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A16 tops the list of the best wine bars in San Francisco. The owner-sommelier Shelley Lindgren?s wine list is focused on Southern Italian varietals. This wine list is an integral part of the A16 experience and what makes it the best of the wine bars in San Francisco.
Andalu on 16th Street is another one of San Francisco?s finest wine bars. They are awesome because they offer small plates with big flavors. This is one of the San Francisco wine bars that has an approachable wine list and offers 35 wines by the glass. The crowd there is mixed and energetic.
Wine bars don?t usually come as good, or as small, as Bacchus on Hyde Street. Bacchus has knowledgeable bartenders that make innovative saké cocktails and they pour over 50 wines that range in price from under $10 a glass to more than $200 a bottle. The signature drink at Bacchus is their sake-version of the mojito.
Cav is one of the wine bars in San Francisco that takes itself extremely seriously. Cav has a well-chosen wine list of over 300 international wines. Some of the wines on the list are offered by a taste, or the glass. The chef has crafted unique takes on lots of dishes and Cav actually offers a cheese course that is served at the proper temperature and is on par with some of the finer restaurants in San Francisco.
Wine bars like Piccolo on Fillmore street handpick the wines on their wine lists. Piccolo is one of the wine bars that choose limited availability and small production wines. They prefer to concentrate on Italian wines. The owner of Piccolo has wonderful antipasti on his menu. There is fierce competition between wine bars to have the most excellent food to accompany their spirits.
Varnish Fine Art is both an art gallery and one of the top wine bars in San Francisco. The atmosphere at Varnish Fine Art is comfortable and it draws a post-work crowd for beer or wine during happy hour. The wine list at Varnish Fine Art is well chosen and features a number of delicious fine wines, as well as soju and saké cocktails.
Purest essence of a divine grape. congratulations to the vintner and my tastebuds. Winners both. The soul of the soil comes through, with slightly spicy, slightly peppery hints on a fruit wash- that lingers. This for me raises the status of this grape over the Chianti (San Giovese) wines- in general. This year, this bottle- SUPERB.
I saw this morning on Franco Ziliani's site that Gianni Brunelli died on Saturday. Brunelli, 61, made superb Brunellos that were really Brunello -- never jammy, never inky-purple, always beautifully structured and pure in their expression of Sangiovese. Proof of the pudding: they age well and do not fall apart after 8 or 10 years.Brunelli also founded the excellent Osteria Le Logge, a restaurant located not far from the Campo del Palio in Siena. I've...
One of my accounts handed me this wine review, written up by a former employee. "She wasn't all there..." they noted, and went on to say she'd find reviews online and cut and paste without actually reading them. This little gem was up for quite a while until horrified customers noted that they wouldn't buy the wine because the description was so off-putting. I, however, find it to be brilliant and would love to partake in the Ecstatic Singing Mantra whenever it transpires. So I searched for wine reviews of Jest Red online, and apparently, most of this review appeared on A Little Vino Would Be Keeno. Which is clearly now my favorite site. Ever.
"Blended from seven noble grape varietals, the nose is deeply perfumed with wild dewberries, Himalayan breeding musk, and horehound candy, while the flavors, so titillating they may only be disclosed in the Ecstatic Singing Mantra. Pair with beef, pork, pasta with red sauce, cheese or chocolate, or go wild and have it with pizza, burgers or even burritos!"
I'm not quite sure which is the best part of that - is it the Himalayan breeding musk or the pairings? It's sublime on so many levels.
labor day is next weekend and many of us will be grilling up hot dogs, bratwurst, and other traditional picnic fare that is difficult to pair with wine. In a recent article, Washington Post columnists, Karen Page and Andrew Dornenburg offer suggestions on what to serve with "dinner in a long bun." Among their suggestions are an Alsatian Riesling with bratwurst, a Rioja with a chili dog, and Chianti with Italian Sausage.
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Quick site update: I'm trying yet another advertising system, though at least this time I get to hand-pick the items, customize everything, and it's all handled seamlessly through Amazon.com. Click on the link at the left to check out my Amazon Store. Everything on that store is something I've either read, used, or consumed. When Amazon begins selling wine, I plan to include links for those bottles that I review. Obviously I want you to support your local wine shops and bookstores first, but half of the e-mails I get are people from all over the country asking me where to get a certain wine, book, or cooking utensil that I've mentioned, and if I can make a little scratch from the links, then life is good.
