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[01/01/2009, 00:50]

Last Day to Get Fabulous Wine Prizes for a Steal!

refinementOK folks, here's the deal. Today is the last day of A Menu For Hope charity raffle. You've got until Midnight tonight, Pacific Time, to buy raffle tickets for some seriously awesome prizes. Every raffle ticket increases your chance of winning said prize, and every ticket buys healthy, nutritious lunches for school children in Lesotho. What could be better than that?

It's important to realize that even a single $10 ticket can win you some seriously good loot. One of the most popular prizes last year (and this year), the Meadowood vacation package, was won by someone who bought a single ticket.

It's also important that you know that some of this year's prizes have had slightly less bidding than others, which means the chances of you winning them are QUITE HIGH with just a single ticket, and INCREDIBLY HIGH were you to buy say, 10 tickets.

You may be asking, "Now why would I go and spend $100 on raffle tickets, even though the cause is so good." Here's the answer: because if you did, you'd have a very good chance of winning prizes that are in some cases worth THOUSANDS OF DOLLARS.

Getting the picture? It's like this: if I told you that by spending $100 you'd have a 3 in 5 chance of winning $400 worth of wine and be doing a great thing for charity, I hope that you'd see this as a winning proposition, no?

So here are some prizes that need a little love in the bidding department, and might just be yours for the taking, depending on just how generous you're feeling (or how much Champagne you've already had today). Go bid a little bit (or a little more), and have yourself a very Happy New Year!

Wine and Film Premieres from Wilson Danielsrefinement
One of the country's most respected wine importers, Wilson Daniels Ltd., is celebrating its 30th anniversary in 2008. The Napa Valley-based company has created a Menu For Hope six-bottle collection of wines from its portfolio of European wine estates, offering bidders an opportunity to taste wines from six different regions spanning three countries -- with a high-definition twist. Winners will receive the following wines:

NV Delamotte Brut Cotes des Blancs Grand Cru
2006 Domaine Marc Kreydenweiss Kritt Gewurztraminer Alsace
2005 Domaine Faiveley Nuits-Saint-Georges
2006 Domaine Philippe & Vincent Jaboulet Crozes-Hermitage Rouge
2004 Castello di Volpaia Chianti Classico Riserva DOCG
1996 Royal Tokaji Nyulászó First Growth Tokaji Aszú 6 Puttonyos

This fall, Wilson Daniels premiered documentary-style films for its French and Hungarian wine estates, which the winning bidder can watch online or download to an iPod at www.wilsondanielsfilms.com to "virtually" tour the vineyards and meet the winemakers before, after, or while they taste the wines. Value: $275. Prize Code: WB04. Courtesy of Wilson Daniels Ltd.



Two World Class Gruner Veltliners and a set of World Class White Wine Glassesrefinement
This prize includes a set of six Denkart Zalto white wine glasses and the two most highly rated Gruner Veltliners in the Winemonger inventory, the 2006 and 2007 Donabaum Spitzer Point GV Smaragd Gruner Veltliner from Austria. The wines speak for themselves, but you should know about the glasses. 100% lead free and dishwasher safe, these glasses were created for the complexity and refinement of the most expressive white wines. Technical perfection is the basic principle of the Zalto Glass Manufactury. Zalto Glasses have always been produced following a tradition of using only the most highly skilled glass-blowers working with a selection of the best raw materials. The curve of the bowls are tilted at the angles of 24°, 48° and 72°, which are in accordance to the tilt angles of the Earth. This stunning glass has become the standard for many world-class tasting rooms and well-set tables. Shipping within the USA only. Value: more than $415. Prize Code: WB07. More details at
Winemonger.


Half Case of Verge Syrah, and a Tour of the Vineyardrefinement
Join VERGE Winemaker Mike Brunson for a special tour of Bradford Mountain where you will see firsthand what it means to farm on the edge of the wild. At just over 1200 feet elevation, Bradford Mountain is on the far western edge of Dry Creek Valley in Sonoma County. VERGE Wine Cellars produces small lots of block specific Syrah and these organcially grown vineyards are perfect examples of what we call Fringe Vineyards. Mike Brunson has over 15 years winemaking experience and will describe the ins and outs of organic viticulture, mountain farming, and Syrah winemaking. After the hike, you'll enjoy a tasting of Syrahs from Bradford Mountain as well as a selection of other Syrahs from around the world. As a parting gift, you will also recieve 6 bottles of VERGE Wine Cellars' inaugural release, the 2006 VERGE Syrah. Value: $240. Prize code: WB08. Courtesy of Verge Cellars.


Wine Book Bonanzarefinement
There's only one thing better than drinking wine, and that's drinking wine with a nice wine book on your lap. Here's your chance to add to your library and maybe learn a thing or two in the process. Courtesy of University of California Press, pick any 5 wine books from their current list of titles. Value: approx $150. Prize Code:WB09. Courtesy of University of California Press.


