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Treana Red 2004 $36.99 Wine Label says: Treana Winery is located in Paso Robles, at the center of California’s Central Coast. Having spent more than two decades developing vineyards in and around Paso Robles, the Treana Red blend reprewsnet grape varieties best suited to the region’s unique calcareous soils and distinctive climate. The Treana vineyards are [...]
And apparently, Yulia is the Upset Queen. She's adept at bringing $7 bottles that end up winning blind tastings. Either that or we all have cheap tastes... not quite sure.
So last night was the Mourvedre/Monastrell showdown. And honestly, it was pretty disappointing. We blind tasted 5 wines and none of them were particularly stellar. As per my normal accuracy, I guessed 3 out of 5. I knew we had 2 cheap Spanish, 1 pricier Spanish, Cline's Ancient Vines, and Thomas Coyne. I did not know the vintage of any of them.
Wine #1: Blackberry/blueberry nose, with a touch of herbs. A bit of funk wafting through. Tight tannins. Thin fruit, but very ripe. Smoke on the finish. I guessed it was a cheap Spanish from 05. I gave it 2.5 out of 4 stars.
Wine #2: Smells exactly like sweet boysenberry pancake syrup from IHOP. Blast of fruit on the opening palate and then... nothing. Kind of gross, really. I guessed another cheap Spanish from 05. I gave it 1 star.
Wine #3: Much lighter in color (the previous two were densely purple-red). White chocolate and sweet cinnamon on the nose with blackberry/raspberry fruit. Same fruit on palate with spicy-herbal finish (sage, thyme, cinnamon). Lingering cocoa. I guessed a CA from 05, and I figured it was Cline. I gave it 2.75 stars.
Wine #4: Ripe blackberry, some astrigency on the nose - kinda like band-aids. Also lighter in color than the first two, more red than purply. Cassis fruit, smoke and lots of herbs. Lingering tea. I guessed a CA from 03 or 04 based on color and herbality. I guessed it as Thomas Coyne and gave it 3.25 stars.
Wine #5: Smelled just like... dish soap? Seriously. Or cheap rose perfume. Sweet raspberry also present. On the palate, pretty tasty mulberry fruit with mint and thyme. I guessed it as the pricier Spanish and placed it as an 05. I gave it 3 stars.
So, it turned out that:
#1- Cambra's 03 Uno! Shit, we all got that one wrong. And quite frankly, it is NOT worth the price.
#2- Chonchelo 06 - Cheap Spanish, indeed. We just poured this straight down the sink.
#3- Cline 05 Ancient Vines Mourvedre - Got it right, but it's not as good as I recall. Much lighter and much leaner on herbs.
#4- Thomas Coyne 04 Mourvedre - Pretty good stuff. I'd feel ok about recommending this.
#5- Finca Luzon Verde 06 Monastrell- And with that, Yulia's cheap Spanish trumps us all. This is a great bargain.
Harvest Wine Weekend: The celebration of the season starts tomorrow... Begining Friday, October 17 Paso Robles Wine Country will kick off three days of celebration in recognition of the most important time of year - Harvest!
Have you made your plans to attend a wine maker dinner, open house, grape stomp, seminar, or any other unique opportunity during Harvest Wine Weekend? Click here to learn more about what activities are available to you this Harvest Wine Weekend. Or use the clickable buttons to the left for more information. It's not too late to get involved.
New this year: Harvest your own wine country experience by bringing along a camera. Paso Robles Wine Country invites you to photo document your Harvest Wine Weekend experience and share them with your fellow wine enthusiasts. Simply attend one or more of the over 150 events during Harvest Wine Weekend and send us your photos. The Paso Robles Wine Country Alliance will post them after the event weekend. Three lucky entrants will win tickets to the annual Paso Robles Wine Festival in May 2009. Look for the entry tool on pasowine.com beginning Sunday, October 19.
Whether you always agree with him or not, there's little denying that Robert Parker, Jr. has had a tremendous influence on wine buying. The author and publisher of "The Wine Advocate" for over 25 years has won countless awards, including being appointed a "Chevalier dans l'Ordre de la Legion d'Honneur" in France. He created the now widely-used 100-point wine ranking system and has written extensively about wine industries around the world.
