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I wanted to let you all know that my Pinot Gris website (PinotGris.Biz) is up for sale. It is full of great, original wine content written by me. It also currently ranks highly with the major search engines:
#3 overall on Yahoo for Pinot Gris (search) #4 overall on MSN for Pinot Gris (search) Page Rank = 1 (Google)
I am asking $250 for the site, perhaps less to someone who just wanted the domain name. If I don't sell right away, I will continue to promote it.
At the time of the grape harvest, Wine Tourism Spain has launched its first Photo Atlas on Spain´s geography and wine culture.
The photo Atlas on winetourismspain.com thoroughly reflects Spain´s variety of vineyards and landscapes, the historical and architectural diversity of its wineries, as well as interesting aspects of wine culture. There are more than 300 photos organised in 6 albums: Landscapes, Cellars, Hard work, Wine Accessories, Close look at the vineyard and In-depth."
This Atlas has been put together thanks to the photos which have participated in the First National Competition of Wine Photography in Spain. The competition has been sponsored by the Institute of Touristic Promotion of Castille la Mancha, Haciendas de España, Bodegas Torremilanos, with the collaboration of Verema.com. It is one of the initiatives launched by winetourismspain.com to enable the public to discover the variety of Spain´s wine culture and geography.
The winners, chosen by a Jury made up of the different sponsors, are the following:
First prize: Nevada Tardía (Antonio Martínez Andía) Second prize: Casi la luna (Raquel Benito Olarte) Third prize: Tinajas en la Mancha (M Jesús Abad de Lucas) Special prize: Castille la Mancha Camino del Hidalgo (Daniel Fernández Méndez)
It’s time for a break. Back with updates from 20th November, and who knows - maybe the Autumn issue will also be out before the clock strikes December! a holiday time
October is Breast Cancer Awareness Month and Fat Bastard wines are doing their part to cure this disease by donating 25 cents for every bottle sold in restaurants and retail stores, up to $75,000. This is the sixth year the company has run this program and to date, they have donated more than $250,000 to breast cancer research.
During October, Fat Bastard wines will be easy to spot on the shelf. They'll have a pink ribbon necker with an attached pin for consumers to wear. Fat Bastard's wine collection includes Chardonnay, Sauvignon Blanc, Rose, Pinot Noir, Shiraz, Merlot, and Cabernet Sauvignon.
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First Press - the UK wine trade’s first fully-interactive Ezine, has just launched featuring an interview with JancisRobinson. First Press has been produced by Nicky Burston of World Wine Agencies. It has a lifestyle look and feel and is easy to download, or email directly to friends. Issue 1 of this new quarterly features wine celebrity interviews and podcasts, up-and-coming news and events and includes a prize draw for tickets to Old Trafford.
This is a dry, slightly sparkling wine, with a pleasent, rich, complex aroma. A pleasure to sniff and taste, there’s a fruity note and there’s quite an undefined spicy note, definitely requires another bottle of researching . The producer specifies it as a wine “with characteristic Muscat taste and smell carrying combination of spicy tones of incense, cinnamon, basil and fruit tones of pine apple and strawberry”.
Although it does have the muscaty taste it’s a dry wine, but still does go well with desserts such as nutty cakes. Also goes well with lighter meat dishes and on it’s own.
The Ivanovi? winery is a winery with a long tradition, one of those where the younger generation has embraced it’s ancestry recipes and combined it with modern trends. Some of the details are available online. It is located in the ?upa region in southern Serbia.
Rutherford Ranch 2003 Cabernet Sauvignon $20-ish Wine label said: At Rutherford Ranch we work hard and we work smart to bring you the best values in Napa Valley wine. We strive to create wines with fresh aromas, rich flavors and a smooth balanced finish. Each wine expresses the honest flavor of grapes grown in the Napa Valley. WebWino & [...]
Brilliant article from the recent issue of Wine Spectator written by Matt Kramer (winespectator.com):
Recently I found myself in one of those wine wrangles that, truth to tell, I usually try to avoid. (Check out any wine chat board on the Internet if you've got a taste? for this sort of thing.)
The wrangle was with, natch, a winemaker?, while at a social event. It involved the winemaker's assertion that "fine wine is art." I pointed out, as modestly as I could, that there's no denying that nature surely doesn't make wine on its own, let alone fine wine (vinegar? is more like it). I then went on to say that fine wine is, at best, a high craft both in the vineyard? and the cellar?.