Wine Travel Guide Voucherrefinement
The main raffle prize on offer from Wine Travel Guides is a gold gift subscription to Wine Travel Guides (worth £49 or approximately $75 or €60) which lasts a whole year from activation. This will give you access to all the travel guides on the site. Today there are 46 comprehensive guides to the wine regions of France. By mid-January there will be a further seven guides covering Tuscany in Italy, Rioja in Spain and Mosel in Germany. Here is your chance to plan that trip to the wine regions of Europe with expert insider advice from 15 top-class wine and travel writers.

The bonus offer: If you can meet author Wink Lorch in either the Jura or Savoie wine regions of France, she will personally drive you around the wine region for a day, meeting and tasting with some of her favourite wine growers and taking you out to lunch. Value: $80 or more. Prize Code:WB10. Courtesy of Wink Lorch.



Inaugural Vintage of Capture's Tin Cross Vineyards Sauvignon Blancrefinement
This prize consists of a bottle from the first launch of Capture Winery's 2008 Tin Cross Vineyard Sauvignon Blanc. This wine is the unprecedented, first product of the winemaking team's efforts with Tin Cross being to be released in Spring 2009. Additionally, this wine will arrive paired with an elegantly framed vision of its origin; an image of Tin Cross' upper vineyard, professionally photographed and signed by the renowned Olaf Beckman. The total package is valued at $542. Prize Code:WB14. More details at Our Wine Story.





Port Wine Starter Set from Quevedorefinement
If you're a lover of port wine, or think you might be, you'll enjoy this gift: A Port Wine Starter Kit made up of:
- port wine tongs
- port wine filter
- port wine decanter
- port wine cups
- dark chocolate
- a coupon for a bottle of Quevedo 2005 Vintage redeemable at the closest wine shop that carries the wine. Value: $90. Prize Code: WB17. More details at Quevedo Wine.



Exclusive Wine Accessory Setrefinement
This prize includes four exclusive wine accessories developed by Wine Line:

-Wine Vine 12 bottle stainless steel wine rack
-Wine Flyte Carrier--for easily serving 6 glasses of wine, carrying & drying glasses as well-patent pending
-Wine Aerator w/single glass adapter-patent pending
-Chateau Epernay Handmade Rosewood Corkscrew in gift box

These accessories make fantastic gifts for wine lovers. Value: $200.00. Prize Code: WB18. Courtesy of WineLine

Custom 90 Minute Wine Seminarrefinement
Bill Wilson, the host and producer of the Wine for Newbies Podcast will offer a 90-minute live wine seminar. The winner of this prize can choose the topic(s) for this wine seminar which he'll broadcast via streaming video at a time and date of the winner's choosing. The winner can have as many people participate as he or she wants! Since the seminar will be live via the Internet, the winner can be anywhere, as long as they understand English. Prize code: WB20. Courtesy of Wine for Newbies.


refinementWine, Wine and More Wine from Domaine 547
This prize includes a Magnum of 2003 Pax Cellars Kobler Family Vineyard Syrah and a $50 gift certificate to domaine547.com. The prize can be shipped to anywhere that FedEx legally delivers alcohol to, with the exception of New Hampshire. Domaine 547 is also willing to arrange for shipping to other states, on behalf of any bidder who wants to ship the wine via use of their own UPS account. Value: $150. Prize Code: WB27. Courtesy of Domaine 547.


Magnum of wine, tour, and tasting at Tolosa Winery for Six Peoplerefinement
Join Tolosa winemaker Larry Brooks for a past, present and future tour of the Winery in San Luis Obispo and finish with a artisan wine and cheese pairing. A Magnum of our 10th Anniversary wine will also be given to the winner upon arrival.

PAST: Guests will learn about the origin of our name and the story behind our brand. They will also have the opportunity to taste past vintages from the Tolosa library collection.

PRESENT: After a brief talk about our vineyard and outside production area, guests will be toured through our tank and barrel rooms.

FUTURE: The tour finishes with a futures tasting from select French oak barrels. This intimate tasting will take place in our private barrel designed area with our finest wine selections.

Following the tour you and your guests will be guided through an artisan wine and cheese pairing with Tolosa's wine and cheese educator & sommelier, John Shakley. As you relax in our beautiful private Heritage Room, John will pair five limited production wines with five artisan cheeses from around the world. Value: $400. Prize Code: WB29. Courtesy of Tolosa Winery.


See the full list of prizes and instructions on how to bid here. I hope you win!!



