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Every fan of Pinot Noir will undoubtedly know the name of John Haeger.
As author of the highly acclaimed “North American Pinot Noir,” John literally wrote the book on the fascinating history and evolution of Burgundy’s illustrious grape variety here in the United States. John’s academic approach to both the research and the writing created an instant hit and a must-have treatise for most wine lovers. But, more than anything, it was destined to become THE book for domestic Pinot fanatics. Of course, its appearance at booksellers just months before release of the movie “Sideways” didn’t hurt sales either.
Now, four years later John Haeger has written another wine book, “Pacific Pinot Noir.” Since, as he notes, “96% of North America’s Pinot Noir comes from an area I call the Pacific Pinot Zone,” it was only natural for him to focus on an area extending from mouth of the Columbia River in Oregon to Santa Barbara in California and extending up to thirty miles inland.
Pinot Noir’s rise in popularity over the last several years owes much to the different personalities of the grape itself. Join us as we talk with author and lecturer John Haeger about Pinot Noir, and discover its unique place in the world of wine.
I rarely see a Philippe Charlopin, so it was a surprise (for me) to see this on the shelf of a French supermarket. Very tasty wine. 2006 Philippe Charlopin, Gevrey-Chambertin Medium-plus colour. Slightly murky nose with a little vanilla and a faint mushroom - slowly fills out with deep and impressive primary red/black fruit to [...]
2003 Lignier-Michelot, Morey St.Denis Vieilles Vignes Medium-plus colour. The nose is forward, maybe a hint porty and certainly very ripe but generally the fruit talks of pinot. Ripe, plenty of concentration and very well mannered tannin. The understated acidity provides good balance and just enough freshness. It’s riper than I prefer, [...]
This wine is characterized by a yellow-green colour, a fresh citrusy aroma with hints of honey and a complex flowery aftertaste. It’s a semi-dry riesling, dryer than the Slovenian rieslings (such as Laski Riesling for example), but sweeter than those found in Serbia. It is a nice wine to accompany a lighter meal.
This is one of the wines available in Belgrade restaurants in 0.2l bottles, so if you’re a driver among non-wine drinkers (meaning you can’t order a whole bottle of some fine wine) it’s a good chance you’ll be in a position to try it. Do so.
The Harpers Alcohol: Know Your Facts campaign has been launched in a bid to offer an alternative view to the almost daily barrage of press stories that give the impression drinking in the UK is out of control. When the real picture, based on the Government's own statistics, show overall long-term drinking levels are actually in decline.
Harpers (which is a well established UK wine industry weekly) has put up a petition on the Number 10 Downing Street website calling on the public and members of the drinks industry to lobby the Prime Minister directly on the issue to ensure future legislation does not punish the majority of people who drink responsibly.
You can add your support to this vital issue by signing up to the petition (If of course you are a UK resident).
You can also get your local MP involved by signing an open letter calling on them to raise the real facts about alcohol in any debates in the House of Commons.
Your support can make a difference and it is vital we ensure the real facts are heard and understood by our politicians."
Its a struggle drinking Chianti without food; insufferable punishment on the taste buds in fact. That sharp, acidic, slightly earthy finish is how the wine is supposed to taste but it's a struggle to consume more than a glass. Rasping if you are subjected to a poor quality bottle.
Add food and it's like drinking a different wine.
But, I hear the masses yell, that is what Chianti is designed for - drinking with food. It is like a television without an aerial; you can use it but it just doesn't work very well. You know you are missing out on the bigger picture.
Two bottles of this rather decent Chianti have been consumed over the last few days. A Sunday roast of beef and Yorkshires was fine. Further complexity was revealed in the flavour but there remained something lacking.
What the roast lacked was the sweet acidity of tomatoes to balance. Step forward a superbly thrown together lasagne. Combining mince beef, plenty of fresh parsley, a splash of red and a tin of chopped Italian tomatoes the wine shone like a beacon . The wines refreshing acidity makes it all the more drinkable. (I'm also thinking lamb would have been a better match, over beef, with the wines acidity cutting through the inherent fat beautifully).