Probably, if I had stopped there, the discussion would have proved amicable. But I took the matter one step further. (You're shocked, I know.) I submitted that saying that winemaking, and therefore its result, is "art" was self-aggrandizing. You can imagine how that was received.
Now, I admit that the self-aggrandizing bit was a low blow. Still, it's true. If winemakers can get you, me and, especially, their employers to see them as artists, you know what'll happen: Their salaries will rise, and producers, for their part, will start pricing wine as "art." And you know what that means.
So why isn't fine wine "art"? The answer is surprisingly simple. Art is creation; wine is amplification. The big? difference between an artist and a winemaker is that an artist starts with a blank sheet while a winemaker works with the exact opposite. A grape arrives at the winery? with all the parts included, a piñata stuffed with goodies, just waiting to be cracked open.
Is there a craft to doing that? You bet there is. But where an artist conceives of something out of the proverbial thin air, no winemaker anywhere in the world can do any such thing.
For example, when my wine heroine Lalou Bize-Leroy bought the former Domaine? Noëllat in Vosne-Romanée and transformed it into Domaine Leroy, she did not create her magnificent wines from scratch. It was all right there in the hallowed ground and old vines? of her newly acquired pieces of Richebourg and Romanée St.-Vivant. She didn't create something from nothing. Quite the opposite.
Fine wine is not creation. It is refinement. If it were otherwise, then everybody would be "creating" Lafite Rothschild or La Tâche or any other wine masterpiece of singular, irreproducible expression and high price. Counterfeiting aside, I don't see anybody doing that, do you?
They don't because they can't. That's precisely why fine wine is not art. It comes from all the forces that create a particularity of site. Great winemakers?which is to say, expert practitioners of winecraft?tease what they can from the sites that are available to them by planting the right grapevines, growing them astutely, harvesting the fruit at an ideal moment (a problematic issue today given some winemakers' and critics' preferences for ever greater ripeness) and handling the fermented juice? in the cellar with deft control.
This is no small charge, and I, for one, do not seek to diminish it in any way. But art? Not a chance. The poet E.E. Cummings put his finger on it better than anyone else: "A world of made is not a world of born." Wine is no more a blank canvas than the Grand Canyon.
Why does this distinction matter? Because abstract though it is, if winemakers and, yes, wine lovers, see wine as art, then the essential connection between what a grape expresses from its site and what we expect is severed. If a winemaker is an "artist," then he or she, by artistic right, can and should modify the result to suit a personal vision separate from a "mere" expression of place.
However, if the finest winemaking is seen as a high craft, rather than art, the expectation changes subtly yet substantively. Where art presumes a blank slate upon which a personal vision necessarily is writ large, the notion of craft is more deferential. Like great parenting, it's a guardianship of something already largely complete. The goal is refinement and amplification of what's inherent. Think of what happens when parents do otherwise.
So it is with wine. All sorts of technological deconstruction and reconstruction now occurs in many wineries today, especially ones creating high-end?or at least high-priced?wines. They see themselves as artists and would like to convince you of same. If they can, well, you know how distorted the results can be?and who pays.
Matt Kramer has contributed regularly to Wine Spectator since 1985.
It seems obvious on reflection but it remains an important distinction to make, especially given the widespread labeling of wine making as an art form, particularly in wine marketing circles.
Ringing in at 13.5% alcohol by volume, this cheap wine was an equal match to the FishEye Merlot. From Ripon, California, this wine lets the fruit speak for itself. Along with the dark plum taste, I also experienced a little pepper in the nose.
At only 8 dollars a bottle, I found this to be a great wine. I had mine with Spicy Montreal seasoning. Try it! Rating: 7/10 Price: 7.99 Place of purchase: L&L Grocery Vineyard Info: FishEye Winery Ripon, CA www.fisheyewines.com
It was time for the main event, and there must have been four or five hundred giddy people gathered in downtown Manhattan. One or two of dozens of Burgundy’s elite winemakers sat at each table in anticipation of this Bacchanalian orgy. The long, army-style lunch room seating had to have about forty people per table, [...]
Rich and juicy, with a vibrant structure etching the peach and nectarine notes in relief. There's a nice mouthwatering finish, with a touch of mineral. Drink now through 2017. 2,000 cases made.
