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A superb recent dinner at Azuma. The food was some of the very best that I’ve had anywhere in Sydney and I would highly recommend trying it if possible.
-Pacific Oysters with Ponzu dressing -Prawn Tempura served with curry salt
1982 Perrier Jouet Belle Epoque Light straw gold colour belies the age of this wine. The nose showed aromas of citrus, honey, vanilla and nuts. The palate is fresh, with remarkable vibrancy and acidity. The depth and the length were both outstanding. Superb - looked after bottles will probably get better over the next 6-7 years as well! 95/100
1996 Philipponnat Clos des Goisses Doughy, citrus, talc, raspberry and with some time in the glass some light nutty characters. The palate is undoubtedly powerful, with a rich and creamy mouthfeel. Great length. As it had time to breath in the glass it unwound and just got better and better. Bursting with potential, I was glad to try this young and I hope I have another encounter with it when it has aged. 94/100
2000 William Fevre Chablis Les Preuses Delightful nose of flowers, minerals, honey and a touch of vanilla. The palate has great structure and balance, with fine acidity along its length leading into a long finish. One of the best Chablis I have tried this year, this will get better and I think be close to peaking over the next 5 years. 93/100
2001 Leflaive Chevalier Montrachet Gunflint, florals, chalk and some light oak on the nose. Bold palate with massive intensity and depth of fruit that is tamed by an excellent line of acidity. Well textured and superbly long. Very primary at this stage, I would like to see another bottle in 10 years time. 93/100
- Grilled Chicken Fillet marinated in garlic miso - Grilled Chicken Balls served on skewers - Twice Cooked Duck Breast with teriyaki sauce and yuzu citrus pepper
1990 Rousseau Chambertin Clos de Beze Concentrated and deeply coloured, the nose is expressive and had aromas of redberries, earth, black cherry and dark chocolate. The palate was more refined than I thought it would be based on the nose, it showed some intense fruit but also a lot of class and structure. Beautiful length and quite delicious to drink. Set to improve over the next 5+ years. 94/100
1990 Mommessin Clos de Tart This showed strawberry, cherry, earth and some red floral characters on the nose. The palate is pleasant except for some tannins poking through abruptly on the finish. Based on this bottle, close to its peak. Still a very good wine and I was happy to experience it. 90/100
2000 Leroy Romanee St Vivant Densely coloured. Earthy, spice and black pepper. Brilliance is evident on the palate - textured and layered, there is plenty of complexity here even though the wine is young. Long and balanced, this was delicious now but also has a bright future. 95/100
- Kakuni ? Braised Bangalow Sweet Pork Belly - Wagyu Beef Sirloin Steak served with garlic soy sauce
1995 Ausone Chocolate, cedar, blackberry, minerals and cassis aromas. Rich, deep fruit on the palate. Great balance and the components seem well integrated even at this early stage. Has the structure and depth to improve for the next 15+ years at least. 93/100
1995 Cheval Blanc Seductive nose of musk, cinnamon, red berries and cherry. Silky on the palate, with good complexity and weight. Impressive balance and length. Despite its alluring nature now while young, it does have very good structure and will improve over the next 10 years. 94/100
1995 Lafite Dark purple in colour. Cassis, pencil shavings, chocolate and smoke on the nose. Powerful palate with incredible quality fruit. Balanced, with nothing out of place. Outstanding persistence. This is a brilliant wine, with the potential over the next 20 years to develop into something very special. 96/100
1995 Petrus Powerful blueberry, cedar, tobacco, liquorice and coffee bean aromas comprise the nose. The palate is bold, rich, deep, intense and yet also balanced - with each component in proportion to the other. Layers of flavour and complexity. A great experience. Will improve over the next 15+ years. 95/100
- Vanilla Crean Brulee - Green Tea Ice Cream - Japanese Kyoho Grapes
2001 La Tour Blanche Tropical fruit, ginger, botrytis and citrus peel on the nose. Balanced palate with medium sweetness and lovely crisp acidity. Good length, drinking really well at this young stage. This should develop very well for those that can resist it over the next 15+ years. 92/100
I helped out at a trade event in London devoted to Sauternes and Barsac the other week. Entitled ?Sweeties with Savouries? it set out to show how both Sauternes and Barsac can be drunk not only with the usual foie gras and desserts but also with all the courses of a complete meal. With courses ranging from roquefort crème brulee with figs (see picture) through roast Moroccan quail with sweet potato mash to blue cheese cheesecake, the food was absolutely wonderful. Attendees were then asked to vote for which wine made the best match with which course. There was quite a lot of agreement about which of the 16 wines went with which of the 5 courses but there were also many individual opinions. As with wine tasting there is no definitive answer in the area of food and wine matching.