Review0.3 Wine Tasting Note: San Felice Il Grigio Chianti Classico Riserva, 2004, Tuscany, Italy Stockist: Everywine £257 for 12, Italian Wine Society £15.19 £182.28 for 12 [More on Adegga / Snooth]
A richness of dark cherry fruit leads into a twist of acidic bitterness on the finish. Smooth and robust with hints of leather and mixed herbs. but shines with food. Shown to both Slavonian and French oak barrels which adds complexity. 100% Sangiovese. Alcohol 13%.
Andrew BarrowScribblings Rating - 90/100 [3.75 out of 5]
Firm, focused and juicy, with good density to the plum, berry and dark cherry flavors. The spicy finish features medium-weight tannins. Drink now. 20,000 cases made.
Retief Goosen has started his own brand of wine, called Fine Wines by the Goose. The farm, interestingly enough called Ganzekraal is located in the Upper Langkloof, not far from Goosen's house in George. Winemaker Morne Jonker is very positive about the brand, with the flagship wine 'The Expression' being a 50% Shiraz - 50% Cabernet blend retailing for about R270 a bottle, with only 1 000 cases of the wine currently on the market.
Jonker describes the Expression as ?an elegant wine, well-balanced wine?.
?Our acids are high ? we don't over-tannin our wines with wood tannins ? and we use 20% new barrels, 80% second, third and fourth fills which gives it that nice classical feel. The wine, in fact, tastes older than what it is.?
Having been produced in the Langkloof ? a cool climate wine region where the average temperature is 17 degrees ? the ripening process is prolonged, resulting in smaller, more concentrated berries.
The Expression is distributed by NMK and Global Brands, and stocked by Caroline Fine Wines at the Cape Town Waterfront.
Brendan Barratt, a good friend of mine and the Assistant Editor of Compleat Golfer magazine(www.compleatgolfer.co.za) caught up with 'The Goose' at the recent SAA Open in Pearl Valley and asked him about his new range of wines.
How did you get into winemaking? Were you always interested in wine?
Well you know, I sort of really got into wine let's say 15 years ago, drinking wine with my wife ? she always liked the Chardonays, so I started drinking it and then I became more interested while travelling around the world. You just about eat in a restaurant every night when you play around the world so I just became interested in ordering different wines off the menu and started really getting interested in all the different flavours. About two years ago I said to a good friend of mine, Werner (Roux ? of Lagoon Bay Golf Estate), Let's get into the wine. And he said, 'Well, I know this guy who makes very good wines, just across the mountain here in George'. So we went to go see Morne (Jonker), and Morne was very interested in getting involved, and that's how we started the brand. So far it's been going fairly well and we have only really been running it now since May last year, and we know the wine is good.
How involved are you in terms of hand-on winemaking?
Well I am not there actually picking the grapes! That's for sure, but I am drinking it! But I have been on the farm a few times and we have invested a lot into the farm to upgrade and plant some more grapes. I was quite involved in the selection of the actual bottle itself and the labelling, they were pretty much my idea.
You're following in the footsteps of some fine winemaking golfers, Ernie, Arnie...
Well yeah, just about every second golfer now has a wine farm, isn't it? We are obviously big drinkers! But it's more of an interest than really a business thing and if it does happen to make it, it's great ? and so far it is doing well. And we know we've got a good brand.
Do have have any particular wine preferences?
I love this combination that Morne has made, the Cabernet-Shiraz and the Sauvignon Blanc we are bottling in February, so my wife is more of the white wine drinker. I like both, purely depending on what I am eating and how I feel.
In terms of marketing the brand, can we expect to see 'Goose Wines' on your shirt sleeve any time soon?