Haven?t we all had a shoe or two thrown at us this year? That was my thought this afternoon. I had spent two days preparing a proposal for an Italian-styled restaurant. They needed to replace a whole slew of wines that a distributor had lost. And we got the call. I?m not sure they really needed me. I think they might have been looking for less expertise and a deeper pocket. With a blank check.
So along with two of my colleagues, we headed for a late afternoon appointment. And waited. And waited.
The person with which we had the appointment never showed. Two days I worked on this presentation. For a no show. It happens. You show up and someone throws a shoe at you. Or worse, they just blow you off. After 25+ years, who likes it? But what can you really do about it?
Last week, I did a wine dinner for 30 people. I realized very early in the evening that these folks really didn?t come to hear me talk about Italian wines. They were there for a good meal on a cold night. So I spoke for about 7 minutes and then sat down and talked for the rest of the evening to a couple of people who I really liked talking to. I wasn?t supposed to sit next to them. In fact every time I chose a seat, someone came and took my seat. At first I felt offended. Wasn?t I the person who was here to explain the evening to them? But in reality, that wasn?t the case. The shoe didn?t fit. I was just there along with them. Hey, the owner of the restaurant, who lived on the grounds and whom I have known for 25 years, didn?t even come down to say hello. To his customers! The folks who pay his bills. Forget about being a friend of his for a quarter of a century. Boy, things have gotten really off kilter these days.
Is it really that important? No. It. Isn?t. So why the expectations? I really have no idea. Maybe it is something about the Italian idea of respect for one's trade and the hope that if you ply it long enough and diligently enough someone will respond with the deserved respect. Well that could be a cold day in Dante?s Hell, if you really think folks peer that far out of their own personal box of consequences.
Life or death; now we?re talking consequences and importance. Not whether we can talk a restaurant manager into lowering his wine by-the-glass prices. The free-market forces will take care of that. The consumers are the real experts in that they will reward (or punish) good (or bad) business decisions. Not those journeymen who breathe it, live it, dream it, day and night, year after year. A sobering thought in the abstract. But weighed against life and death decisions, well, let?s just say if the shoe fits?
There are plenty of folks who wish they could get back into their own shoes. But their life took them to a place where they had to answer for the decisions of others. In the last 5+ years, many of these men and women have been lost to the future. Someone dodges a shoe, others can?t dodge a bullet. Random? Some divine plan here? And what does it have to do with the Italian wine trail? Or rather, what does the Italian wine trail have to do with it?
Not much. If anything. Like our little galaxy, just off to the corner from the really important goings on. Except for those of us who are going through it at the time. As it is with each and every one of us. Except perhaps for the most highly enlightened. Like the yogi master on an island somewhere.
Seventh inning stretch.
OK, back to the ballgame.
Where were we?
Oh yes. Yes, the meaning of our place in this daily activity. The wine business. The holiday season. The economic slowdown.
Like I told a colleague today, if you can feed yourself and wipe your own behind, consider yourself one of the lucky ones.
Or would you rather walk a mile in a pair of shoes that the owner got blown out of?
This is the first cabernet from the bonny team at Donny Goodmac. It’s made from 20 year old vines growing on a steep-ish slope - which managed to avoid most of the frost troubles of that vintage. You need a subscription to The Wine Front to see this part of the post
Our reviews mark the 5th edition of the Wine Book Club, and the last meeting for 2008--because no one is going to post a review between Christmas and New Year's Eve, are they? So it's all the more fitting that we mark the end of 2008 and the end of the Bush administration with a book dedicated to helping us understand the complicated political journey that wine takes from grape to glass.
We had some Wine Book Club veterans and some first-timers, too. So here is a roundup of some of their thoughts.
First time Wine Book Club participant Jim Eastman from the blog Music and Wine praised Colman's accessible style, noting that "it managed to keep me engaged without fail through the whole book. Eastman's main criticism of the book was he felt it was a little too short to cover such a broad-ranging topic in so few pages. Jim wanted more--"A little extra depth and perspective" was the way he put it--which I can tell you from personal experience is the kind of criticism an author can live with. When a reader wants more, that's a good thing.
Another first time WBC participant, Frank Morgan from the blog Drink What YOU Like, described the book as "academic and thorough." Frank found the Colman's coverage of the topic "fascinating," and while he did sometimes get "lost in the details a couple of times," the book changed the way he "looked at a glass of wine." My favorite line in Frank's review was saved for the end: "My major takeaway from Wine Politics is an increased sense of appreciation for the small wine guy and the crap they go through just to produce and sell wine to me!"
