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October is Breast Cancer Awareness Month and Fat Bastard wines are doing their part to cure this disease by donating 25 cents for every bottle sold in restaurants and retail stores, up to $75,000. This is the sixth year the company has run this program and to date, they have donated more than $250,000 to breast cancer research.
During October, Fat Bastard wines will be easy to spot on the shelf. They'll have a pink ribbon necker with an attached pin for consumers to wear. Fat Bastard's wine collection includes Chardonnay, Sauvignon Blanc, Rose, Pinot Noir, Shiraz, Merlot, and Cabernet Sauvignon.
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The Pinot Gris harvest in Oregon's Willamette Valley was set back even further by rain, and even some hail last weekend. On Sunday alone, it rained over an inch in parts of the Willamette Valley. It also hailed in various locations. While any widespread damage to the grapes is unknown at this point, the continued cool, soggy weather can't be good for the grape development at this late stage.
Grapes need to attain a certain sugar level (measured in Brix) to achieve proper ripening and balance.
Today is my anniversary and Kipp and I have a babysitter so we are going out tonight. I'll make up for no blog today by posting one for Thursday!! Cheers!
Never did get around to making that beef tenderloin I was hankering for (maybe in another couple of weeks), but I did try a recipe from The French Laundry Cookbook, which I received as a gift from my brother. (That cookbook celebrates its 10th birthday this year, by the way.)
I decided to make the braised beef ribs with root vegetables and bone marrow to take to the New Year?s Eve pitch-in party we?ve attended annually for the past several years. It turned out well, and the old dog learned some new tricks. Author and Chef Thomas Keller says that any time an alcoholic beverage is to be used in a marinade, the alcohol should be burned off first. I didn?t know that, and didn?t think it was even possible to light wine ? but it is! After bringing my pot of aromatic vegetables and Terra Andina Cabernet to a boil I lit it, and was rewarded with a six-inch-high blue flame that burned for between five and 10 minutes. (I had used two bottles; presumably one bottle would burn half as long.)
Even though I described the ribs as ?expensive pot roast,? they were incredibly flavorful and fall-apart tender. My favorite part of the dish turned out to be the fried bone marrow, which was crisp on the outside and creamy on the inside, with a subtle, delicious flavor. They do require some planning ahead but aren?t difficult to make, and I?m sure I?ll whip up another batch before too long.
Chef Keller would probably be pained to see his dish served in a Pyrex casserole dish instead of elegantly presented on a small plate, but there were no complaints ? or leftovers. Thanks to phj73 for documenting it in his Flickr stream ? the chances of my spending another three days making a second batch just because I forgot to take photos were slim to nil.
Over the past 10 years The French Laundry Cookbook has no doubt been reviewed way too many times, but I?ll throw in my two cents? worth anyway. It?s a lovely book with gorgeous photographs, but it would be more at home on a coffee table than in the kitchen. As a cookbook, it leaves a lot to be desired ? it?s big, heavy, awkwardly shaped and printed on glossy paper. It?s so nice that you almost don?t want it anywhere near the kitchen, lest it get food stains on it ? and dogearing pages and making notes in the margins seems like desecration. I?ll no doubt get over that, but a companion volume for kitchen use sans photos and narratives ? The French Laundry Recipe Book, essentially ? would be a useful followup.
In the meantime, the blog French Laundry at Home is a good companion to the book, and a fun read to boot. It chronicles the experiences of a home cook named Carol as she makes all the recipes in the book, including some I?d never dream of tackling. She finished the book and that blog, and is now onto her next challenge: cooking her way through the Alinea cookbook.
I've thought long and hard about this one, but it's time to shut up shop here at The Wine Chicks.
As you all know, I simply don't have the time any longer to post stuff - that's been more than obvious. I also have been focusing so much on certain wines that I rarely taste outside of my own portfolio. And the last thing I want to do is make this site an extension of my day job. I've wanted to keep this open but since I'm pressed for time, I too often just post about a tasting/wine dinner/IPO wine with which I was involved. The quality of my writing has certain suffered and I don't want to keep posting crappy blips just for the sake of posting crappy blips.
So, let's ring in a Chick-free New Year! Who knows? Maybe I'll resurface elsewhere in the not-too-distant future...
Social media is creating quite a long tail of industries - lots of software companies, consultants, new modes of public relations, etc, etc. Some of them focused on getting you into using social media, which is great, and many of them aspiring to help you “use” social media for your business. The latter point is what I find interesting.