Tasting through the 16 wines was an education in itself. Considering they were all the recently bottled 2005 vintage, there was a range of aromas from honey, peach, minerals and smoke to flavours on the palate of marmalade, peach, citrus and honey. There were also subtle but significant differences in the weight and texture on the palate. The differences can be understood when looking at the percentages of grapes with everything from 90% semillon and 10% sauvignon of the premier cru classe Chateau Clos Haut-Peyraguey through to the 70% semillon, 25% sauvignon and 5% muscadelle of Chateau d’Armajan des Ormes. The aging process whilst broadly similar in length of between 18 and 24 months, varies according to the percentage of new barrels used.
The key to good Sauternes and Barsac, apart from the terrroir, is the botrytis that is required to shrivel up the grapes and concentrate the sugar in the grapes. From talking to several of the producers the 2007 vintage was going to be a worry as the summer was cool. However the autumn was as hoped with cool misty mornings followed by sunny afternoons, the perfect environment for the ?mushroom? spores of botrytis cinerea to develop.
There is a much history associated with the ownership of the chateau in Sauternes with many of them having been in the same family for generations. Check out the web site of Chateau Dudon if you want some history of a typical family owned Sauternes producing chateau.
This really tickles my funny bone. Deidre Woollard (luxist.com) writes:
We may all be cutting back, but at the the White House dinner Friday night for foreign leaders to discuss the global financial crisis, the meal was anything but spare.
The menu for around 24 global leaders gathered in the White House State Dining Room included, according to the AP, fruitwood-smoked quail? with quince gastrique; quinoa risotto?; thyme?-roasted rack of lamb?; tomato?, fennel? and eggplant? fondue?; a salad? course of endive?, baked Brie and walnuts?; and a pear torte. What's raising some eyebrows though is one of the wine selections, the Shafer Cabernet Hillside Select 2003, which runs for around $300 a bottle, if you can find it. This wine was served with the main course will more modest wines such as the Landmark Chardonnay Damaris Reserve? 2006 (around $40 a bottle, served with the appetizer) and the Chandon Étoile Rosé? sparkling wine? (about $30 a bottle, served with dessert) rounded out the rest of the meal.
The President pays for his own groceries in the White House but state dinners such as this one are paid for with taxpayer dollars. It is perhaps some comfort in this case? that at least two of those attending: President Bush and French President Nicolas Sarkozy are said to be teetotalers. Others in attendance included Australian Prime Minister Kevin Rudd; Canadian Prime Minister Stephen Harper; Chinese President Hu Jintao; German Chancellor Angela Merkel; and British Prime Minister Gordon Brown.
According to the company, the ‘podcasks’ provide the latest updates on wine news, en primeur releases and wine events as well as featuring exclusive interviews with some of the biggest names in the world of fine wine.
As you may have noticed, Enotheque has been missing some updates for some time now. At the moment, I'm on the road at a very challenging but rewarding consulting job. The days are long and the nights seem all too short, resting only in brief moments before it's time to attend to the task at hand again.
I'll bring back some good posts with recommendations, interesting regions, values and interviews soon enough. For the time being, enjoy the other subscriptions of your Google Reader, since nobody is ever truly caught up with it anyway.