Christianne from the blog Christianne Uncorked (also a first time WBC participant) found the book was "PACKED with information about wine, history, and politics," but she sometimes found that the organization left her feeling a bit "distracted." She particularly would have liked more of Colman's informal writing and less of the formal academic style.
Taste B from Smells Like Grape added her two cents on the book, saying that it was a "breath of fresh air" given the other books she's reading for an academic course at the moment. What she most enjoyed about the book was that is wasn't just a rehash of things she already knew about wine. Instead, Colman "weaves together many observable and oft discussed conditions in the wine industry with little-known catalysts to form some pretty stark revelations."
Wine Book Club veteran Kori from the Wine Peeps made it clear that this was not the book for you if you were looking for "basic wine information or for a recommendation on what bottle of wine to drink tonight." However, "a lot of information is packed into this relatively short 148-page read," and Kori found the message thought provoking. "If you really want to know why you can?t buy a bottle of wine you fell in love with on a recent trip to California and have it shipped to your home," Kori recommends you pick up this book and learn why.
Richard the Passionate Foodie, another WBC veteran, recommends this well-written book to "those who are more passionate about wine, who enjoy learning about more than grape varieties and wine regions." While it may not appeal to the novice, Richard feels that wine lovers will appreciateColman's "measured and neutral stance" on his more controversial topics, where he presents arguments for both sides of troubling questions.
Thanks to Tyler Colman, our own Dr. Vino, for writing this excellent book which really did convince me that any drinkable wine produced in this country is a miracle, given the laws that stand in the way of winemakers and consumers. And thanks to all the participants this month.
The next edition of the book club will be announced in early December, and reviews will be due in late January--so stay tuned for another year of the Wine Book Club.
Orogeny Russian River Valley Chardonnay 2004 $22 Rabbi Tuchman says: We were invited to a friends house for lobster on Father’s day. Yeah, it’s a tough gig. Since we tend to drink more red wine, it was my mission to pick up some Chardonnay while I was out shopping for the meal. I tend to struggle [...]
IN A DRAMATIC change of focus the Hardy Wine Company today announced that it was taking a great leap backwards - and changing its name. From the end of this month the Hardy Wine Company will be known as Constellation Wines Australia. This is an attempt to change the perception of the Hardys wine name from that of a corporate giant to, more simply, a regional winery 'known for quality and craftsmanship'
While this change is largely window-dressing, it is important. It marks a significant shift in thinking at Hardys. In recent years its super-premium portfolio has been sadly neglected, to the point where many premium wine drinkers (and wine media) today query whether the Jack Mann, Houghton Gladstones, Hardy's Tintara and Thomas Hardy super-premium labels still exist. The Hardy Wine Company has become known for good quality, cheap, non-region-specific fighting varietals. It has been at the forefront of the much maligned 'race to the bottom'.
And for a long time this strategy has been widely perceived as puzzling and myopic - like defecating in your own nest.
Hardy Wine Company President John Grant said today that ‘This is a pivotal time for our company as we embark on a range of activities to move our company to higher ground. From 31 March ... we aim to showcase to the world regional winemaking at its finest.
‘By drawing on Constellation’s global resources and tapping into our generational traditions, we aim to become Australia’s regional wine champion, recognised for our quality brands and winemaking excellence.’
‘Changing our company name provides greater freedom to shine the spotlight on the real heroes of our business - the outstanding regional wines. In particular, it allows the Hardys brand to return to being a winery, known for quality and craftsmanship, rather than being known as a corporation.’
‘We will be adding to our diverse regional offering and continuing our exploration of Australia’s premium wine regions’, he said, ‘as well as strengthening our front line staff, with additional personnel, tools, resources and training’.
Constellation Wines Australia brands include: Amberley, Banrock Station, Barossa Valley Estate, Bay of Fires, Berri Estates, Brookland Valley Estate, Chateau Reynella, Goundrey, Hardys, Houghton, Leasingham, Moondah Brook, Omni, Redman, Renmano, Stanley Wines, Starvedog Lane, Stonehaven, Tintara, Yarra Burn.
I have been traveling in the past week with a dining partner who can not drink much. Rather than ordering a whole bottle, which would inevitably require leaving some behind so I could drive back to the hotel safely, I have been choosing several different wines by the glass over the course of the meals.