I’ve spoken on the topic of social media before (with assistance from the self-proclaimed “Bonafide Marketing Genius” Marta Kagan - FYI, I’m glad she has the confidence in herself to tag herself that way b/c she’s one of the few I would actually agree with) and I think the biggest point from my talk and others that I’ve seen (like Marta’s deck) is that this all is an excercise in sociology. There are so many technologies that one could use, so many things that you could do, but in the end what is happening to the web is just another means of connecting, interacting, and getting to know people; not unlike joining a social club (like a sports team, a cultural center, or whatever). In fact, just as you have “different circles of friends” offline (work friends, drinking buddies, sports friends), you’ll develop the same thing online and your community will drive you to the tools.
That’s where the idea “use social media” sticks in my craw a little bit.
I’ve had this blog since 2004 and I’ve interacted with many many people thanks to it. It’s mainly an outlet for my thoughts, creativity, and passion (wine, technology, and marketing) and I’ve made a serious number of friends in the wine industry because of it. My goal was to do exactly that, get to know people in the wine industry. One of the major things its taught me though is that the only way to truly understand what this “social media” thing is all about is to get out and do it. BUT - do it with a genuine desire and understand that its a means to reach out to a community (blog in particular). Its not a sales tool and its not a PR tool for social media any more then going to a conference is a PR tool for you. What I mean is you can go to a conference, chat with people, network, find people that you can stay connected with. If you contribute to the conference (effectively contributing to the ‘community’ that the conference is bringing together) then you can get noticed and in that sense you get some good word-of-mouth publicity.
But here is how to think of “use social media” (Ugh!). Its a sociological, human based filter. Its not a broadcast engine like the “information super highway” or the “series of tubes”. Doesn’t matter what tool/site you use, first and foremost your community has to be on that site and/or using that tool. There is always a “critical mass” that needs to be achieved before the tool gets useful. Kind of like a party, its not really fun until there are a bunch of people you know there.
Once your community is there, interacting, chatting, whatever then the dynamics of what happens is facinating. Things start to get “useful” and the human filter is formed. It becomes a situation where the community is as close as a bunch of office mates even though they are all over the world. I literally consider the community I interact with on Twitter my “virtual office mates” and I genuinely like interacting with them. The reason is that you can contribute (chat, answer questions, and otherwise participate) just like you would any other office. In the case of Twitter, it becomes just like a hallway conversation in an office. You can ignore it for a while, pop your head in with a little bit of nothing to say, put out some information or useful tool to the community, or you can put out a serious question to the group and get some solid answers. Pretty much how you would for any office with cubilcles and hallways.
The best part of all this is that when the community reaches critical mass of people in a certain technology/tool who genuinely like to talk about a particular topic, forming an open community, thats when the best things come out. If you contribute something to that community that is truly useful, it will get passed on to everyone very quickly. People will decide if what you said is interesting, show their friends and, if its applicable, their friends may pass on the information to their other “open communities”. The network effect takes over and your information has just become “viral” (i.e. it will spread not only in the current ‘circle of friends’ but to other ‘circles of friends’). More importantly, the human filter took over and since that useful piece of information you generated is actually VERY useful, it will get passed on for a while (or very funny, or very interesting in some other way - the latest on Twitter was a streaming video of puppies, not useful, just very Zen).
So if you find an open community or want to know where there is critical mass already for a community you want to learn about (for instance - the wine community is embracing Twitter and Social Networks) on one of these tools the best way to “use social media” (I hate the term because it makes me feel like “use your friends”, but I guess there isn’t a better way to say it) is to contribute in significant ways. Add to the community but more importantly be YOURSELF. If people like you, they like you. If they don’t, guess what…they don’t. There isn’t alot of advice that can be given there that your parents should’ve taught you before Kindergarten. Thats the funny truth of this “social media” craze. The fundamental sociological point is that this is making friends. Because even if you contribute something that spreads from network to network like wildfire, when those people check you out and “follow you” on Twitter, or Facebook, or whatever, then they start to get to know you in a more personal way then anyone over 25 ever thought possible. If you’re obviously contributing to promote your business it will come across. If you genuinely approach this medium (regardless of technology) as “getting to know people” in the way you’ve always done then you’ll not only have that “viral hit” you won’t be an online “one hit wonder”, you’ll have friends who can help you when you’re down, connect you to others, help you build business, get emotionally invested in your brand…. i.e. you’ll be a part of a community and how you do that is something your Mom and Dad shoulda taught you.