Well, I have Grey Goose, which is unfortunately a French-American vodka, but that's something I will definitely start looking at, doing some sort of branding somewhere on my golf bag. At the moment we have been doing quite a bit of marketing and we were at the wine show in London a few months ago, so we are slowly building up our customers. We are doing well, we are exporting a little bit to England, Ireland, Singapore and China. We are looking forward to the East, once we get China then it is going to be our biggest market for exporting.
To contact Morne - call : 082 653 6800 ; e-mail : morne@thegoosewines.com or for more information log onto www.thegoosewines.com
(Thanks must go to Brendan for providing The Cru with this exclusive interview with "The Goose" - let's hope we see him win another 'Major' soon!)
Vermentino was the outstandiong variety at the recent AAVWS. Six of the seven Vermentinos were awarded medals. See more about vermentino Vermentino was one of four white varieties which will shape the Australian wine industry over the next decade see my take on these varieties here.
Yes, monks can make great cheese. Abbaye de Tamie is such an example. It's a washed rind raw cow's milk cheese. It's not so easy to find, but worth the hunt.
Keeping a wine bottle sealed is probably the most important factor when it comes to maintaining a good wine.
A cork is essential, as it keeps oxygen out of the wine bottle. If a bottle of wine is not airtight then it may become oxidized and undrinkable
Traditionally, the only corks worth considering were those actually made of cork. Recently, however, many wine experts have recognized that cork may actually cause more problems than it solves.
Cork, due to its malleable nature may have imperfections; these can result in the seal of the bottle not being as airtight as it could be and the wine being spoilt. In an attempt to avoid this problem, modern cork manufacturers may treat the cork with a chemical called TVA. Unfortunately, this chemical can cause the wine to taste and smell a little damp and musty.
Having said this, cork is able to expand to fully fill the neck of the bottle, which therefore, still makes it the preferred option for special wines that need to be stored, over a long period of time.
Plastic corks are becoming increasing popular, of late. One of the main problems associated with traditional corks is that the wine becomes 'corked'. Plastic corks prevent this occurring. Great! I hear you say. However, there can be minor irritations with plastic corks. A plastic cork can sometimes be difficult to extract from the bottle and virtually impossible to fit back into a half drunk bottle.
Another recent development is the widespread use of screw-top bottles. Until recently, this type of seal was used for only the cheapest of wines. Wine producers across the globe are now recognizing the benefits that screw tops provide. This type of seal ensures that wine is kept fresh; there is no chance of the wine becoming 'corked' and the bottle can be easily resealed. In reality, the only reason that screw tops are not more popular is because of the ingrained snobbery associated with this method of sealing a bottle.
No matter which type of cork you choose, it is important that you are able to recognize whether the wine has been properly sealed or not. A useful test is to see whether the top of the cork is level with the top of the bottle; if it isn't, then that particular bottle of wine is probably best avoided.
If a traditional cork breaks when you are removing it - don't panic! Use a corkscrew to attempt to 'dig out' the remaining cork. If this fails, simply push the remains of the cork down into the bottle. Contrary to popular belief, this will not destroy the wine's flavor. You may have to fish out a few bits of cork, but the taste of the wine should remain unaffected. However, you'd be wise to finish the whole bottle, under these circumstances!
When choosing your wine, base your decision on the wine itself and not the type of cork. Resist the temptation to be a cork snob; a screw top bottle may just give you a pleasant surprise
About the author: Ever since Neil Best first pondered the question, Who made the first wine anyway? he's been recording his findings at Good Glug. Find about your favorite wine regions, wine recipes, and speciality wines along with how it's made and how best to store it for maximum enjoyment
Anyone who?s read Blanc de Noir for long knows we?re both huge fans of Italian wines. There?s just something about the diversity, quality, and sheer fun factor of Italian wines ? whether it?s a casual summer patio sipper or a robust vintage to accompany a big, festive dinner or one of the meditative Amarones that are still way up there on our list of favourites.
