left Bank of the Gironde, pushed by the Dordogne and carried along by the Garonne. The two rivers meet a few kilometers downstream from Ch. Palmer to form the Gironde estuary. Among their current 52 hectares of vines, Ch. Palmer has a large percentage of Merlot, almost the same amount of Cabernet Sauvignon, and a small percentage of Petit Verdot. Here in Margaux, the vines are planted on gravely rises several meters thick, consisting of brittle black lydite, white and yellow quartz, quartzite mottled with black, green or blue, and white chalcedony. In an effort to help the vine roots sink deep into the gravelly soil, they till the soil regularly. They also maintain a very high vine density - 10,000 vines per hectare - in order to increase competition between the vines and encourage this deep rooting.
Join us as we talk with Thomas Duroux, CEO of Château Palmer since July 2004, about Ch. Palmer’s fascinating history, along with its vineyards and wines.
Time to clear a few things up here at Catavino.net. This past week, we have received some emails that need to be addressed, and we think the only place to do it is here on our site. Lately, we’ve been receiving some odd emails. Evidently, there is a rumor circulating that Catavino is a winery/bodega. You see, this week I’ve received at least 5 emails from different countries, including the USA, asking to represent our wines in restaurants, export markets and country wide in the case of Canada. Being a couple of wine writers without a winery, nor with any connection to the wine making process, I’m not sure where this idea has come from. I have to say we’re quite flattered, though a bit befuddled. Is there something on our site that leads people to think we make wine? Do other wine bloggers find themselves being solicited in such a way? Inquiring minds want to know!
Trust us, we would love to make a wine. In fact, we tried to once, but with mixed results. We will try again, and if you are a winery who wants to help us in this project, we’re all ears. We’d love to put out a Catavino Garnacha Blanca, or Catavino Touriga Nacional, but sadly, they don’t exist. However, we’ll be sure to scream it from the rooftops if we and when we do create a Catavino wine.
What we do do is work with wineries to use the internet more effectively. Currently, we have 4 clients, and we are interested in helping a few more, but we are getting picky. If you are, or you know, a winery that understands how the wine world is changing and that old ideas might not apply, give us a ring. My number is: +34 656 433 063, call me, llamame, liga-me, or send us an email: cvm@catavino.net, we’re listening!
So Now For Some Wine…But Let’s Not Talk About Iberia For A Moment
A completely biased and non-professional review is coming up. Why? Amy Lillard, and her blog, have been in my feed reader for almost as long as I’ve known what a feed is. Tom Wark has lauded them as one of the top winery blogs, and I have to agree with his approval. The level of frankness and honesty on this site is mind blowing and if you are a winery who wants to start a blog, you would not be doing poorly if you copied Amy’s model and style. Because of her writing, I felt like a close friend even before I had the chance to meet her at the EWBC 2008. The only element that was missing from our relationship was her wine. I wanted to try the wine but with its lack of distribution in Spain, I just had to wait. The winery and the blog’s name are La Gramiere.
Fortunately, the harvest did not keep Amy from visiting us in Logrono at the EWBC2008, giving me the chance to finally taste the wine behind the blog. Thus, this critique is tainted by the relationship I have with both her and her writing. Having followed the ups and downs for so long on her blog, I feel connected to what she is doing, and I feel like I hold a small stake in her adventure. This is proof as to why wineries should blog!
How is the wine? In one word, great! We miss French wine, seeing that Spain has none for sale, or at least very little. This is a wine after my own heart, a Rhone wine that is not from the Rhone (see full story here). It is full of the spice and terroir that I love, but with a lighter, less obvious way about it. After my first taste, where I was grateful that it didn’t suck (a fear I had considering my high expectations), I was quickly told that the wine was around 15%; something that both turned me off and at the same time surprised me. Similar to my notes on Monday, discussing how 100% new oak shouldn’t always be associated as a bad trait, you cannot say that high alcohol is always bad either. This wine is balanced and pleasant, and has a long life ahead of itself. I have to recommend it: number one, if you trust me and my palate, and number two, if you like to look at wine from new perspectives. This is a winner, not to mention organic. And if you ask Amy her thoughts on organic wine…well, let’s just say that you might want to pour a tall glass and grab a seat, because it will be awhile before she finishes.
Sorry that I can’t be more objective, but I feel that as I become closer to wineries who blog, the less I can allow myself not to be their cheerleaders. On the other hand if I try to separate myself from my love for this wine and look at it completely objectively, I still have to say I think it is a very well made, interesting wine. La Gramiere is making great wine, and they are telling the story as they do it. For me this is what wine should be about, good juice, good people, and lot’s of stories!