FYI - if you’re doing it for a business/brand it doesn’t matter - if people don’t like your personality, they won’t like your brand. These things have a way of piercing the corporate PR veil. Want an example? Supposedly Cisco “gets” blogging. Read their blogs and you tell me what you think….
La Rioja ALta 95 gran reserva!!!!! this wine is killer I have been sitting on it for a little while, I have had several over the last two years, I think it has passed its apex but is still in peak time, very earthy mushroomy and meaty plus tobacco great nose and something you wont see around for long try it if you can.
After four decades in the wine industry, Harry McWatters, the spirited, fun-loving, and sometimes outspoken president of Sumac Ridge Estate Winery in Summerland, British Columbia, is stepping down.
Harry?s accomplishments are legendary. He helped found the British Columbia Wine Institute, Wines of Canada, VQA Canada, the BC Wine Information Society, and the Okanagan Wine Festivals Society. In 2003, he was a recipient of the Order of British Columbia and is considered instrumental in propelling British Columbia?s wine industry onto the global stage.
But even more important, Harry is known and loved for his tireless commitment and enthusiasm. To be in a room with Harry, is to be instantly caught up in a contagious passion for all things wine-oriented. His wit is razor sharp, his smile impossible to resist, and few can match the sheer depth of his knowledge.
But there?s clearly no slowing down on Harry?s immediate horizon. Effective May 1st, 2008 ? the day after he officially steps down as president of Sumac Ridge ? Harry intends to begin work establishing The Okanagan Wine Academy, an educational program offering in-depth wine educational programs primarily to consumers. In addition to providing consulting services, he will also continue on as president of the Black Sage Vineyard.
And he?s going to finally be able to devote some time to completing his cookbook, Wine Country Cooking, British Columbia, a project he says ?has been talked about and gathering dust for several years.? He smiles with that characteristic twinkle in his eyes. ?This is by no means retirement, but an opportunity to find new reasons to get out of bed in the morning and shift gears, as I plan to remain active in the future growth of this great industry.?
Like everyone who has ever had the privilege of meeting this incredible man, we wish Harry every success and look forward to seeing what shifting gears will bring. We?ll also be first in line to try out some of his Wine Country Cooking recipes.
In between the last sips of the last glass of this bottle of Bogle Phantom 2005, I pick up my blue guitar and strum a few measures of that old hymn and wonder what it means. What circle? The reason this tune is on my mind has to do with the seemingly imminent passing of an uncle. He's about to leave a gap in the circle here, and I suppose he will join the circle of those who left before. This is a favorite song of his and he is on my mind.
Whenever I play my guitar, there are phantoms in my head. One tends to play tunes written or performed by those who have already left the room. I first picked up a guitar as a point of entry into the head of one such person. You can learn a lot from those who pass before.
Bogle Phantom turns out to be a lush wine, offering up lots of fruit preserves flavors and aromas, wrapped in sweet spicy oak overtones. Plummy, cherry and currant fruit abounds. The spice is a bit along the lines of a Moroccan blend, and there's a touch of vanilla in there as well.
The blend is 55% Petite Sirah, 42% Zinfandel, with the balance being Mourvedre (Monastrell). The spicy notes are brought out through the time spent lying in American oak barrels. Bogle is known for giving a lot of wine for the money, and Phantom always sells out quickly. I guess that's why they call it Phantom - it's elusive - hard to get a hold of, so to speak.
Earlier in the evening, we paired Phantom with some barbecue beef, of the sweet tomato variety. Anything of that hearty stick-to-your-ribs sort of food will pair well. Now that the last sip is gone, I put down my guitar and let go of the day.
Price: $19 (Nashville). Closure: real cork. Alcohol content: 14.5%
Nose: creamy sweet lemon custard aroma Palate: very dry, sprightly citrus with robust acid for strength and structure. Finish: lively finish of green grass that is over too quickly.
Overall: I am blown away by the quality of this Australian Riesling. I paid 6 dollars for this on sale but it usually doesn't go for more than 12. This is an excellent value white. Absolutely brilliant in its simplicity which adds elegance. Perfect for parties and entertaining.
The New Facility, open to the public--NOW! This Fantastic New Facility is Designed Exclusively for the Creation of Napa Valley Cabernet Sauvignon; Featured at the Oakville Tasting Room are Vertical Tastings and New Offerings for all Guests.