So when BC Wine Appreciation Society decided to add a couple of Italian wines to an educational tasting scheduled just prior to the 2008 Playhouse International Wine Festival ? the theme country for this year?s festival was, after all, Italy ? Frank and our illustrious BCWAS leader, Tim Ellison, decided to add a twist to the event. How about putting up a couple of Italian wines with the usual BC vintages? Frank, however, took the concept one step farther.
Here?s the deal. From BC: three sparklers, four Pinot Grigios, two Pinot Noirs, a Cabernet Sauvignon, and a Merlot. From Italy: three Chiantis ? just three and all from Frescobaldi, one of Italy?s most respected winemakers (multi-generations shown above).
Here?s the catch. The Chiantis were bottled in 2004, 1982, and 1975. No, it?s not a typo. The last two came from the collection of Italian wines Frank recently acquired ? one of those fantastic opportunities that come about from being in the right place and the right time and having way more patience than most when it comes to negotiating.
Alas, on the night of the event, Frank was sick with flu, but you can bet eyes went wide as people realized what he?d sent.
The 2004 was, pretty much as expected, dark purple with lots of fruit and tannins that were more ?in your face? than makes for a good sipping wine unless you?re eating. But truth is, few people spent much time with that particular wine since they were all eager to try the two older offerings.
Immediately apparent was the change in colour ? now tawny with a much larger rim than the 2004. Controversy was plentiful and several people found neither one was ?quite my thing? as one member put it in an attempt to be diplomatic. The level of oxidization, especially in the 1975, caused raised eyebrows among half the folks there. It was virtually unanimous that the ?82 needs to be drunk now and the ?75 is clearly a bit past its prime ? although not a soul suggested it should be tossed.
However wide ranging the evening?s opinions were, one thing we all did agree on. These are wines made with love and benefit from patience.
Frank?s Tasting Notes: Castello di Nipozzano Riserva 1982 This wine has aged well, probably because it is a Riserva. After more than a quarter of a century there?s still lots of fruit left ? black cherry and dark fruits with a note of white truffles in the background. The tannins have smoothed right out so they are now a little silky, and the finish is fairly long. This wine shows just how well age can improve a Chianti. Alcohol 12.5%. All the bottles for both these wines are numbered ? I have 10 left, all around 84,960 series out of 293,600 bottles produced in 1982.
Castello di Nipozzano Chianti Rufina 1975 Sadly just a little past its prime but still drinkable as the acidity has helped this one hold up. Wide orange rim, brick red colour. Truffles leave sherry undertones. This vintage has shown a lot of bottle variation ? the fruit showed up a little more in this one than the first one we tried. Alcohol 12.7%. The last bottle I have left is number 74324 of 80,000 bottles produced.
I had an excellent California Pinot Noir last week at 1 restaurant in West Hollywood on the recommendation of the sommelier, Rory Harrington. The 2005 Ambullneo Vineyards Pinot Noir Santa Maria Valley was rich and luscious, with loads of ripe strawberry, light earth character and hints of smoky oak.
The Pride of New York Harvest Festival at the Desomond Hotel in Albany, New York was a wonderufl success. Many celebs of the New York wine world were seen walking the floor, including Hunt Country's Art Hunt, Fox Run's Scott Osborn, Matt Spacarelli of Benmarl, Chris Reno of Lafayette Reaneau, and many other winery owners and winemakers, as well as scurrying sales staffs.
Its been a good year for many wineries, and this event was a great mixture of New York gourmet foods and New York wine.
Spelunking anyone? I feel like a spelunker when I where that headlamp. I’m filling the last barrels for the 2008 vintage in this photo. It certainly was a long one for us, and I’m glad it is over. Wine quality overall seems very good. The whites are delicate and fragrant, and the reds show good varietal character so far.
