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| | The Complete Grape Growers Guide. |  | | A Complete Guide For Growing Grapes. Converts Very Well At A Reasonable Price! Growing Grapes And Making Wine Is A Very Popular Topic Right Now.
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| | Fool-Proof Wine Values. | | | Learn How To Easily Find Wines Of $50 Quality For $10 Or Less. Impress Friends With Your Expanded Wine Knowledge. Eliminate Your Dependence On Wine Salespeople. And Take The Hassle Out Of Buying Wine.
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| | Making Wine From Home. | | | A Fun And Very Informative Book On Home Wine Making. The De Facto Standard For All Home Wine Enthusiasts With Recipes, Advice And Tricks.
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[11/12/2008, 06:45]
The Thin White Line | |  They said it couldn?t be done. Yet it is being done. California is emerging from the excesses of the previous decades (who isn?t) and presenting a leaner, meaner attitude in their wines. By lean and mean I mean acidity and a glorious lack of residual sugar. Perhaps Pilates is good for all types of fat.
Just today I had two crisp, mineraly and very dry white wines from California and they were as good examples of the genre as you?ll find anywhere. Facing down a half dozen pristine oysters the 2006 Brander Sauvignon Blanc Natural from Santa Ynez was master of its domaine. It was clean and fresh as you could want, yet the Brander was not that simple cat pee punch produced in New Zealand as on top of that zest was a lovely touch of honeydew melon and ripe pears. Brander Natural is a rare example of a new world sauvignon blanc that can actually challenge Sancerre or Pouilly Fume for both guts and glory. More difficult to find, but well worth the search is the 2007 Pey- Marin, The Shell Mound, Riesling from chilly Marin County. Here?s a high strung dry riesling that is not a bad copy of Alsace, but an interesting wine in its own right. Like the Brander, on top of all the structure and bite is a deliciously ripe fruitiness that belongs only to California. At only 11.8% alcohol it hits some of those high notes you thought only German riesling could hit. There used to be a line that could not be crossed in California without wines being branded as thin. Thankfully those days seem to be gone as producers like Pey Marin and Brander produce lean, mean fighting machines such as these. | | WorldWine Tags: California, wine, riesling, sauvignon blanc, | | | |
[07/18/2007, 14:00]
Cool Links, Newsletters, Blogs and More | | | Women Wine Writers on the Web has an interesting library of links to women's wine newsletters, blogs, books and more. Definitely a recommended stop. To find wines you're reading about at a shop near you, try WineSearcher. This free service will show you which stores have your target wine in stock, along with the price and ordering options. (A paid upgrade provides even more information.) Don't have the time to read wine blogs? But you'd like to stay on top of the hottest wine news? Wine Life Today features the hottest wine blog posts on the internet. Most of the referrals come from other wine bloggers, so when they toast an article, you know it's good stuff, and worth reading. Interestingly, it's always the oddball stuff that wine bloggers enjoy . . . so don't expect to find the usual wine reviews and commentary. Looking to upgrade your wine notes from lined school paper to something a little more . . . elegant and efficient? We recommend CellarTracker. This free online site lets you store your wine purchases, tasting notes, and more. Additional features let you see fellow members' tasting notes. And creator/owner Eric White is very open to feedback and suggestions. | | | |
[11/21/2008, 05:00]
Bodega Mendel Malbec Mendoza 2006 $27 (Wine Spectator) | | | Nicely layered with warm fig sauce, mocha, crushed raspberry and boysenberry fruit and a long, dark, spice- and espresso-tinged finish. Powerful but balanced. Should age nicely. Best from 2009 through 2012. 3,500 cases made. | | | |
[11/11/2008, 06:03]
Thailand: Winemaking in the Tropics - Part 2 | | Wow. I have just come back from visiting one small corner of the Thai wine making industry, and I am really quite impressed. With tropical grape growing changing all of the rules, these hearty mavens have managed to beat all the odds and produce world class wines in a monsoon climate.
To be fair, I was pretty impressed with India's efforts as well, so it shouldn't have come as much as a shock as it did. In India I didn't have a chance to tour the vineyards, an oversight I hope to correct in the not to distant future. Seeing the Thai vines in person was an enlightening experience.
I saw well tended row after row of primarily young vines which were already producing decent enough fruit to make outstanding wines. I also saw older vines that while only in their teens, were capable of churning out reserve quality grapes, year after year.
I also witnessed the heartbreak of a 30% loss of crop due to the unusually long rainy period that has yet to subside. The immature grapes were devastated by Powdery Mildew (Oidium) leaving behind fruitless vines and dashed hopes.