Silver Oak Cellars, producer of Cabernet Sauvignon from both Napa and Alexander Valley, has announced the opening of its new winery and tasting room in Oakville. Re-built from the ground up after the original facility suffered a fire in 2006, the winery is designed to produce one wine only, the Silver Oak Cellars Napa Valley Cabernet Sauvignon. Its first grapes were received September 1st. The new timber-framed tasting room features reclaimed stone, oak and redwood and is evocative of the original tasting room built in 1981. Open September 29th, the winery is certain to remain a beloved Napa Valley destination.
The 2004 vintage of this wine received a bronze medal at the Decanter World Wine Awards last year (2006). I’ve only been able to find the 2005 vintage in Belgrade wine shops. It has an intensive and complex aroma with hints of flowers. Dominant tastes are those of melon and slightly of apricots. However, I wasn’t impressed, perhaps I expected more due to all the hype. Or perhaps there’s a significant difference in the two vintages. We should note that this winery has a good reputation. The Simcic Sivi Pinot 1990 was awarded the Cordon d’Excellence; their Chardonnay has won two gold medals at the Ljubljana Wine Fair and the 1994 vintage was declared Champion by the Knights of the Burgerland-Pannonian Order.
This is another great wine from the WinEco winery (Podrum Radenkovi?) from Southern Serbia. It is a not-very-dry Chardonnay, without a strong nose, but with an exceptional balance of fruity and barrique aromas. It is easy going, with a full taste, definitely one of the wines to accompany your lighter meals. It’s barrique traces make it a great complement to slightly smoked fish or cheeses, but it’s also great on it’s own.
In general, Chardonnay is particularly suited for the barrique (oak aged) treatment. Chardonnay Barrique develops a pronounced cognac aroma and becomes a truly full-bodied wine - all hints of fruity flavours become very subdued.
Score 9/10 Price: 800 RSD (?10) Retailer: Super Vero
Sad sign of the times: collectors are resorting to selling their precious wine in order to raise capital. Lisa Baertlein (reuters.com) writes:
LOS ANGELES (Reuters) - Wine cellars have been taking a hit from the global credit crisis and it isn't because the owners of rare bottles are drinking more -- it's because they have been selling to raise cash.
The selling started with mortgage brokers and has moved to Wall Street as owners turn their collections of coveted vintages into liquid assets.
"People need money. Even richer people need money sometimes," Vinfolio.com founder and Chief Executive Stephen Bachmann told Reuters on Monday.
In the last few weeks, private collectors submitted offers to sell $10 million worth of wine to Vinfolio, a San Francisco-based company that buys and sells wine online. Normally the company has about $6 million offered to it.
Les Anges raised from the ashes of Hulk & Fifty Foot Combo , two well known, much loved rock'n roll bands from Belgium. Having previously been regulars of the Dutch, Belgian, French and German rock scene, the four members of Les Anges have been tearing up the scene since forming in January 2007, having played hundreds venues across Europe. With the release of their first album "A Deep Grave as a Shelter" in April 2007, Les Anges have since graced stages at festivals such as Dour and have shared the stage with bands such as the Black Rebel Motorcycle Club, The Dandy Warhols and The Egales of Death Metal. With the sexy sounds of Sandra's keyboards, the charisma & charm of Renaud's guitar rocking, the hot & heavy bass lines of Matthieu and the 70's rythmic beating of Giacomo's drums all makes for a rock'n roll orgasm. Staying true to their rock roots, their live performances are high energy, electric, charismatic and definantly not to be missed. Look out for Les Anges first album "A Deep Grave as a Shelter" out now and available at the FNAC, Caroline Music and various other music outlets.
Brilliant article from the recent issue of Wine Spectator written by Matt Kramer (winespectator.com):
Recently I found myself in one of those wine wrangles that, truth to tell, I usually try to avoid. (Check out any wine chat board on the Internet if you've got a taste? for this sort of thing.)
The wrangle was with, natch, a winemaker?, while at a social event. It involved the winemaker's assertion that "fine wine is art." I pointed out, as modestly as I could, that there's no denying that nature surely doesn't make wine on its own, let alone fine wine (vinegar? is more like it). I then went on to say that fine wine is, at best, a high craft both in the vineyard? and the cellar?.
Probably, if I had stopped there, the discussion would have proved amicable. But I took the matter one step further. (You're shocked, I know.) I submitted that saying that winemaking, and therefore its result, is "art" was self-aggrandizing. You can imagine how that was received.
