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A few quick things about cru Beaujolais, the smaller, distinctive growing areas of Beaujolais.
1. The Burgundy producers are coming! Prices are relatively low for grapes and real estate. That fact has attracted investment to the region from producers looking to expand: Earlier this year the Champagne (and Burgundy) house Henriot purchased the Chateau de Poncie, a key property in Fleurie. When I asked Joseph Henriot earlier this year about the motivation for the purchase, he pointed to the distinctive terroir (he loves Moulin-a-Vent and Morgon as well as Fleurie) but also the tremendous discount the property had compared to land in Burgundy.
2. Cru Beaujolais can age, maybe even longer than you think Louis Jadot was one of the earliest notable Burgundy producers to acquire property in the Beaujolais region, notably in Moulin-A-Vent. I tried their Chateau des Jacques 1996 a few months ago and was wildly impressed. Jacques Lardiere, the winemaker (pictured right), told me that the best wines can last decades! 3. I’ve got a cru Beaujolais vertical going–in magnum Magnums, twice the size of regular bottles, are generally baubles for captains of industry. But you can get a top cru Beaujolais in magnum for less than a lot of second label Bordeaux. Combine this price appeal with the age-worthiness and you can understand why I have several magnums of Deccombes, Desvignes, and a mini-vertical (three vintages!) of Clos de la Roilette cuvee tardive. Cru Beaujolais magnums also make great gifts; to wit, I just got a magnum of Lapierre Morgon 07 at Appellation Wine and Spirits yesterday.
4. Gamay is wildly food friendly! And at 12.5 percent alcohol, you can have a couple of glasses too and still be able to function after dinner.
5. It’s mostly less expensive than red Burgundy!
6. How would you change the region? In 1395, Duke Philip the Bold outlawed the humble gamay grape from Burgundy, protecting the premium pinot noir by fiat. What would you do differently if you were the Duke of Beaujolais? I asked Jacques Lardiere what he would do differently if he made his wine in Moulin-a-Vent outside of the appellation system, which mandates certain controls, such as planting the grape gamay. He said, “I would plant pinot noir.”
Don’t forget to join us tonight at 8 PM on Twitter Taste Live raising a glass of local wine or a cru Beaujolais! use #ttl in your comments or follow me.
Friday night we had some company coming. Dominique made a fabulous cheese plate complete with two camemberts - Old Chatham Sheepherding Company and Real Amazing Food Company, and a Sprout Creek Eden, a semi-hard cheese which is wonderful. There were assorted rustic breads - walnut, raisin loaf and traditional sourdough. We decided on Cascade Mountain Winery Coueur De Lion
Cascade Mountain was founded in the spring of 1972 by the Wetmore family who pioneered the production of premium table wines on the eastern side of the Hudson River. Bill, along with his wife Margaret and their three children Charles, Michael and Joan, planted the vineyard in 1972, built the winery in 1977, and opened the restaurant in 1985.
Today, Cascade Mountain is a thriving business which features a full line of award-winning table wines and a highly rated restaurant. Customers come from all over the world to enjoy a few pleasant hours on top of the Berkshire foothills accompanied by some of the best food and wine to be found in the Hudson River Valley.
George Cafiero is the manager now at the winery. He's one of the hardest working guys in the Hudson Valley. He's a ubiqitous presence at farm markets an festivals from the Hudson Valley to the Finger Lakes.
This wine is a light-bodied, beautifully colored red. It's made in the Beaujolais style with soft, rounded berry flavors accented by peppery Cabernet Sauvignon to produce a velvet smooth finish. Great quality for the price. It's $14 per bottle. Great for Thanksgiving.
Wow. I have just come back from visiting one small corner of the Thai wine making industry, and I am really quite impressed. With tropical grape growing changing all of the rules, these hearty mavens have managed to beat all the odds and produce world class wines in a monsoon climate.
To be fair, I was pretty impressed with India's efforts as well, so it shouldn't have come as much as a shock as it did. In India I didn't have a chance to tour the vineyards, an oversight I hope to correct in the not to distant future. Seeing the Thai vines in person was an enlightening experience.
I saw well tended row after row of primarily young vines which were already producing decent enough fruit to make outstanding wines. I also saw older vines that while only in their teens, were capable of churning out reserve quality grapes, year after year.
I also witnessed the heartbreak of a 30% loss of crop due to the unusually long rainy period that has yet to subside. The immature grapes were devastated by Powdery Mildew (Oidium) leaving behind fruitless vines and dashed hopes.
In the coming series of reports I will relate the tales of four commercial wineries, each with a slightly different approach to success. One who avails themselves of a little help from France, one who is creating a Grand Cru style estate, another who has found the balance between tourism and quality, and finally a large concern who's wine cooler business helps them afford to take chances on their premium wines.
