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We've been out flogging our wines for, what, a week now. So far the response has been gratifying. "Very good portfolio." "Well-chosen." "Come in any time, we want to taste everything you have." "I'll take 11 cases of this and 11 of that and 3 of this one just for me."A great reception at high-quality hand-sell shops. Lots of interest from white-tablecloth restaurants. Jeff's killing it. The most expensive wine currently in is already on...
Posted by 1 As I have mentioned is some of 1, I believe 2008 will be a vintage where blending will play a major part in determining the overall quality of the wines. Dianna and I briefly tasted through a selection of our 2008 California Pinots at the end of this past week, and I am convinced, now more than ever, that blending decisions will be paramount.
Big bouquet of sweet cherry, rich spices, and earth
Rich and full-bodied on the palate
Finish of cherry, tobacco, and more rich, sweet spice
In many ways, this is a classic Brunello with cherry, sweet spice, and an earthy layer. I love that it's from the 1995 vintage, two years before Brunello exploded in popularity and price with the 1997 vintage.
If you have this, drink it soon. It's fully mature and ready to go. I only had a half bottle to enjoy with Billy of this blog. We paid $25 in a shop that always seems to turn up "lost treasures" covered in dust. Unfortunately, this was the only one.
Also read Billy's review of this wine below. Raise a glass!
I like writing about imports but it always frustrates me how limited they are (in terms of availability) and generally how expensive. As a reviewer it can feel like I’m spending a lot of time writing for a very, very small number of people. When a box of affordable imports from Australian retailer Vintage Cellars came in though I jumped at it; this is more like it. Vintage Cellars has put a lot of time and energy into its quaffable import range in recent years and it shows. These wines are generally good, available and not expensive. Tasting through them was like a quick trip around the world. There are a couple of real bargains here.
I think this is rather important and pleasing news for the South African wine industry.
"The government has rejected an application from a South African-born scientist and his business partners to sell genetically modified yeast to local wine producers, saying it cannot risk jeopardizing the industry?s access to key European markets."
The modified yeasts may have made the winemaking process easier and perhaps resulted in more consistently good wine - but I applaud the decision and believe we should strive for more organic solutions and less preservatives in both wine and all that we consume on a day to day basis .
What do you think? Are you pro genetically modified yeasts in wine?
Laura Catena is hardly your average emergency room doc. The Argentine native - who came to the US with her professor dad to attend high school and wound up staying to attend Harvard for undergrad and then Stanford for medical school - "moonlights" from her job as an ER physician at UCSF by making wine, and on another continent at that. That's right, the married mother of three (yes, she has a nanny) successfully holds down TWO glamorous jobs and apparently has energy to burn, as I witnessed when I interviewed her in San Fran's homey Cole Valley several weeks ago. But besides her fascinating resume and seemingly boundless energy, I was most intrigued by Catena's commitment to making small batches of totally world-class wine from Mendoza's top low-yield, high-elevation vineyards. And though you may have heard more about her family's OTHER winery, Bodega Catena Zapata (considered by many the preeminent winery in all of Argentina), I predict her own label, Luca, has a bright future all its own.
Read on for an exclusive interview with Laura, including her ruminations on pursuing multiple careers, living on two continents, and generally being fabulous (okay, that last part is totally my conjecture, but I have to say she's impressive). Enjoy!
One of the events I enjoyed was the vineyard walk on Saturday morning led by Zephyr Adventures. We went to Saralee's Vineyard in the Russian River Valley, where we met up with Rich and Saralee Kunde (who made us a fabulous lunch!), Daniel Moore of Zmor Winery, and Rod and Lynn Swan Berglund of Joseph Swan Vineyards. We hiked through the vineyards, learned a lot about the area and its viticultural heritage, and drank some fantastic wines.
I hope this slide show whets your appetite to learn more about the Russian River Valley appellation, and makes you feel that you've been able to enjoy a little bit of this year's fall season here in the California Wine Country.
If you're interested in seeing more pictures of the 2008 Wine Bloggers Conference, head over to my Flickr photostream where I've set up a collection of pictures for you to flip through.