Now, I admit that the self-aggrandizing bit was a low blow. Still, it's true. If winemakers can get you, me and, especially, their employers to see them as artists, you know what'll happen: Their salaries will rise, and producers, for their part, will start pricing wine as "art." And you know what that means.
So why isn't fine wine "art"? The answer is surprisingly simple. Art is creation; wine is amplification. The big? difference between an artist and a winemaker is that an artist starts with a blank sheet while a winemaker works with the exact opposite. A grape arrives at the winery? with all the parts included, a piñata stuffed with goodies, just waiting to be cracked open.
Is there a craft to doing that? You bet there is. But where an artist conceives of something out of the proverbial thin air, no winemaker anywhere in the world can do any such thing.
For example, when my wine heroine Lalou Bize-Leroy bought the former Domaine? Noëllat in Vosne-Romanée and transformed it into Domaine Leroy, she did not create her magnificent wines from scratch. It was all right there in the hallowed ground and old vines? of her newly acquired pieces of Richebourg and Romanée St.-Vivant. She didn't create something from nothing. Quite the opposite.
Fine wine is not creation. It is refinement. If it were otherwise, then everybody would be "creating" Lafite Rothschild or La Tâche or any other wine masterpiece of singular, irreproducible expression and high price. Counterfeiting aside, I don't see anybody doing that, do you?
They don't because they can't. That's precisely why fine wine is not art. It comes from all the forces that create a particularity of site. Great winemakers?which is to say, expert practitioners of winecraft?tease what they can from the sites that are available to them by planting the right grapevines, growing them astutely, harvesting the fruit at an ideal moment (a problematic issue today given some winemakers' and critics' preferences for ever greater ripeness) and handling the fermented juice? in the cellar with deft control.
This is no small charge, and I, for one, do not seek to diminish it in any way. But art? Not a chance. The poet E.E. Cummings put his finger on it better than anyone else: "A world of made is not a world of born." Wine is no more a blank canvas than the Grand Canyon.
Why does this distinction matter? Because abstract though it is, if winemakers and, yes, wine lovers, see wine as art, then the essential connection between what a grape expresses from its site and what we expect is severed. If a winemaker is an "artist," then he or she, by artistic right, can and should modify the result to suit a personal vision separate from a "mere" expression of place.
However, if the finest winemaking is seen as a high craft, rather than art, the expectation changes subtly yet substantively. Where art presumes a blank slate upon which a personal vision necessarily is writ large, the notion of craft is more deferential. Like great parenting, it's a guardianship of something already largely complete. The goal is refinement and amplification of what's inherent. Think of what happens when parents do otherwise.
So it is with wine. All sorts of technological deconstruction and reconstruction now occurs in many wineries today, especially ones creating high-end?or at least high-priced?wines. They see themselves as artists and would like to convince you of same. If they can, well, you know how distorted the results can be?and who pays.
Matt Kramer has contributed regularly to Wine Spectator since 1985.
It seems obvious on reflection but it remains an important distinction to make, especially given the widespread labeling of wine making as an art form, particularly in wine marketing circles.
It’s pretty easy to call a wine sweet: it has a perceptible level of residual sugar in it (five grams of residual sugar is often considered the threshold of perception). Sweet wines generally start at about 45 grams of residual sugar (RS). Some wines, such as Tokay, have require a minimum level 60 grams of RS and rate wines by sweetness with six puttonyos being instant diabetes.
What’s the opposite of sweet? Dry. All the discernible sugar has been converted to alcohol during the fermentation process. Tricky since you might think the opposite of dry is wet and, well, all wine is wet. Dry doesn’t have to do with high tannins, which might make you go “chomp, chomp” and think “OMG, my mouth is drying out! I need water!” It’s just close to zero grams of residual sugar.
And there’s a middle ground of “off-dry,” or slightly sweet. Silly term, I agree (what is it, moist?). Slightly sweeter than that can be called medium dry. If you want to get all wonky geeky, off-dry might be five to fifteen grams of RS and medium dry, from fifteen to forty. Some countries and/or regions are so wonky geeky that they have specific terms and laws for these levels.
Oddly enough, a wine with a lower amount of residual sugar can sometimes taste sweeter than one with a slightly higher amount; it’s often a question of balance with acidity and one category that can be hard to discern in this regard is Champagne, which also as carbon dioxide zooming at your palate as well.
I bring this up because it came up in the comments of this recent posting about “light” as a wine style. And it comes up regularly in my NYU class. If you want to see sweet and dry in action, try tasting these two Leitz wines or a Northern Rhone syrah against a ripe, sweet version of the same grape from somewhere in the New World (but not all are ripe and sweet).