Monday night I attended a BYOB wine and cheese function at the Hunt Phelan Inn hosted by Slow Food Memphis. I was invited by my friends in the Squirrel Family. I didn't know until the last minute that it was Papa Squirrel's birthday, and the man actually gave me a gift: an autographed copy of Imbibe!, a history of the golden years of cocktails. I'll have more details in a future post, and look forward to making a huge punch that will serve two dozen people.
I felt the gathering of folks who were committed to preserving dying culinary traditions would be interested in trying a wine made from dandelion blossoms harvested by Amish children. I picked up the bottle during my trip to the Ohio Amish country this summer, but my desire to try it had been simmering since I read Ray Bradbury's Dandelion Wine at the age of 12. It's a beautifully written book that captures the pure experience of summer in its pages. And the wine also accomplishes that feat: while it's sweeter than I like, and certainly not as subtle as a fine grape-based wine, the aroma of dandelions will take you back to your childhood. When you're a kid, you're not allowed to touch pretty flowers like roses or tulips, but nobody stops you if you pick all the dandelions out of the yard. Maybe it has to do with the innocence of youth in distinguishing a weed from a prizeworthy iris, or maybe kids are just lower to the ground and better able to appreciate such things.
These were three of my favorites from the tasting, a Hawaiian pineapple wine (drier than you'd think and with a glorious nose), a big jammy Zinfandel, and a Super-Tuscan that had aged well and was a refined example of its type.
Additionally, cheeses from Mississippi State University were provided. I had the Cheddar, the Edam, and the Vallagret. All were savory and delicious, and the cheeses are available for order online or at the shop in Starkville, MS.
Future Slow Food events are planned locally--check the schedule for more details. If you're interested in eating local products, supporting local farmers, and saving heritage cuisine, look for a Slow Food group in your area.
I happened to finish two things about the same time last week. The first Wine Bloggers Conference and a book, The Billionaire’s Vinegar. This was perhaps a coincidence as I did not find time to read a word at the conference. Drinking trumped reading in Santa Rosa that weekend, but I finished the book a few days later. It’s hard to think of a greater contrast between the event I attended and the events and people in the book.
The Wine Bloggers Conference was defined by an almost innocent enthusiasm and love for wine, while The Billionaire’s Vinegar represents The Dark Side of wine. You cannot be help but be stuck by the ugly greed, arrogance and ignorance of the wealthy posers chasing “great wine” in this book. It’s one of those plots were there is no protagonist, they’re all bad guys. I highly recommend this book as it’s a great story based around the excesses and greed of big time collectors who were sold faked old wines and were just too greedy and had such massive egos they couldn’t taste the obvious.
One thing this book proves is that we are all too human in our abilities and no one can escape the trap of letting labels affect our perceptions. I’ll be the first to admit if someone told me I was getting a glass of 1787 Lafite purchased by Thomas Jefferson my esthetic distance would be right out the window. The trouble with the arrogant bastards in this book is that they thought that their palates were so great they could rise above human frailty. I can only guess they got stupid after they made their money, not before. The tacky glitz, excess and greed surrounding the elaborate tasting events described in the book cannot be overstated. What is perhaps most disconcerting is the attendance at these events of those that consider themselves wine “journalists” Certainly, attending such extravagant events gratis would not be acceptable under even the loosest code of journalistic ethics. It was clear to these writers that they would not be invited back if they offered even a hint of criticism in their reports. Rave reviews were the price of next year’s admission and they were always invited back. It’s hard to be critical after enough foie gras and caviar.
The recent first ever Wine Bloggers Conference in America (there was one a few months before in Europe) painted a very different picture. The jaded arrogance that blinds so many established wine writers these days was replaced by the refreshing enthusiasm of the wine bloggers that descended on the Flamenco Hotel in Santa Rosa. Surrounded by the beauty and wonderful wines of Sonoma over 150 new media wine writers gathered to explore their emerging genre. The energy brought to my mind Gracie Slick and the Jefferson Airplane welcoming the dawn at Woodstock, “It’s a new dawn…” said Gracie before the band roared into that hippie political anthem, Volunteers.