If you?re interested in designing your own custom wine cellar there are a number of options available to you. The best news is that there are wine cellar designs for everyone from the avid do-it-yourselfer to the complete woodworking novice.
There are modular wine racks that are available in different grains and finishes, with the least expensive generally being a wood such as pine. Most modular wine rack dealers will offer other materials such as red cedar or finished wood as well. Of course you can always save some money and finish the wood yourself if you desire a particular type of finish or color for your wine cellar racks.
There are many wine racking companies that offer crown molding and skirting pieces so that you can easily combine different styles of wine cellar racking materials and types. This approach can yield some very unique custom wine cellar designs.
There are built in glass racks that are made to fit snugly within a rack system. A good place for one of these individual units would be above the table top piece mentioned above. This would add to the ambience as well as functionality of your custom modular wine racking system.
If you want something a little different than the traditional wood wine cellar racks, there are attractive metal trellis rack pieces that are very economical, yet stylish. These tend to look classier than the wood modular wine racking pieces, especially for placement in bar areas that will be viewed by visitors.
If you would like to add a table area to your wine cellar while increasing the storage capacity of your cellar at the same time, a wine bin table may be the best addition to your modular racking system. There are taller, wine tasting tables that hold just over 100 bottles or about 180 bottles of wine, and there are shorter wine rack tables that hold more than 200 wine bottles in case bins.
There are many online dealers and manufacturers of wine cellar racking pieces that also offer custom computer design services to help you achieve the exact wine cellar layout that you have in mine. With many of these professional services you can then have the plans sent to you and decide if you will build them yourself or have someone else build them for you.
With all of the wine cellar design options available to you, there are many ways to accomplish the perfect wine cellar design for you and your situation. There are many wine enthusiasts online communities and the like where you can find others interested in the same things that you are and maybe gain some other ideas about wine cellars and the design aspect of creating your own wine cellar.
Another summer is quickly coming to an end, and I hope everyone got a chance to visit their favorite local vineyard for a tour or a wine tasting. The highlight of my summer is always being able to visit the northern Michigan wineries. This summer, I got a chance to go up to the Leelanau Peninsula several times, and each time was memorable.
Leelanau Cellars is, by far, my favorite place to visit up north, especially because of the tasting experience. You don’t feel limited of how many wines you can taste, and the staff working the tasting room are VERY knowledgeable and friendly. I left with about 16 bottles of wine the last time I visited! If you are looking for some odd fruit wines, this is the place to go.
The wine: I shared a bottle with my new roommates in Grand Rapids. All three of us loved it.
Matt: “Delicious with chips and dip” Casey: “It would be a good winter wine. Surprisingly smooth!”
I enjoyed this 5 dollar bottle of wine with a thin-crust pizza and it was great. The wine was rich, and had a lot of flavor. I could taste the typical hints of cherry that most Michigan wines boast.
Summary: Great job, Leelanau Cellars! I look forward to coming back next year! Rating: 9/10 - Excellent! Price: 5 bucks Winery Information: Leelanau Cellars Leelanau Wine Cellars 12683 E. Tatch Rd (County Rd. 626) Omena, MI 49674 (231) 386-5201
Love is in the air this month. For those of you looking for a way to dress up your Valentine?s Day, consider the object of your affection ?the one with the sparkling personality? as your inspiration.
Accordingly, pop open the sparkling wines and celebrate.
If Valentine?s Day is not your thing, there are plenty of other reasons to celebrate with bubbly this month, from Presidents? Day to any other day of the week, which ends in ?y.? Why? Because sparkling wines add a touch of festivity to any occasion and they taste too good to wait for a special event. And, even though you may not have a fondness for this Hallmark holiday, you always have your love of wines to keep you warm.
Sparkling wines, of which Champagne is most well-known, capitalize on harnessing the CO2 created during the fermentation process to provide the fizz we all know and love. This capture takes place during a secondary fermentation, which is coupled with allowing the spent yeasts to remain in the bottle throughout the ageing period. The yeasts impart the bready/toasty aromas and flavors that are characteristic of sparkling wines.