Parker's latest work is the exhaustive "Parker's Wine Buyer's Guide," a 1536-page catalog of the world's great, good, and average wines and comes out on October 7. Far from being dry and laborious, this tome is easy-to-read with lots of maps and regional wine information interspersed with winery and individual wine ratings and prices.
"Parker's Wine Buyer's Guide" is being publishing in trade softcover, in hardcover, and as an e-book simultaneously. Shipping is an issue with a book this large, so the $24.99 ebook is a smart option. The softcover is currently $23 with Amazon.com and you can get free shipping with them for orders over $25. This book would make a good gift for anyone who enjoys wines and/or traveling throughout the world's wine regions.
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A two tier qualification proposal for Brunello? I can't believe it's come down to this... talk about making a mountain out of a molehill. Richard Woodard (decanter.com) writes:
Italian winemaker? Angelo Gaja has said that Brunello should operate a two-tier system and allow other varieties other than Sangiovese.
As the Brunello grape blending furore continues, the veteran Piedmont producer - who also makes Brunello di Montalcino ? has suggested DOC? Brunello should move on and no longer demand the wine is made from 100% Sangiovese.
In an article published this month in Italian newspaper Libero and local Tuscan paper La Nazione, Gaja says that if indeed Brunello producers have been adding other grapes illegally to the wine, then those producers should have been lobbying to get the appellation? rules changed.
It seems appropriate that the mythical figure of the phoenix should enter my imagination when searching for metaphors that could describe the variable fortunes of Verdejo throughout Spain's history. Wine production in general suffered during particularly crippling plague outbreaks, the Moorish Invasions, Reconquista, Wars of Succession and more recently under Franco, among several other trials. Not unlike the development and refinement of viticulture in Burgundy and the Rheingau, however, Verdejo cultivation in the Iberian Peninsula has distinct monastic roots. This is not by coincidence either, as the Castillian countryside, including the more important towns such as Segovia, Ávila and Valladolid gave Europe culturally transcendent figures such as Sts. Juan of the Cross and Teresa of Ávila.
Famous saints aside, the Sanz family has been involved extensively since the revitalization initiated in the region since the 1970?s and 1980?s, along the likes of larger houses such as Marqués de Riscal. Rueda wines, having achieved D.O. status around that time, in 1980, allow for Verdejo to be blended with other local and international white varietals. Sanz produces another (orange label) Con Class Rueda, which represents this type of blend, though I personally find the 100% Verdejo much more exciting and interesting.
I?m quite thrilled that consumers in export markets are now able to find stand-alone bottles of Castillian Verdejo from resurgent Spanish D.O.?s such as Rueda. Along with the producers? adoption of a more updated, state-of-the-art approach towards regional varieties that the Spanish Institute for Foreign Trade (ICEX) people are striving to convey to foreign markets, I find it altogether more noteworthy to see the producers? attitudes themselves skewing towards their own tastes when it comes to the fork in the road that producing for said markets represents. The producer wonders: "What balance do we strike between what we believe regional, indigenous varieties such as Verdejo can achieve, and what North Americans or say, the Chinese and Japanese markets prefer in terms of taste and style?"
Argentines like myself are keenly aware of these issues, particularly when contemplating our neighbors from across the mountain range. The progressive viticultural methodologies and embrace of technology in and of themselves are assets that ultimately yield no rewards if utilized to please foreign sensibilities only. Heavy investment and updated production methods, in this case, however, have done well by Rueda producers?really well in fact. Wines like my pick for this week?s recommendation strike the balance needed to please all palates as well as embody the regional pride that has become a winning formula for many Italian and Portuguese producers (Vinho Regional and IGT appellation schemes, respectively). These artisan producers craft impressive wines where the regional varieties play center-stage roles, and more importantly, in which the style of the wine?s expression is crisp, delicious and sincere?pleasing to local and open-minded foreign palates alike.