I also found one producer who has yet to turn commercial, but his highly inventive nature has led him to experiment with ideas that push the envelope of vineyard management. While his vintages to date have only yielded enough wine for friends and family (a mere 1000 bottles) his wines were among the finest I have tasted in Thailand.
In no small part my trip was especially memorable for the company I kept. Not only the incredibly generous winery owners and staff, but by the presence of the hard working and eminently impressive Denis Gastin.
Denis is a wine writer from Australia who's tireless efforts on behalf of the Asian wine industry are an inspiration. Expect to see more about Asia on my web site in the coming months, as I elevate this continent's visibility to the status it deserves.
In the minds of many, not to mention my own, Asia is not a player in the world wine scene. This is simply wrong, and it is high time everyone knew about it.
*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.
*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?
- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:
1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.
2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.
3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.
*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?
- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.
- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.
*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?
- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so.
*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.
*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?
- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:
1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.
2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.
3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.
*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?
- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.
- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.
*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?
- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so.
IN A DRAMATIC change of focus the Hardy Wine Company today announced that it was taking a great leap backwards - and changing its name. From the end of this month the Hardy Wine Company will be known as Constellation Wines Australia. This is an attempt to change the perception of the Hardys wine name from that of a corporate giant to, more simply, a regional winery 'known for quality and craftsmanship'
While this change is largely window-dressing, it is important. It marks a significant shift in thinking at Hardys. In recent years its super-premium portfolio has been sadly neglected, to the point where many premium wine drinkers (and wine media) today query whether the Jack Mann, Houghton Gladstones, Hardy's Tintara and Thomas Hardy super-premium labels still exist. The Hardy Wine Company has become known for good quality, cheap, non-region-specific fighting varietals. It has been at the forefront of the much maligned 'race to the bottom'.
And for a long time this strategy has been widely perceived as puzzling and myopic - like defecating in your own nest.
Hardy Wine Company President John Grant said today that ‘This is a pivotal time for our company as we embark on a range of activities to move our company to higher ground. From 31 March ... we aim to showcase to the world regional winemaking at its finest.
‘By drawing on Constellation’s global resources and tapping into our generational traditions, we aim to become Australia’s regional wine champion, recognised for our quality brands and winemaking excellence.’
‘Changing our company name provides greater freedom to shine the spotlight on the real heroes of our business - the outstanding regional wines. In particular, it allows the Hardys brand to return to being a winery, known for quality and craftsmanship, rather than being known as a corporation.’
‘We will be adding to our diverse regional offering and continuing our exploration of Australia’s premium wine regions’, he said, ‘as well as strengthening our front line staff, with additional personnel, tools, resources and training’.
Constellation Wines Australia brands include: Amberley, Banrock Station, Barossa Valley Estate, Bay of Fires, Berri Estates, Brookland Valley Estate, Chateau Reynella, Goundrey, Hardys, Houghton, Leasingham, Moondah Brook, Omni, Redman, Renmano, Stanley Wines, Starvedog Lane, Stonehaven, Tintara, Yarra Burn.
This is a premium Montenegrin red wine made from the indigenous Vranac grape. The Reserve is produced from particulary good years, in small quantities, aged in barrels for several years. It is also aged in bottles for one year before being released to the market.
This is a dry wine, with a pleasant fruity nose. However, the impressions are far lower than it’s price. If you want to experience the Vranac variety the Montenegrin way, go for a regular Planta?e Vranac or their Vranac Pro Corde. They are much cheaper and the experience is almost the same.
Wines of the Vranac variety are produced throughout the region, apart from Montenegro, you can find them in Macedonia, Serbia, Croatia and Herzegovina.
After having a look through the supermarket shelves for the first time in ages I was actually pleasantly surprised that there were quite a few decent mid-range wines on offer.
I don't think that makes up the majority of wine sold to their customers and if you regularly go to just one supermarket branch I think you'd get bored quickly.
However the point is that there are some good even great wines being offered. I have been especially impressed with Tescos and Sainsburys premium own brands which have gone to specific regions and made authentically regional wines. Sounds easy but too often I have drunk a winemaking- rather than wine- style.
Over the past three weeks Waitrose put on their annual press tasting showing their 270 wine range. For the first time all the fine wine was shown together with the everyday drinkers. This was an admirable show of confidence in all of the wines but did lead to a couple of unfairly marked contrasts - a 2005 Fitou after a 2003 Ch Mouton Rothschild 1er cru Pauillac (delicious, by the way). However despite this I think it was a brilliant way to show the wines and a thoroughly enjoyable tasting.