I know most folks think of harvest as grapes being harvested and received, but the real work for us goes far beyond receiving grapes. It can be a very physically wearing time, and the end of it all is, frankly, welcome. We can resume our normal lives and actually get the weekends off. We aren’t off the hook entirely, though, as the wines and barrels need to be monitored. We check for the progress of malo-lactic fermentation, check on any wines that may have gone to barrel slightly sweet, and monitor any increase in volatile fermentation. Barrels also need to be topped, additions made, white wines stirred, and all the equipment needs to be cleaned, repaired if needed, and put away. Here’s a photo from a few weeks ago that I like.This is a picture of a red fermentor after we have drained most of the wine and before we have started shoveling the skins out of the tank and into the presses. The open space underneath is a stainless steel filter which, among other things, helps us to drain the tank.
I have been traveling in the past week with a dining partner who can not drink much. Rather than ordering a whole bottle, which would inevitably require leaving some behind so I could drive back to the hotel safely, I have been choosing several different wines by the glass over the course of the meals.
Chateau Petrogasm, I LOVE you. I want to pop several corks with you, and find myself in a compromising position in the morning. Yes, I’d even do the walk of shame for you, Chateau Petrogasm. My butt is firmly planted on the bandwagon. I’ll be your largest sycophantic follower. What in the heck is Chateau [...]
*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.
*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?
- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:
1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.
2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.
3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.
*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?
- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.
- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.
*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?
- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so.
'An onsite accident occurred at Wirra Wirra yesterday following the collapse of a fermenting tower at our winery in McLaren Vale. A number of fermenters, tanks and a presses have been damaged, resulting in some loss to our 2008 vintage.
'We are currently working closely with the authorities and SafeWork SA to assess the full extent of the damage.
'We’d like to extend our thanks to all the emergency services whose quick action and professionalism were outstanding. Our thoughts are with our young cellar hand who is currently in a serious, yet stable condition at Flinders Medical Centre. We are pleased to hear that he is making positive progress.
'While it is difficult to determine at this time the full extent of wine lost, it is significantly less than has been reported. Some of the wine in tank may still be salvageable, while offers of fruit from growers to offset the loss have been coming in thick and fast. Whilst the loss of wine is important to our business, clearly the safety and welfare of our staff is of greatest priority at this time.
'Workplace safety for all our staff is of paramount importance at Wirra Wirra, and we are thankful no more serious injuries were sustained.
'We’d also like to extend our thanks to the winemaking community of McLaren Vale and our neighbouring districts who have rallied round with offers of help and well wishes; we have been extremely touched by their support and generosity.
Trott produced the first vintage of Church Block back in 1972 “with a little help from his friends”. It looks like history will repeat itself in 2008.'
BREAKING NEWS: 3.13PM AEST March 6 2008
McLaren Vale winery, Wirra Wirra, earlier today suffered considerable damage to its winery when a number of 45,000 litre fermenters collapsed, causing damage to some tanks and presses, and a significant loss of vintage 2008 must and wine.
One cellar hand sustained minor injuries, however no serious injuries have been reported.
The winery has temporarily been shut down, and staff are working with officials to ascertain the full extent of the damage.
Wirra Wirra is unable to determine when the winery will be up and running again.
2004 Lignier-Michelot, Chambolle-Musigny Les Gammaires Medium, medium-plus cherry-red colour. The nose is understated but shows good depth and there’s no ‘2004 character’. In the mouth it’s serious, with good mid-palate dimension and a good persistence of ripe flavour. Very nice - I bought some more. Rebuy - Yes a lignier-michelot 2004 chambolle les gammaires
A recent stopover in LA had me dining with the one and only Dr. Conti. I can safely say that reports of his demise are greatly exaggerated, and that there are still a few jewels left in the cellar. Quite a few. We were joined by the Burghound, always on the scent of the best [...]
Brilliant article from the recent issue of Wine Spectator written by Matt Kramer (winespectator.com):
Recently I found myself in one of those wine wrangles that, truth to tell, I usually try to avoid. (Check out any wine chat board on the Internet if you've got a taste? for this sort of thing.)