In the coming series of reports I will relate the tales of four commercial wineries, each with a slightly different approach to success. One who avails themselves of a little help from France, one who is creating a Grand Cru style estate, another who has found the balance between tourism and quality, and finally a large concern who's wine cooler business helps them afford to take chances on their premium wines.
I also found one producer who has yet to turn commercial, but his highly inventive nature has led him to experiment with ideas that push the envelope of vineyard management. While his vintages to date have only yielded enough wine for friends and family (a mere 1000 bottles) his wines were among the finest I have tasted in Thailand.
In no small part my trip was especially memorable for the company I kept. Not only the incredibly generous winery owners and staff, but by the presence of the hard working and eminently impressive Denis Gastin.
Denis is a wine writer from Australia who's tireless efforts on behalf of the Asian wine industry are an inspiration. Expect to see more about Asia on my web site in the coming months, as I elevate this continent's visibility to the status it deserves.
In the minds of many, not to mention my own, Asia is not a player in the world wine scene. This is simply wrong, and it is high time everyone knew about it. | | | |
[01/09/2009, 04:36]
Regarding Shrinkage | |  ?There is a lot of juice in a shrinking market,? an Italian wine exec recently said to me in a meeting. I couldn?t agree more. This week, in the day job, we finally closed out our year. Initial reports are showing a rally in December and the Italian wine sales were better than I expected. In fact, in the flyover world that I track, Italy outpaced France and Spain (easily) and might have eclipsed even Australia. I will post a more detailed report when the bandwidth cools down in the building from everyone wanting to pull reports at the same time.
That said, I have had at least four calls this week from suppliers looking for a home. My terse advice in this moment is a two parter: 1) move here and dig in or 2) stay home and wait it out for the next 18 months.
The ark is full and there is absolutely no more room in the market for anymore Italian wine. If you have an importer and a distributor, stick with them, work with them. Stay where you are. If you are homeless, I am sorry for you. The market is over saturated. For now.
More to come.
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[05/12/2008, 17:55]
Interview with Ed Lehrman of Vine Connections: Second Installment | | 
*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.
*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?
- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:
1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.
2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.
3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.
*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?
- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.
- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.
*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?
- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so. | | | |
[11/27/2008, 11:06]
Zilzie Cabernet Sauvignon 2007 | | | The proverbial soft, sweet-hearted, inexpensive Aussie red. You need a subscription to The Wine Front to see this part of the post | | | |
[07/12/2008, 00:23]
An interesting bottle | | Some family friends just got back from Spain last month and they brought me the most peculiar bottle.
Andrade Vino Naranja Reserva 1985
Anyone know anything about this? They were under the impression it was a dessert wine, and with a name like Vino Naranja, I can imagine that they're right.
And then with the year being what it is, should I pop it open now or store it away?
I suspect it's more of a port than a wine, but it's only 15% Alcohol.
But when I look at the back it has a description in Spanish of the wine (too bad my Spanish is terribly rusty).
Nota de Cata:
Variedad: Moscatel 100%
Aspecto: Muy denso
Color: Rojo caoba oscuro
Crianza: En roble desde 1985 hasta nuestros dias.
Olor: Aroma intenso uvas moscatl y naranja
Sabor: Muy dulce persistencia en boca
Gastronomia: Aperitivo y Postre
So.. is this a red Moscato? With hints of Orange?
Thanks in advance. | | | |
[07/04/2007, 16:20]
Top 400 hundred summer wines | | As recommended by Jane MacQuitty of The Times, here is an extensive list of summer wines to enjoy all for under £20, or you can try the less than £5 list, under £8 list or under £12 list. So much choice! I love these lists for giving you a goal to achieve over the summer months … so better get started … somewhere in the middle I think with 2006 Divinus de Château Bonnet, Sauvignon Blanc, Bordeaux, André Lurton, France, Sainsbury?s, £9.99. | | | |
[05/05/2007, 09:28]
The Doctor Is Still In | | | A recent stopover in LA had me dining with the one and only Dr. Conti. I can safely say that reports of his demise are greatly exaggerated, and that there are still a few jewels left in the cellar. Quite a few. We were joined by the Burghound, always on the scent of the best [...] | | | |
[12/17/2008, 14:52]
Terra Andina Carménère 2007 | |  Bordeaux may have lost Carménère to the Phylloxera blight of the mid-19th century, but not to worry ? Chile has plenty. By happy coincidence, Chilean growers had brought in root stock from France 20 years before the pest accidentally imported from North America decimated the vineyards of Europe, and the grapes of Bordeaux thrived in their new, warmer, home. (Phylloxera, thankfully, hasn?t made the trip across the equator.)