There are several ways to make a wine sparkle, the simplest, cheapest and short-lived being the injection method (aka pompe bicyclette), which injects CO2 into the wine. These man-made bubbles tend to be large and coarse on the palate.
Conversely, the traditional method, based upon Methode Champagnoise, provides a longer-lasting, smaller bead, which has more finesse in its mouthfeel. These traits stem from the labor-intensive process which includes an initial blending of still wines (assemblage) that is then bottled and capped, along with a yeast and sugar mixture (tirage), to facilitate a secondary fermentation. The wines are then left to age on the spent yeasts for a period of time as set by the appellation (in Champagne, this is a minimum of 15 months for non-vintage wines, while Cavas are generally aged for 9 months).
The sediment left behind must then be carefully shifted from the base of the bottle to the neck in a process known as riddling. The bottles are gently tilted and turned throughout a period of several weeks, forcing the sediment down into the mouth of the bottle. The necks are then immersed into a cold, briny solution, thereby freezing the sediment. The caps are removed and the frozen sediment is thrust out of the bottle and discarded (disgorgement). The remaining wine is topped off with a blend of wine and sugar/must (liqueur d?expedition), which impacts the resulting dryness or sweetness of the finished sparkling wine. The final step is the insertion of the cork, which is much denser that those used for still wines given that sparkling wines can be under up to 6 atmospheres of pressure (be careful where you point that thing).
A similar process is used in the transfer method whereby the steps above remain the same with the exception that the sediment is removed in bulk and the wine is then filtered and bottled. Such wines will note that they have been fermented in the bottle, whereas the wines in the previous method are labeled as having been fermented in this bottle. An additional method involves the use of a tank in which the entire secondary fermentation, ageing and disgorgement takes place. While this is of course a much less expensive process than the other two, it is frequently used to produce wines that have a distinct freshness to them such as Astis from the Piedmont region in Italy.
The Champagne region in France has done a good job in marketing itself as a luxury product and this joined with increasing demand, limited supply and expensive processes has pushed up the price on these wines. Vintage sparklers (those produced entirely from grapes grown in a particularly great year) and prestige marquees (i.e. Crystal, Dom Perignon) command even higher prices. However, many sparkling wines from other regions in France (such as Burgundy and the Loire Valley) as well as well-made American, Italian (Asti and Prosecco), Germany (Sekt) and Spain (Cava) can offer the consumer a wonderful experience without the hefty price tag.
The is another of the Wynns ’special’ releases, a policy that I’m all in favour of. This one though is for the restaurant trade only. You need a subscription to The Wine Front to see this part of the post
Wine Magazine have announced their 2007 WINE Classification (South Africa) - the fourth since first published in 2004.
It basically identifies South African wines and cellars with the best track records in terms of consistently good reviews in WINE magazine panel tastings conducted blind (without sight of the labels) over the previous five years.
If anything it gives you an idea of what to look out for in the respective categories when you're in the shops and/or which estates may be worth visiting.
As you may have noticed, Enotheque has been missing some updates for some time now. At the moment, I'm on the road at a very challenging but rewarding consulting job. The days are long and the nights seem all too short, resting only in brief moments before it's time to attend to the task at hand again.
I'll bring back some good posts with recommendations, interesting regions, values and interviews soon enough. For the time being, enjoy the other subscriptions of your Google Reader, since nobody is ever truly caught up with it anyway.
Amy Lillard, whose blog has long been a favorite of those desiring to live the life of a winemaker, vicariously and without all the bother and heartbreak and investments, is coming to New York next week. I'm very eager to meet her and -- I hope -- to taste her wine at last. She and husband Matt are Americans who have devoted themselves to La Gramière for at least four years now, and her blog,...
Leave it to a baby boomer to latch onto this millennial wine label concept. Forgive me; the label goes with the new table we just bought from Pier 1 Imports, that place where the millennial generation now shops. The proverbial "we" refers to the writer, namely me, and my civil union partner of nearly 20 years, or whatever is allowed to be said given we do not fall into the category of "one man and one woman".