The wrangle was with, natch, a winemaker?, while at a social event. It involved the winemaker's assertion that "fine wine is art." I pointed out, as modestly as I could, that there's no denying that nature surely doesn't make wine on its own, let alone fine wine (vinegar? is more like it). I then went on to say that fine wine is, at best, a high craft both in the vineyard? and the cellar?.
Probably, if I had stopped there, the discussion would have proved amicable. But I took the matter one step further. (You're shocked, I know.) I submitted that saying that winemaking, and therefore its result, is "art" was self-aggrandizing. You can imagine how that was received.
Now, I admit that the self-aggrandizing bit was a low blow. Still, it's true. If winemakers can get you, me and, especially, their employers to see them as artists, you know what'll happen: Their salaries will rise, and producers, for their part, will start pricing wine as "art." And you know what that means.
So why isn't fine wine "art"? The answer is surprisingly simple. Art is creation; wine is amplification. The big? difference between an artist and a winemaker is that an artist starts with a blank sheet while a winemaker works with the exact opposite. A grape arrives at the winery? with all the parts included, a piñata stuffed with goodies, just waiting to be cracked open.
Is there a craft to doing that? You bet there is. But where an artist conceives of something out of the proverbial thin air, no winemaker anywhere in the world can do any such thing.
For example, when my wine heroine Lalou Bize-Leroy bought the former Domaine? Noëllat in Vosne-Romanée and transformed it into Domaine Leroy, she did not create her magnificent wines from scratch. It was all right there in the hallowed ground and old vines? of her newly acquired pieces of Richebourg and Romanée St.-Vivant. She didn't create something from nothing. Quite the opposite.
Fine wine is not creation. It is refinement. If it were otherwise, then everybody would be "creating" Lafite Rothschild or La Tâche or any other wine masterpiece of singular, irreproducible expression and high price. Counterfeiting aside, I don't see anybody doing that, do you?
They don't because they can't. That's precisely why fine wine is not art. It comes from all the forces that create a particularity of site. Great winemakers?which is to say, expert practitioners of winecraft?tease what they can from the sites that are available to them by planting the right grapevines, growing them astutely, harvesting the fruit at an ideal moment (a problematic issue today given some winemakers' and critics' preferences for ever greater ripeness) and handling the fermented juice? in the cellar with deft control.
This is no small charge, and I, for one, do not seek to diminish it in any way. But art? Not a chance. The poet E.E. Cummings put his finger on it better than anyone else: "A world of made is not a world of born." Wine is no more a blank canvas than the Grand Canyon.
Why does this distinction matter? Because abstract though it is, if winemakers and, yes, wine lovers, see wine as art, then the essential connection between what a grape expresses from its site and what we expect is severed. If a winemaker is an "artist," then he or she, by artistic right, can and should modify the result to suit a personal vision separate from a "mere" expression of place.
However, if the finest winemaking is seen as a high craft, rather than art, the expectation changes subtly yet substantively. Where art presumes a blank slate upon which a personal vision necessarily is writ large, the notion of craft is more deferential. Like great parenting, it's a guardianship of something already largely complete. The goal is refinement and amplification of what's inherent. Think of what happens when parents do otherwise.
So it is with wine. All sorts of technological deconstruction and reconstruction now occurs in many wineries today, especially ones creating high-end?or at least high-priced?wines. They see themselves as artists and would like to convince you of same. If they can, well, you know how distorted the results can be?and who pays.
Matt Kramer has contributed regularly to Wine Spectator since 1985.
It seems obvious on reflection but it remains an important distinction to make, especially given the widespread labeling of wine making as an art form, particularly in wine marketing circles.
Tecnorati
This wine is characterized by a yellow-green colour, a fresh citrusy aroma with hints of honey and a complex flowery aftertaste. It’s a semi-dry riesling, dryer than the Slovenian rieslings (such as Laski Riesling for example), but sweeter than those found in Serbia. It is a nice wine to accompany a lighter meal. 