Every blogger that attended was there on their own dime as no one is make a living from wine blogging yet. Everyone was there because of their passion for wine. They are truly volunteers and the generous spirit of this group stuck out starkly to the outrageously expensive, competitive and ego driven wine world documented in The Billionaire’s Vinegar.
While there are many wonderful examples of wine bloggers making a difference I can’t help to pick out Deb Harkness, better known as Dr. Debs, who has created a blog called Good Wines Under $20. For what I hope are obvious reasons I won’t describe what Deb’s blog is about. Deb’s day job is as a college professor, but by night she’s a consumer activist seeking out great wines at great prices for her readers. Yet what is even more impressive about her is her deep commitment to a personal standard of ethics. While most mainstream wine writers are mostly concerned about what others will think of them when it comes to ethics, Dr. Debs, and many bloggers like her are concerned what they think of themselves. Their ethics are in their hearts. Their not in it for the money or glamour tastings, but out of a sincere love of food and wine. At the end of the day only self respect and personal pride can make ethics a reality. Deb and many bloggers like her are setting a new standard.
I’m well aware that I was one of the old guys at the Wine Bloggers Conference and most of my compatriots there were well under forty, but the energy and spirit there reminded me of an earlier time, before when some of them were born, when we thought we could change the world. The conference gave me hope that maybe, just maybe, that the pointy world of wine writing today can be brought down. Power to the bloggers.
It’s a new dawn for wine writing. Good morning people.
Wine Magazine have announced their 2007 WINE Classification (South Africa) - the fourth since first published in 2004.
It basically identifies South African wines and cellars with the best track records in terms of consistently good reviews in WINE magazine panel tastings conducted blind (without sight of the labels) over the previous five years.
If anything it gives you an idea of what to look out for in the respective categories when you're in the shops and/or which estates may be worth visiting.
Celebrate Wine is pleased to be a part of a new wine-writing project called "Drink Local Wine." The site brings together wine journalists, sommeliers, bloggers, and other wine enthusiasts from 16 "non-west coast" states and Canada. The goal is to enforce the reality that North American wine is not just about California, Oregon, and Washington anymore.
At "Drink Local Wine," you'll find information about wines from Illinois, Maryland, Georgia, and Wisconsin...and, of course, my home state, Ohio. Be sure to take a look.
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Since moving to Pensacola Beach from Michigan, I have been longing for a great, cheap, rich Michigan wine. Well, Harvest White from the Fox Barn Winery fits the bill!
This semi-dry white has all the characteristics of the wine I loved so much from Michigan. Spicy, fruity and “snappy”, this wine was a perfect companion on this hot, humid Florida night while we enjoyed some Bands on the Beach.
Since moving to Florida, I’ve really become aware to how good I had it in Michigan. You couldn’t drive an hour in any direction before hitting a winery, and I do miss being able to do just that. Many of the gas stations down here in Pensacola sell all the generic cheap wines: Yellow Tail, Beringer, etc, but you’re not likely to find anything from a local vineyard.
My friend (the one that graciously brought me this wine down all the way from Shelby, MI) mentioned that the tasting room at The Fox Barn Winery was just recently opened, and was a lot of fun to visit. According to their website, it looks as though they have nice little produce market as well.
I am definitely going to check this place out the next time I’m in Michigan, and I would recommend anyone traveling near Shelby to stop in as well.
Rating: 9/10 - Great! Price: Not sure, since it was a gift, but I think my friend mentioned it was less than 10 dollars. Winery Info: The Fox Barn Winery Paw Paw, Michigan Phone: 231-861-8050
Brilliant article from the recent issue of Wine Spectator written by Matt Kramer (winespectator.com):
Recently I found myself in one of those wine wrangles that, truth to tell, I usually try to avoid. (Check out any wine chat board on the Internet if you've got a taste? for this sort of thing.)
The wrangle was with, natch, a winemaker?, while at a social event. It involved the winemaker's assertion that "fine wine is art." I pointed out, as modestly as I could, that there's no denying that nature surely doesn't make wine on its own, let alone fine wine (vinegar? is more like it). I then went on to say that fine wine is, at best, a high craft both in the vineyard? and the cellar?.