Geode is a wine concept. It is a design. It is targeted marketing. This is its first vintage. It over-delivers. That's a good thing. Quick, before they sell it off to a larger company keen on watering it down and milking the label as a cash cow, buy it and drink up.
If they are going to wing these concepts out at us, then we need to know when to buy and when to pass. We need to be as fickle about our preferences as they are about their focus group results. My experience is this type of concept is best when it starts out. They can evolve into something even better, but rarely. Again I say, buy now and drink up. Just don't get married to it. Play the field. Be gay with California wine - don't get married.
White Rocket Wine Company has done a great job with Geode Santa Barbara Chardonnay 2006. Chardonnay is the proverbial "dead horse" in many ways these days, so it takes a strong concept, product and price to make hay. True to form as a Santa Barbara County Chardonnay, this newbie takes on hints of Puligny-Montrachet, a remarkable feat for a sub-$15 wine, Geode is packed with oodles of honeyed botrytis overtones and delicious tropical fruit flavors. The honey is in the head space and the pineapple, mango and lemon-lime grace the palate in a sophisticated way. The performance is very well rounded, creamy on the palate, yet the finish is crisp dry.
Veteran wine maker Melissa Bates is credited with this stellar value laden effort. She reportedly gave this wine an average of 8 months in oak, 3/4 French, 1/4 new.
Price: $14 (Nashville). Closure: real cork. Alcohol content: 13.5%.
They maybe should start calling Napa Chardonnay simply, "a glass of white Napa". Chardonnay seems so generic, especially in the days of now, when "mom-and-pop" wineries are a romantic thing of the almost-past. Last year William Hill Estate changed hands, leaving the portfolio of Jim Beam's peeps and joining the ranks of E&J Gallo's decendents' peeps. But this is Napa juice, so I say, call it "a glass of white Napa". It sounds more distinguished than, say, a glass of Gallo's William Hill Napa Chardonnay.
By the way, do you know how to tell right away if that winery you're researching is owned by one of the large "wine umbrella portfolio management groups", without googling it? Here's a hint: If they ask you when you're born, before you check out their homepage, tell them you're born on January 1st 1901. And rest assured, you're under a big umbrella.
Okay, now that we've established that Gallo bought a Napa property with lots of history and genuine character, let's give them credit for injecting the house with efficiency without sacrificing quality. Under Gallo's umbrella, William Hill can compete better in the reality known as wine 2.0, the modern wine marketing landscape. As part of an entire "aisle" of offerings, this label can wield more muscle than it could stand-alone. We get better deals as a result. When they don't water it down, we stand to benefit by such an arrangement.
Reportedly, the fruit for William Hill Napa Chardonnay 2005 is from Carneros and Atlas Peak. Malolactic fermentation and oak aging inject the wine with richness, layered atop the lean acidic structure begotten from the cool climate vineyards. The oak influence is noticeable, reinforcing the tropical mango and perfumed lemon aromas and flavors. Here is a successful baby Chassagne-Montrachet, if you dare call it that. I call it a darn good glass of "white Napa".
Price: $13 (Nashville, on sale). Closure: Real cork. Alcohol content: 13.9%.
Beautifully conceptual these wines, both of them. This is what Chardonnay is all about, and it's amazing how affordable they are.
It was time for the main event, and there must have been four or five hundred giddy people gathered in downtown Manhattan. One or two of dozens of Burgundy’s elite winemakers sat at each table in anticipation of this Bacchanalian orgy. The long, army-style lunch room seating had to have about forty people per table, [...]
Review0.3A recurring event - a wine that ranks as 'just fine' by itself is raised in ones estimation when coupled with food. This nicely weighty white from Spain is another such example where a succesful match brings added pleasure to a meal.
A light simple nose - a touch of herbs, a smidge of yeast and a layer of lemon. More activity on the palate though with a gentle lemony start giving way to a sherbet, grapefruity palate and a tang of acidity. Pleasant enough and very drinkable but seldom is Malvasia ever going to knock yer socks into a cocked-hat (or something). Unoaked. Alcohol 12.5%.