[10/12/2008, 10:54]

Why Wine Isn't Art?and Why That Matters

Brilliant article from the recent issue of Wine Spectator written by Matt Kramer (winespectator.com):

Recently I found myself in one of those wine wrangles that, truth to tell, I usually try to avoid. (Check out any wine chat board on the Internet if you've got a taste for this sort of thing.)
 
The wrangle was with, natch, a winemaker, while at a social event. It involved the winemaker's assertion that "fine wine is art." I pointed out, as modestly as I could, that there's no denying that nature surely doesn't make wine on its own, let alone fine wine (vinegar is more like it). I then went on to say that fine wine is, at best, a high craft both in the vineyard and the cellar.
 
Probably, if I had stopped there, the discussion would have proved amicable. But I took the matter one step further. (You're shocked, I know.) I submitted that saying that winemaking, and therefore its result, is "art" was self-aggrandizing. You can imagine how that was received.
 
Now, I admit that the self-aggrandizing bit was a low blow. Still, it's true. If winemakers can get you, me and, especially, their employers to see them as artists, you know what'll happen: Their salaries will rise, and producers, for their part, will start pricing wine as "art." And you know what that means.
 
So why isn't fine wine "art"? The answer is surprisingly simple. Art is creation; wine is amplification. The big difference between an artist and a winemaker is that an artist starts with a blank sheet while a winemaker works with the exact opposite. A grape arrives at the winery with all the parts included, a piñata stuffed with goodies, just waiting to be cracked open.
 
Is there a craft to doing that? You bet there is. But where an artist conceives of something out of the proverbial thin air, no winemaker anywhere in the world can do any such thing.
 
For example, when my wine heroine Lalou Bize-Leroy bought the former Domaine Noëllat in Vosne-Romanée and transformed it into Domaine Leroy, she did not create her magnificent wines from scratch. It was all right there in the hallowed ground and old vines of her newly acquired pieces of Richebourg and Romanée St.-Vivant. She didn't create something from nothing. Quite the opposite.
 
Fine wine is not creation. It is refinement. If it were otherwise, then everybody would be "creating" Lafite Rothschild or La Tâche or any other wine masterpiece of singular, irreproducible expression and high price. Counterfeiting aside, I don't see anybody doing that, do you?
 
They don't because they can't. That's precisely why fine wine is not art. It comes from all the forces that create a particularity of site. Great winemakers?which is to say, expert practitioners of winecraft?tease what they can from the sites that are available to them by planting the right grapevines, growing them astutely, harvesting the fruit at an ideal moment (a problematic issue today given some winemakers' and critics' preferences for ever greater ripeness) and handling the fermented juice in the cellar with deft control.
 
This is no small charge, and I, for one, do not seek to diminish it in any way. But art? Not a chance. The poet E.E. Cummings put his finger on it better than anyone else: "A world of made is not a world of born." Wine is no more a blank canvas than the Grand Canyon.
 
Why does this distinction matter? Because abstract though it is, if winemakers and, yes, wine lovers, see wine as art, then the essential connection between what a grape expresses from its site and what we expect is severed. If a winemaker is an "artist," then he or she, by artistic right, can and should modify the result to suit a personal vision separate from a "mere" expression of place.
 
However, if the finest winemaking is seen as a high craft, rather than art, the expectation changes subtly yet substantively. Where art presumes a blank slate upon which a personal vision necessarily is writ large, the notion of craft is more deferential. Like great parenting, it's a guardianship of something already largely complete. The goal is refinement and amplification of what's inherent. Think of what happens when parents do otherwise.
 
So it is with wine. All sorts of technological deconstruction and reconstruction now occurs in many wineries today, especially ones creating high-end?or at least high-priced?wines. They see themselves as artists and would like to convince you of same. If they can, well, you know how distorted the results can be?and who pays.
 
Matt Kramer has contributed regularly to Wine Spectator since 1985.

» Full Story (subscription required)

It seems obvious on reflection but it remains an important distinction to make, especially given the widespread labeling of wine making as an art form, particularly in wine marketing circles.

Tags: , , , , , ,

refinement refinement
WorldWine Tags: melgab, wine, art, refinement, wine making, south-africa, South Africa,
[08/29/2008, 03:21]

Focus on Spain's Regional Varieties: Serious Verdejo from Rueda D.O. in The Export Markets

oIt seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.

Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.

I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"

Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.

My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:

This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.

This wine's U.S. importer is Eric Solomon/European Cellars Selection. It is distributed by Polaner Selections in the Northeast.
[08/29/2008, 03:21]

Focus on Spain's Regional Varieties: Serious Verdejo from Rueda D.O. in The Export Markets

oIt seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.

Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.

I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"

Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.

My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:

This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.

This wine's U.S. importer is Eric Solomon/European Cellars Selection. It is distributed by Polaner Selections in the Northeast.





 



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