It didn?t take long for a tribute album to surface following the death of Pink Floyd mastermind Syd Barrett. The groovy part is Like Black Holes in the Sky: The Tribute to Syd Barrett avoids gimmickry with an all-underground roster of metal, prog and sludge bands.
Syd Barrett?s spacegrassy Piper at the Gates of Dawn is a building block for future stoner, doom and tech metal practitioners. As testimony to the Pink Floyd album?s pioneering spirit, Like Black Holes in the Sky: The Tribute to Syd Barrett hoists six Piper cuts in addition to seven of Barrett?s solo tunes, largely represented by The Madcap Laughs.
Instead of obvious candidates like Queens of the Stone Age on this thing, you get Jesu, Yakuza, Intronaut, Zodiak, Stinking Lizaveta, Unearthly Trance and Kylesa as well as the mighty Pentagram, all likely nominees to do Syd Barrett?s frequently off-kilter music justice.
Jarboe and Giant Squid capture the sheer lunacy of Barrett?s quizzical music on ?Late Night? and ?Octopus? respectively. Meanwhile, Voivod drummer Away leads his offshoot project Kosmos in a laser-dashed version of ?Vegetable Man,? one of the compilation?s coolest tracks.
Other highlights include Intronaut?s ?Arnold Layne? as well as the Piper songs like Yakuza?s ?Lucifer Sam,? Pentagram?s ?Flaming,? Kylesa?s ?Interstellar Overdrive? and Dredg?s faithfully trippy interpretation of ?Astronomy Domine,? a translucent gem that briefly made Voivod stars.
Appropriate Syd Barrett should be represented by fringe rock and metal bands whose mutual appreciation for where their sounds originate makes Like Black Holes in the Sky: The Tribute to Syd Barrett a rare tribute album with its heart in the right place.
This central coast California Cab has a black cherry color with some intensity with dark berry and black cherry aromas with ripe plumb.
Palate--spice front with integrated flavors and tasty dark berry fruit with mocha and dark chocolate. I grabbed this because it was a new label at one of my main wine haunts. At the $10 price point it was tasty and pleasant. Raise a glass.
I rarely see a Philippe Charlopin, so it was a surprise (for me) to see this on the shelf of a French supermarket. Very tasty wine. 2006 Philippe Charlopin, Gevrey-Chambertin Medium-plus colour. Slightly murky nose with a little vanilla and a faint mushroom - slowly fills out with deep and impressive primary red/black fruit to [...]
2005 Ponzi Pinot Noir The 2005 Pinot Noir Willamette Valley offers toasty cherry and strawberry aromas leading to a medium-bodied, structured wine with spicy flavors and a slightly tannic finish. Drink this tasty Pinot Noir over the next 4-6 years. Ponzi Vineyards began in 1974 making them one of Oregon?s pioneers. Dick and Nancy Ponzi, the founders, remain very much involved although winemaking duties were turned over to daughter Luisa in 1993. In addition to remaining a reference point for Oregon Pinot Noir, the winery fashions excellent wines from Italian varietals including Arneis and Dolcetto in honor of their heritage. Not yet released. Tel. (503) 628-1227; www.ponziwines.com Rating: 89 Estimated Cost: $29-$40
This year 9,358 wines were judged from 35 different countries, by 400 judges. The judges came from 19 different countries and included 33 Masters of Wine. 260 Gold medals were awarded, 1,129 wines won Silver medals and 1,839 wines won Bronze medals.
The top 3 medal winning nations remain the same as last year ? France, Australia and Italy. France scooped the most medals with a total tally of 635. English wines continue to show improved form with 21 medals in 2007 up from 16 last year.
As much as I love books and in particular books on wine, it is apparent I have too many of them. At last count there was over 70. Most have been idle and untouched for years, collecting dust and musty smells. Recently, I gathered the least loved, mainly the ones full of tasting notes and numbers (perhaps that is a lesson for writers of wine blogs too) and visited several second book merchants. I had low expectations which proved excessive. I had thought someone would at least offer $10 for my twenty books. In the end, no one was interested, the purveyors of trashy second hand novels said my books on wine were worthless. . . Of course this unsupported secondary market means that occasionally treasures at bargain prices can be found. In the image above (which are some of the books I kept), there are two such finds. A first edition of the World Atlas of Wine set me back 50 cents (Church fair in the rural town of Albany) and George Saintsbury's classic book was only two dollars.