My notes follow for the 2006 Con Class Verdejo Rueda D.O. by Sitios de Bodega:
This fine Rueda shows through as a clear lemon hue in the glass. The nose is pronounced and clean, staying true to the nature of this aromatic varietal, with green treefruit (green apple and pear), lively citrus, fresh grass, slight minerality, spice and floral hints. Don?t be fooled by the nose, this wine is from Castille and not Marlborough. Bearing in mind its aromatic profile, though, I?m not at all surprised that wines like this Verdejo are often blended with Sauvignon Blanc. Palate-wise, this one packs a serious amount of flavor into a pale, unassuming little transparent lemon appearance, with thick glycerin and ripe green apple slashed through with intense, lime-citrus acidity. The perfumey floral and grassy fumes here are not to be taken lightly, as they mimic an Altoids-like strength and shoot up behind the nasal passages and subsequently haunt the afterbreath. The lovely finish sticks around quite a bit, with added minerality, warm spice and a grassy angle of pear-green apple flavors lingering in the afterbreath. My last impression that I?d like to convey would be to think twice before pairing this beautiful, personality-packed Verdejo with a crab dish or some other white meat that doesn?t intrinsically hold up much in the way of concentrated flavor.
Well I?m back, with many changes on the way?too many to report on here.The move was predictably stressful, complete with long waits at the police for foreign national registration, idiot bank employees who don?t do what you ask them to, negligent estate agents only interested in their miserable commission?and that?s if they?re still employed, considering the global financial meltdown that ensued, seemingly occurring right after I physically landed at Heathrow and cleared the baggage claim.Oh well, at least the internet service provider finally showed up and set me up, so on towards the more exciting, positive bits of news...I look forward to coming back more often to post, particularly on my own domain.Look for updates on that soon.
Onto the wine?one of the final remaining, seemingly recession-proof products around, particularly if you?re a wine producer from Argentina or South Africa, or perhaps a wine importer in China, but I?m getting ahead of myself again.
I find the UK wine marketplace, from the consumer?s perspective, incredibly fascinating in ways that would make importers and distributors from back in the US think twice and want to look hard and long on certain matters.After all, this is the market from which, time and again, I?ve seen trends emerge, subsequently reaching American stocklists, on average and depending on the specific trend, around 12-18 months later.Whether we?re talking organics, fair-trade wines, an upsurge in country/region-specific wines being consumed (Austria, Bierzo, NZ Pinot Noir, Chilean takes on Alsace, Argentine Tempranillo, and many more ), or even a specific craze for wines that single out a particular grape variety, it always seems like it all begins here first.A small clarification of course, we always need one of those?when I discuss market trends, the proportions I am are referring to could well be regarded as ?mainstream? or en-masse.Leaving aside the handful of enlightened, forward-looking importers, distributors, retailers and agents involved in the US wine trade, I?m thinking of trends that American consumers simply haven?t embraced in mainstream fashion.
What trends am I talking about, then, in terms of the ?here and now??The recently sudden and intense interest, expressed particularly by some of the largest retail entities in the US (Target, Walmart, etc?), in ?certified organic? and ?fair trade? wines, has been preceded by all sorts of retail outlets here in the UK by almost five or six years.In fact, the revered wine education cathedral of sorts, Vinopolis, recently hosted a consumer-oriented Fair Trade tasting featuring South African and South-American wines.In terms of the prevalence of ?Fair Trade certified? wines in the marketplace here, even large supermarket chains maintain extensive production relationships with wine producers in Argentina, Chile and South Africa that intend to compensate the grape farming coops that supply them fairly and ethically.The venerable Trainsfair USA, I believe, is just beginning to crank the gears that will soon establish an American Fair Trade certification scheme in the vein of its successful coffee program.One recently elaborated section of its website seems to be calling all potentially interested retailers, importers and distributors of Fair Trade certified wines, complete with legal advice and guidelines to becoming approved agents.
I don?t have much in the way of a formal set of closing thoughts on this, but a few questions come to mind in terms of this apparent phenomenon where certain trends poke their heads out in the UK first:
1) Could this simply be attributed to there being an altogether greater sense of open-mindedness here in the UK?I?ve seen many food products here, ingredients easily available at mainstream chain supermarkets for very reasonable prices?meats, spices and foods for which I used to have to trek all the way to a Whole Foods in the US, sometimes fifty miles each way, just to get in line and pay frighteningly exorbitant prices, given that my purchases didn?t consist of the bland crap available in most stores.