Probably, if I had stopped there, the discussion would have proved amicable. But I took the matter one step further. (You're shocked, I know.) I submitted that saying that winemaking, and therefore its result, is "art" was self-aggrandizing. You can imagine how that was received.
Now, I admit that the self-aggrandizing bit was a low blow. Still, it's true. If winemakers can get you, me and, especially, their employers to see them as artists, you know what'll happen: Their salaries will rise, and producers, for their part, will start pricing wine as "art." And you know what that means.
So why isn't fine wine "art"? The answer is surprisingly simple. Art is creation; wine is amplification. The big? difference between an artist and a winemaker is that an artist starts with a blank sheet while a winemaker works with the exact opposite. A grape arrives at the winery? with all the parts included, a piñata stuffed with goodies, just waiting to be cracked open.
Is there a craft to doing that? You bet there is. But where an artist conceives of something out of the proverbial thin air, no winemaker anywhere in the world can do any such thing.
For example, when my wine heroine Lalou Bize-Leroy bought the former Domaine? Noëllat in Vosne-Romanée and transformed it into Domaine Leroy, she did not create her magnificent wines from scratch. It was all right there in the hallowed ground and old vines? of her newly acquired pieces of Richebourg and Romanée St.-Vivant. She didn't create something from nothing. Quite the opposite.
Fine wine is not creation. It is refinement. If it were otherwise, then everybody would be "creating" Lafite Rothschild or La Tâche or any other wine masterpiece of singular, irreproducible expression and high price. Counterfeiting aside, I don't see anybody doing that, do you?
They don't because they can't. That's precisely why fine wine is not art. It comes from all the forces that create a particularity of site. Great winemakers?which is to say, expert practitioners of winecraft?tease what they can from the sites that are available to them by planting the right grapevines, growing them astutely, harvesting the fruit at an ideal moment (a problematic issue today given some winemakers' and critics' preferences for ever greater ripeness) and handling the fermented juice? in the cellar with deft control.
This is no small charge, and I, for one, do not seek to diminish it in any way. But art? Not a chance. The poet E.E. Cummings put his finger on it better than anyone else: "A world of made is not a world of born." Wine is no more a blank canvas than the Grand Canyon.
Why does this distinction matter? Because abstract though it is, if winemakers and, yes, wine lovers, see wine as art, then the essential connection between what a grape expresses from its site and what we expect is severed. If a winemaker is an "artist," then he or she, by artistic right, can and should modify the result to suit a personal vision separate from a "mere" expression of place.
However, if the finest winemaking is seen as a high craft, rather than art, the expectation changes subtly yet substantively. Where art presumes a blank slate upon which a personal vision necessarily is writ large, the notion of craft is more deferential. Like great parenting, it's a guardianship of something already largely complete. The goal is refinement and amplification of what's inherent. Think of what happens when parents do otherwise.
So it is with wine. All sorts of technological deconstruction and reconstruction now occurs in many wineries today, especially ones creating high-end?or at least high-priced?wines. They see themselves as artists and would like to convince you of same. If they can, well, you know how distorted the results can be?and who pays.
Matt Kramer has contributed regularly to Wine Spectator since 1985.
It seems obvious on reflection but it remains an important distinction to make, especially given the widespread labeling of wine making as an art form, particularly in wine marketing circles.
Class occurs 10/19/2008, 11:30-01:00 pm Panel discussion
Riesling is currently the fastest growing white varietal in the US, increasingly sought out for its food friendliness and its aromatic, vibrant character, however, its variety of sweetness can make it a challenging purchase for the consumer. Join Riesling producers for a discussion of this versatile grape and the new ?Riesling Taste Scale,? read more.
Rediscovering Riesling Walk Around Tasting Sunday, October 19 ~ 1:00 - 4:00 pm Elegant, aromatic and food-friendly, Riesling?s making a comeback! The perfect pairing for Asian, Indian, and of course, German and Austrian cuisine, ?The Other White Wine? abundantly deserves its growing popularity. Taste dozens of domestic and international dry, semi-sweet, sweet and sparkling Rieslings paired with artisan foods ranging from sausage to sushi. You?re sure to find the perfect match! read more Pub.: 2008-10-08 09:18:37; Udt.:
You cannot have a better match with a plate of salumi than with this wine. Chill it up a little bit, and start your engines. From the Grasparossa grape, I took a bottle over to a chef from Emilia-Romagna the other day. He has known me for years, but has rarely if ever acknowledged my presence in his world. When I handed the bottle to his son to give to him, you?d think I was his long lost cousin. His eyes lit up, he smiled, he liked me. He really, really, liked me. I owe it all to this friendly little Lambrusco.