Its clean, fresh crispness was a joy though with some crispy Calamari rings dunked in mayonnaise. While the squid wasn't the best - it was frozen rather than fresh and certainly not as good as the mammoth sized rings myself and Douglas devoured with passion at a local Italian last week - but the wine worked wonders. When they say 'good with seafood' this partnership is what they have in mind.
Andrew BarrowScribblings Rating - 90/100 [3.75 out of 5]
By way of proving that I don't just make these food and wine matches up, a picture of the very same calamari. And yes, they were cold by the time I had finished taking pictures!
This year 9,358 wines were judged from 35 different countries, by 400 judges. The judges came from 19 different countries and included 33 Masters of Wine. 260 Gold medals were awarded, 1,129 wines won Silver medals and 1,839 wines won Bronze medals.
The top 3 medal winning nations remain the same as last year ? France, Australia and Italy. France scooped the most medals with a total tally of 635. English wines continue to show improved form with 21 medals in 2007 up from 16 last year.
Is wine food or alcohol? Most Americans would immediately choose "alcohol," perhaps laughing at the question.
In Europe, though, that wasn't the case for centuries. Before water purification became widespread, wine was safer to drink than water. The idea that wine is primarily an intoxicant is relatively recent, and like so many influential memes in the world today, it comes from the United States.
Paul Lukacs' book American Vintage: The Rise of American Wine was inspired by the author's realization at an Italian wine event that U.S. wine has become not only the best in the world (as measured by critics' ratings), but that U.S. wine -- fruit-forward, big-bodied and high in alcohol -- is changing the style of wine throughout the world. Even those who vehemently oppose the former idea must concede the latter.
If all Lukacs, chair of the English department at Loyola College in Maryland, was interested in was those two points, he could have started his timeline as late as the 1960s, perhaps with the opening of the idea lab that was Robert Mondavi Winery. In fact, he expends a lot of verbiage assuring us that American wine, until the end of the 1960s, almost invariably reached its highest peak at "serviceable."
Instead, digging into the history of American wine, Lukacs found himself fascinated by its relationship to alcohol. This continuing theme of the book ends up far more interesting than another retelling of how Mike Grgich and Warren Winiarski proved, in Jim Barrett's words, that "kids from the sticks" could make wines better than the best of France, and a helluva lot more useful than one more polemic about high-alcohol wines.
Prohibition was a defining time in America's relationship with wine and liquor, as well as crime and honesty. Lukacs points out that if the wine industry had been smarter, Prohibition could have been an era when Americans became wine drinkers.
Here's why: When Thomas Jefferson opined about the benefits of wine, one of his strongest points was that it led to temperance. What Jefferson meant by temperance was not teetotalling, but drinking wine in moderation with dinner, the way it had been consumed in Europe for centuries. Like many citizens of this always-culturally-conservative country, Jefferson didn't want to see his neighbors getting blasted at the saloon on bourbon and rye.
Prohibition could easily have gone in a different direction. Home winemakers were allowed to make a fairly large amount of wine for their own consumption, and some California grapegrowers actually did better shipping their grapes to the East Coast than they had selling to the California Wine Association monopoly that had dominated the industry for more than 20 years before Prohibition. A few politicians argued that wine should be entirely exempt from Prohibition. Imagine how that would have changed the roaring '20s: no speakeasies, no culture of lawlessness, less corruption, less capital transferred to criminal enterprises.
Instead, the country got a dozen years of bathtub gin that promoted the sanctimonious-in-public, sin-in-private behavior we still exhibit regarding sex and media. For the most part, unlike French, Spaniards and Italians, Americans don't drink to appreciate the beverage; they drink to drink.
Lukacs blames the wine industry for not promoting its product as one of temperance and culture, instead selling it in saloons as just another flavor of booze. He points out a number of occasions in the late 19th century when the wine industry had a chance to differentiate itself from liquor purveyors, but chose not to.