Malbec flourished in Argentina , where it has become that country?s signature grape. Similarly, Carménère has become the grape most closely identified with Chile, although that is a quite recent development. It wasn?t until the mid-1990s that Jean-Michel Boursiquot , a French ampelographer (a botanist who specializes in grape identification), determined that the grape the Chileans had brought over 150 years earlier wasn?t Merlot, as they had thought, but Carménère, the ancient grape of Bordeaux. Following Boursiquot?s discovery, Chile officially recognized the grape as a distinct variety in 1998, and it is now grown primarily in the Rapel and Maipo Valleys.
Terra Andina gives its Carménère?s domain of origin as the larger Valle Central region, which encompasses the subregions of Rapel, Maipo, Curicó and Maule Valleys. It is quite purple in color, with vivid aromas of dark berries on the nose. The wine is medium- to full-bodied, and it tastes as though someone figured out a way to cross plums and blueberries. It?s delicious, easy to drink, and at under $9 (I paid $6.99) quite affordable. The ?07 vintage comes bottled both with corks and screwcaps ? pick up a few cases of the screwcaps and you?ll have a stock of easy-to-serve, crowd-pleasing party wine that your guests will rave about! | | | |
[12/28/2008, 17:33]
My Consigliere | |  When I was thirteen I thought I was going to grow up to be a photographer. I spent endless hours in the darkroom and carrying my cameras everywhere I went. Being shy, it was the perfect date for me at a youth dance. I could take pictures of the action and go into the darkroom later that night to print them. Often folks would come into the darkroom (it was at the same place the dance was, usually) and see what I was doing. Photography was a social magnet.
 A few years later, in college and during the Vietnam War era, photography opened up the greater world to me. I met different folk than the ones in the small resort town where I had grown up. I even met a famous one from time to time.
 A word about fame, something I know a little about. I grew up in a town filled with famous people (Palm Springs, CA) and learned very early not to make a fuss over folks who have been afflicted with it. Leave ?em be, talk to them normal, change the subject away from them. Some of them might even make the grade to friendship. But, I ramble.
 I am a walker. Love to walk the streets of a town. Rome, Paris, New York, San Francisco, Palermo, Naples, Chicago, Dallas. I once walked the route on Elm Street in Dallas where JFK was shot (grassy knoll) to the shop on the same street where John Hinckley bought the gun that he shot Ronald Reagan with. On a hot July day I took my trusty Canon VIT rangefinder and a new Canon AE1 and did my own shooting. The Dallas of that day has altered greatly.
 New York? Since 1975, I have trudged the streets of that city camera and wine bag in tow. My childhood friend and photography co-conspirator Bruce took a fabulous street shot, worthy of a Weegee. Bruce went on to become a movie mogul and one of the greatest collectors of photography in the world. And still a friend and drinking buddy.
 I spent time in the NY scene with Diane Arbus? teacher, Lisette Model. Not much time, but enough to remember one cold afternoon in January in her apartment. I had already been to Arbus boot camp. It started in California and concluded in a bar in Milwaukee, a bar right out of the collective mind of Kubrick, Serling and Lovejoy. I had walked onto the set of a world that someone like Diane Arbus lived daily. And it scared the holy crap out of me.
 I had my time with the world of reportage and photojournalism. One photographer from Magnum, to remane unnamed, asked my help in getting him and his art director through Tijuana for a photo shoot. An ad campaign for Pentax. I thought it odd that the photographer almost exclusively used his Leica M3 for the assignment. When I asked him, his answer seemed cynical at the time. Now, I think he was like a sushi chef, just using the best knife he had to cut the Toro.
 And the old masters, so many of them I was lucky to encounter, sit awhile and soak up their greatness. They were called the f64 group. My entry was through Imogen Cunningham and Ansel Adams. In the darkroom with Ansel was a breakthrough, I still remember the warmth of that little room, and not in a creepy way. How often is it you can stand in the dark and be dazzled with brilliance?
 Imogen, she reminds me a lot of my friend Alice. Petite, but never diminutive, cantankerous, strong willed and boy crazy. But a vision and a determination to walk her trail without fear. Imogen was a wonderful mentor to me in life.
 On the fringe of the f64 group was Wynn Bullock. Wynn was the one who taught me about the vision thing. He schooled me in the philosophy of perception. Thanks to Wynn, some of the best photography I have ever taken was without a camera. I remember how supportive he was when I came back from NY, explaining to me that he also had to take NY in measures, not in giant doses. Like him, I needed the horizon.
 My dad was a photographer and a film maker. I still have hours of 16mm reels of film he shot, some of it family, some Italy, and also Old California footage. He always thought I should take more sunset pictures.