2) The second question revolves around economic irony:Why is it that the UK is at the forefront of wine consumer trends, as far as imports, when it is actually the US market which the latest reports point to as being the most profitable market to export to, on a per liter of wine basis?This should be taken into account in addition to the US being ranked the second largest export market (by volume).Would the people at the American Association of Wine Economists have a paper on this?
Whether I am here or there, from now on I will be posting recommendations and pieces such as this one on both the American and British wine market environments.More to follow in the near future?
More than fifty award-winning wineries, accompanied by prestigious chefs from around the country, will gather to celebrate the world-class wines of Monterey County during the 2008 Great Wine Escape, November 7th-9th, 2008. Now in its second decade, the 2008 celebration is beckoning oenophiles and foodies from around the country.
So my big sister took me to see Madonna last night for my birthday. It's - ahem - a big one, and it's right around the corner. But I digress. Last night rocked, and here's why: Not long after we arrived at the Oakland arena, we stopped outside of our (nose bleed) section to fish out our tickets. As I reached for mine, a woman brushed by me and knocked my tall cup of water all over the floor right at the entrance to our section. Not wanting anyone to miss seeing Madonna on account of a broken neck, we called out for help from two hipster types standing nearby with "official-looking" passes around their necks. "We don't work for the venue" they shot back, and so we were on our own to mop up the mess until a kind woman who DID work for the venue showed up with a mop. As we made our way past these same two hipster-types on the way into our section, one of them followed us up to our seats and sat down right next to me.
I have been traveling back and forth across the country for the last two weeks and have been working long days for months. In between flights and endless delays in airport waiting lounges, I try to make study time for my WSET exam coming up all too soon in a few days. After a grueling, four-city tour, tonight I feel justified in picking something special to celebrate a clean desk and being home. A bottle of Amarone is definitely appropriate. The bottle I decide on is an Amarone Negar 1961. Yes the vintage is right, 1961.
It was a great year for Italian wine in 1961 ? rain and sun in perfect balance. John Kennedy was president of the USA. The Berlin Wall was under construction. Maria Callas was 38 and at the height of her career. Sophia Loren was starring in El Cid, and I was all of nine years old.
The label is a little worn and torn. The fill level looks promising ? still mid neck ? although there is a little sediment. The cork seems to be okay ? solid and removes easily without crumbling. Should I decant and risk adding too much air? I pour a glass to see what has happened to this 40-something wine.
The color is amazing ? dark red, with a little orange and brick red on the rim. The nose is equally remarkable ? still lots of fruit left on the nose, black cherry with truffle, and a little sherry oxidization odors in the background. A few swirls of the glass and the oxidative aromas disappear.
The taste and finish on this wine is surprising, still full of black cherry, truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body. The acidity must be holding this wine together.
Now, there is a caveat to this story. We both love Amarone, so there is a built in basis here. But points and ratings have no relevance to this wine. It is, quite simply, a great wine. It is like the Callas aria playing on the stereo ? powerful yet filled with grace and finesse. It is an Amarone at its heights. Yes, 1961 was a good vintage year for Italian wines. I am going to lay down some bottles for the future. Susan?s Note:
This Amarone is a perfect example of why Frank and I both hate the point system. Is this a 98 or only a 97 point wine? After all, how do you define the difference of a single point? Or has this venerable liquid actually achieved the enviable position of 100 points despite its initial hint of oxidation? It is only two additional points after all.
And if we were to rate it as a 98, would that make it comparable to the 2004 Cabernet Blend IX Estate from Colgin Cellars that received a 98 point nod from Robert Parker? Hmmm, let?s see. A three-year old blend of 59% Cabernet Sauvignon, 22% Merlot, 13% Cabernet Franc, and 6% Petit Verdot from Napa Valley versus an Italian Amarone with almost half a century of love, care, and passion in its provenance. Somehow, the comparison just doesn?t work ? although I suppose one day, some scientist, somewhere in the world, will come up with a formula that proves you can actually make a meaningful comparison between apples and snow peas.