Served slightly chilled, it is frizzante, and enters with a burst of slightly under-ripe dark cherry notes. Then the fruit kicks in and there, all of a sudden, you have a party on your palate.
Note: this wine is bone-dry.
Get yourself hooked up with a Lambrusco like this. It takes the snob off the table. It?s subtle and bold, delicate and a romp. It?s a serious wine that laughs at itself. Go get yourself some.
I thought the food was of a high standard with good use of fresh ingredients and I felt like it was good value for the money (ended up around $75 a head for food, corkage and tip). We needed to take care with some of the dishes and the spice clashing with the wines (the Hokkien noodles especially!) but it was manageable. We had the table for 6-8 people that you can book, any more than 6 people and I think it would have been too squished.
The food was as follows:
Steamed Prawn Wontons with Organic Brown Rice Vinegar Dressing Steamed Scallop Wontons with Sichuan Chilli Oil Homestyle Fried Biodynamic Eggs with Organic Soy & Homemade XO Sung Choi Bao of Free-Range ‘Kurobuta’ Pork, Ginger & Mushrooms
Crispy-Skin Duck White-Cooked Free-Range Chicken with Shoyu Organic Soy, Chilli & Coriander Red-Braised Pork Belly served with Fennel & Leek Dry-Fried Organic Hokkien Noodles with Homemade XO Sauce Dry-Fried Green Beans with Organic Miso Paste & Garlic
Organic Steamed and Fried Rice
The wines were;
1995 Jacquesson Signature Grand Vin: The nose is bready, with lemons and green apples coming through. Youthful and taut on the palate with lemony acid at the fore. Very good, and it should get better as it unwinds over the next 7-10+ years. 90/100
2002 Marcel Deiss Altenberg de Bergheim GC Alsace: Nutty, orange peel, peach, smoke and floral notes. Richly fruited with opulent weight. Balanced palate, with the acidity holding up to the residual sugar and fruit sweetness. Finishes long and clean. Was a superb match with the slightly spicy Asian food being consumed. 94/100
1996 Zind Humbrecht Riesling Rangen de Thann Clos St Urbain: Light citrus, minerals and a touch of candy on the nose. The palate is incredibly austere. The length is good, but with the acid dominating the palate, it was not very enjoyable. 85/100
2000 Bonneau du Martray Corton Charlemagne: Cashew nuts, smoke, graphite and chalky aromas comprise the nose. Lovely richness to the fruit on the palate. Balanced, long and very, very tasty. This is a beautiful wine that will only get better as it develops over the next 8-10 years. 93/100
2000 Fourrier Clos St Jacques: Earth and game meat aromas on the nose. Nicely balanced and textured on the palate. Seems to be in a pretty approachable place at the moment, although it is lacking some depth. 90/100
2004 Dugat-Py Charmes Chambertin: Forward, interesting nose of green beans, tobacco leaf, spice, blackcurrant and cherry aromas. The palate shows some green, slightly under ripe tannins. Good length, but the green elements distract from the experience. 88/100
2006 Hillcrest Reserve Pinot Noir: Cherry, floral, earth and spice aromas on the nose. Excellent layers and balance to the palate. Sweet fruit provides good weight and the tannins and acid provide great structure. A wine of obviously high quality and I think it will develop well in the bottle over the next 5-10 years. 92/100
1986 Chateau L’Eglise Clinet: Savoury aromas of game, smoke and tobacco - with some time the aromas became more bretty and animal like and a bit overpowering. Palate was smooth, medium bodied and well resolved. Best on pouring, the brett coming forward was a shame but it was still quite nice overall. 89/100
1997 Castelgiocondo Brunello di Montalcino Riserva: Complex nose of floral notes with tar, liquorice, blackcurrant and cherry. Well structured and balanced palate, with the bold, deep set fruit balanced well with the medium intensity tannins and well integrated acidity. Delicious. 92/100
NV Campbells Merchant Prince Rare Muscat: Maple syrup, caramel, coconut, brown sugar and raisin aromas on the complex, layered nose. Palate is superb - balanced, complex, delicious and brilliantly long. Technically and tactically world class. 97/100
It's a great site that lists wine events for just about any state, country or region. Plus, they send out a Weekly Newsletter called The Juicewhich will notify you of upcoming events in your area.