For those interested in old wine books, in particular books full of tasting notes and numbers, I'd suggest visiting your local Good Samaritan store, I've heard that some new stock has just arrived.
Released january 28, 2008. gown (aka andrew macgregor and otherwise known as one-half of the bark haze with thurston moore) moved from western wassachusetts to nova scotia in mid-2007. before he moved, he wanted to have one big audio blow-out to remember the grand old mass times. with that goal in mind, gown went into the studio with the sunburned hand of the man gang (represented this time out by john moloney, sarah o'shea, ron schneiderman and taylor richardson) to melt some audio consoles. for the maples represents a portion of that recorded output and believe us, it's some massive stuff. sunburned's thick funk presents the perfect background for gown's shredding guitar-play. extremely hot stuff, especially the massive side-long "bending close." click HERE for a downloadable preview, "taylor's jam."
as per the three lobed standard, for the maples is pressed on 180g RTI vinyl. it is housed within silkscreened jackets (screen work by alan sherry / SIWA) bearing new artwork by gown. the record is from an edition of 698 copies and, and as an added convenience for our vinyl friends, will come packaged with a glass-mastered CD (not CD-R) of the material present on the wax. pre-ordered copies were accompanied by a bonus CD (TLR-059) of previously unreleased gown material. Info stolen from; Three Lobed Recordings
Tecnorati
This is a dry, slightly sparkling wine, with a pleasent, rich, complex aroma. A pleasure to sniff and taste, there’s a fruity note and there’s quite an undefined spicy note, definitely requires another bottle of researching 
. The producer specifies it as a wine “with characteristic Muscat taste and smell carrying combination of spicy tones of incense, cinnamon, basil and fruit tones of pine apple and strawberry”.
Haven?t we all had a shoe or two thrown at us this year? That was my thought this afternoon. I had spent two days preparing a proposal for an Italian-styled restaurant. They needed to replace a whole slew of wines that a distributor had lost. And we got the call. I?m not sure they really needed me. I think they might have been looking for less expertise and a deeper pocket. With a blank check.
The person with which we had the appointment never showed. Two days I worked on this presentation. For a no show. It happens. You show up and someone throws a shoe at you. Or worse, they just blow you off. After 25+ years, who likes it? But what can you really do about it?
Last week, I did a wine dinner for 30 people. I realized very early in the evening that these folks really didn?t come to hear me talk about Italian wines. They were there for a good meal on a cold night. So I spoke for about 7 minutes and then sat down and talked for the rest of the evening to a couple of people who I really liked talking to. I wasn?t supposed to sit next to them. In fact every time I chose a seat, someone came and took my seat. At first I felt offended. Wasn?t I the person who was here to explain the evening to them? But in reality, that wasn?t the case. The shoe didn?t fit. I was just there along with them. Hey, the owner of the restaurant, who lived on the grounds and whom I have known for 25 years, didn?t even come down to say hello. To his customers! The folks who pay his bills. Forget about being a friend of his for a quarter of a century. Boy, things have gotten really off kilter these days.
Is it really that important? No. It. Isn?t. So why the expectations? I really have no idea. Maybe it is something about the Italian idea of respect for one's trade and the hope that if you ply it long enough and diligently enough someone will respond with the deserved respect. Well that could be a cold day in Dante?s Hell, if you really think folks peer that far out of their own personal box of consequences.
Life or death; now we?re talking consequences and importance. Not whether we can talk a restaurant manager into lowering his wine by-the-glass prices. The free-market forces will take care of that. The consumers are the real experts in that they will reward (or punish) good (or bad) business decisions. Not those journeymen who breathe it, live it, dream it, day and night, year after year. A sobering thought in the abstract. But weighed against life and death decisions, well, let?s just say if the shoe fits?
There are plenty of folks who wish they could get back into their own shoes. But their life took them to a place where they had to answer for the decisions of others. In the last 5+ years, many of these men and women have been lost to the future. Someone dodges a shoe, others can?t dodge a bullet. Random? Some divine plan here? And what does it have to do with the Italian wine trail? Or rather, what does the Italian wine trail have to do with it?
Not much. If anything. Like our little galaxy, just off to the corner from the really important goings on. Except for those of us who are going through it at the time. As it is with each and every one of us. Except perhaps for the most highly enlightened. Like the yogi master on an island somewhere.
Oh yes. Yes, the meaning of our place in this daily activity. The wine business. The holiday season. The economic slowdown.