(Photo of Maria Callas dated 1960, only a year before this wine was produced.)
Social media is creating quite a long tail of industries - lots of software companies, consultants, new modes of public relations, etc, etc. Some of them focused on getting you into using social media, which is great, and many of them aspiring to help you “use” social media for your business. The latter point is what I find interesting.
I’ve spoken on the topic of social media before (with assistance from the self-proclaimed “Bonafide Marketing Genius” Marta Kagan - FYI, I’m glad she has the confidence in herself to tag herself that way b/c she’s one of the few I would actually agree with) and I think the biggest point from my talk and others that I’ve seen (like Marta’s deck) is that this all is an excercise in sociology. There are so many technologies that one could use, so many things that you could do, but in the end what is happening to the web is just another means of connecting, interacting, and getting to know people; not unlike joining a social club (like a sports team, a cultural center, or whatever). In fact, just as you have “different circles of friends” offline (work friends, drinking buddies, sports friends), you’ll develop the same thing online and your community will drive you to the tools.
That’s where the idea “use social media” sticks in my craw a little bit.
I’ve had this blog since 2004 and I’ve interacted with many many people thanks to it. It’s mainly an outlet for my thoughts, creativity, and passion (wine, technology, and marketing) and I’ve made a serious number of friends in the wine industry because of it. My goal was to do exactly that, get to know people in the wine industry. One of the major things its taught me though is that the only way to truly understand what this “social media” thing is all about is to get out and do it. BUT - do it with a genuine desire and understand that its a means to reach out to a community (blog in particular). Its not a sales tool and its not a PR tool for social media any more then going to a conference is a PR tool for you. What I mean is you can go to a conference, chat with people, network, find people that you can stay connected with. If you contribute to the conference (effectively contributing to the ‘community’ that the conference is bringing together) then you can get noticed and in that sense you get some good word-of-mouth publicity.
But here is how to think of “use social media” (Ugh!). Its a sociological, human based filter. Its not a broadcast engine like the “information super highway” or the “series of tubes”. Doesn’t matter what tool/site you use, first and foremost your community has to be on that site and/or using that tool. There is always a “critical mass” that needs to be achieved before the tool gets useful. Kind of like a party, its not really fun until there are a bunch of people you know there.
Once your community is there, interacting, chatting, whatever then the dynamics of what happens is facinating. Things start to get “useful” and the human filter is formed. It becomes a situation where the community is as close as a bunch of office mates even though they are all over the world. I literally consider the community I interact with on Twitter my “virtual office mates” and I genuinely like interacting with them. The reason is that you can contribute (chat, answer questions, and otherwise participate) just like you would any other office. In the case of Twitter, it becomes just like a hallway conversation in an office. You can ignore it for a while, pop your head in with a little bit of nothing to say, put out some information or useful tool to the community, or you can put out a serious question to the group and get some solid answers. Pretty much how you would for any office with cubilcles and hallways.
The best part of all this is that when the community reaches critical mass of people in a certain technology/tool who genuinely like to talk about a particular topic, forming an open community, thats when the best things come out. If you contribute something to that community that is truly useful, it will get passed on to everyone very quickly. People will decide if what you said is interesting, show their friends and, if its applicable, their friends may pass on the information to their other “open communities”. The network effect takes over and your information has just become “viral” (i.e. it will spread not only in the current ‘circle of friends’ but to other ‘circles of friends’). More importantly, the human filter took over and since that useful piece of information you generated is actually VERY useful, it will get passed on for a while (or very funny, or very interesting in some other way - the latest on Twitter was a streaming video of puppies, not useful, just very Zen).