 Being a black and white kind of guy, I could never understand why he wanted to thwart my path. But fathers do that to their son?s even when they aren?t conscious of it. I love to watch sunsets (like sunrises better) but not to shoot.
 My college teacher, Philip Welch, introduced me to many of the West Coast school. He was a student of Frank Lloyd Wright and had given me the entrée to that world. He told me about famous people. He said, ?Call them up, knock and their door. If they are truly great they will talk to you, if not, they are only famous. You want to meet greatness, not fame.?
 I?ve had a few friends through the years who made it to fame, but not quite to greatness. I have also had more than my share of friends who bypassed fame and went straight to greatness. I have photographed them, opened bottles of wine with them, danced with them, laughed with them, cried with them and walked through pools of Jell-O with them.
 All along the way there has often been a camera nearby, my consigliere of consciousness.
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[03/22/2008, 15:53]
Small New Zealand Wineries Part 2 | | Clos Henri is a relatively new entrant to the Wairau valley of the Marlborough wine growing region. This property is also located close to Renwick and is actually opened by the Bourgeois family from the Sancerre region in France. The first vines were planted in 2001 with emphasis on bringing out the terroir. There are a multitudes of soils here but they essentially are either clay based or rocky riverbed. Their "Bel Echo" offerings of Sauvignon Blanc and Pinot Noir show definite minerality and bely the rocky riverbed soil which it was planted on. The "Clos Henri" series on the other hand definitely is more earthy, rich and deep being planted on predominantly clay. Of all the wines tasted in this region - these wines strike me as the most "terroir transparent" I have tried so far.
Their vine planting densities are some of the highest around here of around 5000 vines per hectare. I have high hopes for this property in the future as their vines begin to acquire age and more experience is gained each year on the boundaries of each specific "terroir".
There is definite potential here for these wines - give the vines some age, more experience with the soil and LOWER YIELDS. If there is one sticking point it's the yields which tend to be on the higher end. At ~50 Hl/Ha, this is just too high to produce anythng worthy of the "ultra-premium" status and certainly world class. To get there, we are going to have to drop fruit yields by 30% or more so let's watch this space - it's a great start.  | | | |
[09/18/2007, 00:34]
Pinot Harvest Looking a Little Spotty | | Due to the unusually cool summer, and the recent rainfall, Oregon's Willamette Valley wine producers are nervously biting their nails, dreading a harvest with grapes that are not fully ripened. Without the proper heat units, the grapes will not reach full maturity, although they may look fully ripe. The cooler weather will likely mean that harvests in Oregon will be delayed as much as they can be, without pushing the grapes over the edge.
Look for the next two weeks to be crucial to the '07 harvest. | | | |
[11/06/2006, 22:00]
Mongrain Glass Fancy Wine Glasses | | Mongrain Glass makes beautiful and fancy wine glasses. James Mongrain is the artist behind this beauty. The thing that impresses me most about James Mongrain is that he has worked with Dale Chihuly since the late 1990?s. Dale Chihuly is a world class glass artist. I looked through the Mongrain Glass website at the pictures of fancy wine glasses. The white glass goblets were magnificent, as were the chartreuse and yellow. I looked further at the Solid Series and there were more fancy wine glasses in blue, pink and the prettiest black glass I?ve ever seen. James Mongrain and Mongrain Glass have so many fancy wine glasses for sale. It is important to keep in mind that each of the pieces is handmade and one-of-a-kind. If you want to order any of the Mongrain Glass fancy wine glasses, you need to e-mail or call with your order. Mongrain Glass has a series of fancy wine glasses called the Creature Series. These are so beautiful. The stems of the fancy wine glasses are creatures like swans and sea horses. There is one design in particular, that has a frosted look to it. There are even dainty flowers around the base of these fancy wine glasses. The Modern Venetians line of Mongrain Glass fancy wine glasses are very sophisticated in appearance. The glass detail work brings lace to mind because of its intricacy. I would have a very hard time trying to choose which line of Morain Glass fancy wine glasses I wanted. I actually like them all. In addition to fancy wine glasses, Morain Glass makes commissioned pieces of art. Some of the pieces pictured in the gallery on their website were very large. There are no prices listed on this website, but these look like they cost many thousands of dollars. Fancy wine glasses really do seem to be a small part of what Morain Glass does in their studio. I found a picture of a piece of art entitle Vortex. Vortex is described as a 7-foot stainless-steel slice of sensuality. The foundation of this piece of art is set in steel and a collection of glass forms illuminate neon light from within. The union of glass and steel in this piece of art is somewhat of a contrast, both in form and idea. Glass and steel are two distinct elements that have been joined |
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Hey all you New York readers out there - great 