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
Ribolla Gialla is one of those varieties that most people have never heard of, never mind tasted.
It's been grown in the Friuli region of Italy since the 13th century, and experts believe that it is related to the red wine grape Schioppettino. Ribolla Gialla isn't grown in very many places in Europe, and it's grown in even fewer places here in the US.
You can count the US vineyards where Ribolla Gialla is planted on the index finger of one hand. Only one vineyard grows Ribolla Gialla and it's Vare Vineyards in the Napa Valley. George and Elsa Vare fell in love with Northern Italian and Slovenian grapes and wine and decided to dedicate their winemaking efforts to seeing how the varieties would fare over on this side of the world. In addition to Ribolla Gialla the Vares grow Pinot Blanc, Pinot Grigio, Tocai Friulano, and Sauvignon Blanc. They produce limited quantities of wine from small yields, and bottle it exclusively in 500ml and 1.5L bottles. And the wine is good--good enough that the famous French Laundry bought nearly all of their 2004 vintage for sale in the restaurant.
The 2005 Ribolla Gialla is sold out at the winery--but you can still get your hands on some of it if you are interested in trying it from Wine Q. (sample; $24.99/500ml, WineQ) This good QPR wine was deliciously different. When it was cold from the fridge I could have sworn it was very fresh Fino Sherry because of its dry nutty and citrus aromas and flavors. As it warmed up in the glass, however, the wine became heavier in the mouth, more acidic, and full of lemon oil aromas and flavors. There was a sensation of creaminess as well, which made it reminiscent of tangy lemon curd. This wine is made for shellfish and fish dishes, although it would also be a great match for appetizers or tapas.
Don't be afraid to try a new variety if you get the chance. You could be in for a deliciously different surprise.
Pertaining to the art group ?000SICK Estudio?, founded in 2000 with the artist and musician Rafael Jurado, resides and works in Seville (Spain).
Each human mind guards a back door in the deepst of its unfathomable mistery. All these doors open into the same dark and quiet back alley; previous to culture and even to ourselves, only self intuition sometimes gives us indications of its existence.
Emilio Subira´s work is focused on the intuitive translation of the multiplicity that characterizes the reality in plastical terms from the perspective of a viewer plunged into ostracism, working like a satirical and critical filter.
Since day one, I’ve wanted a map of the wine regions of Spain and Portugal. Seems like a simple request, and if I couldn’t have one of Iberia, at least you would think that there would be one of Spain and another of Portugal. You would think. You would also be wrong, sort of. Announcement
Interestingly, there are no good maps of the peninsula we call Iberia, or at least as it relates to wine. Wines of Spain, the bureaucratic agency in charge of promoting Spanish wine, does have an outdated map, but you can’t get a copy of it. I had a prominent tour guide friend of mine once ask to buy a few copies to give to her clients, all of which were on wine tours, and she was told it was not possible. Hence, I’m not sure why they made it. We had to steal a few copies from a regional government’s office, and while we use them occasionally, in truth, they are worthless.
That said, Portugal is no better, and I have yet to find a map that accurately sums up the many nuances in a very confusing set of regional wine laws. And considering that there is little consensus among differing governmental maps, it is clear that one concise and accurate map was desperately in need to be created.
Enter the DeLong wine company, creator of such treasures as the Wine Varietal Table. Having encountered way too many inaccurate regional wine maps around the world, Steve decided to fix the problem by making his own map. Smart guy! The best part for us is that he asked us to help him out. Now, we can’t claim much in the way of contributions to this map, but we did make sure he included some important landmarks and we worked with him to make some editorial decisions on how to handle certain place names and regional identities. I asked him a few questions about how this map came about:
Why did you choose to start with Iberia?
We started with Iberia for three main reasons: 1. It’s the most dynamic (and constantly changing!) area in the wine world - but you already knew that! 2. There wasn’t a good map available (for France there are a few) 3. It’s a great looking land mass.