Wow. I have just come back from visiting one small corner of the Thai wine making industry, and I am really quite impressed. With tropical grape growing changing all of the rules, these hearty mavens have managed to beat all the odds and produce world class wines in a monsoon climate.
To be fair, I was pretty impressed with India's efforts as well, so it shouldn't have come as much as a shock as it did. In India I didn't have a chance to tour the vineyards, an oversight I hope to correct in the not to distant future. Seeing the Thai vines in person was an enlightening experience.
I saw well tended row after row of primarily young vines which were already producing decent enough fruit to make outstanding wines. I also saw older vines that while only in their teens, were capable of churning out reserve quality grapes, year after year.
I also witnessed the heartbreak of a 30% loss of crop due to the unusually long rainy period that has yet to subside. The immature grapes were devastated by Powdery Mildew (Oidium) leaving behind fruitless vines and dashed hopes.
In the coming series of reports I will relate the tales of four commercial wineries, each with a slightly different approach to success. One who avails themselves of a little help from France, one who is creating a Grand Cru style estate, another who has found the balance between tourism and quality, and finally a large concern who's wine cooler business helps them afford to take chances on their premium wines.
I also found one producer who has yet to turn commercial, but his highly inventive nature has led him to experiment with ideas that push the envelope of vineyard management. While his vintages to date have only yielded enough wine for friends and family (a mere 1000 bottles) his wines were among the finest I have tasted in Thailand.
In no small part my trip was especially memorable for the company I kept. Not only the incredibly generous winery owners and staff, but by the presence of the hard working and eminently impressive Denis Gastin.
Denis is a wine writer from Australia who's tireless efforts on behalf of the Asian wine industry are an inspiration. Expect to see more about Asia on my web site in the coming months, as I elevate this continent's visibility to the status it deserves.
In the minds of many, not to mention my own, Asia is not a player in the world wine scene. This is simply wrong, and it is high time everyone knew about it.
This is another amazing wine from Rosenblum. This single vineyard Syrah from Lodi is just plain wonderful!
Deep black cherry hue with a bouquet of pure black cherry, cola, mint, and baker's chocolate with sweet banana chip notes--I kid you not. Wow.
Palate--Elegant tannins with a rich velvety texture bursting with berries, berries and more berries all integrated splendidly. This was GREAT with my venison roast and even at $25, it was a real treat and a value! Raise a glass!
Mongrain Glass makes beautiful and fancy wine glasses. James Mongrain is the artist behind this beauty. The thing that impresses me most about James Mongrain is that he has worked with Dale Chihuly since the late 1990?s. Dale Chihuly is a world class glass artist.
I looked through the Mongrain Glass website at the pictures of fancy wine glasses. The white glass goblets were magnificent, as were the chartreuse and yellow. I looked further at the Solid Series and there were more fancy wine glasses in blue, pink and the prettiest black glass I?ve ever seen.
James Mongrain and Mongrain Glass have so many fancy wine glasses for sale. It is important to keep in mind that each of the pieces is handmade and one-of-a-kind. If you want to order any of the Mongrain Glass fancy wine glasses, you need to e-mail or call with your order.
Mongrain Glass has a series of fancy wine glasses called the Creature Series. These are so beautiful. The stems of the fancy wine glasses are creatures like swans and sea horses. There is one design in particular, that has a frosted look to it. There are even dainty flowers around the base of these fancy wine glasses.
The Modern Venetians line of Mongrain Glass fancy wine glasses are very sophisticated in appearance. The glass detail work brings lace to mind because of its intricacy. I would have a very hard time trying to choose which line of Morain Glass fancy wine glasses I wanted. I actually like them all.
In addition to fancy wine glasses, Morain Glass makes commissioned pieces of art. Some of the pieces pictured in the gallery on their website were very large. There are no prices listed on this website, but these look like they cost many thousands of dollars.
Fancy wine glasses really do seem to be a small part of what Morain Glass does in their studio. I found a picture of a piece of art entitle Vortex. Vortex is described as a 7-foot stainless-steel slice of sensuality. The foundation of this piece of art is set in steel and a collection of glass forms illuminate neon light from within. The union of glass and steel in this piece of art is somewhat of a contrast, both in form and idea. Glass and steel are two distinct elements that have been joined so intimately it?s as if they are one.
Greetings from Asia. I have begun my first tour of duty here in the Pacific Rim, and I started my trip off with a weekend in Shanghai. The fourteen plus hour flight did not seem so bad since I was able to sleep for close to nine hours of it; of course, that was only [...]