So if you find an open community or want to know where there is critical mass already for a community you want to learn about (for instance - the wine community is embracing Twitter and Social Networks) on one of these tools the best way to “use social media” (I hate the term because it makes me feel like “use your friends”, but I guess there isn’t a better way to say it) is to contribute in significant ways. Add to the community but more importantly be YOURSELF. If people like you, they like you. If they don’t, guess what…they don’t. There isn’t alot of advice that can be given there that your parents should’ve taught you before Kindergarten. Thats the funny truth of this “social media” craze. The fundamental sociological point is that this is making friends. Because even if you contribute something that spreads from network to network like wildfire, when those people check you out and “follow you” on Twitter, or Facebook, or whatever, then they start to get to know you in a more personal way then anyone over 25 ever thought possible. If you’re obviously contributing to promote your business it will come across. If you genuinely approach this medium (regardless of technology) as “getting to know people” in the way you’ve always done then you’ll not only have that “viral hit” you won’t be an online “one hit wonder”, you’ll have friends who can help you when you’re down, connect you to others, help you build business, get emotionally invested in your brand…. i.e. you’ll be a part of a community and how you do that is something your Mom and Dad shoulda taught you.
FYI - if you’re doing it for a business/brand it doesn’t matter - if people don’t like your personality, they won’t like your brand. These things have a way of piercing the corporate PR veil. Want an example? Supposedly Cisco “gets” blogging. Read their blogs and you tell me what you think….
According to the company, the ‘podcasks’ provide the latest updates on wine news, en primeur releases and wine events as well as featuring exclusive interviews with some of the biggest names in the world of fine wine.
This California sourced Pinot is a purple cranberry hue with some depth. Strawberries and Pinot nose with sweet spicy raspberry hints.
Palate--fresh, fruity strawberry/raspberry palate with a delicate tartness that lends some life, finishing with some fruit.
Okay, here's the surprise--this is a very drinkable Pinot with some down right Pinot character and yet this wine cost a ridiculous $6. That's what I call a "value" wine! Raise a glass.
This merry band of merchants, flying the flag for small, artisanal wineries with distinctive, regional wines came to Fulham last week to give both press and public a chance to see what they have to offer.
The lower and upper ends of the wine market are well served by supermarkets and the "establishment" but there is increasing demand for wine between these extremes. The best value for quality of wines with integrity and interest. These merchants are really passionate about their lists and usually have personal relationships built up with the producers so they have fairly extensive knowledge of the vineyards, wineries and vintages.
Some of the listings are inevitably idiosyncratic and not all the wines will be to everyone's taste but these are dedicated people who will help you find treasures you will come back for again and again.
Jim Monks from Decanter Wines is a private collector who started by bringing in pallets for his own cellar, his approach is unashamedly personal (all the wines are aged in his cellar until he feels they are ready to drink and only then offered to the public) and any commercial success is second to his goal of providing himself with the kind of wine he wants to drink. Luckily, his taste seems to be shared and his wines show very well.
Also showing was Nick Dobson a self-proclaimed "niche player" with some outstanding and unusual wines from Switzerland, Austria and Germany. With these countries slowly garnering a following for their wines it is worth knowing where to track down some great examples.
Also well-represented were Amordivino, Italian importers; The Big Red Wine Company showing mainly the Southern Rhone on this occasion; Abbe Arrous whose "Cyrcée, Collioure 2002" was the outstanding wine of the day for me; and Leon Stolarski with a wonderfully diverse selection of regional French wine.
The full list of tasting notes will be put up on this site but have a look at their website and sign up to their free monthly newsletter asdw.org.uk it is always going to be worth finding something a little bit different and a little bit special.
The price of this on Wine Market is currently $39.99. The price will rise tomorrow afternoon. Get in now if you want some of this lovely Barossa Shiraz.
Ringing in at 13.5% alcohol by volume, this cheap wine was an equal match to the FishEye Merlot. From Ripon, California, this wine lets the fruit speak for itself. Along with the dark plum taste, I also experienced a little pepper in the nose.
At only 8 dollars a bottle, I found this to be a great wine. I had mine with Spicy Montreal seasoning. Try it! Rating: 7/10 Price: 7.99 Place of purchase: L&L Grocery Vineyard Info: FishEye Winery Ripon, CA www.fisheyewines.com
Tecnorati
airport waiting lounges, I try to make study time for my 
truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body. The acidity must be holding this wine together.