Which regions are next on your list?
We’re working on France and Germany right now, which will be available early next year. Then on to Italy, and finally, the New World!
What makes this map different from other wine region maps?
The one very simple thing that distinguishes these wine maps from others is that the wine regions don’t stop at the border. In reality, the wine regions reflect the regional differences that underlie the country borders. Catalunya and the Basque Country, which both overlap France and Spain, are just two examples.
Hence, this is just the start of a much bigger plan to cover the planet with quality wine resources - something that is SORELY needed! We hope that this first map is a resource that we can not only learn from, but can also use when reading about Catavino’s adventures throughout Spain and Portugal.
And best of all, if you click here and buy the Iberian wine map through the Catavino website, a small portion of the sale will come back to us - something we would appreciate! Also, if you are in Spain and want to see this in Spanish, please let us know. We are considering translating it into Spanish and Portuguese if we find enough interest. Also, if you have a wine shop and would like either English or Spanish versions of this map, just send us a note at map(at)Catavino(dot)net, and we’ll tell you about additional opportunities to buy larger quantities.
We’re very excited about this and feel VERY privileged to have Iberia be the first map of the series, a testament to the importance of this rich and exciting wine region. We hope that if Iberian Wine interests you at all, you’ll pick one up and let us know what you think.
Following the theme of my last post about Americans? increasing awareness of the quality wines that many artisan producers of Argentina are exporting, I?m pleased to post the first installment of my interview with Ed Lehrman of Vine Connections. Along with his business partner, Nick Ramkowsky, they formed a company that not only imports the wines of artisan Mendoza producers, but selectively forges meaningful, long term relationships with them. As Ed Lehrman explains in the interview, this type of involvement encompasses much more than shipping and distribution, extending into representation, consulting, label design and many other crucial aspects which in the end, bring American consumers the types of genuine artisan wines that multinationals couldn?t even conceive of delivering.
Based out of Sausalito, CA, Vine Connections has been at the forefront of the changing of the guard, in terms of tastes, that I described in my last post. Their portfolio includes excellent California, New Zealand and Japanese Saké producers, alongside the wines of star Mendoza winemakers Susana Balbo and Pedro Marchevsky, along with others to look out for, such as Mapema, Tikal and La Posta del Viñatero. If you really want to know what Argentines really like to have at the table and moreover, the breadth that Argentine wines are capable of achieving, I encourage you to explore the types of artisan producers that Vine Connections represents and whose work, over the coming years, will ultimately triumph over the characterless, corporate-backed South American wines saturating our shelves.
I would like to thank Ed Lehrman for taking the time to provide his in-depth responses concerning Vine Connections, its vision and inspiration. Our conversation unfolded over e-mail:
*What is the vision behind your company and what were some of the key experiences that led you and your business partner to get started?
- My partner, Nick Ramkowsky, and I have both been in the wine business since 1986 (we started very young), and we could have done any number of things together. Nick was a small California distributor at the time, and I had just sold my direct-to-consumer wine business where he had been one of my suppliers. A fateful trip together in May of 1999 launched us into the importing/national sale & marketing business. We spent about a week in Mendoza on that trip tasting wines from bottle, barrel, tanks?you name it?and we met some incredible winery owners and winemakers. By the end of the week, we were looking at each other and asking, ?How does the 5th largest wine producer in the world hide incredible wines like these from the US?? It seemed like this must be the opportunity of a lifetime for wine guys like us to lead the charge in introducing Argentine wine to the US, and in a way that they would be fully appreciated for their quality and authenticity, and not just their price. As an aside, of the first 12 wines we imported from Argentina, the LEAST EXPENSIVE wine was $22 retail! So in fact, Vine Connections was originally formed in order to be an Argentine wine importer. *Compared to other importers, what is the depth of Vine Connection's involvement with the producers its represents? (in terms of consulting, marketing, other assistance, etc.)