When I saw beef heart at the market, I got the idea for an odd dish. Most folks would just grimace and move on to the socially acceptable cuts of meat, but I grabbed un corazón de res and a few pounds of short ribs for dinner. Naturally the two go together in the chest, so why not cook them together?
Out of respect for the more squeamish readers I've omitted the pictures of the heart during the trimming phase, but it's a highly educational experience if you've never done it. It's a good four times the size of the human heart but works mostly the same way. And unlike the formaldehyde pickled samples you may have encountered in biology class or med school, this smells like steak. Tastes like it as well--once you trim off all the fat and the various arteries, you're left with something like filet mignon: a perfectly lean, fine grained meat that grills beautifully. I tried a few pieces in this fashion before chopping up the rest for the braised dish.
I started by roasting the short ribs in a hot oven for an hour to render out the fat and get some nice browning. Do this on a deep lipped aluminum sheet pan and it's a lot easier than doing it in a skillet (hat tip to Cook's Illustrated). I heated the roasting pan in the oven and then added a few tablespoons of the rendered beef fat and a standard mirepoix. Then I added the chunks of heart, the drained ribs, a couple of cans of tomato sauce, a can of chicken broth, and half a bottle of Bordeaux (more on that in a bit). I covered it and roasted it in a low oven for a good four or five hours until everything was nice and tender.
The whole thing was rich, velvety, savory, and sinfully beefy. This is a great method of preparing short ribs. The heart is actually milder and more tender than the short ribs, so it's sort of lost in the stew, but the cardiac muscle does provide an interesting textural contrast.
For the braising liquid I used half a bottle of the 2005 Mouton Cadet from Bordeaux. $13, 13% abv. 65% Merlot, 20% Cabernet Sauvignon and 15% Cabernet Franc. The label comes with a quote: "Le vin, il naît, puis il vit, mais point ne meurt, en l'homme il survit." Baron Philippe (1902-1988). This translates as "Wine is born, it lives, but it never dies; in man it survives." There's a dusty nose with elements of black cherry and hints of vanilla and lipstick (I promise I was using a clean glass) with a smooth mouthfeel and restrained berry flavors. 2005 was a banner year for Bordeaux and this is a very economical way to enjoy it.
I was going to open the other bottle to try something different, but I decided to save it for later. That's a 2004 Sella & Mosca Cannonau di Sardegna from the Italian island of Sardinia. $15, 12.5% abv. I've written about the Cannonau grape previously and was excited to see a bottle from a different producer. A few days afterward I opened it up to go with grilled pork chops and an apple-garlic-sherry vinegar topping. The wine has an intensely spicy, grape skin aroma to it and a full black cherry flavor. The spice continues on the tongue, black pepper and allspice. Medium tannins, clean finish, a little unusual but certainly strong enough to hold up against the grilled pork.
Wine is all about the senses. About sensory evaluation, sensuality and consensual enjoyment. And wouldn't it be awful to lose your sense of taste, of smell, of touch, of sight?
It happens. Years ago, a wine-loving colleague went through a devastating course of chemotherapy to treat cancer and was cured. Afterwards he told me he had permanently lost his taste for wine. He sold his not inconsiderable cellar soon afterwards. Another friend had an operation on his nose that left him without a sense of smell. He'll drink a glass of wine with dinner but admits to being indifferent to its finer points.
I was reminded of this aspect of wine and the senses recently while listening to a wine expert banging on about the unimportance of colour in wine. If I heard him correctly, his thesis was that if the wine smelt and tasted good you shouldn't worry too much about its colour.
I couldn't disagree more. I love the colour of wine in the morning, or the evening. The crystal clear, green-hued glisten of a young riesling; the black cherry colour of a young shiraz; the vibrant inky purple of a Coonawarra cabern? [enough already! - Ed.] The visual appeal of wine in the glass is to me an unmissable part of wine drinking.
The banging on wine person finally admitted to being colour blind! They used to call this attitude making a virtue of a necessity.
And talking of sensory evaluation Long due for reassessment is the ancient scoring system used at most Australian wine shows. The one where wines are scored out of 20 - with a possible three points (15%) awarded for appearance, seven (35%) for bouquet and ten (50%) for palate. Anyone who's ever had a cold will tell you that smell is probably the most important sensory sensation where wine is concerned. When people have colds they typically complain, ?I can't taste a thing.' What they really mean is, ?I can't smell a thing.' It's their noses that are blocked up - not their mouths.