IN A DRAMATIC change of focus the Hardy Wine Company today announced that it was taking a great leap backwards - and changing its name. From the end of this month the Hardy Wine Company will be known as Constellation Wines Australia. This is an attempt to change the perception of the Hardys wine name from that of a corporate giant to, more simply, a regional winery 'known for quality and craftsmanship'
While this change is largely window-dressing, it is important. It marks a significant shift in thinking at Hardys. In recent years its super-premium portfolio has been sadly neglected, to the point where many premium wine drinkers (and wine media) today query whether the Jack Mann, Houghton Gladstones, Hardy's Tintara and Thomas Hardy super-premium labels still exist. The Hardy Wine Company has become known for good quality, cheap, non-region-specific fighting varietals. It has been at the forefront of the much maligned 'race to the bottom'.
And for a long time this strategy has been widely perceived as puzzling and myopic - like defecating in your own nest.
Hardy Wine Company President John Grant said today that ‘This is a pivotal time for our company as we embark on a range of activities to move our company to higher ground. From 31 March ... we aim to showcase to the world regional winemaking at its finest.
‘By drawing on Constellation’s global resources and tapping into our generational traditions, we aim to become Australia’s regional wine champion, recognised for our quality brands and winemaking excellence.’
‘Changing our company name provides greater freedom to shine the spotlight on the real heroes of our business - the outstanding regional wines. In particular, it allows the Hardys brand to return to being a winery, known for quality and craftsmanship, rather than being known as a corporation.’
‘We will be adding to our diverse regional offering and continuing our exploration of Australia’s premium wine regions’, he said, ‘as well as strengthening our front line staff, with additional personnel, tools, resources and training’.
Constellation Wines Australia brands include: Amberley, Banrock Station, Barossa Valley Estate, Bay of Fires, Berri Estates, Brookland Valley Estate, Chateau Reynella, Goundrey, Hardys, Houghton, Leasingham, Moondah Brook, Omni, Redman, Renmano, Stanley Wines, Starvedog Lane, Stonehaven, Tintara, Yarra Burn.
At the Decanter event last weekend, it was great to see so many people enjoying fine wine. Such a joy to have so many truly outstanding wines under the same roof laid out for the consumer.
At this particular Encounter Bordeaux epecially had a strong presence and the exhibitors read like a roll-call of the great and the good - though by no means exhaustive it certainly gave a very good schooling in what the fuss is all about. It proves that the UK is not all about Blossom Hill sugar water despite all the depressing statistics.
Not only were there members of the public that you would expect - I had some lovely older gentlemen coming up to me at the Jancis Robinson stand, just to tell me with a conspiratorial wink that they were already "purple pagers" - but lots and lots of young people. The majority in fact. I hope this means that the next generation of wine drinkers/collectors/enthusiasts are trading up as they experience these wines first hand and making relationships with producers that may last a lifetime.
As well as the wines on offer there were also Masterclasses, the two most popular being the Margaux vertical and Jancis. Both of these will be available as podcasts - once the technology has been tamed- on the Decanter website and Jancis will put hers up on www.JancisRobinson.com
As well as all that, authors - Andrew Jefford and John Radford to name just two - were there for book signings and a very nice team from Riedel explaining all the subtle nuances of the various glasses and exactly why you need at least 10 different sets (I wish).
OK, so there’s alot of hub-bub about that the Wine Spectator expose that happened by blogger Robin Goldstein. And first let me say a couple things. Bloggers are extraordinarily important to the world and this is just the latest example of some good citizen journalism. Bravo to Robin for the work on setting up this sting. Nice, ethical, and well executed.
As a marketing professional for a decade and a half I’ll say this though - what did you think the award was? Wine Spectator is a “for profit” private entity that has what, 100 employees? I’ve dealt with many many awards for the rediculous number of products and companies I’ve launched and I’ll tell you this, whenever there is a for-profit entity involved then you’re going to pay-to-play. And if you pay-to-
Tecnorati
The 2004 vintage of this wine received a bronze medal at the Decanter World Wine Awards last year (2006). I’ve only been able to find the 2005 vintage in Belgrade wine shops. It has an intensive and complex aroma with hints of flowers. Dominant tastes are those of melon and slightly of apricots. However, I wasn’t impressed, perhaps I expected more due to all the hype. Or perhaps there’s a significant difference in the two vintages.
This is another great wine from the 