- It is hard to speak about other importers, since some do quite a lot and some just taste and buy. As for us, we take the approach that we are the winery?s own sales & marketing department and they can use us for as little or as much as they need. That may mean writing back label copy, helping with label design, or determining whether a new blended wine is even a good idea to add to their portfolio.
For all of our wineries, we do the copywriting for all printed materials since we can communicate their stories in English more effectively, and along the same lines, we handle most press relations since we are here and readily available. And I guess the most valuable thing we do would be called ?consulting? since we offer our advice on many topics based on our 40 years of working in the U.S. wine biz. *How does your company forge relationships with producers? In this vein, what is the process like for you when considering an addition to your portfolio? Do the producers come towards you in the way of trade events, do you travel to areas to scout, so to speak, or some combination thereof?
- We are very careful in this regard since our objective as an importer is to build brands and not just sell wine. That requires long-term relationships, so besides tasting backwards and forwards through a winery?s production, we spend as much as time as we can with the owners and the winemakers to see whether there is a good fit for working closely together. When we meet people who already think they know it all about winemaking, marketing, etc., we politely walk away no matter the wine quality. Our initial screen is the wines?they have to be particularly good since that is what we are known for importing. Then we start talking about their philosophies, their dreams, their business objectives, and where we should all eat dinner together (a meal with a potential supplier is always a good way to gain more insight).
This process means that while we have run into some wines that we like, we have sometimes been unwilling to take the winery on. The most common stumbling block for us seems to be that the winery lacks a strong winemaking philosophy, and often because they have abdicated this cornerstone to a consulting winemaker (and most often to foreign winemakers). As time has passed, we have pretty much settled into the idea of only representing wineries owned by Argentines and with Argentine winemakers since the winemaking vision is usually clearer and more grounded in expressing what makes Mendoza so special compared to other regions.
From the first moment that we meet a winery team, it usually takes about 18 months before we come to an agreement, do the ground work, and then start selling the wines in the U.S. It seems to work--we have never lost an Argentine winery and every brand that we represent has achieved a significant level of success.
I wish I could say that finding these producers followed a particular recipe, but in truth, all of our brands have come to us via different sources. The key is to have your radar on all the time so that the best ones don?t slip by accidentally.
*You represent Susana Balbo and Pedro Marchevsky's Dominio del Plata Winery?how did that relationship come about and how far back do you go?
- Well, if it weren?t for the ?dynamic duo? of Mendoza, we may never have been Argentine wine importers. We met them on our first trip to Mendoza in 1999, and they were so obviously talented and knowledgeable that they got us thinking a lot about the possibilities. We also formed a trusting relationship so quickly that it became obvious that we would work together, and together push forward a common vision of making Argentine wine part of the daily American fine wine conversation. That seems like an ominous task looking back now?we had no company yet and they were renting a very small winery at the time?but at the time it just seemed like destiny.
The mood was festive, as it always is, at the BCWAS Christmas party and tasting. Plenty of sparkles and bling were in evidence as our usual gang of suspects gathered to check out a selection of Christmas offerings from around the province.
Naturally, there was sparkling wine to start the evening ? Steller?s Jay from Sumac Ridge and as you can see at the right, owner Harry McWatters himself was pouring. Wonderfully yeasty and a perfect complement to the freshly shucked oysters that were part of the smorgasbord of delectable nibbles. And Frank said he was going to be late? snicker. So of course, I just had to check that particular pairing again on my own.
During the course of the evening the food seemed endless and conversations delightfully varied ? wandering from the newest VQA stores in everyone?s ?hood to the emerging trend of creating strata housing developments amid the vines of established wineries to which grape varietals are best suited to BC and how that varies between the Okanagan and Vancouver Islands. But always, we came back to the main event ? the wines themselves. Picking a favourite was, as expect, a tough call, but by the time Frank got there, it seemed pretty much narrowed down to two.