It would be too long to list all the wines here so I will add a new section to the site for tasting notes from various merchants etc and publish them all together. As soon as time allows. Highlights though for me, apart from the Mouton Rothschild were Corton-PougetsGrand Cru 2003 from Louis Jadot, Ch Lagrange2000 St Julien, Ch Rauzan-Ségla1998 Margaux, Ch Cos d'Estournel2003 St Estèphe.
Yes ok, not exactly hard to have picked those out, there were also lots of more affordable lovely reds, Ch d'Aiguilhe2002 Côtes de Castillon - a former neighbour of mine though I didn't hang out with the Count, Cuvée Constance 2004 VdP des Côtes Catalanes + lots more - 2004 Gigondas from Gabriel Meffre, CNdP 2004 from Perrin et Fils and I haven't even left France yet. Ormanni Chianti 2003, Viña del Olivo2001 from Contino in Rioja, Columella2004 from South Africa, Craggy Range Le Sol Syrah2004 from New Zealand, Cape Mentelle Cab/Merlot2004 from Margaret River in Western Australia and the fabulous O'Leary Walker duo with their Claire O'Leary Reserve Shiraz 2002.
The whites, tasted the week before, were of a similarly high standard. There was a consistent level of quality and of typicity across the range. Again some fabulous Burgundy leading ladies but also a Ch Jolys Jurançon Sec 2005, another VdP des Côtes Catalanes Matassa Cuvée Marguerite 2005, CVNE Monopole Rioja Blanco 2005 a super food wine, Cono Sur's dependable Limited Release Gewurztraminer 2006, Villa Maria Single Vineyard Graham Sauvignon Blanc 2005, Torbreck Woodcutter's Semillon 2003 - outstanding, I thought. O'Leary Walker Polish Hill River Riesling 2006, Paul Blanck Riesling Grand Cru Schlossberg 2002 from Alsace.
Some of the top wines are only available in a very few stores, even only one store in a couple of cases and clearly there are limited stocks. However Waitrose are taking themselves very seriously as wine merchants and are doing a better job than any of the other supermarkets on current evidence. Their new winelist is as good as anything a very good independent merchant would produce with introductions to countries and regions, tasting notes and lots of helpful information.
It is no surprise that this year they scooped two top awards : the International Wine Challenge Supermarket Wine Retailer of the Year 2006 and Decanter World Wine Awards Best Supermarket 2006. Congratulations.
Hot on the heels of the sensational success of the 'World's Greatest Book Of Useless Information', the Official Useless Information Society bring you another essential compendium of everything you never needed but always wanted to know., Reference ; Curiosities & Wonders, The Best Book of Useless Information Ever
As Seen on Ellens 12 Days of Giveaways & Good Morning America The pocket-size electronic talking Wine Master offers a sleek and slim design easy control panel and over 10 000 wine and spirits reviews ratings and suggested retail prices at your fingertips. The newest version of the Wine Master is the most essential wine tool you can own. Bring along with you to wine shops and restaurants and never make another wine buying mistake again. Requires 2-AAA batteries (not included). Over 10 000 wine and spirits reviews ratings (100 pt. scale) and suggested retail prices from Wine Enthusiast Magazine Food and wine pairing guide Digital display screen with back-light and compressed text functions Talking navigation with on/off Type Varietal Winery or Vintage search option Handsome non-zipper black case Wine Master is a mighty wizard that gives you mastery over the most serious wine shop clerks and sommeliers. Brushed aluminum with chrome accents. The Wine Enthusiast 2008 Wine Buying Guide is also available. Size: 4-3/4'H x 3'W NOTE: The information included in the Wine Master is based on the reviews and ratings conducted by The Wine Enthusiast Magazine. For the 2008 edition we added 10 425 reviews. Therefore if you look at a review of a 2002 Caymus in 2007 and in 2008 the review will be the same. Since we cannot review all the wines produced in a year some wines may not appear with a newer year review which does not mean that the wine is discontinued but just that particular vintage (year) was not reviewed.
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Aerates wine faster with an extra-wide base. The Riedel Ultra Wine Decanter offers a modern design in crystal while creating maximum breathing room for your wine. Made of 24% lead crystal the wine decanter has a broad base that allows the wine to aerate and release flavors and aromas which enhance the attributes of your wine. Decanting wines (particularly old wines) just before serving ensures clarity and true color while preventing any sediments from interfering with the wine-drinking experience. Decanting young wines gives it a chance to open up and tame overpowering tannins and fruit flavors. Pair the Riedel Ultra Wine Decanter with our large wine decanter glass stopper. Size: 8-3/8'H 45-3/8 oz.
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Tecnorati
2. Cru Beaujolais can age, maybe even longer than you think
This is a premium Montenegrin red wine made from the indigenous Vranac grape. The Reserve is produced from particulary good years, in small quantities, aged in barrels for several years. It is also aged in bottles for one year before being released to the market.