Copia opened in the midst of an economic downturn during the dot-com meltdown and just after the terrorist attacks of Sept. 11, 2001. New director seeks creative route to solvency at Napa center
Now, seven years later, the institution seems to remain jinxed, and after many stabs at success, it is considering steps as drastic as filing for bankruptcy to escape its crushing debt.
Nose: creamy sweet lemon custard aroma Palate: very dry, sprightly citrus with robust acid for strength and structure. Finish: lively finish of green grass that is over too quickly.
Overall: I am blown away by the quality of this Australian Riesling. I paid 6 dollars for this on sale but it usually doesn't go for more than 12. This is an excellent value white. Absolutely brilliant in its simplicity which adds elegance. Perfect for parties and entertaining.
Orogeny Russian River Valley Chardonnay 2004 $22 Rabbi Tuchman says: We were invited to a friends house for lobster on Father’s day. Yeah, it’s a tough gig. Since we tend to drink more red wine, it was my mission to pick up some Chardonnay while I was out shopping for the meal. I tend to struggle [...]
Zak Riles is a songwriter and multi-instrumentalist in the Important band Grails. His creative contributions to the group are immeasurable and can be heard clearly on this self titled debut solo outing. In fact some of the pieces on this solo record have been reinterpreted into Grails favorites. Like his band Grails, Zak Riles solo work is an elaborate mansion built of inspiration but with so much strength and originality that it stands firmly on its own. On these rocky shores come crashing waves of Sandy Bull, Mogolar, Deuter, Popol Vuh and the Ventures while Persian breeze drifts by wafting the melodies of Hossein Alizadeh. Essential listening for followers of Important Records who favor the likes of Grails & James Blackshaw. Info stolen from; Important Records
While visiting my friend Mario I noticed a National Geographic from 1916, the same as his birth year. Italy in 1916, the year my Aunt Mary and Aunt Josephine were born. They are all still alive and well. Here was a magazine with many great images of the Italy that both of their parents had left. Fascinating stuff, looking back at Italy some 93 years, to see how it has changed. The photographs on this post are from that issue.
Oddly, I think many of us want to find those back roads (and wines) of Italy in 1916. A return to a day when things seemed so much simpler and easier. But then one needs to factor in that time. 1916, World War I, with 37 million casualties (16 million deaths, 21 million wounded), an incoming influenza pandemic that killed 40-100 million people world wide, many younger than 45 years old. So, it wasn?t all rustic charm and simpler times, for those who lived through it.
Not to dwell in the past, especially one which, one might argue, has little significance for the new generation, folks from 14-30. There were barely paved roads, or toilets. Nano I-pods? Bluetooth? How about a toothbrush? No, it was like it happened a million years ago, to the inheritors of the future.
The oldest Italian wine in my possession is a 1936 Est!Est!!Est!!! Amabile. It will never be opened. It sits there, twenty years after the National Geographic issue, in the time of Mussolini, at the edge of another W
Tecnorati
Class occurs 10/19/2008, 11:30-01:00 pm 
You cannot have a better match with a plate of salumi than with this wine. Chill it up a little bit, and start your engines. From the Grasparossa grape, I took a bottle over to a chef from Emilia-Romagna the other day. He has known me for years, but has rarely if ever acknowledged my presence in his world. When I handed the bottle to his son to give to him, you?d think I was his long lost cousin. His eyes lit up, he smiled, he liked me. He really, really, liked me. I owe it all to this friendly little Lambrusco.
Not to dwell in the past, especially one which, one might argue, has little significance for the new generation, folks from 14-30. There were barely paved roads, or toilets. Nano I-pods? Bluetooth? How about a toothbrush? No, it was like it happened a million years ago, to the inheritors of the future.