From one of our favourite Gulf Island Wineries, Morning Bay, Keith (shown below with Francis, BCWAS' financial wizard) and Barbara had brought an unannounced bottle of their new release Bianco. Crisp and clean, with medium plus intensity of citrus with a hint of floral on the nose, Frank?s eyes took on that glint of appreciation when we went back to this one, and he was soon deep in conversation with Keith about the four strains of yeast used ? one for each of the grapes that make up this summer sipper blend: Schonberger, Gewurztraminer, Pinot Gris, and a touch of Riesling. All are vinified separately with the Riesling adding just a touch of orchard fruit. Made in a bone dry, Alsace style, Frank?s first thought was oysters or shellfish ? especially if you can?t find a Muscadet. At that point I didn?t have the heart to tell him about the earlier nibblies he?d missed.
A highlight of the evening, one that had attracted a huge amount of anticipation was the 2004 Nota Bene from Black Hills. Considered something of a cult wine among BC wine fans, this Bordeaux blend (43% Cabernet Sauvignon, 37% Merlot, 20% Cabernet Franc) is filled with black fruit plus a hint of cherry with cedar and pencil shavings. We agreed it was well balanced with fine-grained tannins.
Unfortunately, if you?re thinking of nipping down to the store to grab a bottle or two, think again. This wine sells out year after year ? unless you?re on their list, you likely won?t find any unless you can snag a bottle at a local restaurant or visit their Okanagan winery for yourself. Admittedly it was quite delicious. Still, at $35 seemed a bit pricy and in many ways remains an example of one of the biggest issues many (both of us included) believe the BC wine industry in general needs to consider carefully as it continues its evolution onto the world stage ? how to be competitive in an increasingly savvy, discriminating marketplace.
PS: Happy Birthday to Leah. Thanks for pouring on your special day and you did a great job with the candle on your cupcake.
The 2004 vintage of this wine received a bronze medal at the Decanter World Wine Awards last year (2006). I’ve only been able to find the 2005 vintage in Belgrade wine shops. It has an intensive and complex aroma with hints of flowers. Dominant tastes are those of melon and slightly of apricots. However, I wasn’t impressed, perhaps I expected more due to all the hype. Or perhaps there’s a significant difference in the two vintages. We should note that this winery has a good reputation. The Simcic Sivi Pinot 1990 was awarded the Cordon d’Excellence; their Chardonnay has won two gold medals at the Ljubljana Wine Fair and the 1994 vintage was declared Champion by the Knights of the Burgerland-Pannonian Order.
Those of us living here know it's been positively FREEZING the past few days in San Francisco, but little did we know it's actually been SNOWING in wine country. Check out these pics of soon-to-be-opened, Gold-LEED certified winery (word has it it'll be the only one in Cali), Cade. A new venture from the PlumpJack Group (Go Gavin & fam!), Cade is slated to open its eco-friendly doors to invitation-only guests beginning in March 2009. Their PR team sent me these snaps of snow that fell on the gorgeous winery earlier today, and I just had to share. Clearly, the Juan Carlos Fernandez/Lail Group-designed facility - which is being billed as "one of the architectural showplaces of Northern California's wine country" by PlumpJack's PR machine - is a stunner. Can't wait to check it out myself - albeit in better weather.
Tecnorati
Attendees were then asked to vote for which wine made the best match with which course. There was quite a lot of agreement about which of the 16 wines went with which of the 5 courses but there were also many individual opinions. As with wine tasting there is no definitive answer in the area of food and wine matching.
The aging process whilst broadly similar in length of between 18 and 24 months, varies according to the percentage of new barrels used.
The 2004 vintage of this wine received a bronze medal at the Decanter World Wine Awards last year (2006). I’ve only been able to find the 2005 vintage in Belgrade wine shops. It has an intensive and complex aroma with hints of flowers. Dominant tastes are those of melon and slightly of apricots. However, I wasn’t impressed, perhaps I expected more due to all the hype. Or perhaps there’s a significant difference in the two vintages.