I realise that many judges just award an intuitive score out of 20 rather than individually scoring each component and then adding up the total. Nevertheless, I'd re-jig the weighting thus: three points (15%) for appearance, nine (45%) for bouquet, five (25%) for palate and three (15%) for overall finesse and balance. Whether the scoring system is out of 20 or 100, or whatever, the percentage weighting would remain the same.
This particular bottle was a replacement for its older and sadly corked brother from the 2002 vintage. Unfortunately the good customer service cannot make up for the contents of the Rosemount Show Reserve Shiraz 2004.
Smelling of coconut oak, plum and spices, this Shiraz has an approachable tannin structure, however somewhere along the line it’s soul was ripped out and replaced with a brittle oaken heart. In short, it tastes like an acceptable but generic red wine.
I wish I could find some more positive things to say about this wine since the 2002 vintage was the first red I really got excited about. Slash the price to $10 and you would have a bargain bbq red I suppose.
Score: 86/100 Price: $20 Closure: Screwcap Alcohol: 14.5% Would I buy this wine? No
…Big Boy style Rob had been planning this event seemingly all his life, and twelve very fortunate guests were invited to the private room at Cru one innocent Spring evening for this once-in-a-lifetime event, making me the resident Chesire Cat. For those of you that might not know or forget, double-blind means you do not know [...]
In this final part of this series, I would like to introduce readers to an extremely small winery which pays serious attention to their vines. Himmelsfeld vineyard began in 1991 when owner Elizabeth(Beth) Eggars decided to try something else besides nursing. Nestled on a gentle hill in Upper Moutere, the 10.5ha property has about 1.5ha dedicated to growing Cabernet Sauvignon, Chardonnay and SauvignonBlanc (roughly equal split). The rest of the land is still home to an apple orchard and many sheep!
Total production for all wines is roughly about 600+ cases so odds are you will not see this too often overseas. In fact, don't think we saw it in shops while in New Zealand either.
Of the many wineries visited - Beth struck me as one who puts emphasis on the Vineyard first and wine making second. She is adamant that "great wines are made in the vineyard", something which I hear echoed in the most zealous ( and coincidentally top notch) Burgundy producers. Her vineyard is the first one I have seen in New Zealand which does not "irrigate" - yes you heard it right - no irrigation. It was deemed that a deeper vine root system was preferable over "immediate results" and irrigation did not encourage this.
2002 HimmelsfeldMoutere Chardonnay Hints of citrus fruits and what is the beginning of some secondary aromas coming from the oak. Defintely French oak and probably not new oak either. Not as tight in terms of acidity which I suspect means it should be consumed within 3-5 years. 90 points.
2002 HimmelsfeldMoutere Cabernet Already achieving some secondary aromas, black and red fruits, not an inky black monster by any measures & soft smooth tannins. The core of the mid palate however shows some lightness in density indicating perhaps rain - grape bloat? Other than that a very nice wine but do not expect this to get much better and should be consumed within 3 perhaps 5 years. 90 points.
2003 HimmelsfeldMouter Noble Chardonnay Of the wines offered for tasting this is probably the got me excited the most. I am thinking this is comparable to top level Alsace SGN's but it also has that acidity which lifts the whole thing up. Defintely something I would be very curious to try again in 10-15 years - think this will be a knockout. 96+ points
Wine & Spirits Magazine recently announced its Top 100 wineries in the world, and that included the first New York state winery to ever make this prestigious list ? a list that has an amazing 22-year history.
Fox Run Vineyards on Seneca Lake will be featured with the others on the list in the November issue of Wine & Spirits.
Congratulations to Scott Osborn at the entrie crew over at Fox Run on this monumental achievment!
Celebrate Wine is pleased to be a part of a new wine-writing project called "Drink Local Wine." The site brings together wine journalists, sommeliers, bloggers, and other wine enthusiasts from 16 "non-west coast" states and Canada. The goal is to enforce the reality that North American wine is not just about California, Oregon, and Washington anymore.
At "Drink Local Wine," you'll find information about wines from Illinois, Maryland, Georgia, and Wisconsin...and, of course, my home state, Ohio. Be sure to take a look.
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Nov 17, 2008 1:21 pm US/Central DENVER A suspect is under arrest in what police said was a well-thought-out plan to steal expensive bottles of wine from Denver-area liquor stores and then sell them on the ...
Here is a really fantastic recommendation for those of you who may already enjoy Austrian whites, as this wine has the capacity to detonate or reignite even the faintest bystander?s interest in Grüner Veltliner. If you have had Grüner and did not think much of the variety, I highly recommend giving Hofer?s an honest chance.