The disturbing thing about this observation is that little has really changed regarding wine's place in American culture. Those of us who write about wine or work in the industry are a step removed from the way middle America sees it.
I'm writing this from San Francisco, where wine does belong on the dinner table for the most part. But I read this book while on vacation in Honduras. The island of Roatan is dominated by American tourists, many from middle America. People who drank wine there didn't stop at one bottle; they stopped at near-unconsciousness. When I told people I work in the wine industry, the inevitable reaction was not "Do you get to taste a lot of good stuff?" but "How great it must be to get wasted every day!"
I'll get off my high horse now (horse riding makes my butt hurt). Lukacs' other main point of interest, which is far less convincing, is his respect for and concentration on non-West Coast wines, and even worse, wines not made from vinifera grapes. It's interesting to read a book on American wine history that's not focused on California, but if you're writing a book about American wine's "rise" by world standards, you're wasting your time talking about wine from Ohio and Indiana and Missouri. And please, hold the Catawba and pass the Cab and Pinot.
Lukacs is a very polite writer; he reads like a courtly and well-read man who would be pleasant company at the dinner table. The downside of this is the constant feeling that he's keeping a soft focus on the foibles of wine celebrities.
For example, he cites Ellen Hawkes' excellent "Blood and Wine" as a source on the Gallo brothers, but doesn't use her many hard-hitting and fascinating anecdotes. Thus I found the book most interesting in sections when it discussed people about whom I know little, like Nicholas Longworth, whose Ohio-grown pink Catawba made him the first commercially successful winemaker in America. I also was interested to learn that former preacher Thomas Welch invented non-alcoholic grape juice because he was, in words I would use but Lukacs never would, a teetotalling zealot and insufferable prig. Seriously: Jesus could work miracles, yet He didn't see the need to turn water into non-alcoholic grape juice. (Oops, high horse again. Sorry.)
But for sections about Mondavi or the Gallos or Grgich, among others, what's not written here is more interesting than what is.
I can't finish this review without pointing out something that threw me off at the beginning: Page 3, to be exact. About the famous Judgment of Paris tasting, Lukacs writes, "Since Spurrier and Gallagher had promoted the event extensively, a crowd of spectators, including a number of journalists, came as well."
That's not true, and it's not a minor mistake. To be fair, Lukacs wrote this five years before the one (1) journalist at the event, George Taber, published his own book. But the fact that Taber was the only journalist present, and that he could speak French fluently, was crucial to the event's historic importance, because Taber got complete access to the judges' comments, while a flock of journalists would probably have been held back.
Sadly, I spent the next 359 pages doubting the veracity of everything. Did Thomas Welch really invent a system for simplifying spelling? Was Warren Winiarski really inspired to make wine by a winemaker in Maryland? If there's ever another edition of this book, that early error needs to be corrected.
Paul Lukacs, American Vintage: The Rise of American Wine, W.W. Norton 2005, $13.56, (Paperback).
W. Blake Gray is a San Francisco writer and Chairman of the Vintners Hall of Fame Electoral College. His high horse is named Trigger Happy.
[07/16/2006, 18:30]
The good wines of the small big companies. The Malbec 2004 Marguery Family
"FAMILY MARGUERY" elaborates his wines in the locality of Cross of Stone, Mendoza, into Republic Argentina .
"Exclusively we are compromised by the production of wines of high quality "enologica" by means of the use of the last technological advances and in limited items. Our grapes come from ancient vineyards strictly selected of the localities of Uco's Valley (Mendoza - Argentina) seeking to express the peculiar characteristics of every "terroirs", says Marguery.
This wineries of Argentina was founded in the 2000 year. " We look for wines of good concentration, complex and expressive, for it and consistent with our vision, we work in this respect from the vineyard. Everything there speaks about the care and the dedication that we have with our plants wineries. There helps us very much the height that they have on the level of the sea (1.100mts.), the desert conditions of the climate, the poverty of the soil, the thermal extent, that is to say all conditions that favor the ideal development of the Malbec ".