The label on this favorite of mine, in the spicy-white category, reflects Austria?s recent experimental appellation system of DAC?s, standing for the Latin, Districtus Austriæ Controllatus. Notwithstanding the seemingly imposing, archaic or superficially impressive appellation name (depends how you wish regard it), the crucial element to consider here is that Hofer?s wines are crafted seriously, so enjoying them turns out to be quite effortless. This Grüner sees time in stainless steel and is sourced from their Freiberg site in Weinviertel, one of Austria?s largest and most significant wine producing regions, in the northeast of the country. Should organic wines be of interest to you, Weingut Hofer belongs to Bio Ernte, a group whose producers operate on slightly different, some would argue higher, organic cultivation and production standards than even those dictated by say, the EU.
My notes: Pale, clear and golden. Clean nose with lovely stone fruit, spice, as well as mineral and floral elements. The palate is dry, with fresh, zesty lime acidity and slightly Riesling-like stone fruit, rocky minerality and spicy white pepper. These flavors, particularly the great peach/apricot flavors and white pepper, pervade the aftertaste.
The first bottle I tasted was spoilt by a strong balsamic vinegar character so I asked for another. No such problems here - it’s a beauty. A blend of Cabernet Sauvignon (66%) Petit Verdot (18%) Malbec (14%) and Merlot (2%) from the Montgomery Brothers Vineyard at Ellensbrook and the Glenmore and Bantry Bay Vineyards at [...]
The other night I invited my brother John over for dinner and the chance to spend a bit of time shooting the breeze, swapping tales, and unwinding at the end of the week. I had a couple of buffalo filet steaks marinating for a few hours in a mixture of Worcestershire sauce, soy sauce, and Angostura bitters. I sliced up a few small blue potatoes and roasted them in butter and garlic, and prepped basic sides of mesclun mix and fresh berries. When John showed up, I threw the meat in the skillet and cooked it to a perfect medium rare. Anything longer and buffalo starts to get damned tough.
The yellowish blob on top of the steak is a daub of homemade aioli, best described as French garlic mayonnaise. I used olive oil, egg yolks, a lot of garlic, and cayenne pepper to make mine. It solidifies in the refrigerator, but when topped on a hot steak it slowly melts into a lovely sauce. It's a bit different from béarnaise, but definitely gets the job done, and the oil-based topping helps compensate for the fully lean buffalo meat.
For the wine we popped open a bottle of Delicato's now defunct 2004 Night Owl Merlot from Monterey, California. $10, 14.5% abv. Some blackberry and cedar notes, but mostly just a pretty basic California table Merlot. While the wine was not spectacular, the food and conversation were great, and frankly there's nothing wrong with the wine taking a backstage to everything else once in a while.
I wanted to leave this post because over the coming days, I'll be completing a move to the UK. Heaven knows by when we'll have broadband and some of the other essential amenities set up, so please bear with me. I look forward to posting again, hopefully in the near future. Turning the spotlight, however, to my more recent current of thoughts... Just how much do I have to look forward to in London, in terms of my wine habit? It would likely be an outrageously long post, though here are some of my thoughts, in brief:
1. I'm very eager to peruse the Oddbins and other shops we may have nearby in central and SW London, hopefully turning up new artisan wines to discover and write about in this venue. Should anyone have any suggestions about some favorite, hidden gem London wine shops, please do not play "keep away" and do e-mail me at enotheque@gmail.com.
2. Another wonderful factor I couldn't count on before was having convenient and relatively inexpensive access (thank you low cost carriers) to any wine region of Europe, should I need to travel for any reason, from personal enjoyment to meeting with client producers.
3. The impressive business hub that is London...Every major trade mission or regional/national wine interest in the world has offices and trade events in London. No more worrying about which event I am able to make or not, be it Chicago, San Francisco, Boston or New York. At most, I will usually be a couple of trains away from an exposition or seminar that I would have otherwise not attended in the U.S. I've been looking over LocalWineEvents.com's London section, but if any locals or otherwise knowledgeable readers have any other suggestions for finding wine-related classes, events, seminars (you name it) in the general London area, I would be very appreciative if you posted a comment or e-mail me.
Tecnorati
Bordeaux may have lost Carménère to the 
This particular bottle was a replacement for its older and sadly corked brother from the 2002 vintage. Unfortunately the good customer service cannot make up for the contents of the Rosemount Show Reserve Shiraz 2004.
